THE YELLOW CLAW

Text
0
Kritiken
Leseprobe
Als gelesen kennzeichnen
Wie Sie das Buch nach dem Kauf lesen
THE YELLOW CLAW
Schriftart:Kleiner AaGrößer Aa

Sax Rohmer

THE YELLOW CLAW

Dieses ebook wurde erstellt bei

Inhaltsverzeichnis

Titel

THE LADY OF THE CIVET FURS

MIDNIGHT AND MR. KING

INSPECTOR DUNBAR TAKES CHARGE

A WINDOW IS OPENED

DOCTORS DIFFER

AT SCOTLAND YARD

THE MAN IN THE LIMOUSINE

CABMAN TWO

THE MAN IN BLACK

THE GREAT UNDERSTANDING

PRESENTING M. GASTON MAX

MR. GIANAPOLIS

THE DRAFT ON PARIS

EAST 18642

CAVE OF THE GOLDEN DRAGON

HO-PIN'S CATACOMBS

KAN-SUH CONCESSIONS

THE WORLD ABOVE

THE LIVING DEAD

ABRAHAM LEVINSKY BUTTS IN

THE STUDIO IN SOHO

M. MAX MOUNTS CAGLIOSTRO'S STAIRCASE

RAID IN THE RUE ST. CLAUDE

OPIUM

FATE'S SHUTTLECOCK

“OUR LADY OF THE POPPIES”

GROVE OF A MILLION APES

THE OPIUM AGENT

M. MAX OF LONDON AND M. MAX OF PARIS

MAHARA

MUSK AND ROSES

BLUE BLINDS

LOGIC VS. INTUITION

M. MAX REPORTS PROGRESS

TRACKER TRACKED

IN DUNBAR'S ROOM

THE WHISTLE

THE SECRET TRAPS

THE LABYRINTH

DAWN AT THE NORE

WESTMINSTER--MIDNIGHT

Impressum neobooks

THE LADY OF THE CIVET FURS

The Yellow Claw

Author: Sax Rohmer

Henry Leroux wrote busily on. The light of the table-lamp, softened and

enriched by its mosaic shade, gave an appearance of added opulence to

the already handsome appointments of the room. The little table-clock

ticked merrily from half-past eleven to a quarter to twelve.

Into the cozy, bookish atmosphere of the novelist's study penetrated the

muffled chime of Big Ben; it chimed the three-quarters. But, with his

mind centered upon his work, Leroux wrote on ceaselessly.

An odd figure of a man was this popular novelist, with patchy and

untidy hair which lessened the otherwise striking contour of his brow.

A neglected and unpicturesque figure, in a baggy, neutral-colored

dressing-gown; a figure more fitted to a garret than to this spacious,

luxurious workroom, with the soft light playing upon rank after rank

of rare and costly editions, deepening the tones in the Persian carpet,

making red morocco more red, purifying the vellum and regilding the

gold of the choice bindings, caressing lovingly the busts and statuettes

surmounting the book-shelves, and twinkling upon the scantily-covered

crown of Henry Leroux. The door bell rang.

Leroux, heedless of external matters, pursued his work. But the door

bell rang again and continued to ring.

“Soames! Soames!” Leroux raised his voice irascibly, continuing to write

the while. “Where the devil are you! Can't you hear the door bell?”

Soames did not reveal himself; and to the ringing of the bell was added

the unmistakable rattling of a letter-box.

“Soames!” Leroux put down his pen and stood up. “Damn it! he's out! I

have no memory!”

He retied the girdle of his dressing-gown, which had become unfastened,

and opened the study door. Opposite, across the entrance lobby, was

the outer door; and in the light from the lobby lamp he perceived two

laughing eyes peering in under the upraised flap of the letter-box. The

ringing ceased.

“Are you VERY angry with me for interrupting you?” cried a girl's voice.

“My dear Miss Cumberly!” said Leroux without irritation; “on the

contrary--er--I am delighted to see you--or rather to hear you. There is

nobody at home, you know.”...

“I DO know,” replied the girl firmly, “and I know something else, also.

Father assures me that you simply STARVE yourself when Mrs. Leroux is

away! So I have brought down an omelette!”

“Omelette!” muttered Leroux, advancing toward the door; “you

have--er--brought an omelette! I understand--yes; you have brought an

omelette? Er--that is very good of you.”

He hesitated when about to open the outer door, raising his hands to his

dishevelled hair and unshaven chin. The flap of the letter-box dropped;

and the girl outside could be heard stifling her laughter.

“You must think me--er--very rude,” began Leroux; “I mean--not to open

the door. But”...

“I quite understand,” concluded the voice of the unseen one. “You are a

most untidy object! And I shall tell Mira DIRECTLY she returns that she

has no right to leave you alone like this! Now I am going to hurry back

upstairs; so you may appear safely. Don't let the omelette get cold.

Good night!”

“No, certainly I shall not!” cried Leroux. “So good of you--I--er--do

like omelette.... Good night!”

Calmly he returned to his writing-table, where, in the pursuit of the

elusive character whose exploits he was chronicling and who had brought

him fame and wealth, he forgot in the same moment Helen Cumberly and the

omelette.

The table-clock ticked merrily on;

SCRATCH--SCRATCH--SPLUTTER--SCRATCH--went Henry Leroux's pen; for this

up-to-date litterateur, essayist by inclination, creator of “Martin

Zeda, Criminal Scientist” by popular clamor, was yet old-fashioned

enough, and sufficient of an enthusiast, to pen his work, while lesser

men dictated.

So, amidst that classic company, smiling or frowning upon him from the

oaken shelves, where Petronius Arbiter, exquisite, rubbed shoulders

with Balzac, plebeian; where Omar Khayyam leaned confidentially toward

Philostratus; where Mark Twain, standing squarely beside Thomas Carlyle,

glared across the room at George Meredith, Henry Leroux pursued the

amazing career of “Martin Zeda.”

It wanted but five minutes to the hour of midnight, when again the door

bell clamored in the silence.

Leroux wrote steadily on. The bell continued to ring, and, furthermore,

the ringer could be heard beating upon the outer door.

“Soames!” cried Leroux irritably, “Soames! Why the hell don't you go to

the door!”

Leroux stood up, dashing his pen upon the table.

 

“I shall have to sack that damned man!” he cried; “he takes too many

liberties--stopping out until this hour of the night!”

He pulled open the study door, crossed the hallway, and opened the door

beyond.

In, out of the darkness--for the stair lights had been

extinguished--staggered a woman; a woman whose pale face exhibited,

despite the ravages of sorrow or illness, signs of quite unusual beauty.

Her eyes were wide opened, and terror-stricken, the pupils contracted

almost to vanishing point. She wore a magnificent cloak of civet fur

wrapped tightly about her, and, as Leroux opened the door, she tottered

past him into the lobby, glancing back over her shoulder.

With his upraised hands plunged pathetically into the mop of his hair,

Leroux turned and stared at the intruder. She groped as if a darkness

had descended, clutched at the sides of the study doorway, and then,

unsteadily, entered--and sank down upon the big chesterfield in utter

exhaustion.

Leroux, rubbing his chin, perplexedly, walked in after her. He

scarcely had his foot upon the study carpet, ere the woman started up,

tremulously, and shot out from the enveloping furs a bare arm and a

pointing, quivering finger.

“Close the door!” she cried hoarsely--“close the door!... He has...

followed me!”...

The disturbed novelist, as a man in a dream, turned, retraced his steps,

and closed the outer door of the flat. Then, rubbing his chin more

vigorously than ever and only desisting from this exercise to fumble in

his dishevelled hair, he walked back into the study, whose Athenean calm

had thus mysteriously been violated.

Two minutes to midnight; the most respectable flat in respectable

Westminster; a lonely and very abstracted novelist--and a pale-faced,

beautiful woman, enveloped in costly furs, sitting staring with fearful

eyes straight before her. This was such a scene as his sense of the

proprieties and of the probabilities could never have permitted Henry

Leroux to create.

His visitor kept moistening her dry lips and swallowing, emotionally.

Standing at a discreet distance from her:--

“Madam,” began Leroux, nervously.

She waved her hand, enjoining him to silence, and at the same time

intimating that she would explain herself directly speech became

possible. Whilst she sought to recover her composure, Leroux, gradually

forcing himself out of the dreamlike state, studied her with a sort of

anxious curiosity.

It now became apparent to him that his visitor was no more than

twenty-five or twenty-six years of age, but illness or trouble, or both

together, had seared and marred her beauty. Amid the auburn masses of

her hair, gleamed streaks, not of gray, but of purest white. The low

brow was faintly wrinkled, and the big--unnaturally big--eyes were

purple shaded; whilst two heavy lines traced their way from the corner

of the nostrils to the corner of the mouth--of the drooping mouth with

the bloodless lips.

Her pallor became more strange and interesting the longer he studied it;

for, underlying the skin was a yellow tinge which he found inexplicable,

but which he linked in his mind with the contracted pupils of her eyes,

seeking vainly for a common cause.

He had a hazy impression that his visitor, beneath her furs, was most

inadequately clothed; and seeking confirmation of this, his gaze strayed

downward to where one little slippered foot peeped out from the civet

furs.

Leroux suppressed a gasp. He had caught a glimpse of a bare ankle!

He crossed to his writing-table, and seated himself, glancing sideways

at this living mystery. Suddenly she began, in a voice tremulous and

scarcely audible:--

“Mr. Leroux, at a great--at a very great personal risk, I have come

to-night. What I have to ask of you--to entreat of you, will... will”...

Two bare arms emerged from the fur, and she began clutching at her

throat and bosom as though choking--dying.

Leroux leapt up and would have run to her; but forcing a ghastly smile,

she waved him away again.

“It is all right,” she muttered, swallowing noisily. But frightful

spasms of pain convulsed her, contorting her pale face.

“Some brandy--!” cried Leroux, anxiously.

“If you please,” whispered the visitor.

She dropped her arms and fell back upon the chesterfield, insensible.

MIDNIGHT AND MR. KING

Leroux clutched at the corner of the writing-table to steady himself

and stood there looking at the deathly face. Under the most favorable

circumstances, he was no man of action, although in common with the rest

of his kind he prided himself upon the possession of that presence of

mind which he lacked. It was a situation which could not have alarmed

“Martin Zeda,” but it alarmed, immeasurably, nay, struck inert with

horror, Martin Zeda's creator.

Then, in upon Leroux's mental turmoil, a sensible idea intruded itself.

“Dr. Cumberly!” he muttered. “I hope to God he is in!”

Without touching the recumbent form upon the chesterfield, without

seeking to learn, without daring to learn, if she lived or had died,

Leroux, the tempo of his life changed to a breathless gallop, rushed

out of the study, across the entrance hail, and, throwing wide the flat

door, leapt up the stair to the flat above--that of his old friend, Dr.

Cumberly.

The patter of the slippered feet grew faint upon the stair; then, as

Leroux reached the landing above, became inaudible altogether.

In Leroux's study, the table-clock ticked merrily on, seeming to hasten

its ticking as the hand crept around closer and closer to midnight.

The mosaic shade of the lamp mingled reds and blues and greens upon the

white ceiling above and poured golden light upon the pages of manuscript

strewn about beneath it. This was a typical work-room of a literary man

having the ear of the public--typical in every respect, save for the

fur-clad figure outstretched upon the settee.

And now the peeping light indiscreetly penetrated to the hem of a silken

garment revealed by some disarrangement of the civet fur. To the eye

of an experienced observer, had such an observer been present in Henry

Leroux's study, this billow of silk and lace behind the sheltering fur

must have proclaimed itself the edge of a night-robe, just as the ankle

beneath had proclaimed itself to Henry Leroux's shocked susceptibilities

to be innocent of stocking.

Thirty seconds were wanted to complete the cycle of the day, when one of

the listless hands thrown across the back of the chesterfield opened and

closed spasmodically. The fur at the bosom of the midnight visitor began

rapidly to rise and fall.

Then, with a choking cry, the woman struggled upright; her hair, hastily

dressed, burst free of its bindings and poured in gleaming cascade down

about her shoulders.

Clutching with one hand at her cloak in order to keep it wrapped about

her, and holding the other blindly before her, she rose, and with that

same odd, groping movement, began to approach the writing-table. The

pupils of her eyes were mere pin-points now; she shuddered convulsively,

and her skin was dewed with perspiration. Her breath came in agonized

gasps.

“God!--I... am dying... and I cannot--tell him!” she breathed.

Feverishly, weakly, she took up a pen, and upon a quarto page, already

half filled with Leroux's small, neat, illegible writing, began to

scrawl a message, bending down, one hand upon the table, and with her

whole body shaking.

Some three or four wavering lines she had written, when intimately,

for the flat of Henry Leroux in Palace Mansions lay within sight of the

clock-face--Big Ben began to chime midnight.

The writer started back and dropped a great blot of ink upon the paper;

then, realizing the cause of the disturbance, forced herself to continue

her task.

The chime being completed: ONE! boomed the clock; TWO!... THREE! ...

FOUR!...

The light in the entrance-hall went out!

FIVE! boomed Big Ben;--SIX!... SEVEN!...

A hand, of old ivory hue, a long, yellow, clawish hand, with part of a

sinewy forearm, crept in from the black lobby through the study doorway

and touched the electric switch!

EIGHT!...

The study was plunged in darkness!

Uttering a sob--a cry of agony and horror that came from her very

soul--the woman stood upright and turned to face toward the door,

clutching the sheet of paper in one rigid hand.

Through the leaded panes of the window above the writing-table swept

a silvern beam of moonlight. It poured, searchingly, upon the fur-clad

figure swaying by the table; cutting through the darkness of the room

like some huge scimitar, to end in a pallid pool about the woman's

shadow on the center of the Persian carpet.

Coincident with her sobbing cry--NINE! boomed Big Ben; TEN!...

Two hands--with outstretched, crooked, clutching fingers--leapt from the

darkness into the light of the moonbeam.

“God! Oh, God!” came a frenzied, rasping shriek--“MR. KING!”

Straight at the bare throat leapt the yellow hands; a gurgling cry

rose--fell--and died away.

Gently, noiselessly, the lady of the civet fur sank upon the carpet by

the table; as she fell, a dim black figure bent over her. The tearing

of paper told of the note being snatched from her frozen grip; but never

for a moment did the face or the form of her assailant encroach upon the

moonbeam.

Batlike, this second and terrible visitant avoided the light.

The deed had occupied so brief a time that but one note of the great

bell had accompanied it.

TWELVE! rang out the final stroke from the clock-tower. A low, eerie

whistle, minor, rising in three irregular notes and falling in weird,

unusual cadence to silence again, came from somewhere outside the room.

Then darkness--stillness--with the moon a witness of one more ghastly

crime.

Presently, confused and intermingled voices from above proclaimed the

return of Leroux with the doctor. They were talking in an excited

key, the voice of Leroux, especially, sounding almost hysterical. They

created such a disturbance that they attracted the attention of Mr. John

Exel, M. P., occupant of the flat below, who at that very moment had

returned from the House and was about to insert the key in the lock of

his door. He looked up the stairway, but, all being in darkness, was

unable to detect anything. Therefore he called out:--

“Is that you, Leroux? Is anything the matter?”

“Matter, Exel!” cried Leroux; “there's a devil of a business! For

mercy's sake, come up!”

His curiosity greatly excited, Mr. Exel mounted the stairs, entering

the lobby of Leroux's flat immediately behind the owner and Dr.

Cumberly--who, like Leroux, was arrayed in a dressing-gown; for he had

been in bed when summoned by his friend.

“You are all in the dark, here,” muttered Dr. Cumberly, fumbling for the

 

switch.

“Some one has turned the light out!” whispered Leroux, nervously; “I

left it on.”

Dr. Cumberly pressed the switch, turning up the lobby light as Exel

entered from the landing. Then Leroux, entering the study first of the

three, switched on the light there, also.

One glance he threw about the room, then started back like a man

physically stricken.

“Cumberly!” he gasped, “Cumberly”--and he pointed to the furry heap by

the writing-table.

“You said she lay on the chesterfield,” muttered Cumberly.

“I left her there.”...

Dr. Cumberly crossed the room and dropped upon his knees. He turned the

white face toward the light, gently parted the civet fur, and pressed

his ear to the silken covering of the breast. He started slightly and

looked into the glazing eyes.

Replacing the fur which he had disarranged, the physician stood up and

fixed a keen gaze upon the face of Henry Leroux. The latter swallowed

noisily, moistening his parched lips.

“Is she”... he muttered; “is she”...

“God's mercy, Leroux!” whispered Mr. Exel--“what does this mean?”

“The woman is dead,” said Dr. Cumberly.

In common with all medical men, Dr. Cumberly was a physiognomist; he was

a great physician and a proportionately great physiognomist. Therefore,

when he looked into Henry Leroux's eyes, he saw there, and recognized,

horror and consternation. With no further evidence than that furnished

by his own powers of perception, he knew that the mystery of this

woman's death was as inexplicable to Henry Leroux as it was inexplicable

to himself.

He was a masterful man, with the gray eyes of a diplomat, and he knew

Leroux as did few men. He laid both hands upon the novelist's shoulders.

“Brace up, old chap!” he said; “you will want all your wits about you.”

“I left her,” began Leroux, hesitatingly--“I left”...

“We know all about where you left her, Leroux,” interrupted Cumberly;

“but what we want to get at is this: what occurred between the time you

left her, and the time of our return?”

Exel, who had walked across to the table, and with a horror-stricken

face was gingerly examining the victim, now exclaimed:--

“Why! Leroux! she is--she is... UNDRESSED!”

Leroux clutched at his dishevelled hair with both hands.

“My dear Exel!” he cried--“my dear, good man! Why do you use that tone?

You say 'she is undressed!' as though I were responsible for the poor

soul's condition!”

“On the contrary, Leroux!” retorted Exel, standing very upright, and

staring through his monocle; “on the contrary, YOU misconstrue ME! I did

not intend to imply--to insinuate--”

“My dear Exel!” broke in Dr. Cumberly--“Leroux is perfectly well aware

that you intended nothing unkindly. But the poor chap, quite naturally,

is distraught at the moment. You MUST understand that, man!”

“I understand; and I am sorry,” said Exel, casting a sidelong glance

at the body. “Of course, it is a delicate subject. No doubt Leroux can

explain.”...

“Damn your explanation!” shrieked Leroux hysterically. “I CANNOT

explain! If I could explain, I”...

“Leroux!” said Cumberly, placing his arm paternally about the shaking

man--“you are such a nervous subject. DO make an effort, old fellow.

Pull yourself together. Exel does not know the circumstances--”

“I am curious to learn them,” said the M. P. icily.

Leroux was about to launch some angry retort, but Cumberly forced him

into the chesterfield, and crossing to a bureau, poured out a stiff

peg of brandy from a decanter which stood there. Leroux sank upon the

chesterfield, rubbing his fingers up and down his palms with a

curious nervous movement and glancing at the dead woman, and at Exel,

alternately, in a mechanical, regular fashion, pathetic to behold.

Mr. Exel, tapping his boot with the head of his inverted cane, was

staring fixedly at the doctor.

“Here you are, Leroux,” said Cumberly; “drink this up, and let us

arrange our facts in decent order before we--”

“Phone for the police?” concluded Exel, his gaze upon the last speaker.

Leroux drank the brandy at a gulp and put down the glass upon a little

persian coffee table with a hand which he had somehow contrived to

steady.

“You are keen on the official forms, Exel?” he said, with a wry smile.

“Please accept my apology for my recent--er--outburst, but picture this

thing happening in your place!”

“I cannot,” declared Exel, bluntly.

“You lack imagination,” said Cumberly. “Take a whisky and soda, and help

me to search the flat.”

“Search the flat!”

The physician raised a forefinger, forensically.

“Since you, Exel, if not actually in the building, must certainly have

been within sight of the street entrance at the moment of the crime, and

since Leroux and I descended the stair and met you on the landing, it is

reasonable to suppose that the assassin can only be in one place: HERE!”

“HERE!” cried Exel and Leroux, together.

“Did you see anyone leave the lower hall as you entered?”

“No one; emphatically, there was no one there!”

“Then I am right.”

“Good God!” whispered Exel, glancing about him, with a new, and keen

apprehensiveness.

“Take your drink,” concluded Cumberly, “and join me in my search.”

“Thanks,” replied Exel, nervously proffering a cigar-case; “but I won't

drink.”

“As you wish,” said the doctor, who thus, in his masterful way, acted

the host; “and I won't smoke. But do you light up.”

“Later,” muttered Exel; “later. Let us search, first.”

Leroux stood up; Cumberly forced him back.

“Stay where you are, Leroux; it is elementary strategy to operate from a

fixed base. This study shall be the base. Ready, Exel?”

Exel nodded, and the search commenced. Leroux sat rigidly upon the

settee, his hands resting upon his knees, watching and listening. Save

for the merry ticking of the table-clock, and the movements of the

searchers from room to room, nothing disturbed the silence. From the

table, and that which lay near to it, he kept his gaze obstinately

averted.

Five or six minutes passed in this fashion, Leroux expecting each to

bring a sudden outcry. He was disappointed. The searchers returned, Exel

noticeably holding himself aloof and Cumberly very stern.

Exel, a cigar between his teeth, walked to the writing-table, carefully

circling around the dreadful obstacle which lay in his path, to help

himself to a match. As he stooped to do so, he perceived that in the

closed right hand of the dead woman was a torn scrap of paper.

“Leroux! Cumberly!” he exclaimed; “come here!”

He pointed with the match as Cumberly hurriedly crossed to his side.

Leroux, inert, remained where he sat, but watched with haggard eyes. Dr.

Cumberly bent down and sought to detach the paper from the grip of the

poor cold fingers, without tearing it. Finally he contrived to release

the fragment, and, perceiving it to bear some written words, he spread

it out beneath the lamp, on the table, and eagerly scanned it, lowering

his massive gray head close to the writing.

He inhaled, sibilantly.

“Do you see, Exel?” he jerked--for Exel was bending over his shoulder.

“I do--but I don't understand.”

“What is it?” came hollowly from Leroux.

“It is the bottom part of an unfinished note,” said Cumberly, slowly.

“It is written shakily in a woman's hand, and it reads:--'Your wife'”...

Leroux sprang to his feet and crossed the room in three strides.

“Wife!” he muttered. His voice seemed to be choked in his throat; “my

wife! It says something about my wife?”

“It says,” resumed the doctor, quietly, “'your wife.' Then there's a

piece torn out, and the two words 'Mr. King.' No stop follows, and the

line is evidently incomplete.”

“My wife!” mumbled Leroux, staring unseeingly at the fragment of paper.

“MY WIFE! MR. KING! Oh! God! I shall go mad!”

“Sit down!” snapped Dr. Cumberly, turning to him; “damn it, Leroux, you

are worse than a woman!”

In a manner almost childlike, the novelist obeyed the will of the

stronger man, throwing himself into an armchair, and burying his face in

his hands.

“My wife!” he kept muttering--“my wife!”...

Exel and the doctor stood staring at one another; when suddenly, from

outside the flat, came a metallic clattering, followed by a little

suppressed cry. Helen Cumberly, in daintiest deshabille, appeared in

the lobby, carrying, in one hand, a chafing-dish, and, in the other,

the lid. As she advanced toward the study, from whence she had heard her

father's voice:--

“Why, Mr. Leroux!” she cried, “I shall CERTAINLY report you to Mira,

now! You have not even touched the omelette!”

“Good God! Cumberly! stop her!” muttered Exel, uneasily. “The door was

not latched!”...

But it was too late. Even as the physician turned to intercept his

daughter, she crossed the threshold of the study. She stopped short

at perceiving Exel; then, with a woman's unerring intuition, divined a

tragedy, and, in the instant of divination, sought for, and found, the

hub of the tragic wheel.

One swift glance she cast at the fur-clad form, prostrate.

The chafing-dish fell from her hand, and the omelette rolled, a

grotesque mass, upon the carpet. She swayed, dizzily, raising one hand

to her brow, but had recovered herself even as Leroux sprang forward to

support her.

“All right, Leroux!” cried Cumberly; “I will take her upstairs again.

Wait for me, Exel.”

Exel nodded, lighted his cigar, and sat down in a chair, remote from the

writing-table.

“Mira--my wife!” muttered Leroux, standing, looking after Dr. Cumberly

and his daughter as they crossed the lobby. “She will report to--my

wife.”...

In the outer doorway, Helen Cumberly looked back over her shoulder,

and her glance met that of Leroux. Hers was a healing glance and a

strengthening glance; it braced him up as nothing else could have done.

He turned to Exel.

“For Heaven's sake, Exel!” he said, evenly, “give me your advice--give

me your help; I am going to 'phone for the police.”

Exel looked up with an odd expression.

“I am entirely at your service, Leroux,” he said. “I can quite

understand how this ghastly affair has shaken you up.”

“It was so sudden,” said the other, plaintively. “It is incredible

that so much emotion can be crowded into so short a period of a man's

life.”...

Big Ben chimed the quarter after midnight. Leroux, eyes averted, walked

to the writing-table, and took up the telephone.