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The Tenants of Malory. Volume 1

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CHAPTER IX
THE REVEREND ISAAC DIXIE

At five o'clock next day, Cleve Verney was again in Cardyllian.

Outside "The Chancery" stood a "fly," only just arrived. The Reverend Isaac Dixie had come only a minute or two before, and was waiting in the chamber which was still called the state room.

The room is long and panelled with oak, and at the further end is the fire-place. The ceiling above the cornice slopes at each side with the roof, so as to give it quite a chapel-like effect; a high carved oak mantel-piece, and a carved wainscotting embedding in its panels a symmetrical system of cupboards, closed the perspective, and, as Cleve entered at the door in the further wall, gave effect to the solitary figure of the Reverend Isaac Dixie, who was standing with his back to the fire-place on the threadbare hearthrug, waiting, with an angelic smile, and beating time to a sacred melody, I am willing to believe, with his broad flat foot.

This clerical gentleman looked some six or seven and forty years old, rather tall than otherwise, broad, bland, and blue-chinned, smiling, gaitered, and single-breasted.

"Capital place to read out the Ten Commandments," exclaimed Cleve. "Glad to see you, old Dixie. It's a long time since we met."

The clergyman stepped forward, his chin a little advanced, his head a little on one side, smiling rosily with nearly closed eyes, and with a broad hand expanded to receive his former pupil's greeting.

"I've obeyed the summons, you see; punctually, I hope. Delighted, my dear, distinguished young pupil, to meet you, and congratulate you on your brilliant successes, delighted, my dear Cleve," murmured the divine, in a mild rapture of affection.

"That's not so neat as the old speech, Dixie; don't you remember?" said Cleve, nevertheless shaking his great soft red hand kindly enough. "What was it? Yes, you were to be my tutamen, and I your dulce decus. Wasn't that it?"

"Ha, yes, I may have said it; a little classic turn, you know; ha, ha! not altogether bad – not altogether? We have had many agreeable conversations – colloquies – you and I, Mr. Verney, together, in other and very happy days," said the clergyman, with a tender melancholy smile, while his folded hands faintly smoothed one another over as if in a dream of warm water and wash-balls.

"Do you remember the day I shied that awful ink-bottle at your head? by Jove, it was as large as a tea-pot. If I had hit you that time, Dixie, I don't think we'd ever have found a mitre to fit your head."

"Arch, arch – ha, ha! dear me! yes – I had forgot that – yes, quite – you were always an arch boy, Cleve. Always arch, Mr. Verney.".

"Very arch – yes, it was what old Toler called the office bottle; do you remember? it weighed three or four pounds. I think you were glad it was broken; you never got one like it into the room again. I say if it had caught you on the head, what a deal of learning and other things the Church would have lost!"

Whenever it was Cleve's pleasure to banter, the Reverend Isaac Dixie took it in good part. It was his ancient habit, so on this occasion he simpered agreeably.

"It was in the little study at Malory. By-the-by, who are those people you have put into Malory?" continued Cleve.

"Ha – the – the people who occupy the house?" asked the clergyman, throwing out a question to gain time.

"Come – who are they?" said Cleve, a little briskly, throwing himself back in his seat at the same time, and looking in Dixie's face.

"Well, I'm the person responsible; in fact the lease is to me."

"Yes, I know that; go on."

"Well, I took it at the request of Miss Sheckleton, an elderly lady, whom – "

"Whom I don't care to hear about," interrupted Cleve. "There's an old gentleman – there's a young lady; who are they? I want their names."

The Reverend Isaac Dixie was evidently a little puzzled. He coughed, he looked down, he simpered, and shook his head.

"You don't want to tell me, Dixie."

"There is nothing I should not be most happy to tell my distinguished pupil. I've been always frank, quite frank with you, Mr. Verney. I've never had a secret."

Cleve laughed gently.

"You wrong me if you think I have," and the Rector of Clay dropped his eyes and coloured a little and coughed. "But this is not mine – and there really is a difficulty."

"Insuperable?"

"Well, really, I'm afraid that term expresses it but too truly," acquiesced the clergyman.

"What a bore!" exclaimed Cleve.

"Shut the window, if it isn't too much trouble, like a dear old Dixie – a thousand thanks."

"I assure you I would not say it," resumed the Rector of Clay, "if it were not so – and I hope I'm in the habit of speaking truth – and this secret, if so trifling a thing may be seriously so termed, is not mine, and therefore not at my disposal."

"Something in that, old Dixie. Have a weed?" he added, tendering his cigars.

"Thanks, no; never smoke now," said he, closing his eyes, and lifting his hand as if in a benediction.

"Oh, to be sure, your bishop – I forgot," said Cleve.

"Yes, a-ha; strong opinions – very able lecture; you have no doubt read it."

"With delight and terror. Death riding on a pipe-clay coloured horse. Sir Walter Raleigh, the man of sin, and the smoke of the Bottomless pit, smelling of cheroots. You used not to be such a fool, old Dixie. I'm your bishop now; I've said it, mind – and no one sees you," said Cleve, again offering his cigars.

"Well, well; anything, anything; thanks, just for once, only once;" and he selected one, with a playful bashfulness.

"I'm your bishop – I don't forget. But you must wait till I'm – what d'ye call it? —consecrated – there, you need not laugh. Upon my honour, I'm serious; you shall have your choice; I swear you shall," said Cleve Verney, who stood very near the title and estates of Verney, with all their comfortable advowsons appendant.

The Reverend Isaac Dixie smiled affably and meekly with prospective gratitude, and said he softly —

"I'm only too happy to think my distinguished, and I may say, honoured pupil, should deem me fit for a weighty charge in the Church; and I may say, although Clay has been considered a nice little thing, some years ago, yet, since the vicar's – I must say, most unreasonable – claim has been allowed, it is really, I should be ashamed to say how trifling in emolument; we have all our crosses to bear, my dear pupil, friend, and I may say, patron – but it is good, nay, pleasant to me to have suffered disappointments, since in their midst comes no trifling balm in the confidence you are pleased to evidence in my humble fitness."

The clergyman was moved. A gleam of the red western sun through the window, across his broad, meek, and simpering countenance, helped the effect of his blinking eyes, and he hastily applied his handkerchief.

"Isaac, Isaac, you shan't come that over me. I don't think you fit – not a bit. I'm not an Aristides, only a bishop; and I don't pretend to more conscience than the rest." His eye rested on him with an unconscious disdain. "And for the life of me, I don't know why I intend doing anything for you, except that I promised, and your name's lucky, I suppose; you used to keep telling me, don't you remember, that all the promises were to Abraham, Isaac, and Jacob? and you are Isaac, in the middle —medio tutissimus– and I think Isaac is the queerest mixture of Jew and muff in the Old Testament, and – and – so on."

The sentence ended so because Cleve was now lighting his cigar. The clergyman smiled affably, and even waggishly, as one who can bear to be quizzed, and has a confidence in the affection of the joker; and Cleve smoked on serenely and silently for a little.

"And those are really my intentions respecting you," he resumed; "but you are to do as I bid you in the mean time, you know. I say, you mustn't snub your bishop; and, upon my honour, I'm perfectly serious, you shall never see my face again, nor hear of me more, if you don't, this minute, tell me everything you know about those people at Malory."

"Are you really serious, Mr. Verney? —really so?"

"Yes, quite so; and I can keep my word, as you know. Who are they?"

"You are placing me in the most awkward possible position; pray consider whether you really do make a point of it."

"I do make a point of it."

"I, of course, keep nothing from you, when you press it in that way; and beside, although it is awkward, it is, in a measure right, inasmuch as you are connected with the property, I may say, and have a right to exact information, if you thus so insist upon it as a duty."

"Come, Dixie, who are they!" said Cleve, peremptorily.

"Well, he's in some difficulties just now, and it is really vital that his name should not be disclosed, so I entreat you won't mention it; and especially you won't mention me as having divulged it."

"Certainly; of course I don't want to set the beaks on your friend. I shan't mention his name, depend upon it, to mortal. I've just one reason for wishing to know, and I have brought you a journey, here and back, of a hundred and forty miles, precisely to answer me this question, and I will know."

"Well, Mr. Verney, my dear sir, I venture to wash my hands of consequences, and unfeignedly relying upon your promise, I tell you that the old gentleman now residing in very strict seclusion at Malory, is Sir Booth – " he paused as if willing that Cleve should supply the surname, and so, perhaps, relieve him of a part of the disclosure.

"Sir Booth what?"

"Don't you know?"

 

"No. You can't mean Sir Booth Fanshawe."

"Sir Booth – Sir Booth Fanshawe; yes," said the clergyman, looking down bashfully, "I do mean Sir Booth Fanshawe."

"By Jove! And don't you think it was rather a liberty, bringing Sir Booth Fanshawe to occupy our house at Malory, after all that has passed?" demanded Cleve Verney, rather sternly.

"Well, no, it really did not– I'm grieved if I have erred in judgment; but it never did strike me in that light – never in that point of view; and Sir Booth doesn't know who it belongs to. It never struck me to tell him, and I don't think he has an idea."

"I don't care; but if my uncle hears, he'll not like it, I can tell you."

"I should not for any earthly consideration have made myself accessory to anything that could possibly have given a moment's pain to my honoured patron, the Honourable Kiffyn Fulke Verney, or to my honoured pupil – "

"Why, yes, my uncle might do you a mischief; as for me, I don't care. Only I think it was rather cool, considering how savage he has always been – what a lot of money he has cost us – getting up contests and petitions, and vilifying us wherever he could. He has left no stone unturned – but that's all over; and I think you've committed an indiscretion, because he hasn't a guinea left, and my sensible old grandmother will positively make you pay the rent, and that will be as unpleasant as sharing your tithes with the vicar."

"We are not all so wise as perhaps we should be in our generation," said the Reverend Isaac Dixie, with an apostolic simper that was plaintive and simple. To quiet the reader's uneasiness, however, I may mention that this good man had taken particular care to secure himself against a possible loss of a shilling in the matter. "And there are claims to which it is impossible to be deaf – there is a voice that seems to say, turn not thou away."

"Do stop that. You know very well that Booth Fanshawe was once a man who could give you a lift; and you did not know, perhaps, that he is ruined."

"Pardon me; but too well. It is to protect him against immediate and melancholy consequences that I ventured, at some little risk, perhaps, to seek for him an asylum in the seclusion of Malory."

"Well, it wasn't all sentiment, my dear Dixie; there's a gold thread of a ravelled tuft running through it somewhere; for whatever the romance of Christianity may say, the practice of the apostles is, very much, nothing for nothing; and if old Fanshawe wasn't worth obliging, I dare say Hammerdon wrote or spoke to you. Come, your looks confess it."

"Lord Hammerdon, I have no hesitation in saying, did suggest – "

"There, that will do. Will you come over to Ware, and dine with me? I'm sure old Jones can give you a bed."

The Reverend Isaac Dixie, however, could not come. There was to be a religious meeting in the morning at Clay school-house; the bishop was to be there; and the rector was himself to move a resolution, and had not yet considered what he was to say.

So he stepped with a bland countenance and a deliberate stride into his fly again; and from its window smirked sadly, and waved his hand to the future patron of Fridon-cum-Fleece, as he drove away; and the clergyman, who was not always quite celestial, and could, on safe occasions, be sharp and savage enough, exploded in a coarse soliloquy over the money, and the day and the ease he had sacrificed to the curiosity of that young man, who certainly had some as odious points as it had ever been his lot to meet with.

CHAPTER X
READING AN EPITAPH

Cleve Verney next afternoon was again, on board his yacht. Wind and tide both favouring, the cutter was running under a press of canvas that brought her gunwale to the water's edge once more for Penruthyn Priory. This time it was no mere aquatic whim; it was pursuit.

Searching the wooded sea-board of Malory with his glass, from the terrace of Ware, he had seen an open sail-boat waiting at the jetty. Down came a servant with cloaks and rugs. Cleve grew more and more interested as he adjusted the focus of his glass more exactly. On a sudden, from the little door in the boundary wall, emerged two ladies. There was no mistake; he could swear to them. They were the very same whom he had seen on Sunday in the Malory seat.

He watched till he saw the boat round the point, and then – "Yes," he thought, "they are certainly going to Penruthyn Priory."

And away went Cleve Verney in pursuit of the shadow which he secretly adored. From Ware to Penruthyn Priory is about six miles, and by the time the pursuing cutter was in motion the chase had made more than a mile of her course, and was within two of the landing point at the ruin.

Cleve saw the two ladies disembark. It was now plain that they had come either to visit the ruins, or for a walk in that wild and lonely park called the Warren. Cleve had brought his gun with him, only for an excuse.

Little more than five minutes after the arrival of the open boat, Cleve Verney set his foot upon the rude landing place, as old perhaps as the Priory itself; a clumsy little pier, constructed of great rocks, overgrown with sea-rack, over which slippery platform he strode with reckless haste, and up by that steep and pretty little winding lane, the trees overhanging which look centuries old, stooping and mantled in ivy. They may have heard the tinkle of the bells of the prior's mule, as he ambled beneath their boughs, and the solemn swell of the monkish requiem from the melancholy little churchyard close by, under the old Priory windows. The thick stone wall that fences this ancient by-road is clasped together with ivy, and hoar with lichens, irregular, and broken as the battlements of a ruined tower. The approach, and the place itself, are in their picturesque sadness and solitude the very scene and setting of such a romance as Cleve Verney was pursuing.

Into the Warren, by the stile up this road's side, went Cleve, and climbed the gray rocky hillock that commands an extensive view of that wild park; but there they were not.

Well, they must, then, have pursued the path up to the Priory, and thither he followed.

Oh, ho! here they are; the young lady at a little distance looking up at the singular ruin; the old lady engaged in an active discussion with shrewish old Mrs. Hughes, who was very deaf, and often a little tipsy, and who was now testily refusing the ladies admission within the iron gate which affords access to the ruins, of which she held the keys.

No situation could have been more fortunate for Cleve. The Warren and the Priory being his uncle's property, and the termagant Mrs. Hughes his officer, he walked up to the visitor, and inquired very courteously the object of the application, and forthwith ordered the portress to open the gate and deliver up her keys; which she did, a good deal frightened at sight of so unexpected a deus ex machina.

An unmistakable gentleman, handsome, and plainly a sort of prince in this region, the old lady, although she did not know to whom she was obliged, was pleased at his offer to act as cicerone here, and accepted it graciously.

"My young friend will be very glad; she draws a little, and enjoys such sights immensely. Margaret!" she called. The young lady turned, and Cleve saw before him once more in flesh and blood, that wonderful portrait of Beatrice Cenci, which had haunted him for three days.

The young lady heard what her companion had to say, and for a moment her large eyes rested on Cleve with a glance that seemed to him at once haughty, wild, and shy.

With one hand he held the gate open, and in the other his hat was raised respectfully, as side by side they walked into the open court. They each bowed as they passed, the elder lady very cheerily, the younger with a momentary glance of the same unconscious superiority, which wounded him more than his pride would have allowed; and a puzzled recollection flitted across his mind of having once heard, he could not remember when, that Booth Fanshawe had married a beautiful Italian, an heiress (a princess – wasn't she?) – at all events, a scion of one of their proud old houses, whose pedigrees run back into the Empire, and dwarf into parvenus the great personages of Debrett's Peerage. What made it worse was, that there was no shyness, no awkwardness. She talked a good deal to her companion, and laughed slightly once or twice, in a very sweet tone. The old lady was affable and friendly; the young lady, on the contrary, so far from speaking to him, seemed hardly to give herself the trouble of listening to what he said. This kind of exclusion, to which the petted young man certainly was not accustomed, galled him extremely, the more so that she looked, he thought, more beautiful than ever, and that her voice, and pretty, slightly foreign accent, added another charm to the spell.

He made them a graceful little lecture on the building, as they stood in the court. If she had any cleverness she would see with what a playful and rapid grace he could convey real information. The young lady looked from building to building as he described them, but with no more interest in the speaker, it seemed to him, than if the bell-man of Cardyllian had been reading it from a handbill. He had never done anything so well in the House of Commons, and here it was accepted as a piece of commonplace. The worst of it was that there was no finesse in all this. It was in perfect good faith that this beautiful young lady was treating him like a footman. Cleve was intensely piqued. Had she been less lovely, his passion might have recoiled into disgust; as it was, with a sort of vindictive adoration, he vowed that he would yet compel her to hang upon his words as angels' music, to think of him, to watch for him, to love him with all that wild and fiery soul which an intuition assured him was hers.

So, with this fierce resolve at his heart, he talked very agreeably with the accessible old lady, seeming, in a spirit, I dare say, altogether retaliatory, to overlook the young lady's presence a good deal.

"I've got the key of the church, also; you'll allow me, I hope, to show it to you. It is really very curious – a much older style than the rest of the building – and there are some curious monuments and epitaphs."

The old lady would be charmed, of course, and her young companion, to whom she turned, would like it also. So Cleve, acting as porter, opened the ponderous door, and the party entered this dim and solemn Saxon chapel, and the young lady paused and looked round her, struck, as it seemed with a sense of something new and very interesting.

"How strange! How rude it is, and irregular; not large, and yet how imposing!" murmured the girl, as she looked round with a momentary awe and delight. It was the first remark she had made, which it was possible for Cleve Verney to answer.

"That's so true! considering how small it is, it does inspire a wonderful awe," said he, catching at the opportunity. "It's very dark, to be sure, and that goes a long way; but its style is so rough and Cyclopean, that it overcomes one with a feeling of immense antiquity; and antiquity is always solemn, a gift from the people so remote and mysterious, as those who built this chapel, is affecting."

At this point Cleve Verney paused; either his ideas failed him, or he felt that they were leading him into an oration. But he saw that the young lady looked at him, as he spoke, with some interest, and he felt more elated than he had done for many a day.

"Is that a broken pillar?" asked Miss Sheckleton, – as I shall for the future call the elder lady.

"That's the font – very ancient – there's some odd carving about it, which has puzzled our antiquaries," said Cleve, leading the way to it.

The young lady had not followed. His exposition was to Miss Sheckleton, whose inquisitiveness protracted it. It was dry work for Cleve. The young lady had seated herself in a sort of oak stall, and was looking up at the groining of the round ribbed arches, at some distance. The effect was singular. She was placed in the deep chiaroscuro, a strong gleam of light entering through a circular aperture in the side wall, illuminated her head and face with a vivid and isolated effect; her rich chestnut hair was now disclosed, her bonnet having fallen back, as she gazed upward, and the beautiful oval face was disclosed in the surrounding shadow with the sudden brilliancy and isolation of a picture in a phantasmagoria.

Verney's eyes were not upon the font on which he was lecturing, his thoughts were wandering too, and Miss Sheckleton observed perhaps some odd vagueness and iteration in his remarks; but the young lady changed her position, and was now examining another part of the church.

 

Cleve either felt or fancied, seeing, as the Italians say, with the tail of his eye, that she was now, for a moment, looking at him, believing herself unseen. If this were so, was it not the beginning of a triumph? It made him strangely happy.

If Cleve had seen those sights in town, I can't say whether their effect would have been at all similar; but beautiful scenery, like music, predisposes to emotion. Its contemplation is the unconscious abandonment of the mind to sentiment, and once excite tenderness and melancholy, and the transition to love is easy upon small provocations. In the country our visions flit more palpably before us; there is nothing there, as amid the clatter and vulgarities of the town, to break our dreams. The beautiful rural stillness is monotony itself, and monotony is the spell and the condition of all mesmeric impressions. Hence young men, in part, are the dangers of those enchanted castles called country houses, in which you lose your heads and hearts; whither you arrive jubilant and free, and whence you are led by delicate hands, with a silken halter round your necks, with a gay gold ring in your obedient noses, and a tiny finger crooked therein, and with a broad parchment pinned upon your patient shoulders, proclaiming to the admiring world that your estates have gone the way of your liberties, and that you and they are settled for life.

"Now, this," said he, pointing to a block of carved stone placed in the aisle, "is the monument of old Martha Nokes; pray ask your young lady to come for one moment; it's worth reading."

"Margaret!" called the elder visitor, in the subdued tone suited to the sacred place. "Come, darling, and see this."

"This inscription is worth reading, and I can tell you about the old woman, for I remember her quite well. I was eight years old when she died. Old Martha Nokes; she died in her hundred and twentieth year."

The young lady stood by and listened and read. The epitaph related her length of service, her fidelity, and other virtues, and that "this stone was placed here in testimony of the sincere and merited esteem, respect, and affection cherished for the deceased, by Eleanor, Viscountess (Dowager) Verney, of Malory."

"There's some beautiful embroidery on satin, worked by her more than a hundred and fifteen years ago, at Ware," said Cleve Verney. "They say such work can't be had now. 'In the course of her long pilgrimage,' you see by the epitaph, 'she had no less than twenty-three substantial offers of marriage, all which she declined, preferring her single state to the many cares and trials of wedded life, and willing also to remain to the end of her days in the service of the family of Verney, (to whom she was justly grateful,) and in which she had commenced her active and useful, though humble life, in the reign of King George the First.' So you see she spent all her life with us; and I'll tell our people, if you should happen to pass near Ware – it's not an hour's sail across – and would care to see it, to show you her embroidery, and her portrait; and if there's anything else you think worth looking at; there are some pictures and bronzes – they'll be quite at your service; my uncle is hardly ever at Ware; and I only run down for a little boating and shooting, now and then."

"Thank you," said the old lady, and utter silence followed. Her young companion glanced at her for a moment, and saw her look blank and even confounded. She averted her gaze, and something, I suppose, struck her as comical, for, with a sudden little silvery laugh, she said —

"What a charming, funny old woman she must have been!"

And with this excuse she laughed more – and again, after a little interval. Nothing more contagious than this kind of laughter, especially when one has an inkling of the cause. Cleve looked at the font, and lowered his large eyes to the epitaph of the Virgin Martha Nokes, and bit his lips, but he did laugh a little in spite of himself, for there was something nearly irresistible in pleasant Miss Sheckleton's look of vacant consternation.