INTEGRA-7 by Instruments

ExSN3 Session (p. 28)

 SuperNATURAL expansion tones

 electric guitar and bass

 electric guitar sounds range from clean jazz to heavy distortion

 bass sounds also cover a variety of musical styles

ExSN4 A.Guitar (p. 29)

 SuperNATURAL expansion tones

 various acoustic guitars

 ranging from 12-string guitars to ukuleles and mandolins

 covering a range of variations for each

ExSN5 Brass (p. 29)

 SuperNATURAL expansion tones

 providing an even greater variety of brass instruments

 crucial to orchestral music and jazz

ExSN6 SFX (p. 29)

 sounds using top-level studio technology

 deliver punch and reality

 suitable for video and music production

SRX-01 Dynamic Drum Kits - synth tone (p. 30)

 sounds using top-level studio technology

 deliver punch and reality

 suitable for video and music production

SRX-02 Concert Piano (p. 31)

 captures the sounds of a single concert grand piano, ranging from delicate pianissimo to powerful fortissimo

 includes two types of microphone placement---clearly defined close-miked sounds, and distant miking that captures the ambience---each recorded in stereo at the four dynamic levels p, mp, f, and ff

 traditional piano sounds suitable for classical music

 includes piano layered with other sounds such as strings or pads

 includes split sounds with a bass tone in the lower register

SRX-03 Studio SRX - synth tone (p. 32)

 performance-ready sounds

 keyboard, guitar, bass, brass, sax, flute, choir, synth, drum, and percussion

 carefully selected collection of richly expressive tones by first-rate musicians

SRX-04 Symphonique Strings (p. 33)

 high-quality string tones

 useful with classical, rock, pop, dance, and film scores

 stereo-sampled full sections

 individually recorded violin, viola, cello, and contrabass sections

SRX-05 Supreme Dance - synth tone (p. 35)

 extensive collection of the standard sounds

 needed in dance music, including techno, house, hip hop, trance, 2-step, and drum 'n' bass

 collection provides sounds that can be broadly used in each of these styles

SRX-06 Complete Orchestra - synth tone (p. 38)

 offers all the standard orchestral sounds

 also includes various choir and vocal phrases

 can be used for orchestral arrangements, film scoring, and more

SRX-07 Ultimate Keys - synth tone (p. 42)

 includes various piano, electric piano, organ, clavi, and vintage synth sounds

 provides high-quality bass and drum sounds of famous musicians

 widely useful for pop music

SRX-08 Platinum Trax - synth tone (p. 47)

 numerous sounds for dance music (techno, house, hip hop, trance, drum bass, breakbeats, RB)

 includes phrase loops, synth bass, synth sounds, various hits and stabs, and vocal phrases

SRX-09 World Collection - synth tone (p. 51)

 provides a variety of string, wind, and percussive ethnic instruments from around the world

 Africa, Asia, the Middle East, South America, North America, Australia, and Europe

SRX-10 Big Brass Ensemble (p. 55)

 provides numerous realistic brass sounds

 can be broadly used in any style, including pop, rock, classical, and film scores

 includes Pop Brass (Bb Tp x2, Tb, Tnr Sax), Trumpet (Bb Tp x4), C Trumpet (C Tp x4), Trombone (Tb x4), and Horn (Hrn x4) sections, in addition to Solo Tuba

 captures that instrument's performance techniques such as falls, shakes, and rips

SRX-11 Complete Piano (p. 56)

 high-quality piano sounds

 useful from pop and jazz, in fil scores and classical

 realistic and high-quality grand piano sound that has been sampled at four velocity-switched levels for each of the 88 keys

SRX-12 Classic EPs (p. 57)

 provides high-quality electric piano and clavi sounds

 which became indispensable to numerous musical styles, including RnB, hip hop, pop, and jazz

 electric pianos have been recorded at four velocity-switched levels for each individual note of three different classic 73-key and 64-key models

 clavi sounds capture all four pickup settings as well as mute on/off settings

Example 4 - Banks for film music

Looking for non-drum tones suitable for creating film music may draw your attention to:

 SRX-04 Symphonique Strings

 SRX-06 Complete Orchestra - synth tone

 SRX-10 Big Brass Ensemble.

Loading banks

Unless you select a tone from the presets, you have to load the bank which hosts the tone. You can do it in two ways:

 using the front-panel

 sending a MIDI sysex-message.

Loading via front-panel

To load an Extension Sound into one of the 4 virtual slots manually just follow the Owners Manual [Inte12a] :

 press the MENU button

 use the wheel or the cursor to select EXPANSION

 press the ENTER button

 assign Extensions Sounds to 1 - 4 virtual slots A - D.

Loading via sysex

According to [Wond18] you can send a sysex message, i.e. this byte-string in generalized form:

 F0 41 10 00 00 64 11 0F 00 30 00 aa bb cc dd F7, with aa - dd being bytes taken from the table below, controling slots A - D, respectively.

To understand this byte-string let's examine its components:

 F0 signals the start of the sysex message, while F7 terminates it

 41 10 00 00 64 11 initiates a “Data Request 1 (RQ1)” command, according to [Midi12], where 10 is the default device number

 0F 00 30 00 is an entry in the Parameter Address Map, which is unfortunately undocumented in [Midi12] - it seems to request loading up to 4 Extension Sounds

 this request has to provide 4 bytes, aa bb cc dd

 according to [Wond18] an extra byte with the calculated check-sum is not necessary, which is also verified by the author.

Please note: Loading the ExPCM bank still occupies all 4 virtual slots, i.e. any content there will be overwritten.

Please note: Loading via sysex also takes some time.

Example 5 - Loading two banks by a sequencer

To load SRX-07 into slot A, and ExSN1 into slot C, while turning off slots B and D, send this sysex-message:

 F0 41 10 00 00 64 11 0F 00 30 00 07 00 0D 00 F7

Instruments by category
Introduction

This chapter will be the most comprehensive one. It structures excerpts from the Sound List [Inte12b] this way:

 category (chapter)

 tones (sub chapter)

 tone names, i.e. instruments (table).

The tables will list:

 the tones name according to the Sound List [Inte12b]

 its starting page in the Sound List [Inte12b]

 its tone number

 a compound byte string (hex), which you can copy and send directly to the INTEGRA-7.

In the header-line a tones category is repeated in brackets for your convenience: else it's easy to get lost in the tables. This way you can see at a glance, in which category you are.

To send the byte-string given in column snd use programs or hardware like, e.g.:

 SendSX [Send19]

 sendmidi [Rele19]

 Pure Data [Pure20]

 any suitable software or hardware sequencer

 any suitable DAW.

You need to load the tones bank as described beforehand to hear the tone after sending the byte-string as MIDI-message to your INTEGRA-7. If you don't load a bank, you won't hear anything though after submitting the byte-string the INTEGRA-7 displays the correct instrument.

Example 6 - Finding instruments in categories

Say you look for an organ. Going to the organ-chapter, the Organ-table tells you, there are 11 banks to chose from.

Say the tones name “Jazzy B” sounds interesting to you and you want to try it. The table tells you it's in the bank called “SRX-07 Ultimate Keys - synth tone”. So you load it as described earlier.

When using the INTEGRA-7's front panel for this bank, you know from the table it's number is 102 and you dial it in.

If you use a sequencer instead, just submit B0 00 5D 20 0B C0 67 to INTEGRA-7, as the table tells you.

The byte-string snd

The byte-string snd listed in the instrument tables:

 consists of two BS-messages (starting with 0xB0) for MIDI channel 1 and one PC-message (starting with 0xC0) [Bell09]

 the BS-messages are combined

 both address the bank to be selected

 the hex-value of PC has to be decremented by 1 to target the correct tone.

To assign an instrument to other MIDI channels n, just:

 replace B0 by Bn (see table below)

 and replace C0 by Cn (see table below).

Example 7 - Loading two preset tones by a sequencer

Say you want to assign Finger Slap (No. 80, GM2 Tone - PCM Synth Tone [E.Bass]) to MIDI channel 1 and Plug n' Play (No. 679, GM2 Tone - PCM Synth Tone [E.Guitar]) to MIDI channel 3, just submit these two strings to your INTEGRA-7:

 B0 00 79 20 01 C0 21

 B2 00 57 20 45 C2 26 .

Ac.Bass
ExPCM HQ GM2 + HQ PCM Sound - synth tone [Ac.Bass]

ExSN3 Session [Ac.Bass]

GM2 Tone - PCM Synth Tone [Ac.Bass]

PCM Synth Tone [Ac.Bass]

SRX-03 Studio SRX - synth tone [Ac.Bass]

SRX-05 Supreme Dance - synth tone [Ac.Bass]

SRX-07 Ultimate Keys - synth tone [Ac.Bass]

SRX-08 Platinum Trax - synth tone [Ac.Bass]

SRX-09 World Collection - synth tone [Ac.Bass]