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The Last of the Barons — Complete

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The Last of the Barons — Complete
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Edward Bulwer-Lytton

The Last of the Barons — Complete




DEDICATORY EPISTLE



I dedicate to you, my indulgent Critic and long-tried Friend, the work which owes its origin to your suggestion. Long since, you urged me to attempt a fiction which might borrow its characters from our own Records, and serve to illustrate some of those truths which History is too often compelled to leave to the Tale-teller, the Dramatist, and the Poet. Unquestionably, Fiction, when aspiring to something higher than mere romance, does not pervert, but elucidate Facts. He who employs it worthily must, like a biographer, study the time and the characters he selects, with a minute and earnest diligence which the general historian, whose range extends over centuries, can scarcely be expected to bestow upon the things and the men of a single epoch. His descriptions should fill up with colour and detail the cold outlines of the rapid chronicler; and in spite of all that has been argued by pseudo-critics, the very fancy which urged and animated his theme should necessarily tend to increase the reader’s practical and familiar acquaintance with the habits, the motives, and the modes of thought which constitute the true idiosyncrasy of an age. More than all, to Fiction is permitted that liberal use of Analogical Hypothesis which is denied to History, and which, if sobered by research, and enlightened by that knowledge of mankind (without which Fiction can neither harm nor profit, for it becomes unreadable), tends to clear up much that were otherwise obscure, and to solve the disputes and difficulties of contradictory evidence by the philosophy of the human heart.



My own impression of the greatness of the labour to which you invited me made me the more diffident of success, inasmuch as the field of English historical fiction had been so amply cultivated, not only by the most brilliant of our many glorious Novelists, but by later writers of high and merited reputation. But however the annals of our History have been exhausted by the industry of romance, the subject you finally pressed on my choice is unquestionably one which, whether in the delineation of character, the expression of passion, or the suggestion of historical truths, can hardly fail to direct the Novelist to paths wholly untrodden by his predecessors in the Land of Fiction.



Encouraged by you, I commenced my task; encouraged by you, I venture, on concluding it, to believe that, despite the partial adoption of that established compromise between the modern and the elder diction, which Sir Walter Scott so artistically improved from the more rugged phraseology employed by Strutt, and which later writers have perhaps somewhat overhackneyed, I may yet have avoided all material trespass upon ground which others have already redeemed from the waste. Whatever the produce of the soil I have selected, I claim, at least, to have cleared it with my own labour, and ploughed it with my own heifer.



The reign of Edward IV. is in itself suggestive of new considerations and unexhausted interest to those who accurately regard it. Then commenced the policy consummated by Henry VII.; then were broken up the great elements of the old feudal order; a new Nobility was called into power, to aid the growing Middle Class in its struggles with the ancient; and in the fate of the hero of the age, Richard Nevile, Earl of Warwick, popularly called the King-maker, “the greatest as well as the last of those mighty Barons who formerly overawed the Crown,” was involved the very principle of our existing civilization. It adds to the wide scope of Fiction, which ever loves to explore the twilight, that, as Hume has truly observed, “No part of English history since the Conquest is so obscure, so uncertain, so little authentic or consistent, as that of the Wars between the two Roses.” It adds also to the importance of that conjectural research in which Fiction may be made so interesting and so useful, that “this profound darkness falls upon us just on the eve of the restoration of letters;” while amidst the gloom, we perceive the movement of those great and heroic passions in which Fiction finds delineations everlastingly new, and are brought in contact with characters sufficiently familiar for interest, sufficiently remote for adaptation to romance, and above all, so frequently obscured by contradictory evidence, that we lend ourselves willingly to any one who seeks to help our judgment of the individual by tests taken from the general knowledge of mankind.



Round the great image of the “Last of the Barons” group Edward the Fourth, at once frank and false; the brilliant but ominous boyhood of Richard the Third; the accomplished Hastings, “a good knight and gentle, but somewhat dissolute of living;” the vehement and fiery Margaret of Anjou; the meek image of her “holy Henry,” and the pale shadow of their son. There may we see, also, the gorgeous Prelate, refining in policy and wile, as the enthusiasm and energy which had formerly upheld the Ancient Church pass into the stern and persecuted votaries of the New; we behold, in that social transition, the sober Trader—outgrowing the prejudices of the rude retainer or rustic franklin, from whom he is sprung—recognizing sagaciously, and supporting sturdily, the sectarian interests of his order, and preparing the way for the mighty Middle Class, in which our Modern Civilization, with its faults and its merits, has established its stronghold; while, in contrast to the measured and thoughtful notions of liberty which prudent Commerce entertains, we are reminded of the political fanaticism of the secret Lollard,—of the jacquerie of the turbulent mob-leader; and perceive, amidst the various tyrannies of the time, and often partially allied with the warlike seignorie, —ever jealous against all kingly despotism,—the restless and ignorant movement of a democratic principle, ultimately suppressed, though not destroyed, under the Tudors, by the strong union of a Middle Class, anxious for security and order, with an Executive Authority determined upon absolute sway.



Nor should we obtain a complete and comprehensive view of that most interesting Period of Transition, unless we saw something of the influence which the sombre and sinister wisdom of Italian policy began to exercise over the councils of the great,—a policy of refined stratagem, of complicated intrigue, of systematic falsehood, of ruthless, but secret violence; a policy which actuated the fell statecraft of Louis XI.; which darkened, whenever he paused to think and to scheme, the gaudy and jovial character of Edward IV.; which appeared in its fullest combination of profound guile and resolute will in Richard III.; and, softened down into more plausible and specious purpose by the unimpassioned sagacity of Henry VII., finally attained the object which justified all its villanies to the princes of its native land,—namely, the tranquillity of a settled State, and the establishment of a civilized but imperious despotism.



Again, in that twilight time, upon which was dawning the great invention that gave to Letters and to Science the precision and durability of the printed page, it is interesting to conjecture what would have been the fate of any scientific achievement for which the world was less prepared. The reception of printing into England chanced just at the happy period when Scholarship and Literature were favoured by the great. The princes of York, with the exception of Edward IV. himself, who had, however, the grace to lament his own want of learning, and the taste to appreciate it in others, were highly educated. The Lords Rivers and Hastings were accomplished in all the “witte and lere” of their age. Princes and peers vied with each other in their patronage of Caxton, and Richard III., during his brief reign, spared no pains to circulate to the utmost the invention destined to transmit his own memory to the hatred and the horror of all succeeding time. But when we look around us, we see, in contrast to the gracious and fostering reception of the mere mechanism by which science is made manifest, the utmost intolerance to science itself. The mathematics in especial are deemed the very cabala of the black art. Accusations of witchcraft were never more abundant; and yet, strange to say, those who openly professed to practise the unhallowed science, and contrived to make their deceptions profitable to some unworthy political purpose, appear to have enjoyed safety, and sometimes even honour, while those who, occupied with some practical, useful, and noble pursuits uncomprehended by prince or people, denied their sorcery were despatched without mercy. The mathematician and astronomer Bolingbroke (the greatest clerk of his age) is hanged and quartered as a wizard, while not only impunity but reverence seems to have awaited a certain Friar Bungey, for having raised mists and vapours, which greatly befriended Edward IV. at the battle of Barnet.

 



Our knowledge of the intellectual spirit of the age, therefore, only becomes perfect when we contrast the success of the Impostor with the fate of the true Genius. And as the prejudices of the populace ran high against all mechanical contrivances for altering the settled conditions of labour, so probably, in the very instinct and destiny of Genius which ever drive it to a war with popular prejudice, it would be towards such contrivances that a man of great ingenuity and intellect, if studying the physical sciences, would direct his ambition.



Whether the author, in the invention he has assigned to his philosopher (Adam Warner), has too boldly assumed the possibility of a conception so much in advance of the time, they who have examined such of the works of Roger Bacon as are yet given to the world can best decide; but the assumption in itself belongs strictly to the most acknowledged prerogatives of Fiction; and the true and important question will obviously be, not whether Adam Warner could have constructed his model, but whether, having so constructed it, the fate that befell him was probable and natural.



Such characters as I have here alluded to seemed, then, to me, in meditating the treatment of the high and brilliant subject which your eloquence animated me to attempt, the proper Representatives of the multiform Truths which the time of Warwick the King-maker affords to our interests and suggests for our instruction; and I can only wish that the powers of the author were worthier of the theme.



It is necessary that I now state briefly the foundation of the Historical portions of this narrative. The charming and popular “History of Hume,” which, however, in its treatment of the reign of Edward IV. is more than ordinarily incorrect, has probably left upon the minds of many of my readers, who may not have directed their attention to more recent and accurate researches into that obscure period, an erroneous impression of the causes which led to the breach between Edward IV. and his great kinsman and subject, the Earl of Warwick. The general notion is probably still strong that it was the marriage of the young king to Elizabeth Gray, during Warwick’s negotiations in France for the alliance of Bona of Savoy (sister-in-law to Louis XI.), which exasperated the fiery earl, and induced his union with the House of Lancaster. All our more recent historians have justly rejected this groundless fable, which even Hume (his extreme penetration supplying the defects of his superficial research) admits with reserve. A short summary of the reasons for this rejection is given by Dr. Lingard, and annexed below. And, indeed, it is a matter of wonder that so many of our chroniclers could have gravely admitted a legend contradicted by all the subsequent conduct of Warwick himself; for we find the earl specially doing honour to the publication of Edward’s marriage, standing godfather to his first-born (the Princess Elizabeth), employed as ambassador or acting as minister, and fighting for Edward, and against the Lancastrians, during the five years that elapsed between the coronation of Elizabeth and Warwick’s rebellion.



The real causes of this memorable quarrel, in which Warwick acquired his title of King-maker, appear to have been these.



It is probable enough, as Sharon Turner suggests, that Warwick was disappointed that, since Edward chose a subject for his wife, he neglected the more suitable marriage he might have formed with the earl’s eldest daughter; and it is impossible but that the earl should have been greatly chafed, in common with all his order, by the promotion of the queen’s relations, new men and apostate Lancastrians. But it is clear that these causes for discontent never weakened his zeal for Edward till the year 1467, when we chance upon the true origin of the romance concerning Bona of Savoy, and the first open dissension between Edward and the earl.



In that year Warwick went to France, to conclude an alliance with Louis XI., and to secure the hand of one of the French princes for Margaret, sister to Edward IV.; during this period, Edward received the bastard brother of Charles, Count of Charolois, afterwards Duke of Burgundy, and arranged a marriage between Margaret and the count.



Warwick’s embassy was thus dishonoured, and the dishonour was aggravated by personal enmity to the bridegroom Edward had preferred. The earl retired in disgust to his castle. But Warwick’s nature, which Hume has happily described as one of “undesigning frankness and openness,” does not seem to have long harboured this resentment. By the intercession of the Archbishop of York and others, a reconciliation was effected, and the next year, 1468, we find Warwick again in favour, and even so far forgetting his own former cause of complaint as to accompany the procession in honour of Margaret’s nuptials with his private foe. In the following year, however, arose the second dissension between the king and his minister,—namely, in the king’s refusal to sanction the marriage of his brother Clarence with the earl’s daughter Isabel,—a refusal which was attended with a resolute opposition that must greatly have galled the pride of the earl, since Edward even went so far as to solicit the Pope to refuse his sanction, on the ground of relationship. The Pope, nevertheless, grants the dispensation, and the marriage takes place at Calais. A popular rebellion then breaks out in England. Some of Warwick’s kinsmen—those, however, belonging to the branch of the Nevile family that had always been Lancastrians, and at variance with the earl’s party—are found at its head. The king, who is in imminent danger, writes a supplicating letter to Warwick to come to his aid. The earl again forgets former causes for resentment, hastens from Calais, rescues the king, and quells the rebellion by the influence of his popular name.



We next find Edward at Warwick’s castle of Middleham, where, according to some historians, he is forcibly detained,—an assertion treated by others as a contemptible invention. This question will be examined in the course of this work; but whatever the true construction of the story, we find that Warwick and the king are still on such friendly terms, that the earl marches in person against a rebellion on the borders, obtains a signal victory, and that the rebel leader (the earl’s own kinsman) is beheaded by Edward at York. We find that, immediately after this supposed detention, Edward speaks of Warwick and his brothers “as his best friends;” that he betroths his eldest daughter to Warwick’s nephew, the male heir of the family. And then suddenly, only three months afterwards (in February, 1470), and without any clear and apparent cause, we find Warwick in open rebellion, animated by a deadly hatred to the king, refusing, from first to last, all overtures of conciliation; and so determined is his vengeance, that he bows a pride, hitherto morbidly susceptible, to the vehement insolence of Margaret of Anjou, and forms the closest alliance with the Lancastrian party, in the destruction of which his whole life had previously been employed.



Here, then, where History leaves us in the dark, where our curiosity is the most excited, Fiction gropes amidst the ancient chronicles, and seeks to detect and to guess the truth. And then Fiction, accustomed to deal with the human heart, seizes upon the paramount importance of a Fact which the modern historian has been contented to place amongst dubious and collateral causes of dissension. We find it broadly and strongly stated by Hall and others, that Edward had coarsely attempted the virtue of one of the earl’s female relations. “And farther it erreth not from the truth,” says Hall, “that the king did attempt a thing once in the earl’s house, which was much against the earl’s honesty; but whether it was the daughter or the niece,” adds the chronicler, “was not, for both their honours, openly known; but surely such a thing WAS attempted by King Edward,” etc.



Any one at all familiar with Hall (and, indeed, with all our principal chroniclers, except Fabyan), will not expect any accurate precision as to the date he assigns for the outrage. He awards to it, therefore, the same date he erroneously gives to Warwick’s other grudges (namely, a period brought some years lower by all judicious historians) a date at which Warwick was still Edward’s fastest friend.

 



Once grant the probability of this insult to the earl (the probability is conceded at once by the more recent historians, and received without scruple as a fact by Rapia, Habington, and Carte), and the whole obscurity which involves this memorable quarrel vanishes at once. Here was, indeed, a wrong never to be forgiven, and yet never to be proclaimed. As Hall implies, the honour of the earl was implicated in hushing the scandal, and the honour of Edward in concealing the offence. That if ever the insult were attempted, it must have been just previous to the earl’s declared hostility is clear. Offences of that kind hurry men to immediate action at the first, or else, if they stoop to dissimulation the more effectually to avenge afterwards, the outbreak bides its seasonable time. But the time selected by the earl for his outbreak was the very worst he could have chosen, and attests the influence of a sudden passion,—a new and uncalculated cause of resentment. He had no forces collected; he had not even sounded his own brother-in-law, Lord Stanley (since he was uncertain of his intentions); while, but a few months before, had he felt any desire to dethrone the king, he could either have suffered him to be crushed by the popular rebellion the earl himself had quelled, or have disposed of his person as he pleased when a guest at his own castle of Middleham. His evident want of all preparation and forethought—a want which drove into rapid and compulsory flight from England the baron to whose banner, a few months afterwards, flocked sixty thousand men—proves that the cause of his alienation was fresh and recent.



If, then, the cause we have referred to, as mentioned by Hall and others, seems the most probable we can find (no other cause for such abrupt hostility being discernible), the date for it must be placed where it is in this work,—namely, just prior to the earl’s revolt. The next question is, who could have been the lady thus offended, whether a niece or daughter. Scarcely a niece, for Warwick had one married brother, Lord Montagu, and several sisters; but the sisters were married to lords who remained friendly to Edward, and Montagu seems to have had no daughter out of childhood, while that nobleman himself did not share Warwick’s rebellion at the first, but continued to enjoy the confidence of Edward. We cannot reasonably, then, conceive the uncle to have been so much more revengeful than the parents,—the legitimate guardians of the honour of a daughter. It is, therefore, more probable that the insulted maiden should have been one of Lord Warwick’s daughters; and this is the general belief. Carte plainly declares it was Isabel. But Isabel it could hardly have been. She was then married to Edward’s brother, the Duke of Clarence, and within a month of her confinement. The earl had only one other daughter, Anne, then in the flower of her youth; and though Isabel appears to have possessed a more striking character of beauty, Anne must have had no inconsiderable charms to have won the love of the Lancastrian Prince Edward, and to have inspired a tender and human affection in Richard Duke of Gloucester. [Not only does Majerus, the Flemish annalist, speak of Richard’s early affection to Anne, but Richard’s pertinacity in marrying her, at a time when her family was crushed and fallen, seems to sanction the assertion. True, that Richard received with her a considerable portion of the estates of her parents. But both Anne herself and her parents were attainted, and the whole property at the disposal of the Crown. Richard at that time had conferred the most important services on Edward. He had remained faithful to him during the rebellion of Clarence; he had been the hero of the day both at Barnet and Tewksbury. His reputation was then exceedingly high, and if he had demanded, as a legitimate reward, the lands of Middleham, without the bride, Edward could not well have refused them. He certainly had a much better claim than the only other competitor for the confiscated estates,—namely, the perjured and despicable Clarence. For Anne’s reluctance to marry Richard, and the disguise she assumed, see Miss Strickland’s “Life of Anne of Warwick.” For the honour of Anne, rather than of