Buch lesen: «The Best Short Stories of 1917, and the Yearbook of the American Short Story», Seite 16

The War went on, and on, and on. And the money continued to roll in—a flood of it. Then, one afternoon, Eva, in town on shopping bent, entered a small, exclusive, and expensive shop on Michigan Avenue. Exclusive, that is, in price. Eva's weakness, you may remember, was hats. She was seeking a hat now. She described what she sought with a languid conciseness, and stood looking about her after the saleswoman had vanished in quest of it. The room was becomingly rose-illumined and somewhat dim, so that some minutes had passed before she realized that a man seated on a raspberry brocade settee not five feet away—a man with a walking stick, and yellow gloves, and tan spats, and a check suit—was her brother Jo. From him Eva's wild-eyed glance leaped to the woman who was trying on hats before one of the many long mirrors. She was seated, and a saleswoman was exclaiming discreetly at her elbow.

Eva turned sharply and encountered her own saleswoman returning, hat-laden. "Not to-day," she gasped. "I'm feeling ill. Suddenly." And almost ran from the room.

That evening she told Stell, relating her news in that telephone pidgin-English devised by every family of married sisters as protection against the neighbors and Central. Translated, it ran thus:

"He looked straight at me. My dear, I thought I'd die! But at least he had sense enough not to speak. She was one of those limp, willowy creatures with the greediest eyes that she tried to keep softened to a baby stare, and couldn't, she was so crazy to get her hands on those hats. I saw it all in one awful minute. You know the way I do. I suppose some people would call her pretty. I don't. And her color! Well! And the most expensive-looking hats. Aigrettes, and paradise, and feathers. Not one of them under seventy-five. Isn't it disgusting! At his age! Suppose Ethel had been with me!"

The next time it was Stell who saw them. In a restaurant. She said it spoiled her evening. And the third time it was Ethel. She was one of the guests at a theater party given by Nicky Overton II. You know. The North Shore Overtons. Lake Forest. They came in late, and occupied the entire third row at the opening performance of "Believe Me!" And Ethel was Nicky's partner. She was glowing like a rose. When the lights went up after the first act Ethel saw that her uncle Jo was seated just ahead of her with what she afterward described as a Blonde. Then her uncle had turned around, and seeing her, had been surprised into a smile that spread genially all over his plump and rubicund face. Then he had turned to face forward again, quickly.

"Who's the old bird?" Nicky had asked. Ethel had pretended not to hear, so he had asked again.

"My uncle," Ethel answered, and flushed all over her delicate face, and down to her throat. Nicky had looked at the Blonde, and his eyebrows had gone up ever so slightly.

It spoiled Ethel's evening. More than that, as she told her mother of it later, weeping, she declared it had spoiled her life.

Ethel talked it over with her husband in that intimate, kimonoed hour that precedes bedtime. She gesticulated heatedly with her hair brush.

"It's disgusting, that's what it is. Perfectly disgusting. There's no fool like an old fool. Imagine! A creature like that. At his time of life."

There exists a strange and loyal kinship among men. "Well, I don't know," Ben said now, and even grinned a little. "I suppose a boy's got to sow his wild oats some time."

"Don't be any more vulgar than you can help," Eva retorted. "And I think you know, as well as I, what it means to have that Overton boy interested in Ethel."

"If he's interested in her," Ben blundered, "I guess the fact that Ethel's uncle went to the theater with some one who wasn't Ethel's aunt won't cause a shudder to run up and down his frail young frame, will it?"

"All right," Eva had retorted. "If you're not man enough to stop it, I'll have to, that's all. I'm going up there with Stell this week."

They did not notify Jo of their coming. Eva telephoned his apartment when she knew he would be out, and asked his man if he expected his master home to dinner that evening. The man had said yes. Eva arranged to meet Stell in town. They would drive to Jo's apartment together, and wait for him there.

When she reached the city Eva found turmoil there. The first of the American troops to be sent to France were leaving. Michigan Boulevard was a billowing, surging mass: Flags, pennants, bands, crowds. All the elements that make for demonstration. And over the whole—quiet. No holiday crowd, this. A solid, determined mass of people waiting patient hours to see the khaki-clads go by. Three years of indefatigable reading had brought them to a clear knowledge of what these boys were going to.

"Isn't it dreadful!" Stell gasped.

"Nicky Overton's only nineteen, thank goodness."

Their car was caught in the jam. When they moved at all it was by inches. When at last they reached Jo's apartment they were flushed, nervous, apprehensive. But he had not yet come in. So they waited.

No, they were not staying to dinner with their brother, they told the relieved houseman. Jo's home has already been described to you. Stell and Eva, sunk in rose-colored cushions, viewed it with disgust, and some mirth. They rather avoided each other's eyes.

"Carrie ought to be here," Eva said. They both smiled at the thought of the austere Carrie in the midst of those rosy cushions, and hangings, and lamps. Stell rose and began to walk about, restlessly. She picked up a vase and laid it down; straightened a picture. Eva got up, too, and wandered into the hall. She stood there a moment, listening. Then she turned and passed into Jo's bedroom. And there you knew Jo for what he was.

This room was as bare as the other had been ornate. It was Jo, the clean-minded and simple-hearted, in revolt against the cloying luxury with which he had surrounded himself. The bedroom, of all rooms in any house, reflects the personality of its occupant. True, the actual furniture was paneled, cupid-surmounted, and ridiculous. It had been the fruit of Jo's first orgy of the senses. But now it stood out in that stark little room with an air as incongruous and ashamed as that of a pink tarleton danseuse who finds herself in a monk's cell. None of those wall-pictures with which bachelor bedrooms are reputed to be hung. No satin slippers. No scented notes. Two plain-backed military brushes on the chiffonier (and he so nearly hairless!). A little orderly stack of books on the table near the bed. Eva fingered their titles and gave a little gasp. One of them was on gardening. "Well, of all things!" exclaimed Stell. A book on the War, by an Englishman. A detective story of the lurid type that lulls us to sleep. His shoes ranged in a careful row in the closet, with shoe-trees in every one of them. There was something speaking about them. They looked so human. Eva shut the door on them, quickly. Some bottles on the dresser. A jar of pomade. An ointment such as a man uses who is growing bald and is panic-stricken too late. An insurance calendar on the wall. Some rhubarb-and-soda mixture on the shelf in the bathroom, and a little box of pepsin tablets.

"Eats all kinds of things at all hours of the night," Eva said, and wandered out into the rose-colored front room again with the air of one who is chagrined at her failure to find what she has sought. Stell followed her, furtively.

"Where do you suppose he can be?" she demanded. "It's—" she glanced at her wrist, "why, it's after six!"

And then there was a little click. The two women sat up, tense. The door opened. Jo came in. He blinked a little. The two women in the rosy room stood up.

"Why—Eve! Why, Babe! Well! Why didn't you let me know?"

"We were just about to leave. We thought you weren't coming home."

Jo came in, slowly. "I was in the jam on Michigan, watching the boys go by." He sat down, heavily. The light from the window fell on him. And you saw that his eyes were red.

And you'll have to learn why. He had found himself one of the thousands in the jam on Michigan Avenue, as he said. He had a place near the curb, where his big frame shut off the view of the unfortunates behind him. He waited with the placid interest of one who has subscribed to all the funds and societies to which a prosperous, middle-aged business man is called upon to subscribe in war time. Then, just as he was about to leave, impatient at the delay, the crowd had cried, with a queer dramatic, exultant note in its voice, "Here they come! here come the boys!"

Just at that moment two little, futile, frenzied fists began to beat a mad tattoo on Jo Hertz's broad back. Jo tried to turn in the crowd, all indignant resentment. "Say, looka here!"

The little fists kept up their frantic beating and pushing. And a voice—a choked, high little voice—cried, "Let me by! I can't see! You man, you! You big fat man! My boy's going by—to war—and I can't see! Let me by!"

Jo scrooged around, still keeping his place. He looked down. And upturned to him in agonized appeal was the face of little Emily. They stared at each other for what seemed a long, long time. It was really only the fraction of a second. Then Jo put one great arm firmly around Emily's waist and swung her around in front of him. His great bulk protected her. Emily was clinging to his hand. She was breathing rapidly, as if she had been running. Her eyes were straining up the street.

"Why, Emily, how in the world!—"

"I ran away. Fred didn't want me to come. He said it would excite me too much."

"Fred?"

"My husband. He made me promise to say good-by to Jo at home."

"Jo's my boy. And he's going to war. So I ran away. I had to see him. I had to see him go."

She was dry-eyed. Her gaze was straining up the street.

"Why, sure," said Jo. "Of course you want to see him." And then the crowd gave a great roar. There came over Jo a feeling of weakness. He was trembling. The boys went marching by.

"There he is," Emily shrilled, above the din. "There he is! There he is! There he—" And waved a futile little hand. It wasn't so much a wave as a clutching. A clutching after something beyond her reach.

"Which one? Which one, Emily?"

"The handsome one. The handsome one. There!" Her voice quavered and died.

Jo put a steady hand on her shoulder. "Point him out," he commanded. "Show me." And the next instant. "Never mind. I see him."

Somehow, miraculously, he had picked him from among the hundreds. Had picked him as surely as his own father might have. It was Emily's boy. He was marching by, rather stiffly. He was nineteen, and fun-loving, and he had a girl, and he didn't particularly want to go to France and—to go to France. But more than he had hated going, he had hated not to go. So he marched by, looking straight ahead, his jaw set so that his chin stuck out just a little. Emily's boy.

Jo looked at him, and his face flushed purple. His eyes, the hard-boiled eyes of a loop-hound, took on the look of a sad old man. And suddenly he was no longer Jo, the sport; old J. Hertz, the gay dog. He was Jo Hertz, thirty, in love with life, in love with Emily, and with the stinging blood of young manhood coursing through his veins.

Another minute and the boy had passed on up the broad street—the fine, flag-bedecked street—just one of a hundred service-hats bobbing in rhythmic motion like sandy waves lapping a shore and flowing on.

Then he disappeared altogether.

Emily was clinging to Jo. She was mumbling something over and over. "I can't. I can't. Don't ask me to. I can't let him go. Like that. I can't."

Jo said a queer thing.

"Why, Emily! We wouldn't have him stay home, would we? We wouldn't want him to do anything different, would we? Not our boy. I'm glad he volunteered. I'm proud of him. So are you, glad."

Little by little he quieted her. He took her to the car that was waiting, a worried chauffeur in charge. They said good-by, awkwardly. Emily's face was a red, swollen mass.

So it was that when Jo entered his own hallway half an hour later he blinked, dazedly, and when the light from the window fell on him you saw that his eyes were red.

Eva was not one to beat about the bush. She sat forward in her chair, clutching her bag rather nervously.

"Now, look here, Jo. Stell and I are here for a reason. We're here to tell you that this thing's got to stop."

"Thing? Stop?"

"You know very well what I mean. You saw me at the milliner's that day. And night before last, Ethel. We're all disgusted. If you must go about with people like that, please have some sense of decency."

Something gathering in Jo's face should have warned her. But he was slumped down in his chair in such a huddle, and he looked so old and fat that she did not heed it. She went on. "You've got us to consider. Your sisters. And your nieces. Not to speak of your own—"

But he got to his feet then, shaking, and at what she saw in his face even Eva faltered and stopped. It wasn't at all the face of a fat, middle-aged sport. It was a face Jovian, terrible.

"You!" he began, low-voiced, ominous. "You!" He raised a great fist high. "You two murderers! You didn't consider me, twenty years ago. You come to me with talk like that. Where's my boy! You killed him, you two, twenty years ago. And now he belongs to somebody else. Where's my son that should have gone marching by to-day?" He flung his arms out in a great gesture of longing. The red veins stood out on his forehead. "Where's my son! Answer me that, you two selfish, miserable women. Where's my son!" Then as they huddled together, frightened, wild-eyed. "Out of my house! Out of my house! Before I hurt you!"

They fled, terrified. The door banged behind them.

Jo stood, shaking, in the center of the room. Then he reached for a chair, gropingly, and sat down. He passed one moist, flabby hand over his forehead and it came away wet. The telephone rang. He sat still, it sounded far away and unimportant, like something forgotten. I think he did not even hear it with his conscious ear. But it rang and rang insistently. Jo liked to answer his telephone when at home.

"Hello!" He knew instantly the voice at the other end.

"That you, Jo?" it said.

"Yes."

"How's my boy?"

"I'm—all right."

"Listen, Jo. The crowd's coming over to-night. I've fixed up a little poker game for you. Just eight of us."

"I can't come to-night, Gert."

"Can't! Why not?"

"I'm not feeling so good."

"You just said you were all right."

"I am all right. Just kind of tired."

The voice took on a cooing note. "Is my Joey tired? Then he shall be all comfy on the sofa, and he doesn't need to play if he don't want to. No, sir."

Jo stood staring at the black mouth-piece of the telephone. He was seeing a procession go marching by. Boys, hundreds of boys, in khaki.

"Hello! Hello!" the voice took on an anxious note. "Are you there?"

"Yes," wearily.

"Jo, there's something the matter. You're sick. I'm coming right over."

"No!"

"Why not? You sound as if you'd been sleeping. Look here—"

"Leave me alone!" cried Jo, suddenly, and the receiver clacked onto the hook. "Leave me alone. Leave me alone." Long after the connection had been broken.

He stood staring at the instrument with unseeing eyes. Then he turned and walked into the front room. All the light had gone out of it. Dusk had come on. All the light had gone out of everything. The zest had gone out of life. The game was over—the game he had been playing against loneliness and disappointment. And he was just a tired old man. A lonely, tired old man in a ridiculous, rose-colored room that had grown, all of a sudden, drab.

THE KNIGHT'S MOVE ⁹

By KATHARINE FULLERTON GEROULD

From The Atlantic Monthly

I

Havelock the Dane settled himself back in his chair and set his feet firmly on the oaken table. Chantry let him do it, though some imperceptible inch of his body winced. For the oak of it was neither fumed nor golden; it was English to its ancient core, and the table had served in the refectory of monks before Henry VIII decided that monks shocked him. Naturally Chantry did not want his friends' boots havocking upon it. But more important than to possess the table was to possess it nonchalantly. He let the big man dig his heel in. Any man but Havelock the Dane would have known better. But Havelock did as he pleased, and you either gave him up or bore it. Chantry did not want to give him up.

Chantry was a feminist; a bit of an æsthete but canny at affairs; good-looking, and temperate, and less hipped on the matter of sex than feminist gentlemen are wont to be. That is to say, while he vaguely wanted l'homme moyen sensuel to mend his ways, he did not expect him to change fundamentally. He rather thought the women would manage all that when they got the vote. You see, he was not a socialist: only a feminist.

Havelock the Dane, on the other hand, was by no means a feminist, but was a socialist. What probably brought the two men together—apart from their common likableness—was that each, in his way, refused to "go the whole hog." They sometimes threshed the thing out together, unable to decide on a programme, but always united at last in their agreement that things were wrong. Havelock trusted Labor, and Chantry trusted Woman; the point was that neither trusted men like themselves, with a little money and an inherited code of honor. Havelock wanted his money taken away from him; Chantry desired his code to be trampled on by innumerable feminine feet. But each was rather helpless, for both expected these things to be done for them.

Except for this tie of ineffectuality, they had nothing special in common. Havelock's life had been adventurous in the good old-fashioned sense: the bars down and a deal of wandering. Chantry had sown so many crops of intellectual wild oats that even the people who came for subscriptions might be forgiven for thinking him a mental libertine, good for subscriptions and not much else. Between them, they boxed the compass about once a week. Havelock had more of what is known as "personality" than Chantry; Chantry more of what is known as "culture." They dovetailed, on the whole, not badly.

Havelock, this afternoon, was full of a story. Chantry wanted to listen, though he knew that he could have listened better if Havelock's heel had not been quite so ponderous on the sæcular oak. He took refuge in a cosmic point of view. That was the only point of view from which Havelock (it was, by the way, his physical type only that had caused him to be nicknamed the Dane: his ancestors had come over from England in great discomfort two centuries since), in his blonde hugeness, became negligible. You had to climb very high to see him small.

"You never did the man justice," Havelock was saying.

"Justice be hanged!" replied Chantry.

"Quite so: the feminist slogan."

"A socialist can't afford to throw stones."

The retorts were spoken sharply, on both sides. Then both men laughed. They had too often had it out seriously to mind; these little insults were mere convention.

"Get at your story," resumed Chantry. "I suppose there's a woman in it: a nasty cat invented by your own prejudices. There usually is."

"Never a woman at all. If there were, I shouldn't be asking for your opinion. My opinion, of course, is merely the rational one. I don't side-step the truth because a little drama gets in. I am appealing to you because you are the average man who hasn't seen the light. I honestly want to know what you think. There's a reason."

"What's the reason?"

"I'll tell you that later. Now, I'll tell you the story." Havelock screwed his tawny eyebrows together for a moment before plunging in. "Humph!" he ejaculated at last. "Much good anybody is in a case like this—What did you say you thought of Ferguson?"

"I didn't think anything of Ferguson—except that he had a big brain for biology. He was a loss."

"No personal opinion?"

"I never like people who think so well of themselves as all that."

"No opinion about his death?"

"Accidental, as they said, I suppose."

"Oh, 'they said'! It was suicide, I tell you."

"Suicide? Really?" Chantry's brown eyes lighted for an instant. "Oh, poor chap; I'm sorry."

It did not occur to him immediately to ask how Havelock knew. He trusted a plain statement from Havelock.

"I'm not. Or—yes, I am. I hate to have a man inconsistent."

"It's inconsistent for any one to kill himself. But it's frequently done."

Havelock, hemming and hawing like this, was more nearly a bore than Chantry had ever known him.

"Not for Ferguson."

"Oh, well, never mind Ferguson," Chantry yawned. "Tell me some anecdote out of your tapestried past."

"I won't."

Havelock dug his heel in harder. Chantry all but told him to take his feet down, but stopped himself just in time.

"Well, go on, then," he said, "but it doesn't sound interesting. I hate all tales of suicide. And there isn't even a woman in it," he sighed maliciously.

"Oh, if it comes to that, there is."

"But you said—"

"Not in it exactly, unless you go in for post hoc, propter hoc."

"Oh, drive on." Chantry was pettish.

But at that point Havelock the Dane removed his feet from the refectory table. He will probably never know why Chantry, just then, began to be amiable.

"Excuse me, Havelock. Of course, whatever drove a man like Ferguson to suicide is interesting. And I may say he managed it awfully well. Not a hint, anywhere."

"Well, a scientist ought to get something out of it for himself. Ferguson certainly knew how. Can't you imagine him sitting up there, cocking his hair" (an odd phrase, but Chantry understood), "and deciding just how to circumvent the coroner? I can."

"Ferguson hadn't much imagination."

"A coroner doesn't take imagination. He takes a little hard, expert knowledge."

"I dare say." But Chantry's mind was wandering through other defiles. "Odd, that he should have snatched his life out of the very jaws of what-do-you-call-it, once, only to give it up at last, politely, of his own volition."

"You may well say it." Havelock spoke with more earnestness than he had done. "If you're not a socialist when I get through with you, Chantry, my boy—"

"Lord, Lord! don't tell me your beastly socialism is mixed up with it all! I never took to Ferguson, but he was no syndicalist. In life or in death, I'd swear to that."

"Ah, no. If he had been! But all I mean is that, in a properly regulated state, Ferguson's tragedy would not have occurred."

"So it was a tragedy?"

"He was a loss to the state, God knows."

Had they been speaking of anything less dignified than death and genius, Havelock might have sounded a little austere and silly. As it was—Chantry bit back, and swallowed, his censure.

"That's why I want to know what you think," went on Havelock, irrelevantly. "Whether your damned code of honor is worth Ferguson."

"It's not my damned code any more than yours," broke in Chantry.

"Yes, it is. Or, at least, we break it down at different points—theoretically. Actually, we walk all round it every day to be sure it's intact. Let's be honest."

"Honest as you like, if you'll only come to the point. Whew, but it's hot! Let's have a gin-fizz."

"You aren't serious."

Havelock seemed to try to lash himself into a rage. But he was so big that he could never have got all of himself into a rage at once. You felt that only part of him was angry—his toes, perhaps, or his complexion.

Chantry rang for ice and lemon, and took gin, sugar, and a siphon out of a carved cabinet.

"Go slow," he said. He himself was going very slow, with a beautiful crystal decanter which he set lovingly on the oaken table. "Go slow," he repeated, more easily, when he had set it down. "I can think just as well with a gin-fizz as without one. And I didn't know Ferguson well; and I didn't like him at all. I read his books, and I admired him. But he looked like the devil—the devil, you'll notice, not a devil. With a dash of Charles I by Van Dyck. The one standing by a horse. As you say, he cocked his hair. It went into little horns, above each eyebrow. I'm sorry he's lost to the world, but it doesn't get me. He may have been a saint, for all I know; but there you are—I never cared particularly to know. I am serious. Only, somehow, it doesn't touch me."

And he proceeded to make use of crushed ice and lemon juice.

"Oh, blow all that," said Havelock the Dane finally, over the top of his glass. "I'm going to tell you, anyhow. Only I wish you would forget your prejudices. I want an opinion."

"Go on."

Chantry made himself comfortable.