Lenz’s tone of voice when he says “police” earns him few friends in this room. He points his index finger at me.
“You tied those two victims to four others, through EROS. All four of those women also died from severe head wounds, or sustained postmortem head trauma. Pistol shot, shotgun blast, lethal fall. One was decapitated, as was Karin Wheat. We’re exhuming the first three and conducting repeat autopsies on the heads. If the condition of the brains permits it, I strongly suspect we will find that these women are missing all or part of their pineal glands.”
The psychiatrist is staring at me as though he expects me to start filling in gaps for him.
“What the hell does the pineal gland do?” I ask.
As Lenz and Baxter stare silently at me, my survival instinct tells me it’s time to test the bars on this cage. “Look,” I say, directing my words to Chief Tobin, “I think you guys have definitely stepped out of my area of expertise. Can I go home now?”
“Not just yet,” Tobin says. “Do people ever use their real names on this sex network?”
I try to suppress the feeling that I’m going to be spending the night in a New Orleans hotel, if not jail. “Almost never. The code names are what allow them the freedom to say and be whatever they wish. They might exchange phone numbers to facilitate an f2f meeting, but—”
“What’s f2f?” asks the chief.
“Face-to-face.”
“Oh. So did the victims give him their numbers?”
“Not in the conversations I’ve printed out.”
“So how do you think he’s learning their names?”
“I think he’s somehow gained access to our accounting files. There’s a master client list in the company’s administrative computer, with account numbers, addresses, everything. That’s where I got Strobekker’s name.”
“Who has access to that list?” asks Baxter.
“Myself, Miles Turner, Jan Krislov. Maybe a few techs. That’s it. The computer handles the billing automatically. It’s a pretty sophisticated system.”
“Who is Miles Turner?” asks Lenz.
“He’s the primary sysop. We grew up together in Mississippi, but he lives in New York now. He’s the one who got me into this job.”
“So you think the killer is hacking into the accounting database,” says Baxter.
“I don’t know. Miles tells me it’s impossible, that the list is protected like nuclear launch codes, but as far as I can see it’s the only way the killer could get the names. He must have seen that master list at least once. Maybe printed it out.”
“Not the only way,” interrupts Mayeux’s partner. “You or this Miles character could have given the list to someone. Or sold it to them.”
I’m on the verge of telling this guy to fuck himself when Baxter asks, “Who does security for EROS?”
“Miles,” I reply, still watching Mayeux’s scowling partner.
“This Miles Turner is highly proficient with computers?” asks Baxter.
“‘Highly’ doesn’t come close.”
“He has a degree?”
“MIT.”
“Serious program,” says one of the younger FBI agents.
“Graduate degree?” Baxter presses.
“Degrees, plural. I don’t know the exact names, but his specialty is computational physics.”
“If he’s so damned smart,” asks Mayeux’s partner, “how did Strobekker break through his security?”
It’s clear that everyone detests this little rat as much as I do, but his question is a good one. “I don’t know. And he refuses to believe anyone has.”
“How many techs are there?” asks Baxter.
“Four, five. I’m not positive they have access to the master list, but I think if they wanted to see it, they could figure a way. They’re good. Miles handpicked every one.”
The two younger FBI agents are murmuring between themselves. From the lips of the one with whippet eyes I catch, “… nail that fuck with a phone trace … subcontract some NSA geeks … next log-on … no time—” before Baxter silences them with a glare.
“Mr. Cole,” he says gently, “if you don’t mind, we’d like you to draw us a floor plan of the EROS offices before you go.”
This startles me. “I can’t do that.”
“Why not?”
“I’ve never been there.”
“Never?”
“They’re obsessively private about the place. Why do you need that anyway?”
No one answers.
“You’re not gearing up for some kind of Waco thing, are you? This is nothing like that. There’s a reason for all the secrecy. We have very famous clients.”
“Relax,” Baxter says. “We’re not the ATF.”
“You’re all initials to me, Mr. Baxter.”
“We can arrest your ass right now!” yells Mayeux’s partner, finally losing control. “I don’t know why the hell we haven’t already!”
“Go ahead!” I shout back, my anger boiling over. “You want to arrest me for linking these homicides for you? The Press might be real interested to hear a story like that. In fact, my wife knows one of the TV news anchors here from her school days. Maybe I should give her a call.”
“Let’s everybody just calm down,” Chief Tobin booms. With his department under fire from all quarters for corruption, the last thing he needs is more press scrutiny.
“Now can I go home?” I ask again.
The chief looks hard at Baxter, who in turn looks to Lenz. Lenz finally gives a reserved nod. Baxter reaches into his inside jacket pocket and passes me a card. “This is the number of our headquarters in Quantico, Virginia. I want you to check in once a day for the next few days. Obviously we’ll need to speak with you again. Possibly at some length.”
Mayeux’s partner looks like he just swallowed a cigarette butt with his coffee, but Chief Tobin’s hard gaze keeps him muzzled.
“I’d like to study your EROS printouts on the plane,” says Lenz. “You are going to leave them with me?”
I open my case, lift out the thick stack of pages, and drop it at the center of the table. “They’re all yours. But when Jan Krislov lands on me with both feet and a dozen lawyers, I’m going to expect some payback from you guys.”
“Leave Krislov to us,” says Baxter.
Measuring Daniel Baxter against my mental image of EROS’s cold-blooded CEO, I stifle a retort and turn to go. One foot is outside the doorway when Lenz says, “Mr. Cole?”
I turn back, expecting some Columbo trick just as I taste freedom. Lenz smiles oddly. “What instrument do you play?”
The question throws me off balance. Is this some bullshit Barbara Walters question? What kind of tree would I like to be? But of course it’s not. I do play an instrument, and somehow Lenz knows that. “Guitar,” I answer blankly.
The psychiatrist nods, a trace of disappointment in his eyes. “Do you sing?”
“Some people think so. I never did.”
The rest of the group looks from me to Lenz, then back again, trying to understand this odd coda to our meeting. My bewilderment holds me in place until the psychiatrist says, “Calluses, Mr. Cole. You have well-developed calluses on the fingertips of your left hand.”
The hand closes involuntarily. I squint at Lenz, imprinting his face in my memory, then turn and step into the hall.
On my way out of the station, I pass a knot of middle-aged men in sweat-stained suits. They are obviously waiting for something. Their angry voices mark them as anything but Southerners, and before I am out of earshot I realize they are waiting for me.
I quicken my steps.
Once outside, I reflect on Dr. Lenz’s little performance. He’s an observant man. But is he smart? A smart man would simply have noted the calluses and bade me farewell. Unless he felt that quickly discovering what instrument I play was important. But even then, a smart man would have remained silent after I answered his question, leaving me mystified by his deductive skills. Yet Arthur Lenz insisted on doing a Sherlock Holmes impression for his captive audience of Lestrades. Why?
The doctor was showing off. I don’t know why, but this is somehow important. I cannot escape the feeling that the entire low-key meeting was a carefully orchestrated interrogation designed to look and feel like anything but that. Baxter and Lenz playing good cop while the NOPD played the heavy. Or maybe it’s more complicated than that. But if they really suspect me, why not arrest me and give me the third degree? Or throw me to the out-of-state wolves who were waiting for me?
One thing is certain. The FBI controlled that meeting. I am free because they want me free. Why do they want that? Could the FBI—like Chief Tobin—be afraid of the media? It’s possible. After seven murders—eight including Strobekker—the Bureau’s elite serial killer unit has managed to link exactly none of the crimes. Wrongly accusing the good citizen who connected the murders for them might make their precious Unit an object of ridicule on Nightline, not to mention Hard Copy, which is already feeding on the case.
I have only intuition to go on, but the voiceless voice in my head has rarely failed me. As I pull the inevitable parking ticket off the windshield of my Explorer and drop the crumpled ball into the gutter, that voice is saying one thing loud and clear: You have more problems today than you had yesterday.
One of my office telephones is ringing when I turn the key in the front door of the farmhouse. Thinking it’s Drewe, I race to catch it.
“Hello, snitch.”
This is not Drewe. The voice in the earpiece is at once strange and familiar. It belongs to Miles Turner.
“You’ve really shaken things up, haven’t you?” he says.
“What have you heard?” I ask, shocked at the sauna-level heat that has accumulated inside the house during the day.
“Jan is very upset with you.”
“I figured. Did the FBI call her?”
I hear a faint tsk. “Did they phone her? No, Harper. That would be much too easy for the Federal Bureau of Incompetence. They showed up at the door of our offices with a search warrant.”
“What? At EROS? When?”
“Two hours ago. Special agents from the New York office.”
“What did they see?”
“Not much. Jan locked the master client list in the file room the minute Reception buzzed her and said the FBI was in the building. She refused to give them a key, and that room is like a vault. Actually, it is a vault. It reminds me of your grandfather’s bomb shelter—Eisenhower chic. It’s got a time lock. Seventy-two hours before that monster opens. I guess the FBI could blow it open or cut it with a blowtorch, but they haven’t tried. They just posted two men outside it. They didn’t even confiscate our servers. Jan thinks the raid was pure intimidation.”
“I don’t think so, Miles. All six of those women I told you about were murdered this year. Karin Wheat makes seven. And David Strobekker, the man I thought was the killer, makes eight.”
“So says the FBI.”
“Come on, man. Wake up and smell the fucking coffee! I overheard one guy whispering about phone traces, bringing in the NSA, George Orwell stuff.”
“As a matter of fact, Jan is about to give the FBI permission to set up tracing equipment right here in the office.”
This stops me. “But you just said she hid the master client list from them.”
“She did. But Jan’s no fool. She knows she’s walking a fine legal line. There is apparently some question of a duty to warn. Warn the subscribers, I mean. She feels that by cooperating with the FBI in tracing Strobekker—or whoever he is—she demonstrates that she’s not obstructing the FBI merely for the sake of doing it.”
“At least somebody up there is thinking straight. How long do they think it will take to trace Strobekker if he does log on again?”
“If he’s stupid, no time at all. Personally, I don’t believe they have a chance in hell.”
“You sound glad about it, damn it!”
Miles laughs softly. “I haven’t heard you this excited in a while. Did Karin’s death affect you so deeply?”
I swallow. “You knew her?”
“Of course. We exchanged quite a few messages during the wee hours. Karin was one of the pillars of Level Three. A thoroughly interesting woman.”
I think quickly. “I … I know that. But—”
“But you never saw any of my aliases in exchanges with her, right? That’s what you’re thinking?”
“Yes.”
“I have many names, Harper. Even you don’t know them all.” He pauses. “You don’t always tell women you’re a sysop, do you? That you know who they really are? That would spoil the fun, wouldn’t it? It’s amazing how the perceived anonymity of a code name lets them open up, isn’t it? Especially the actresses. There’s nothing quite like boffing a three-million-dollar thespian online while she thinks you think she’s someone else, is there? You can play them like your guitar then, can’t you?”
I say nothing.
“And how is Drewe Welby, M.D. taking all of this? Did she finally break the camel’s back and send you running to the FBI?”
“I didn’t go to the FBI,” I snap. “I called the New Orleans police. The FBI was already on the case. Damn it, Miles, we’re talking about murder.”
“So?”
“So?”
“EROS is like an organic system, Harper. Constantly evolving. Powerful emotions flow through it every day. Sexual emotions. We’re accustomed to monitoring massive levels of input, or throughput, if you will. But output has always been a possibility. And sex has always been integrally bound up with death. Why anyone should be surprised by all this is beyond me.”
“Miles, put aside your bullshit philosophizing for a minute. Don’t you realize that EROS’s primary obligation is to protect the security of its clients?”
“You’re the one who trivialized that obligation by revealing the names of subscribers to the police.”
I shake my head. “You’ve finally flipped out, man.”
“You realize,” he says coolly, “that you’ve exposed yourself to litigation by your action. Your employment contract is quite specific about that. I would feel derelict as a friend if I didn’t warn you that you will almost certainly be hearing from Elaine Abrams in the next few days. I would speak to my attorney.”
It suddenly strikes me that Miles Turner—who grew up in Rain, Mississippi—is speaking without a trace of Southern accent. He has finally succeeded in his lifelong goal of erasing his roots.
“Listen to me, Miles,” I implore, reaching for some vestige of the boy I once knew so well. “Innocent women are being killed and mutilated. I’m trying to stop that. If you and Krislov don’t understand that, you’re going to get steamrollered by the FBI. I’ve met the guys running this investigation. They’re from the Investigative Support Unit—the serial killer guys—and they are serious people.”
“I gather they are,” he says, finally showing a touch of pique. “And you and I are their prime targets.”
I am silent.
“Surely you see that, Harper? You and I are the only two men—apart from my technical staff—who have access to the real names of the subscribers. Obviously the master client list is the map the killer is using to choose his victims.”
Obviously. “So how did he get access to it?”
“I’m looking into that.”
“You told me those files were protected like nuclear launch codes.”
“My system architecture is ironclad,” he snaps. “Still, even the best operating systems sometimes have flaws no one knows about. They come that way from the factory.”
“How many technicians are there, Miles?”
“Six.”
More than I’d thought. “If the killer isn’t hacking his way through your security, and you or I didn’t do the killings, that means one of those six guys did.”
“No.”
“How do you know?”
“I just do.”
This stops me. When Miles Turner sounds this certain, he is always right. The police would never accept that, of course, but I do. But how can he know? Trying not to slide too far down that neural pathway, I say, “Look, am I fired or what?”
“Fired?” he echoes as if the notion has never crossed his mind.
“You just said Krislov was pissed at me. It’s not like I’m essential to the running of the network.”
“Of course you are. You and I are the only two full-duty sysops.”
“What about Raquel Hirsch?”
“She’s licking her lesbian lips off on Montserrat. Not due back for another week. Besides, she’s only part-time and doesn’t know enough about technical matters to defrag a hard drive.”
“What if I quit?”
“You can’t.”
“My contract says I can. I made sure of that. This was only going to be a trial thing anyway, remember? A goof.”
Miles’s voice lowers to its snake-charming register. “But you’ve stayed at it all these months, haven’t you? You like it. Besides, if you quit, you’ll lose your fifty-yard-line seat.”
Jesus. “I don’t need the aggravation, Miles.”
“No? What about your online friends, then? Or should I say lovers? Are you ready to tell them good-bye forever? Your employment contract does forbid you from ever trying to contact them in person. If you quit, I’ll probably have to remind Elaine Abrams about that clause.”
“Fuck you. I quit.”
“What about Eleanor Rigby?”
I exhale slowly, my grip tightening on the phone. “What do you know about Eleanor?”
“I know she’d be positively despondent if you dropped off of EROS without explanation.”
Miles knows he has me. The truth is, I don’t really want to quit. After summoning the nerve to “go public” with my suspicions—and being proved correct—I want resolution. Miles just pisses me off. “I’ll stay until Raquel gets back,” I tell him, my voice tight.
“Good man. Oh, you’d better start getting your alibis organized. Your FBI friends will be asking, and it can be difficult to remember where one was on so many different nights so many months ago.”
“I have nothing to hide,” I say firmly. “I’m innocent.”
There is a long silence, then a strange, muffled sigh. When Miles finally answers, his voice seems burdened by age beyond his years. “Harper, have you learned so little during your time with EROS? You speak of innocence with such conviction. Are any of us?”
Then he hangs up the phone.
I look around the office at the familiar landmarks of my existence, the EROS computer (custom built by Miles), the Gateway 2000 I use to make my futures trades, two laser printers, the antique laboratory table that functions as my desk, the twin bed I crash on during marathon trading sessions, the guitars hanging over the bed. Lifting my feet from the floor, I spin the swivel chair in a circle. The window flashes past again and again, merging with reflections from framed prints, antique maps, the unsheathed Civil War sword carried by one of my maternal ancestors at Brice’s Cross Roads. When I stop spinning I am facing a sport coat.
My father’s coat.
It droops from a wire hanger on a nail driven straight into the wall. The jacket appears to be cashmere, with thin vertical stripes of black and wine. It is absolutely motionless. There is a reason for this. The coat is made of wood.
I commissioned this piece from a sculptor I discovered one summer in Florida. He is a big blond guy named Fraser Smith, and he sculpts nothing but clothes, quilts, and old suitcases. The day I met him, I compulsively bought two of his pieces and in the after-sale chatter learned that he was originally from Mississippi. I don’t know why his work affects me so strongly, but I don’t question it. Things actually worth buying are rare.
My father’s taste in clothes was exceptionally bad as a rule—mostly synthetic fabrics in loud colors—but he bought this jacket while serving as an army doctor in Germany in 1960, the year I was born. All I can figure is that the store was out of electric plaids, leaving him no choice but to buy this jewel for warmth. Twenty years later, he gave it to me after I remarked on its quality, and I wore it often. Ten years after that—a year after he died—I carefully boxed it up and sent it UPS to Tampa, Florida, where Smith kept it four months, then shipped both the jacket and the sculpture back to me with a bill for fifteen thousand dollars.
It was worth every cent.
Why, I don’t know. Maybe because the jacket says something to me about the permanence of the apparently transitory. For what is that jacket but an articulated memory? As surely as the jacket is here with me, my father is here with me. And for all his failings, which were many, he was a man of principle when it came to the big things. And I know, as I sit here worrying about the consequences of my recent actions, that I am doing only and exactly what my father would have done—the consequences be damned.
Maybe that’s Miles’s problem. He had no such anchor. Miles’s father left him and his mother to fend for themselves when Miles was five. People said Miles was his spitting image, but since Mrs. Turner kept no pictures of “that no-count SOB” in the house, we could never confirm or deny this. He certainly didn’t look like his mother, a petite, harried woman. He was tall even as a child, all bones and tendons, which in a small town usually leads to school sports. But Miles was apathy personified. When one coach tried to talk him into playing basketball, he just stared until the man walked away. That was a common adult reaction. Miles’s eyes are grayish blue, and you can’t see anything in them if he doesn’t want you to. They’re like background pieces in a stained-glass window. Nothing there but space. Yet, like the sky, they can come alive with everything from thunderheads to blazing blue light.
According to local legend, Miles’s father was a mean drunk and a gifted engineer who helped the Army Corps of Engineers figure out how to stop a bad sand boil in the levee west of Mayersville in 1973. Because of that, people said Miles got his brains from his father. Miles hated them for that. He hated anybody who ever said it. I think he took it as some sort of insult to his mother, who was no rocket scientist, to be fair to the gossips. Yet Annie Turner was clever in her own way. She never remarried (or even divorced, for all the town knew) but she did manage to become involved with certain solvent gentlemen (railroad men, for example) who happened to be passing through Rain during times of financial distress.
Miles never talked about any of those men. When they were around, we knew to stay away from his house from noontime on. Once, shooting squirrels out of season, we ran into the Turner kitchen to grab some .22 bullets from the drawer and saw a man standing in the kitchen with his shirt off, drinking milk from a half-gallon carton. He looked old as the hills to us (at twelve) and had milk dribbling down his chin. When we got outside and Miles fumbled the bullets into the .22, his eyes sort of glazed over and he took a couple of steps back toward the house and before I could spit he put two bullets through the top pane of the kitchen window. When I crashed into his back and pulled him down, I felt his shoulders shaking like the flanks of a horse run almost to death. I had to hit him in the face to get the gun away, and then we ran like hell until we couldn’t hear anyone screaming behind us. Miles didn’t say anything for about two hours after that. We just walked along the weedy turnrows dividing the cotton fields, rapping the hard, knobbed stalks everybody called nigger knockers against the rusty barbed wire. I went home at dark. I don’t know if Miles went home at all.
But they made out okay. Annie even managed to pay Miles’s way through private school until she realized that the school would pay to have him. Because Miles Turner was a genius. I say that because, though I did well in school without much effort, Miles did not try at all. In the ninth grade he could answer “reading” problems in algebra after scanning them once. He never put anything on paper. After we all took the Armed Services Vocational Aptitude Battery, some army major from Washington telephoned down to the school, talked to the principal, and asked to speak to Miles. He said something about Miles having a home in the army just as soon as he came of age. Miles told the major he wouldn’t join the army unless Russian paratroopers landed in his mother’s yard. The major said that might not be such a remote possibility. He also told Miles that Greenville was a confirmed Russian nuclear target because of its bridge over the Mississippi River. Miles said if the Russians wanted to nuke Greenville, he might consider joining the army after all. The Russian army.
Okay, he was a smart-ass. But that doesn’t make him a killer. He was just born in the wrong town. And he knew it. We both graduated high school as National Merit scholars, and could have gone to college anywhere in the United States for next to nothing. But there our paths diverged. I was so into girls that summer that I hardly gave college a thought, and since my parents were having their own problems at the time—financial and marital—they ignored the issue as well. I’d always done well in school, thus I always would. In the end I went to Ole Miss sight unseen, and because I had waited so long to decide, my father even had to pay for the privilege.
Miles applied for and was awarded a full academic scholarship to the Massachusetts Institute of Technology. While I farted around Oxford, Mississippi, with scatterbrained, Venus-shaped sorority girls and drunken Young Republicans, Miles Turner was fanatically programming, tearing apart, and rebuilding big clumsy metal boxes that I would not even have recognized in 1978.
Computers.
It seems natural now, but at the time it was odd. He spoke the language of bits and drives and floating memory at a time when those words were as foreign to the general public as Attic Greek. The really odd thing is that Miles thinks I’m smarter than he is. I have no idea why. This is not false modesty. I will frankly admit that I have above-average intelligence, just as I will admit I have a poor sense of direction. I can look at a problem, analyze it—for patterns, usually—and given enough time, solve it. Miles doesn’t analyze anything. He looks at something, and he just knows. He grasps physics and numbers the way I do people and music—wholly by intuition. It’s as though his asocial childhood allowed him to tune into some subrational channel of information that is beyond the rest of us.
When I took the sysop job, I was looking forward to getting to know him again. I’d only seen him a handful of times in the past fifteen years. But for whatever reason, it hasn’t worked out that way. We occasionally exchange email—sometimes using the satellite video link that his techs installed here when I took the job-slash-hobby—but on balance, I know him no better now than I did when we were kids. Maybe my hopes were misplaced. Maybe you can never know anyone more deeply than you know them in childhood.
By the time Drewe arrives, I’ve put together a bastardized stir-fry of broccoli and pork and lemon. We eat it on the front porch, which is thick with heat despite the falling darkness, but mercifully free of mosquitoes. As soon as we sit, Drewe asks for a play-by-play of the meeting in New Orleans. I give it to her, glad not to have to keep anything back. She takes in every word with the machinelike precision that carried her through medical school with honors, and when I am done she says nothing. I have held one detail until the end, hoping for a silence like this one.
“What’s the pineal gland?” I ask.
She finds my eyes in the gloom. “The pineal body?”
“I guess, yeah.”
“It’s a small glandular structure at the core of the brain. In the third ventricle, I think. It’s about the size of a pea.”
“What does it do?”
“Until about thirty years ago, nobody thought it did anything. It was considered a vestigial organ, like the appendix. Scientists knew the pineal made melatonin, but no one knew what melatonin did. What does the pineal have to do with anything?”
“The FBI says the killer cut off Karin Wheat’s head to get to her pineal gland.”
“What?”
“Sick, huh? The other victims might be missing theirs too, or else their whole heads.”
Drewe grimaces.
“Can you think of any reason why someone would want pineal glands? Do they have any medical use?”
“I don’t think so. There were some pineal experiments going on at Tulane when I was there, related to breast cancer I think. But I don’t remember what the findings were.” She pauses. “You can buy melatonin in health food stores, though. God, this reminds me of those PBS shows where they talk about Oriental medicine. You know, how Japanese men pay poachers hundreds of thousands of dollars for rhinoceros horns and tiger testicles and things. All to cure impotence or restore their lost youth or something.”
My opinion of my wife’s mental acuity has been reaffirmed yet again. She has already broached a theory that seems more logical than that of the police in California, who believe the EROS murders may be the work of a cult.
“So what is melatonin?” I ask. “What does it do?”
“It’s a hormone that regulates your sleep cycle. Your circadian rhythms. You know, what causes jet lag. Some people take it to prevent or relieve jet lag symptoms.”
“Can you remember anything else about it?”
Drewe touches her forefinger to the tip of her nose and fixes her gaze somewhere out in the darkness. I know this posture well: concentration mode. “I think it controls the release of serotonin, maybe some other hormones. I seem to recall something from one of the journals. Neurobiological stuff. Something to do with the pineal and the aging process. Weird how that fits with the Oriental thing, isn’t it? But that doesn’t mean anything. Murderers don’t read JAMA or Journal of Neuroscience.”
“Why not?”
“Well … I guess it’s possible.” Drewe grimaces and says, “Men are scum.” A routine comic line of hers that doesn’t sound so funny tonight.
“So what’s the plan?” I ask lightly, falling into our usual banter.
“More dictation.” She stretches both arms above her head. “My personal cross to bear.” She begins gathering up the plates. “Which reminds me. Tomorrow you face yours.”
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