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It is fitting that our last quotation should be one which leaves the Cardinal face to face with his faith.

Dr. Newman's poetry cannot be passed over without a word, though I am ill-fitted to do it justice. Lead, Kindly Light has forced its way into every hymn-book and heart. Those who go, and those who do not go to church, the fervent believer and the tired-out sceptic here meet on common ground. The language of the verses in their intense sincerity seems to reduce all human feelings, whether fed on dogmas and holy rites or on man's own sad heart, to a common denominator.

 
‘The night is dark, and I am far from home,
Lead Thou me on.’
 

The believer can often say no more. The unbeliever will never willingly say less.

Amongst Dr. Newman's Verses on Various Occasions– though in some cases the earlier versions to be met with in the Lyra Apostolica are to be preferred to the later – poems will be found by those who seek, conveying sure and certain evidence of the possession by the poet of the true lyrical gift – though almost cruelly controlled by the course of the poet's thoughts and the nature of his subjects. One is sometimes constrained to cry, 'Oh, if he could only get out into the wild blowing airs, how his pinions would sweep the skies!' but such thoughts are unlicensed and unseemly. That we have two such religious poets as Cardinal Newman and Miss Christina Rossetti is or ought to be matter for sincere rejoicing.

II

To the inveterate truth-hunter there has been much of melancholy in the very numerous estimates, hasty estimates no doubt, but all manifestly sincere, which the death of Cardinal Newman has occasioned.

The nobility of the pursuit after truth wherever the pursuit may lead has been abundantly recognised. Nobody has been base enough or cynical enough to venture upon a sneer. It has been marvellous to notice what a hold an unpopular thinker, dwelling very far apart from the trodden paths of English life and thought, had obtained upon men's imaginations. The 'man in the street' was to be heard declaring that the dead Cardinal was a fine fellow. The newspaper-makers were astonished at the interest displayed by their readers. How many of these honest mourners, asked the Globe, have read a page of Newman's writings? It is a vain inquiry. Newman's books have long had a large and increasing sale. They stand on all sorts of shelves, and wherever they go a still, small voice accompanies them. They are speaking books; an air breathes from their pages.

 
‘Again I saw and I confess'd
Thy speech was rare and high,
And yet it vex'd my burden'd breast,
And scared I knew not why.’
 

It is a strange criticism that recently declared Newman's style to lack individuality. Oddity it lacked, and mannerisms, but not, so it seems to me, individuality.

But this wide recognition of Newman's charm both of character and style cannot conceal from the anxious truth-hunter that there has been an almost equally wide recognition of the futility of Newman's method and position.

Method and position? These were sacred words with the Cardinal. But a few days ago he seemed securely posed before the world. It cannot surely have been his unrivalled dialectics only that made men keep civil tongues in their heads or hesitate to try conclusions with him. It was rather, we presume, that there was no especial occasion to speak of him otherwise than with the respect and affection due to honoured age. But when he is dead – it is different. It is necessary then to gauge his method and to estimate his influence, not as a living man, but as a dead one.

And what has that estimate been? The saintly life, the mysterious presence, are admitted, and well-nigh nothing else. All sorts of reasons are named, some plausible, all cunningly contrived, to account for Newman's quarrel with the Church of his baptism. A writer in the Guardian suggests one, a writer in the Times another, a writer in the Saturday Review a third, and so on.

However much these reasons may differ one from another, they all agree in this, that of necessity they have ceased to operate. They were personal reasons, and perished with the man whose faith and actions they controlled. Nobody else, it has been throughout assumed, will become a Romanist for the same reasons as John Henry Newman. If he had not been brought up an Evangelical, if he had learnt German, if he had married, if he had been made an archdeacon, all would have been different.

There is something positively terrible in this natural history of opinion. All the passion and the pleading of a life, the thought, and the labour, the sustained argument, the library of books, reduced to what? – a series of accidents!

Newman himself well knew this aspect of affairs. No one's plummet since Pascal's had taken deeper soundings of the infirmity – the oceanic infirmity – of the intellect. What actuary, he asks contemptuously, can appraise the value of a man's opinions? In how many a superb passage does he exhibit the absurd, the haphazard fashion in which men and women collect the odds and ends, the bits and scraps they are pleased to place in the museum of their minds, and label, in all good faith, their convictions! Newman almost revels in such subjects. The solemn pomposity which so frequently dignifies with the name of research or inquiry feeble scratchings amongst heaps of verbosity had no more determined foe than the Cardinal.

But now the same measure is being meted out to him, and we are told of a thinker's life – it is nought.

He thought he had constructed a way of escape from the City of Destruction for himself and his followers across the bridge of that illative sense which turns conclusions into assents, and opinions into faiths – but the bridge seems no longer standing.

The writer in the Guardian, who attributes Newman's restlessness in the English Church to the smug and comfortable life of many of its clergy rather than to any especial craving after authority, no doubt wrote with knowledge.

A married clergy seemed always to annoy Newman. Readers of Loss and Gain are not likely to forget the famous 'pork chop' passage, which describes a young parson and his bride bustling into a stationer's shop to buy hymnals and tracts. What was once only annoyance at some of the ways of John Bull on his knees, soon ripened into something not very unlike hatred. Never was any invention less ben trovato than that which used to describe Newman as pining after the 'incomparable liturgy' or the 'cultured society' of the Church of England. He hated ex animo all those aspects of Anglicanism which best recommend it to Erastian minds. A church of which sanctity is not a note is sure to have many friends.

The Saturday Review struck up a fine national tune:

'An intense but narrow conception of personal holiness, and personal satisfaction with dogma, ate him (Newman) up – the natural legacy of the Evangelical school in which he had been nursed, the great tradition of Tory churchmanship, of pride in the Church of England, as such, of determination to stand shoulder to shoulder in resisting the foreigner, whether he came from Rome or from Geneva, from Tübingen, or from Saint Sulpice, of the union of all social and intellectual culture with theological learning – the idea which, alone of all such ideas, has made education patriotic, and orthodoxy generous, made insufficient appeal to him, and for want of it he himself made shipwreck.'

Here is John Bullism, bold and erect. If the Ark of Peter won't hoist the Union Jack, John Bull must have an Ark of his own, with patriotic clergy of his own manufacture tugging at the oar, and with nothing foreign in the hold save some sound old port. 'It will always be remembered to Newman's credit,' says this same reviewer, 'that he knew good wine if he did not drink much.' Mark the 'If'; there is much virtue in it.

We are now provided with two causes of Newman's discomfort in the Church of England – its too comfortable clergy, and its too frequent introduction of the lion and the unicorn amongst the symbols of religion – both effective causes, as may be proved by many passages; but to say that either or both availed to drive him out, and compelled him to seek shelter at the hands of one whom he had long regarded as a foe, is to go very far indeed.

It should not be overlooked that these minimisers of Newman's influence are all firmly attached for different reasons to the institution Newman left. Their judgments therefore cannot be allowed to pass unchallenged. What Disraeli meant when he said that Newman's secession had dealt the Church of England a blow under which it still reeled, was that by this act Newman expressed before the whole world his profound conviction that our so-called National Church was not a branch of the Church Catholic. And this really is the point of weakness upon which Newman hurled himself. This is the damage he did to the Church of this island. Throughout all his writings, in a hundred places, in jests and sarcasms as well as in papers and arguments, there crops up this settled conviction that England is not a Catholic country, and that John Bull is not a member of the Catholic Church.

This may not matter much to the British electorate; but to those who care about such things, who rely upon the validity of orders and the efficacy of sacraments, who need a pedigree for their faith, who do not agree with Emerson that if a man would be great he must be a Nonconformist – over these people it would be rash to assume that Newman's influence is spent. The general effect of his writings, the demands they awaken, the spirit they breathe, are all hostile to Anglicanism. They create a profound dissatisfaction with, a distaste for, the Church of England as by law established. Those who are affected by this spirit will no longer be able comfortably to enjoy the maimed rites and practices of their Church. They will feel their place is elsewhere, and sooner or later they will pack up and go. It is far too early in the day to leave Newman out of sight.

But to end where we began. There has been scant recognition in the Cardinal's case of the usefulness of devoting life to anxious inquiries after truth. It is very noble to do so, and when you come to die, the newspapers, from the Times to the Sporting Life, will first point out, after their superior fashion, how much better was this pure-minded and unworldly thinker than the soiled politician, full of opportunism and inconsistency, trying hard to drown the echoes of his past with his loud vociferations, and then proceed in a few short sentences to establish how out of date is this Thinker's thought, how false his reasoning, how impossible his conclusions, and lastly, how dead his influence.

It is very puzzling and difficult, and drives some men to collect butterflies and beetles. Thinkers are not, however, to be disposed of by scratches of the pen. A Cardinal of the Roman Church is not, to say the least of it, more obviously a shipwreck than a dean or even a bishop of the English establishment. Character, too, counts for something. Of Newman it may be said:

 
‘Fate gave what chance shall not control,
His sad lucidity of soul.’
 

But the truth-hunter is still unsatisfied.

MATTHEW ARNOLD

I

The news of Mr. Arnold's sudden death at Liverpool struck a chill into many hearts, for although a somewhat constrained writer (despite his playfulness) and certainly the least boisterous of men, he was yet most distinctly on the side of human enjoyment. He conspired and contrived to make things pleasant. Pedantry he abhorred. He was a man of this life and this world. A severe critic of the world he indeed was, but finding himself in it and not precisely knowing what is beyond it, like a brave and true-hearted man he set himself to make the best of it. Its sight and sounds were dear to him. The 'uncrumpling fern,' the eternal moon-lit snow, 'Sweet William with its homely cottage-smell,' 'the red grouse springing at our sound,' the tinkling bells of the 'high-pasturing kine,' the vagaries of men, women, and dogs, their odd ways and tricks, whether of mind or manner, all delighted, amused, tickled him. Human loves, joys, sorrows, human relationships, ordinary ties interested him:

 
‘The help in strife,
The thousand sweet still joys of such
As hand in hand face earthly life.’
 

In a sense of the words which is noble and blessed, he was of the Earth Earthy.

In his earlier days Mr. Arnold was much misunderstood. That rowdy Philistine the Daily Telegraph called him 'a prophet of the kid-glove persuasion,' and his own too frequent iteration of the somewhat dandiacal phrase 'sweetness and light' helped to promote the notion that he was a fanciful, finikin Oxonian, quite unfit for the most ordinary wear and tear of life. He was in reality nothing of the kind, though his literary style was a little in keeping with this false conception. His mind was based on the plainest possible things. What he hated most was the fantastic – the far-fetched, all elaborated fancies, and strained interpretations. He stuck to the beaten track of human experience, and the broader the better. He was a plain-sailing man. This is his true note. In his much criticised, but as I think admirable introduction to the selection he made from Wordsworth's poems, he admits that the famous Ode on Intimations of Immortality from Recollections in Early Childhood is not one of his prime favourites, and in that connection he quotes from Thucydides the following judgment on the early exploits of the Greek Race and applies it to these intimations of immortality in babies. 'It is impossible to speak with certainty of what is so remote, but from all that we can really investigate I should say that they were no very great things.'

 
‘A fine puss gentleman that's all perfume,’
 

This quotation is in Mr. Arnold's own vein. His readers will have no difficulty in calling to mind numerous instances in which his dislike of everything not broadly based on the generally admitted facts of sane experience manifests itself. Though fond – perhaps exceptionally fond – of pretty things and sayings, he had a severe taste, and hated whatever struck him as being in the least degree sickly, or silly, or over-heated. No doubt he may often have considered that to be sickly or silly which in the opinion of others was pious and becoming. It may be that he was over-impatient of men's flirtations with futurity. As his paper on Professor Dowden's Life of Shelley shows, he disapproved of 'irregular relations.' He considered we were all married to plain Fact, and objected to our carrying on a flirtation with mystic maybe's and calling it Religion. Had it been a man's duty to believe in a specific revelation it would have been God's duty to make that revelation credible. Such, at all events, would appear to have been the opinion of this remarkable man, who though he had even more than his share of an Oxonian's reverence for the great Bishop of Durham, was unable to admit the force of the main argument of The Analogy. Mr. Arnold was indeed too fond of parading his inability for hard reasoning. I am not, he keeps saying, like the Archbishop of York, or the Bishop of Gloucester and Bristol. There was affectation about this, for his professed inferiority did not prevent him from making it almost excruciatingly clear that in his opinion those gifted prelates were, whilst exercising their extraordinary powers, only beating the air, or in plainer words busily engaged in talking nonsense. But I must not wander from my point, which simply is that Arnold's dislike of anything recondite or remote was intense, genuine, and characteristic.

He always asserted himself to be a good Liberal. So in truth he was. A better Liberal than many a one whose claim to that title it would be thought absurd to dispute. He did not indeed care very much about some of the articles of the Liberal creed as now professed. He had taken a great dislike to the Deceased Wife's Sister Bill. He wished the Church and the State to continue to recognise each other. He had not that jealousy of State interference in England which used to be (it is so no longer) a note of political Liberalism. He sympathised with Italian national aspirations because he thought it wrong to expect a country with such a past as Italy to cast in her lot with Austria. He did not sympathise with Irish national aspirations because he thought Ireland ought to be willing to admit that she was relatively to England an inferior and less interesting country, and therefore one which had no moral claim for national institutions. He may have been right or wrong on these points without affecting his claim to be considered a Liberal. Liberalism is not a creed, but a frame of mind. Mr. Arnold's frame of mind was Liberal. No living man is more deeply permeated with the grand doctrine of Equality than was he. He wished to see his countrymen and countrywomen all equal: Jack as good as his master, and Jack's master as good as Jack; and neither taking claptrap. He had a hearty un-English dislike of anomalies and absurdities. He fully appreciated the French Revolution and was consequently a Democrat. He was not a democrat from irresistible impulse, or from love of mischief, or from hatred of priests, or like the average British workman from a not unnatural desire to get something on account of his share of the family inheritance – but all roads lead to Rome, and Mr. Arnold was a democrat from a sober and partly sorrowful conviction that no other form of government was possible. He was an Educationalist, and Education is the true Leveller. His almost passionate cry for better middle-class education arose from his annoyance at the exclusion of large numbers of this great class from the best education the country afforded. It was a ticklish job telling this great, wealthy, middle class – which according to the newspapers had made England what she is and what everybody else wishes to be – that it was, from an educational point of view, beneath contempt. 'I hear with surprise,' said Sir Thomas Bazley at Manchester, 'that the education of our great middle class requires improvement.' But Mr. Arnold had courage. Indeed he carried one kind of courage to an heroic pitch. I mean the courage of repeating yourself over and over again. It is a sound forensic maxim: Tell a judge twice whatever you want him to hear. Tell a special jury thrice, and a common jury half-a-dozen times the view of a case you wish them to entertain. Mr. Arnold treated the middle class as a common jury and hammered away at them remorselessly and with the most unblushing iteration. They groaned under him, they snorted, and they sniffed – but they listened, and, what was more to the purpose, their children listened, and with filial frankness told their heavy sires that Mr. Arnold was quite right, and that their lives were dull, and hideous, and arid, even as he described them as being. Mr. Arnold's work as a School Inspector gave him great opportunities of going about amongst all classes of the people. Though not exactly apostolic in manner or method, he had something to say both to and of everybody. The aristocracy were polite and had ways he admired, but they were impotent of ideas and had a dangerous tendency to become studiously frivolous. Consequently the Future did not belong to them. Get ideas and study gravity, was the substance of his discourse to the Barbarians, as, with that trick of his of miscalling God's creatures, he had the effrontery to dub our adorable nobility. But it was the middle class upon whom fell the full weight of his discourse. His sermons to them would fill a volume. Their great need was culture, which he declared to be a study of perfection, the sentiment for beauty and sweetness, the sentiment against hideousness and rawness. The middle class, he protested, needed to know all the best things that have been said and done in the world since it began, and to be thereby lifted out of their holes and corners, private academies and chapels in side streets, above their tenth-rate books and miserable preferences, into the main stream of national existence. The lower orders he judged to be a mere rabble, and thought it was as yet impossible to predict whether or not they would hereafter display any aptitude for Ideas, or passion for Perfection. But in the meantime he bade them learn to cohere, and to read and write, and above all he conjured them not to imitate the middle classes.

It is not easy to know everything about everybody, and it may be doubted whether Mr. Arnold did not over-rate the degree of acquaintance with his countrymen his peregrinations among them had conferred upon him. In certain circles he was supposed to have made the completest possible diagnosis of dissent, and was credited with being able, after five minutes' conversation with any individual Nonconformist, unerringly to assign him to his particular chapel, Independent, Baptist, Primitive Methodist, Unitarian, or whatever else it might be, and this though they had only been talking about the weather. To people who know nothing about dissenters, Mr. Arnold might well seem to know everything. However, he did know a great deal, and used his knowledge with great cunning and effect, and a fine instinctive sense of the whereabouts of the weakest points. Mr. Arnold's sense for equality and solidarity was not impeded by any exclusive tastes or hobbies. Your collector, even though it be but of butterflies, is rarely a democrat. One of Arnold's favourite lines in Wordsworth was —

 
‘Joy that is in widest commonalty spread.’
 

The collector's joys are not of that kind. Mr. Arnold was not, I believe, a collector of anything. He certainly was not of books. I once told him I had been reading a pamphlet, written by him in 1859, on the Italian Question. He inquired how I came across it. I said I had picked it up in a shop. 'Oh, yes,' said he, 'some old curiosity shop, I suppose.' Nor was he joking. He seemed quite to suppose that old books, and old clothes, and old chairs were huddled together for sale in the same resort of the curious. He did not care about such things. The prices given for the early editions of his own poems seemed to tease him. His literary taste was broadly democratic. He had no mind for fished-up authors, nor did he ever indulge in swaggering rhapsodies over second-rate poets. The best was good enough for him. 'The best poetry' was what he wanted, 'a clearer, deeper sense of the best in poetry, and of the strength and joy to be drawn from it.' So he wrote in his general introduction to Mr. Ward's Selections from the English Poets. The best of everything for everybody. This was his gospel and his prayer.

Approaching Mr. Arnold's writings more nearly, it seems inevitable to divide them into three classes. His poems, his theological excursions, and his criticism, using the last word in a wide sense as including a criticism of life and of politics as well as of books and style.

Of Mr. Arnold's poetry it is hard for anyone who has felt it to the full during the most impressionable period of life to speak without emotion overcoming reason.

 
‘Hardly shall I tell my joys and sorrows,
Hopes and fears, belief and unbelieving.’
 

It is easy to admit, in general terms, its limitations. Mr. Arnold is the last man in the world anybody would wish to shove out of his place. A poet at all points, armed cap-a-pie against criticism, like Lord Tennyson, he certainly was not. Nor had his verse any share of the boundless vitality, the fierce pulsation so nobly characteristic of Mr. Browning. But these admissions made, we decline to parley any further with the enemy. We cast him behind us. Mr. Arnold, to those who cared for him at all, was the most useful poet of his day. He lived much nearer us than poets of his distinction usually do. He was neither a prophet nor a recluse. He lived neither above us, nor away from us. There are two ways of being a recluse – a poet may live remote from men, or he may live in a crowded street but remote from their thoughts. Mr. Arnold did neither, and consequently his verse tells and tingles. None of it is thrown away. His readers feel that he bore the same yoke as themselves. Theirs is a common bondage with his. Beautiful, surpassingly beautiful some of Mr. Arnold's poetry is, but we seize upon the thought first and delight in the form afterwards. No doubt the form is an extraordinary comfort, for the thoughts are often, as thoughts so widely spread could not fail to be, the very thoughts that are too frequently expressed rudely, crudely, indelicately. To open Mr. Arnold's poems is to escape from a heated atmosphere and a company not wholly free from offence even though composed of those who share our opinions – from loud-mouthed random talking men into a well-shaded retreat which seems able to impart, even to our feverish persuasions and crude conclusions, something of the coolness of falling water, something of the music of rustling trees. This union of thought, substantive thought, with beauty of form – of strength with elegance, is rare. I doubt very much whether Mr. Arnold ever realised the devotedness his verse inspired in the minds of thousands of his countrymen and countrywomen, both in the old world and the new. He is not a bulky poet. Three volumes contain him. But hardly a page can be opened without the eye lighting on verse which at one time or another has been, either to you or to someone dear to you, strength or joy. The Buried Life, A Southern Night, Dover Beach, A Wanderer is Man from his Birth, Rugby Chapel, Resignation. How easy to prolong the list, and what a list it is! Their very names are dear to us even as are the names of Mother Churches and Holy Places to the Votaries of the old Religion. I read the other day in the Spectator newspaper, an assertion that Mr. Arnold's poetry had never consoled anybody. A falser statement was never made innocently. It may never have consoled the writer in the Spectator, but because the stomach of a dram-drinker rejects cold water is no kind of reason for a sober man abandoning his morning tumbler of the pure element. Mr. Arnold's poetry has been found full of consolation. It would be strange if it had not been. It is

 
‘No stretched metre of an antique song,’
 

but quick and to the point. There are finer sonnets in the English language than the two following, but there are no better sermons. And if it be said that sermons may be found in stones, but ought not to be in sonnets, I fall back upon the fact which Mr. Arnold himself so cheerfully admitted, that the middle classes, who in England, at all events, are Mr. Arnold's chief readers, are serious, and love sermons. Some day perhaps they will be content with metrical exercises, ballades, and roundels.

‘EAST LONDON

 
‘’Twas August, and the fierce sun overhead
Smote on the squalid streets of Bethnal Green,
And the pale weaver, through his windows seen
In Spitalfields, look'd thrice dispirited.
 
 
‘I met a preacher there I knew, and said:
“Ill and o'erwork'd, how fare you in this scene?”
“Bravely!” said he; "for I of late have been
Much cheer'd with thoughts of Christ, the living bread.”
 
 
‘O human soul! as long as thou canst so
Set up a mark of everlasting light,
Above the howling senses’ ebb and flow,
To cheer thee, and to right thee if thou roam —
Not with lost toil thou labourest through the night!
Thou mak'st the heaven thou hop'st indeed thy home.’
 

‘THE BETTER PART

 
‘Long fed on boundless hopes, O race of man,
How angrily thou spurn'st all simpler fare!
“Christ,” some one says, “was human as we are;
No judge eyes us from Heaven, our sin to scan;
 
 
‘“We live no more, when we have done our span.” —
“Well, then, for Christ,” thou answerest, “who can care?
From Sin, which Heaven records not, why forbear?
Live we like brutes our life without a plan!”
 
 
‘So answerest thou; but why not rather say:
“Hath man no second life? —Pitch this one high!
Sits there no judge in Heaven, our sin to see?
 
 
‘“More strictly, then, the inward judge obey!
Was Christ a man like us? —Ah! let us try
If we then, too, can be such men as he!”’
 

Mr. Arnold's love of nature, and poetic treatment of nature, was to many a vexed soul a great joy and an intense relief. Mr. Arnold was a genuine Wordsworthian – being able to read everything Wordsworth ever wrote except Vaudracour and Julia. The influence of Wordsworth upon him was immense, but he was enabled, by the order of his mind, to reject with the heartiest goodwill the cloudy pantheism which robs so much of Wordsworth's best verse of the heightened charm of reality, for, after all, poetry, like religion, must be true, or it is nothing. This strong aversion to the unreal also prevented Mr. Arnold, despite his love of the classical forms, from a nonsensical neo-paganism. His was a manlier attitude. He had no desire to keep tugging at the dry breasts of an outworn creed, nor any disposition to go down on his knees, or hunkers as the Scotch more humorously call them, before plaster casts of Venus, or even of 'Proteus rising from the sea.' There was something very refreshing about this. In the long run even a gloomy truth is better company than a cheerful falsehood. The perpetual strain of living down to a lie, the depressing atmosphere of a circumscribed intelligence tell upon the system, and the cheerful falsehood soon begins to look puffy and dissipated.

‘THE YOUTH OF NATURE

 
‘For, oh! is it you, is it you,
Moonlight, and shadow, and lake,
And mountains, that fill us with joy,
Or the poet who sings you so well?
 
 
…
…
 
 
More than the singer are these
 
 
…
…
 
 
Yourselves and your fellows ye know not; and me,
The mateless, the one, will ye know?
Will ye scan me, and read me, and tell
Of the thoughts that ferment in my breast,
My longing, my sadness, my joy?
Will ye claim for your great ones the gift
To have rendered the gleam of my skies,
To have echoed the moan of my seas,
Uttered the voice of my hills?
When your great ones depart, will ye say:
All things have suffered a loss,
Nature is hid in their grave?
 
 
Race after race, man after man,
Have thought that my secret was theirs,
Have dream'd that I lived but for them,
That they were my glory and joy.
They are dust, they are changed, they are gone!
I remain.’
 

When a poet is dead we turn to his verse with quickened feelings. He rests from his labours. We still