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Sons and Fathers

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The mother of Rita had passed away, and so had the young woman's husband. Rita had but recently returned to Ilexhurst, when one night she came into his presence drenched with rain and terrorized by the fierceness of an electrical storm then raging. Speechless from exhaustion and excitement she could only beckon him to follow. Upon the bed in her room, out in the broad back yard, now sharing with its occupant the mud and water of the highway, her face white and her disordered hair clinging about her neck and shoulders, lay the insensible form of the only girl he had ever loved – Marion Evan, as he still thought of her. He approached the bed and lifted her cold hands and called her by endearing names, but she did not answer him. Rita, the struggle over had sunk into semi-consciousness upon the floor.

When the family physician had arrived John Morgan had placed Rita upon the bed and had borne the other woman in his arms to the mother's room upstairs, and stood waiting at the door. While the genial old practitioner was working to restore consciousness to the young woman there, a summons several times repeated was heard at the front door. Morgan went in person and admitted a stranger, who presented a card that bore the stamp of a foreign detective bureau. Speaking in French the lawyer gravely welcomed him and led the way to the library. The detective opened the interview:

"Have you received my report of the 14th inst., M. Morgan?"

"Yes. What have you additional?"

"This. Mme. Levigne is with her husband and now in this city." Morgan nodded his head.

"So I have been informed." He went to the desk and wrote out a check. "When do you purpose returning?"

"As soon as possible, monsieur; to-morrow, if it pleases you."

"I will call upon you in the morning; to-night I have company that demands my whole time and attention. If I fail, here is your check. You have been very successful."

"Monsieur is very kind. I have not lost sight of Mme. Levigne in nearly a year until to-night. Both she and her husband have left their hotel; temporarily only I presume." The two men shook hands and parted.

Upstairs the physician met Morgan returning. "The lady will soon be all right; she has rallied and as soon as she gets under the influence of the opiate I have given and into dry clothes, will be out of danger. But the woman in the servant's house is, I am afraid, in a critical condition."

"Go to her, please," said Morgan quickly. Then entering the room he took a seat by the side of the young woman – her hand in his. Marion looked upon his grave face in wonder and confusion. Neither spoke. Her eyes closed at last in slumber.

Then came Mamie Hester, the old woman who had nursed him, one of those family servants of the old South, whose lips never learned how to betray secrets.

The sun rose grandly on the morning that Marion left Ixlexhurst. She pushed back her heavy veil, letting its splendor light up her pale face and gave her hand in sad farewell to John Morgan. Its golden beams almost glorified the countenance of the man; or was it the light from a great soul shining through?

"A mother's prayers," she said brokenly. "They are all that I can give."

"God bless and protect you till we meet again," he said, gently.

She looked long and sadly toward the eastern horizon in whose belt of gray woodland lay her childhood home, lowered her veil and hurried away. A generation would pass before her feet returned upon that gravel walk.

CHAPTER LVIII
"THE LAST SCENE OF ALL"

Mary slept.

The blind woman, who had for awhile sat silent by her side, slowly stroking and smoothing the girl's extended arm, nodded, her chin resting upon her breast.

Cambia alone was left awake in the room, her mind busy with its past. The light was strong; noiselessly she went to the little table to lower it. There, before her, lay a violin's antique case. As her gaze fell upon it, the flame sank under her touch, leaving the room almost in the shadow. The box was rounded at the ends and inlaid, the central design being a curiously interwoven monogram. Smothering an exclamation, she seized it in her arms and listened, looking cautiously upon her companions. The elder woman lifted her head and turned sightless eyes toward the light, then passed into sleep again.

She went back eagerly to the box and tried its intricate fastenings; but in the dim light they resisted her fingers, and she dare not turn up the flame again.

From the veranda in front came the murmur of men's voices; the house was silent. Bearing the precious burden Cambia went quickly to the hallway and paused for a moment under the arch that divided it. Overhead, suspended by an invisible wire, was a snow-white pigeon with wings outspread; behind swayed in the gentle breeze the foliage of the trees. She stood for a moment, listening; and such was the picture presented to Edward as he clutched the arm of his companion and leaned forward with strained eyes into the light.

Guided by the adjuncts of the scene he recognized at once a familiar dream. But in place of the girl's was now a woman's face.

Another caught a deeper meaning at the same instant, as the general's suppressed breathing betrayed.

Cambia heard nothing; her face was pale, her hand trembling. In the light descending upon her she found the secret fastenings and the lid opened.

Then the two men beheld a strange thing; the object of that nervous action was not the violin itself. A string accidentally touched by her sparkling ring gave out a single minor note that startled her, but only for a second did she pause and look around. Pressing firmly upon a spot near the inner side of the lid she drew out a little panel of wood and from the shallow cavity exposed, lifted quickly several folded papers, which she opened. Then, half rising, she wavered and sank back fainting upon the floor. The silence was broken. A cry burst from the lips of the old general.

"Marion! My child." In an instant he was by her side lifting and caressing her. "Speak to me, daughter," he said. "It has been long, so long. That face, that face! Child, it is your mother's as I saw it last. Marion, look up; it is I, your father." And then he exclaimed despairingly, as she did not answer him, "She is dead!"

"It is not serious, General," said Edward hurriedly. "See, she is reviving." Cambia steadied herself by a supreme effort and thrust back the form that was supporting her.

"Who calls Marion?" she cried wildly. "Marion Evan is dead! Cambia is dead! I am the Countess Levigne." Her voice rang out in the hall and her clenched hand held aloft, as though she feared they might seize them, the papers she had plucked from the violin case. Then her eyes met the general's; she paused in wonder and looked longingly into his aged face. Her voice sank to a whisper: "Father, father! Is it indeed you? You at last?" Clinging to the hands extended toward her she knelt and buried her face in them, her form shaking with sobs. The old man's tall figure swayed and trembled.

"Not there, Marion, my child, not there. 'Tis I who should kneel! God forgive me, it was I who – "

"Hush, father, hush! The blame was mine. But I have paid for it with agony, with the better years of my life.

"But I could not come back until I came as the wife of the man I loved; I would not break your heart. See! I have the papers. It was my husband's violin." She hid her face in his bosom and let the tears flow unchecked.

Edward was standing, white and silent, gazing upon the scene; he could not tear himself away. The general, his voice unsteady, saw him at last. A smile broke through his working features and shone in his tearful eyes:

"Edward, my boy, have you no word? My child has come home!" Marion lifted her face and drew herself from the sheltering arms with sudden energy.

"Edward," she said, gently and lovingly. "Edward!" Her eyes grew softer and seemed to caress him with their glances. She went up to him and placed both hands upon his shoulders. "His child, and your mother!"

"My mother, my mother!" The words were whispers. His voice seemed to linger upon them.

"Yes! Cambia, the unhappy Marion, the Countess Levigne and your mother! No longer ashamed to meet you, no longer an exile! Your mother, free to meet your eyes without fear of reproach!"

She was drawing his cheek to hers as she spoke. The general had come nearer and now she placed the young man's hand in his.

"But," said Edward, "Gerald! You called him your son!" She clasped her hands over her eyes and turned away quickly. "How can it be? Tell me the truth?" She looked back to him then in a dazed way. Finally a suspicion of his difficulty came to her. "He was your twin brother. Did you not know? Alas, poor Gerald!"

"Ah!" said the old man, "it was then true!"

"Mother," he said softly, lifting her face to his, "Gerald is at peace. Let me fulfill all the hopes you cherished for both!"

"God has showered blessings upon me this night," said the general brokenly. "Edward!" The two men clasped hands and looked into each other's eyes. And, radiant by their side, was the face of Cambia!

At this moment, Mary, who had been awakened by their excited voices, her hand outstretched toward the wall along which she had crept, came and stood near them, gazing in wonder upon their beaming faces. With a bound Edward reached her side and with an arm about her came to Cambia.

"Mother," he said, "here is your daughter." As Cambia clasped her lovingly to her bosom he acquainted Mary with what had occurred. And then, happy in her wonder and smiles, Edward and Mary turned away and discussed the story with the now fully awakened little mother.

"And now," said he, "I can ask of you this precious life and be your son indeed!" Mary's head was in her mother's lap.

 

"She has loved you a long time, Edward; she is already yours."

Presently he went upon the veranda, where father and daughter were exchanging holy confidences, and, sitting by his mother's side, heard the particulars of her life and bitter experience abroad.

"When Mr. Morgan went to you, father, and stated a hypothetical case and offered to find me, and you, outraged, suffering, declared that I could only return when I had proofs of my marriage, I was without them. Mr. Morgan sent me money to pay our expenses home – Gaspard's and mine – and we did come, he unwilling and fearing violence, for dissipation had changed his whole nature. Then, he had been informed of my one-time engagement to Mr. Morgan, and he was well acquainted with that gentleman and indebted to him for money loaned upon several occasions. He came to America with me upon Mr. Morgan's guaranty, the sole condition imposed upon him being that he should bring proofs of our marriage; and had he continued to rely upon that guaranty, had he kept his word, there would have been no trouble. But on the day we reached this city he gave way to temptation again and remembered all my threats to leave him. In our final interview he became suddenly jealous, and declared there was a plot to separate us, and expressed a determination to destroy the proofs.

"It was then that I determined to act, and hazarded everything upon a desperate move. I resolved to seize my husband's violin, not knowing where his papers were, and hold it as security for my proofs. I thought the plan would succeed; did not his love for that instrument exceed all other passions? I had written to Rita, engaging to meet her on a certain night at a livery stable, where we were to take a buggy and proceed to Ilexhurst. The storm prevented. Gaspard had followed me, and at the church door tore the instrument from my arms and left me insensible. Rita carried me in her strong arms three miles to Ilexhurst, and it cost her the life of the child that was born and died that night.

"Poor, poor Rita! She herself had been all but dead when my boys were born a week later, and the idea that one of them was her own was the single hallucination of her mind. The boys were said to somewhat resemble her. Rita's mother bore a strong resemblance to Mrs. Morgan's family, as you have perhaps heard, and Mrs. Morgan was related to our family, so the resemblance may be explained in that way. Mr. Morgan never could clear up this hallucination of Rita's, and so the matter rested that way. It could do no harm under the circumstances, and might – "

"No harm?" Edward shook his head sadly.

"No harm. You, Edward, were sent away, and it was early seen that poor Gerald would be delicate and probably an invalid. For my troubles, my flight, had – . The poor woman gave her life to the care of my children. Heaven bless her forever!"

Gambia waited in silence a moment and then continued:

"As soon as I could travel I made a business transaction of it, and borrowed of my friend, John Morgan. He had acquainted me with the conditions upon which I should be received at home; and now it was impossible for me to meet them. Gaspard was gone. I thought I could find him; I never did, until blind, poor, aged and dying, he sent for me."

"John Morgan was faithful. He secured vocal teachers for me in Paris and then an engagement to sing in public. I sang, and from that night my money troubles ended.

"Mr. Morgan stayed by me in Paris until my career was assured. Then, in obedience to his country's call he came back here, running the blockade, and fought up to Appomattox."

"As gallant a fire-eater," said the general, "as ever shouldered a gun. And he refused promotion on three occasions."

"I can readily understand that," said Cambia. "His modesty was only equaled by his devotion and courage.

"He visited me again when the war ended, and we renewed the search. After that came the Franco-Prussian war, the siege of Paris and the commune, destroying all trails. But I sang on and searched on. When I seemed to have exhausted the theaters I tried the prisons. And so the years passed by.

"In the meantime Mr. Morgan had done a generous thing; never for a moment did he doubt me." She paused, struggling with a sudden emotion, and then: "He had heard my statement – it was not like writing, Father, he had heard it from my lips – and when the position of my boys became embarrassing he gave them his own name, formally adopting them while he was in Paris."

"God bless him!" It was the general's voice.

"And after that I felt easier. Every week, in all the long years that have passed, brought me letters; every detail in their lives was known to me; and of yours, Father. I knew all your troubles. Mr. Morgan managed it. And," she continued softly, "I felt your embarrassments when the war ended. Mr. Morgan offered you a loan – "

"Yes, but I could not accept from him – "

"It was from me, Father; it was mine; and it was my money that cared for my boys. Yes," she said, lifting her head proudly, "Mr. Morgan understood; he let me pay back everything, and when he died it was my money, held in private trust by him, that constituted the bulk of the fortune left by him for my boys. I earned it before the footlights, but honestly!

"Well, when poor Gaspard died – "

"He is dead, then?"

"Ah! of course you do not know. To-morrow I will tell you his story. I stood by his body and at his grave, and I knew Edward. I had seen him many times. Poor Gerald! My eyes have never beheld him since I took him in my arms that day, a baby, and kissed him good – " She broke down and wept bitterly. "Oh, it was pitiful, pitiful!"

After awhile she lifted her face.

"My husband had written briefly to his family just before death, the letter to be mailed after; and thus they knew of it. But they did not know the name he was living under. His brother, to inherit the title and property, needed proof of death and advertised in European papers for it. He also advertised for the violin. It was this that suggested to me the hiding place of the missing papers. Before my marriage Gaspard had once shown me the little slide. It had passed from my memory. But Cambia's wits were sharper and the description supplied the link. I went to Silesia and made a trade with the surviving brother, giving up my interest in certain mines for the name of the person who held the violin. Gaspard had described him to me in his letter as a young American named Morgan. The name was nothing to the brother; it was everything to me. I came here determined, first to search for the papers, and, failing in that, to go home to you, my father. God has guided me."

She sat silent, one hand in her father's, the other clasped lovingly in her son's. It was a silence none cared to break. But Edward, from time to time, as his mind reviewed the past, lifted tenderly to his lips the hand of Cambia.

Steadily the ocean greyhound plowed its way through the dark swells of the Atlantic. A heavy bank of clouds covered the eastern sky almost to the zenith, its upper edges paling in the glare of the full moon slowly ascending beyond.

The night was pleasant, the decks crowded. A young man and a young woman sat by an elderly lady, hand in hand. They had been talking of a journey made the year previous upon the same vessel, when the ocean sang a new sweet song. They heard it again this night and were lost in dreams, when the voice of a well-known novelist, who was telling a story to a charmed circle, broke in:

"It was my first journey upon the ocean. We had been greatly interested in the little fellow because he was a waif from the great Parisian world, and although at that time tenderly cared for by the gentle woman who had become his benefactress, somehow he seemed to carry with him another atmosphere, of loneliness – of isolation. Think of it, a motherless babe afloat upon the ocean. It was the pathos of life made visible. He did not realize it, but every heart there beat in sympathy with his, and when it was whispered that the little voyager was dead, I think every eye was wet with tears. Dead, almost consumed by fever. With him had come the picture of a young and beautiful woman. He took it with him beneath the little hands upon his breast. That night he was laid to rest. Never had motherless babe such a burial. Gently, as though there were danger of waking him, we let him sink into the dark waters, there to be rocked in the lap of the ocean until God's day dawns and the seas give up their dead. That was thirty years ago; yet to-night I seem to see that little shrouded form slip down and down and down into the depths. God grant that its mother was dead."

When he ceased the elder woman in the little group had bent her head and was silently weeping.

"It sounds like a page from the early life of Gaspard Levigne," she said to her companions.

And then to the novelist, in a voice brimming over with tenderness: "Grieve not for the child, my friend. God has given wings to love. There is no place in all His universe that can hide a baby from its mother. Love will find a way, be the ocean as wide and deep as eternity itself."

And then, as they sat wondering, the moon rose above the clouds. Light flashed upon the waves around them, and a golden path, stretching out ahead, crossed the far horizon into the misty splendors of the sky.

THE END

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