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THE OLD-TIME RELIGION

BY JULIA PICKERING

Brother Simon. I say, Brover Horace, I hearn you give Meriky de terriblest beating las' nite. What you and she hab a fallin'-out about?

Brother Horace. Well, Brover Simon, you knows yourself I never has no dejection to splanifying how I rules my folks at home, and 'stablishes order dar when it's p'intedly needed; and 'fore gracious! I leab you to say dis time ef 'twant needed, and dat pow'ful bad.

You see, I'se allers been a plain, straight-sided nigger, an' hain't never had no use for new fandangles, let it be what it mout; 'ligion, polytix, bisness – don't ker what. Ole Horace say: "De ole way am de bes' way, an' you niggers dat's all runnin' teetotleum crazy 'bout ebery new gimerack dat's started, better jes' stay whar you is and let them things alone." But dey won't do it; no 'mount of preaching won't sarve um. And dat is jes' at this partickeler pint dat Meriky got dat dressin'. She done been off to Richmun town, a-livin' in sarvice dar dis las' winter, and Saturday a week ago she camed home ter make a visit. Course we war all glad to see our darter. But you b'l'eve dat gal hadn't turned stark bodily naked fool? Yes, sir; she wa'n't no more like de Meriky dat went away jes' a few munts ago dan chalk's like cheese. Dar she come in wid her close pinned tight enuff to hinder her from squattin', an' her ha'r a-danglin' right in her eyes, jes' for all de worl' like a ram a-looking fru a brush-pile, and you think dat nigger hain't forgot how to talk! She jes' rolled up her eyes ebery oder word, and fanned and talked like she 'spected to die de nex' breff. She'd toss dat mush-head ob hern and talk proper as two dixunarys. 'Stead ob she call-in' ob me "daddy" and her mudder "mammy," she say: "Par and mar, how can you bear to live in sech a one-hoss town as this? Oh! I think I should die." And right about dar she hab all de actions ob an' old drake in a thunder-storm. I jes' stared at dat gal tell I make her out, an' says I to myself: "It's got to come;" but I don't say nothin' to nobody 'bout it – all de same I knowed it had to come fus' as las'. Well, I jes' let her hab more rope, as de sayin' is, tell she got whar I 'cluded war 'bout de end ob her tedder. Dat was on last Sunday mornin', when she went to meetin' in sich a rig, a-puttin' on airs, tell she couldn't keep a straight track. When she camed home she brung kumpny wid her, and, ob course, I couldn't do nuthin' then; but I jes' kept my ears open, an' ef dat gal didn't disquollify me dat day, you ken hab my hat. Bimeby dey all gits to talkin' 'bout 'ligion and de churches, and den one young buck he step up, an' says he: "Miss Meriky, give us your 'pinion 'bout de matter." Wid dat she flung up her head proud as de Queen Victory, an' says she: "I takes no intelligence in sich matters; dey is all too common for me. Baptisses is a foot or two below my grade. I 'tends de 'Pisclopian Church whar I resides, an' 'specs to jine dat one de nex' anniversary ob de bishop. Oh! dey does eberything so lovely, and in so much style. I declar' nobody but common folks in de city goes to de Babtiss Church. It made me sick 't my stomuck to see so much shoutin' and groanin' dis mornin'; 'tis so ungenteel wid us to make so much sarcumlocutions in meetin'." And thar she went a-giratin' 'bout de preacher a-comin' out in a white shirt, and den a-runnin' back and gittin' on a black one, and de people a-jumpin' up and a-jawin' ob de preacher outen a book, and a-bowin' ob deir heads, and a-saying long rigmaroles o' stuff, tell my head fairly buzzed, and were dat mad at de gal I jes' couldn't see nuffin' in dat room. Well, I jes' waited tell the kumpny riz to go, and den I steps up, and says I: "Young folks, you needn't let what Meriky told you 'bout dat church put no change inter you. She's sorter out ob her right mine now, but de nex' time you comes she'll be all right on dat and seberal oder subjicks;" and den dey stared at Meriky mighty hard and goed away.

Well, I jes' walks up to her, and I says: "Darter," says I, "what chu'ch are dat you say you gwine to jine?" And says she, very prompt like: "De 'Pisclopian, pa." And says I: "Meriky, I'se mighty consarned 'bout you, kase I knows your mine ain't right, and I shall jes' hab to bring you roun' de shortest way possible." So I retch me a fine bunch of hick'ries I done prepared for dat 'casion. And den she jumped up, and says she: "What make you think I loss my senses?" "Bekase, darter, you done forgot how to walk and to talk, and dem is sure signs." And wid dat I jes' let in on her tell I 'stonished her 'siderably. 'Fore I were done wid her she got ober dem dying a'rs, and jumped as high as a hopper-grass. Bimeby she 'gins to holler: "Oh, Lordy, daddy! daddy! don't give me no more."

And says I: "You're improvin', dat's a fac'; done got your natural voice back. What chu'ch does you 'long to, Meriky?" And says she, a-cryin': "I don't 'long to none, par."

Well, I gib her anodder leetle tetch, and says I: "What chu'ch does you 'long to, darter?" And says she, all choked like: "I doesn't 'long to none."

Den I jes' make dem hick'ries ring for 'bout five minutes, and den I say: "What chu'ch you 'longs to now, Meriky?" And says she, fairly shoutin': "Baptiss; I'se a deep-water Baptiss." "Berry good," says I. "You don't 'spect to hab your name tuck offen dem chu'ch books?" And says she: "No, sar; I allus did despise dem stuck-up 'Pisclopians; dey ain't got no 'ligion nohow."

Brover Simon, you never see a gal so holpen by a good genteel thrashin' in all your days. I boun' she won't neber stick her nose in dem new-fandangle chu'ches no more. Why, she jes' walks as straight dis morning, and looks as peart as a sunflower. I'll lay a tenpence she'll be a-singin' before night dat good ole hyme she usened to be so fond ob. You knows, Brover Simon, how de words run:

 
"Baptis, Baptis is my name,
My name is written on high;
'Spects to lib and die de same,
My name is written on high."
 

Brother Simon. Yes, dat she will, I be boun'; ef I does say it, Brover Horace, you beats any man on church guberment an' family displanement ob anybody I ever has seen.

Brother Horace. Well, Brover, I does my bes'. You mus' pray for me, so dat my han's may be strengthened. Dey feels mighty weak after dat conversion I give dat Meriky las' night. —Scribner's Monthly, Bric-à-Brac, 1876.

If it is unadulterated consolation that you need, try

AUNTY DOLEFUL'S VISIT

BY MARY KYLE DALLAS

How do you do, Cornelia? I heard you were sick, and I stepped in to cheer you up a little. My friends often say: "It's such a comfort to see you, Aunty Doleful. You have such a flow of conversation, and are so lively." Besides, I said to myself, as I came up the stairs: "Perhaps it's the last time I'll ever see Cornelia Jane alive."

You don't mean to die yet, eh? Well, now, how do you know? You can't tell. You think you are getting better, but there was poor Mrs. Jones sitting up, and every one saying how smart she was, and all of a sudden she was taken with spasms in the heart, and went off like a flash. Parthenia is young to bring the baby up by hand. But you must be careful, and not get anxious or excited. Keep quite calm, and don't fret about anything. Of course, things can't go on jest as if you were down-stairs; and I wondered whether you knew your little Billy was sailing about in a tub on the mill-pond, and that your little Sammy was letting your little Jimmy down from the veranda-roof in a clothes-basket.

Gracious goodness, what's the matter? I guess Providence'll take care of 'em. Don't look so. You thought Bridget was watching them? Well, no, she isn't. I saw her talking to a man at the gate. He looked to me like a burglar. No doubt she'll let him take the impression of the door-key in wax, and then he'll get in and murder you all. There was a family at Bobble Hill all killed last week for fifty dollars. Now, don't fidget so; it will be bad for the baby.

Poor, little dear! How singular it is, to be sure, that you can't tell whether a child is blind, or deaf and dumb, or a cripple at that age. It might be all, and you'd never know it.

Most of them that have their senses make bad use of them though; that ought to be your comfort, if it does turn out to have anything dreadful the matter with it. And more don't live a year. I saw a baby's funeral down the street as I came along.

How is Mr. Kobble? Well, but finds it warm in town, eh? Well, I should think he would. They are dropping down by hundreds there with sun-stroke. You must prepare your mind to have him brought home any day. Anyhow, a trip on these railroad trains is just risking your life every time you take one. Back and forth every day as he is, it's just trifling with danger.

Dear! dear! now to think what dreadful things hang over us all the time! Dear! dear!

Scarlet fever has broken out in the village, Cornelia. Little Isaac Potter has it, and I saw your Jimmy playing with him last Saturday.

Well, I must be going now. I've got another sick friend, and I sha'n't think my duty done unless I cheer her up a little before I sleep. Good-by. How pale you look, Cornelia! I don't believe you have a good doctor. Do send him away and try some one else. You don't look so well as you did when I came in. But if anything happens, send for me at once. If I can't do anything else, I can cheer you up a little.

Mrs. Dallas, who lives in New York City, is a regular correspondent of the New York Ledger, having taken Fanny Fern's place on that widely circulated paper, is a prominent member of "Sorosis," and her Tuesday evening receptions draw about her some of the brightest society of that cosmopolitan centre.

All these selections are prizes for the long-suffering elocutionist who is expected to entertain his friends with something new, laughter-provoking, and fully up to the mark.

Mrs. Ames, of Brooklyn, known to the public as "Eleanor Kirk," has revealed in her "Thanksgiving Growl" a bit of honest experience, refreshing with its plain Saxon and homely realism, which, when recited with proper spirit, is most effective.

A THANKSGIVING GROWL

 
Oh, dear! do put some more chips on the fire,
And hurry up that oven! Just my luck —
To have the bread slack. Set that plate up higher!
And for goodness' sake do clear this truck
Away! Frogs' legs and marbles on my moulding-board!
What next I wonder? John Henry, wash your face;
And do get out from under foot, "Afford more
Cream?" Used all you had? If that's the case,
Skim all the pans. Do step a little spryer!
I wish I hadn't asked so many folks
To spend Thanksgiving. Good gracious! poke the fire
And put some water on. Lord, how it smokes!
I never was so tired in all my life!
And there's the cake to frost, and dough to mix
For tarts. I can't cut pumpkin with this knife!
Some women's husbands know enough to fix
The kitchen tools; but, for all mine would care,
I might tear pumpkin with my teeth. John Henry,
If you don't plant yourself on that 'ere chair,
I'll set you down so hard that you'll agree
You're stuck for good. Them cranberries are sour,
And taste like gall beside. Hand me some flour,
And do fly round. John Henry, wipe your nose!
I wonder how 'twill be when I am dead?
"How my nose'll be?" Yes, how your nose'll be,
And how your back'll be. If that ain't red
I'll miss my guess. I don't expect you'll see —
You nor your father neither – what I've done
And suffered in this house. As true's I live
Them pesky fowl ain't stuffed! The biggest one
Will hold two loaves of bread. Say, wipe that sieve,
And hand it here. You are the slowest poke
In all Fairmount. Lor'! there's Deacon Gubben's wife!
She'll be here to-morrow. That pan can soak
A little while. I never in my life
Saw such a lazy critter as she is.
If she stayed home, there wouldn't be a thing
To eat. You bet she'll fill up here! "It's riz?"
Well, so it has. John Henry! Good king!
How did that boy get out? You saw him go
With both fists full of raisins and a pile
Behind him, and you never let me know!
There! you've talked so much I clean forgot the rye.
I wonder if the Governor had to slave
As I do, if he would be so pesky fresh about
Thanksgiving Day? He'd been in his grave
With half my work. What, get along without
An Indian pudding? Well, that would be
A novelty. No friend or foe shall say
I'm close, or haven't as much variety
As other folks. There! I think I see my way
Quite clear. The onions are to peel. Let's see:
Turnips, potatoes, apples there to stew,
This squash to bake, and lick John Henry!
And after that – I really think I'm through.
 

CHAPTER VII
PROSE, BUT NOT PROSY

Mrs. Alice Wellington Rollins, in those interesting articles in the Critic which induced me to look further, says:

"We claim high rank for the humor of women because it is almost exclusively of this higher, imaginative type. A woman rarely tells an anecdote, or hoards up a good story, or comes in and describes to you something funny that she has seen. Her humor is like a flash of lightning from a clear sky, coming when you least expect it, when it could not have been premeditated, and when, to the average consciousness, there is not the slightest provocation to humor, possessing thus in the very highest degree that element of surprise which is not only a factor in all humor, but to our mind the most important factor. You tell her that you cannot spend the winter with her because you have promised to spend it with some one else, and she exclaims: 'Oh, Ellen! why were you not born twins!' She has, perhaps, recently built for herself a most charming home, and coming to see yours, which happens to be just a trifle more luxurious and charming, she remarks as she turns away: 'All I can say is, when you want to see squalor, come and visit me in Oxford Street!' She puts down her heavy coffee-cup of stone-china with its untasted coffee at a little country inn, saying, with a sigh: 'It's no use; I can't get at it; it's like trying to drink over a stone wall.' She writes in a letter: 'We parted this morning with mutual satisfaction; that is, I suppose we did; I know my satisfaction was mutual enough for two.' She asks her little restless daughter in the most insinuating tones if she would not like to sit in papa's lap and have him tell her a story; and when the little daughter responds with a most uncompromising 'no!' turns her inducement into a threat, and remarks with severity: 'Well, be a good girl, or you will have to!' She complains, when you have kept her waiting while you were buying undersleeves, that you must have bought 'undersleeves enough for a centipede.' You ask how poor Mr. X – is – the disconsolate widower who a fortnight ago was completely prostrated by his wife's death, and are told in calm and even tones that he is 'beginning to take notice.' You tell her that one of the best fellows in the class has been unjustly expelled, and that the class are to wear crape on their left arms for thirty days, and that you only hope that the President will meet you in the college-yard and ask why you wear it; to all of which she replies soothingly, 'I wouldn't do that, Henry; for the President might tell you not to mourn, as your friend was not lost, only gone before.' You tell her of your stunned sensation on finding some of your literary work complimented in the Nation, and she exclaims: 'I should think so! It must be like meeting an Indian and seeing him put his hand into his no-pocket to draw out a scented pocket-handkerchief, instead of a tomahawk.' Or she writes that two Sunday-schools are trying to do all the good they can, but that each is determined at any cost to do more good than the other."

I have selected several specimens of this higher type of humor.

Mrs. Ellen H. Rollins was pre-eminently gifted in this direction. The humor in her exquisite "New England Bygones" is so interwoven with the simple pathos of her memories that it cannot be detached without detriment to both. But I will venture to select three sketches from

OLD-TIME CHILD LIFE

BY E.H. ARR

Betsy had the reddest hair of any girl I ever knew. It was quite short in front, and she had a way of twisting it, on either temple, into two little buttons, which she fastened with pins. The rest of it she brought quite far up on the top of her head, where she kept it in place with a large-sized horn comb. Her face was covered with freckles, and her eyes, in winter, were apt to be inflamed. She always seemed to have a mop in her hand, and she had no respect for paint. She was as neat as old Dame Safford herself, and was continually "straightening things out," as she called it. Her temper, like her hair, was somewhat fiery; and when her work did not suit her, she was prone to a gloomy view of life. If she was to be believed, things were always "going to wrack and ruin" about the house; and she had a queer way of taking time by the forelock. In the morning it was "going on to twelve o'clock," and at noon it was "going on to midnight."

She kept her six kitchen chairs in a row on one side of the room, and as many flatirons in a line on the mantelpiece. Everything where she was had, she said, to "stand just so;" and woe to the child who carried crookedness into her straight lines! Betsy had a manner of her own, and made a wonderful kind of a courtesy, with which her skirts puffed out all around like a cheese. She always courtesied to Parson Meeker when she met him, and said: "I hope to see you well, sir." Once she courtesied in a prayer-meeting to a man who offered her a chair, and told him, in a shrill voice, to "keep his setting," though she was "ever so much obleeged" to him. This was when she was under conviction, and Parson Meeker said he thought she had met with a change of heart. Father Lathem's wife hoped so too, for then "there would be a chance of having some Long-noses and Pudding-sweets left over in the orchard."

It was in time of the long drought, when fire ran over Grayface, and a great comet appeared in the sky. Some of the people of Whitefield thought the world was coming to an end. The comet stayed for weeks, visible even at noon-day, stretching its tail from the zenith far toward the western horizon, and at night staring in at windows with its eye of fire. It was the talk of the people, who pondered over it with a helpless wonder. I recall two Whitefield women as they stood, one morning, bare-armed in a doorway, staring at and chattering about it. One says they "might as well stop work" and "take it easy" while they can. The other thinks the better way is to "keep on a stiddy jog until it comes." They wish they knew "how near it is," and "what the tail means anyway."

Betsy comes along with a pail, which she sets down, and then looks up to the comet. The air is dense with smoke from Grayface, and the dry earth is full of cracks. Betsy declares that it is "going on two months since there has been any rain." Everything is "going to wrack and ruin," and "if that thing up there should burst, there'll be an end to Whitefield."

Then she catches sight of me listening wide-mouthed, and she tells me that I needn't suppose she is "going home to iron my pink muslin," for she thinks the tail of the comet "has started, and is coming right down to whisk it off from the line." I believe her, and distinctly remember the terror that took hold of me as I rushed home and tore the pink muslin from the line, lest it should be whisked off by the comet's tail.

When the drought broke, a single day's rain washed all the smoke from the air. Directly, the tail of the comet began to fade, and all of a sudden its fiery eye went out of the sky.

Some of the villagers thought it had "burst," others that it had "burned out." Betsy said: "Whatever it was, it was a humbug;" and the wisest man in Whitefield could neither tell whence it came nor whither it went. One thing, however, was certain: Farmer Lathem said that never, since his orchard began to bear, had he gathered such a crop of apples as he did, despite the drought, in the year of the great comet.

MRS. MEEKER

BY E.H. ARR

When I read of Roman matrons I always think of Mrs. Meeker. Her features were marked, and her eyes of deepest blue. She wore her hair combed closely down over her ears, so that her forehead seemed to run up in a point high upon her head: Its color was of reddish-brown, and, I am sorry to say, so far as it was seen, it was not her own. It was called a scratch, and Betsy said Mrs. Meeker "would look enough sight better if she would leave it off." Whether any hair at all grew upon Mrs. Meeker's head was a great problem with the village children, and nothing could better illustrate the dignity of this woman than the fact that for more than thirty years the whole neighborhood tried in vain to find out.