“Go to England!” Florian repeated, all amazed at the frank remark. She seemed to take it for granted they must know all her plans. “When you go to England! Oh, he means to take you there, then! You’re one of his troupe, I suppose; or you’re going to be one.”
“I am not gone away yet,” Linnet answered, not a little abashed to find herself the centre of so much unwonted interest; “but I go next time; I will sing with his band. All summers, I stop on the mountain and milk; with the winter, come I down to the house to practise.”
“But you don’t mean to say,” Will put in, in German (it was easier so for Linnet to answer him), “he lets a singer like you live out by herself in a châlet on the hills with the cows all summer?”
Linnet held up her hands, palm outward, with a pretty little gesture of polite deprecation. Her movements were always naturally graceful. “Why not?” she said, brightly, in German, with no little suppressed merriment at his astonished face. “That’s Andreas Hausberger’s plan; he believes in that way; he calls it his system. He says we Zillerthalers owe our beautiful voices – for they tell us we can sing a great deal better than the people in any other valley about – to our open-air life on the very high mountains. The air there is thin, and it suits our throats, he says.” She clasped her hand to her own as she spoke, that beautiful, well-developed, clear-toned organ, with a natural gesture of unconscious reverence. “It develops them – that’s his word; he believes there’s nothing like it. Entwickelung; entwickelung! I get more good, he thinks, for my voice in the summer on the alp than I get from all my lessons in the winter in the valley. For the throat itself comes first – that’s what Andreas holds – and afterwards the teaching. Not for worlds would he let me miss my summer life on the mountains.”
“And how long has he been training you?” Will inquired with real interest. This was so strange a page of life thus laid open before him.
“Oh, for years and years, gnädige Herr,” Linnet answered, shyly, for so much open attention on the young man’s part made her awkwardly self-conscious. “Ever since my father died, he has always been teaching me.”
“Has your father been dead long?” Will inquired.
Linnet crossed herself devoutly. “He was killed eight years ago on the 20th of August last,” she said, looking up as she spoke towards the forest-clad mountains. “May Our Dear Lady and all holy saints deliver his honoured soul from the fires of purgatory!”
“But your mother’s alive still, I suppose, Fräulein,” Florian put in with a killing smile; he had been straining his ears, and was delighted to have caught the general drift of the conversation.
“Yes; thanks to the Blessed Virgin, my mother live still,” Linnet answered in English. “And I keep her comfortable, as for a widow woman, from that which Andreas Hausberger pay me for the summer, as also for the singing. But for what, mein Herr, do you make to call me Fräulein? Do you wish to mock at me? I am only an alp-girl, and I am call just Linnet.”
She flushed as she spoke, and turned hastily to Will. “Tell him,” she said in German, with an impatient little toss of one hand towards Florian, “that it isn’t pretty of him to make fun of poor peasant girls like that. Why does he call me such names? He knows very well I am no real Fräulein.”
Florian raised his hat at once in his dimpled small hand, with that courtly bow and smile so much admired in Bond Street. “Pardon me,” he said, with more truth and feeling than was usual with him; “you have a superb voice; with a gift like that, you are a Fräulein indeed. It extorts our homage. Heaven only knows to what height it may some day lead you.”
CHAPTER V
THE WIRTH’S THEORY
In the evening, while they dined, the landlord came in to see how they fared, and wish them good appetite: ’tis the custom with distinguished guests in the Tyrol. The moment he entered, Florian, all agog, attacked him at once on the subject of their wonderful find that afternoon on the hillside. “Well, Herr Hausberger,” he cried in his high-flown way, “we’ve seen and heard your Linnet – heard her warbling her native wood-notes wild, to the tune of her own cow-bells on her lonely mountains. Now, what do you mean, sir, by turning out a divine singer like that – I’m a musical critic myself, and I know what I’m talking about – what do you mean by turning her out to make butter and cheese in a solitary hut on an Alpine pasture? It’s sheer desecration, I tell you – sheer wicked desecration; there’s nothing, almost, that girl couldn’t do with her voice. She’s a genius – a prodigy; she ought to be clothed in purple and fine linen, and fare sumptuously every day on champagne and turtle. And you, sir – you send her up to herd cows all alone, in an inclement clime, on a barren hill-top!”
Andreas Hausberger gazed at him with a self-contained smile that was extremely characteristic. He bowed a sarcastic bow which Florian misinterpreted for polite subservience. “Are you running this show or am I?” he asked, after a fresh pause, with a quaint reminiscence of his Western experience.
“You are, undoubtedly,” Florian answered, taken aback at this unexpected assault. “But you ought to run it, all the same, on rational and humane and intelligent principles. You owe this girl’s voice, as a delight and a treasure, to US, the enlightened and critical connoisseurs of two eager continents. Nature produced it that we might enjoy it. It was intended to give us some of those exquisite moments of artistic pleasure which are the sole excuse creative caprice can plead for the manifold defects of the Universe.”
Andreas Hausberger looked down at him with a half-pitying curl on those stern thin lips of his. Florian had attacked him lightly where his position was strongest. “That’s all right,” he said, slowly, with a chilly drawl – ’twas his favourite expression. “And do you think then,” he went on, bursting forth almost scornfully, in spite of his outward deference, “we Zillerthalers get our fine singing voices and our musical ears by pure chance and accident? Not so, you may be sure of it. It’s no mere coincidence that our men and women can almost without exception sing like birds from their childhood upwards by the light of Nature. What gives them this power? Why, they live their lives long, in summer especially, in the thin clear atmosphere of our higher mountains. There isn’t much sour-stuff in it – what do you call it in English? – oh, oxygen, don’t you? Wal, there isn’t much oxygen in that thin upper air – rarefied, I think you say – and therefore they’re obliged to fill their lungs well and expand their chests” – he swelled himself out as he spoke, and showed off his own splendid girth to the fullest advantage – “and that gives them large reservoirs and rich, pure-toned voices.”
“I never thought of that before,” Will Deverill interposed, much struck by the landlord’s plausible reasoning. “I suppose that’s why mountain races, like the Welsh and the Tyrolese, are so often musical. The rarefied air must tend to strengthen and develop the larynx.”
“No; you never thought of that before,” Andreas Hausberger echoed. “You haven’t had to think of it. And you haven’t had to select and train a choir of our Tyrolese peasants. But I have thought of it for years, and satisfied myself it’s true. Is it for nothing, do you suppose, that on our cold mountain tops the vocal chords, as they say, are braced up and tightened? Is it for nothing that in that clear, pure, limpid air the very nerves of the ear, strained hard to catch quickly at distant sounds, are exercised and educated? Do you think, if I wanted to pick out voices for a musical troupe, I would go for them to Holland, or to Lombardy, or to Hamburg? No, no; I would go right away to the gründe there, the upper forks of the Zillerthal, in the crystal air just below the glaciers, and pick out my best singers from the cow-boys and the alp-girls.”
He spoke of what he knew and had long reflected upon. Acquaintance with his subject supplied in part the unimportant deficiencies of his English vocabulary; and, besides, he had said the same things before a dozen times over, to other English travellers.
“Perhaps you may be right,” Florian responded, blandly, as the wirth paused for breath in his eager harangue. It was a way of Florian’s to be bland when he saw he was getting the worst of an argument.
“Right!” Andreas Hausberger repeated. “Never mind about that! You’d know I was right if only you’d seen as much of these people as I have. Look here, Mr Wood, you say it’s desecration to send a girl like Linnet after butter and cheese in a sennerin’s hut on the lonely mountains. You say I owe her voice as a treasure to humanity. Wal, I acknowledge the debt, and I try to discharge it to the best of my ability. I send her to the hills – the free open hills – where she will breathe fresh air, develop her throat and lungs, eat wholesome food, grow strong and brown and hearty. If I clothed her in purple and fine linen, as you wish, and fed her every day on champagne and turtle, do you really imagine I’d be doing her a good turn? I’d be ruining her voice for her. In the summer, she gains breath and good health on the grassy mountains; in the winter, she gets training and advice and assistance from Lindner and myself, and whatever other teachers we can find in the Zillerthal.”
“I surrender at discretion,” Florian answered, with a yawn, rising up and flinging his small person lazily on the home-made sofa. “I admit your contention. You interest me strangely. Your peasants and your country girls have finely developed ears and capital voices. No doubt you’re correct in attributing these splendid gifts to the clearness of the atmosphere and the wild life of the mountains. I’m a musical critic in London myself, and I know what a voice is the moment I hear it. Indeed, after all, what does it matter in the end if these divine creatures spend a joyless life for years in sordid and squalid surroundings, provided only, when they burst forth at last in the full effulgence of their musical prime, they afford us, who can appreciate them, and for whose sake they exist, one vivid thrill of pure artistic enjoyment?” And he stroked his own smooth and girlish cheek with one plump hand, lovingly.
“You’re a musical critic, are you?” Andreas Hausberger repeated, with marked interest, disregarding the last few words of Florian’s flowing rhapsody. “Then you shall hear Linnet sing. You can say after that whether I’m right in my system or not.” He opened the door hastily. “Linnet, Linnet,” he called out in the Tyrolese dialect, “come in here at once. I want the Herrschaft to hear you singing.”
For a minute after he spoke, there was a flutter and a rustling at the door outside; somebody seemed to be pushing some unwilling person bit by bit along the passage. A murmur of whispered voices in the local dialect floated faintly to Will’s ears. “You must!” “But I can’t.” “You shall!” “I won’t.” “He says you are to.” “Ah, no; I’m ashamed! Not before those gentlemen!”
In the end, as it seemed, the first voice had its way. The door opened brusquely, and Linnet, all trembling, her face in her hands, and crimson with shame, was pushed bodily forward by unseen arms into the strangers’ presence. For a moment she stood there like a frightened child. Will’s cheek burned hot with sympathetic tingling. Florian leaned back philosophically as he lay, and regarded this pretty picture of beauty in distress with observant complacency. She was charming, so, to be sure! That red flush became her.
“Sing to the gentlemen,” Andreas Hausberger said, calmly, in a tone of command. “Take your hands from your face at once; don’t behave like a baby.”
He spoke in German, but Florian followed him all the same. ’Twas delicious to watch this pretty little comedy of rustic ingenuousness.
“Oh, I can’t!” Linnet cried, all abashed, removing her hands for a second from her burning cheeks, and clasping them hard on her throbbing breast for one fiery moment before she clapped them up hastily again. “To bid one like this! It’s so hard! It’s so dreadful!”
“Don’t ask her just now,” Will Deverill put in pleadingly. “One can see she has such a natural shrinking and disinclination at first. Some other night, perhaps. When we’ve been here a little longer, she may be less afraid of us.”
Linnet let her hand drop once more, and gave him a grateful glance, sidling away towards the door like a timid child in her misery. But Andreas Hausberger, for his part, was not so to be put off. “No, no,” he said, sternly, fixing his eye with a determined gaze on the poor shrinking girl; “she must sing if I tell her to. That’s all right. This shyness is absurd. How can she ever appear on a platform, I should like to know, before a couple of hundred people, if she won’t sing here when she’s told before just you two Englishmen? Do as I bid you, Linnet! No nonsense, my girl! Stand here by the table, and give us ‘The Bride of Hinter-Dux.’ ”
Thus authoritatively commanded, poor Linnet took her stand where Andreas Hausberger motioned her, steadied herself with one trembling little fist on the edge of the table, raised her eyes to the ceiling away from the two young men, and, drawing a deep breath, with her throat held out and her mouth opened tremulously, began to trill forth, in her rich, silvery voice, a deep bell-like song of her own native mountain. For the first minute or two she was nervous, and quivered and paused unduly; after awhile, however, inborn artistic instinct overcame her nervousness: she let her eyes drop and rest in a flash once or twice on Will Deverill’s. They were kindly eyes, Will’s; they reassured and encouraged her. “Bravo!” they seemed to say; “you’re rendering it admirably.” Emboldened by his friendly glance, she took heart and went through with it. Towards the end, her courage and self-possession returned, for, like all Tyrolese, she was brave and self-reliant in her inmost soul, though shy at first sight, and bashful on the surface. The two last stanzas she sang to perfection. As she finished, Will looked up and said simply, “Thank you; that was beautiful, beautiful.” But Florian clapped his hands in obtrusive applause. “Well done!” he cried; “well done! you have given us such a treat. We can forgive Herr Hausberger now for insisting on a performance.”
“And you must accustom yourself to an audience,” the wirth said in German, with that same quiet air of iron resolution Will had already marked in him. “If ever you’re to face a whole roomful of people, you must be able first to come in upon the platform without all this silly fuss and hang-back nonsense.”
Linnet’s nostrils quivered. She steadied herself with her hand on the table once more, and made answer boldly, “I think I could more easily face a roomful of people I’d never seen than sing before two in the parlour of the inn here; that seems less personal. But,” she added shyly, with half an appealing glance towards Will, “I’m not so nervous now. If this gentleman wishes, I – I would sing another song to him?”
And so she did – a second and a third. As she went on, she grew braver, and sang each time more naturally. At last the wirth dismissed her. Linnet curtsied, and disappeared. “Well, what do you say to her now?” the landlord asked in a tone of triumph, turning round to the young men as the door closed behind her.
Florian assumed his most studiously judicial air. The perfect critic should, above all things, be critical. Before Linnet’s face, indeed, he had been enthusiastic enough, as politeness and due respect for her sex demanded; but behind her back, and in her teacher’s presence, regard for his reputation compelled him to adopt the severest tone of incorruptible impartiality. “I think,” he said slowly, fingering his chin in one hand, and speaking with great deliberation, like a recognised authority, “with time and training she ought to serve your purpose well for popular entertainments. Her organ, though undeveloped, is not wholly without some natural power and compass.”
“And I think,” Will Deverill added, with a glow of generous enthusiasm, “you’ve lighted on one of the very finest voices in all Europe.”
CHAPTER VI
THE ROBBLER
A day or two passed, and the young men from time to time saw, by glimpses and snatches, a good deal of Linnet. For now the summer season on the hills was over, and the cows had come back to their stall-fed existence, the musical alp-girl had leisure on her hands for household duties. In the morning she helped in the general work of the inn; in the afternoon she practised much in the parlour upstairs with Andreas Hausberger and his little company. But in the evenings, – ah, then, the landlord brought her in more than once, by special request, to sing her native songs to Will Deverill’s accompaniment on the lame old fiddle from the corner cupboard. Those were pleasant meetings enough. Gradually the mountain lass grew less afraid of the strangers; she talked German more freely with Will Deverill now, and considerably enlarged her English vocabulary by listening to Florian’s richly-worded harangues on men, women, and things, and the musical glasses. It surprised Florian not a little, however, to see that this child of Nature, unlike the ladies of culture in London drawing-rooms, positively preferred Will’s society to his own, if such a fact seems credible; though he explained away in part this unaccountable defect of taste and instinct in one female heart by the reflection that, after all, Will was able to converse with her in her own language. His own finer points she could hardly understand; his words were too deep, his thoughts were too high for her. Still, it annoyed him that even an unsophisticated alp-girl should display so singular and so marked a predilection for any other man when he was present. Indeed, he half made up his mind, irksome as he felt sure the task would prove, to learn German at once, as a safeguard against so humiliating a contretemps in future.
In the early part of the next week, Will proposed one day they should mount the hills behind St Valentin, in search of a rare fern he was anxious to secure before the snows of winter. Andreas Hausberger, nodding his head, had heard of it before. It was a well-known rarity; all botanists who came to the Zillerthal, he said, were sure to go in search of it. “But I’m not a botanist,” Will burst out deprecatingly, for to admit that fell impeachment is to number yourself outright in the dismal roll of scientific Dryasdusts; “I only want the plants because I love them.”
“That’s all right,” Andreas answered, in his accustomed phrase. “You want the plant, anyway. That’s the chief thing, ain’t it? Wal, there’s only one place anywhere about St Valentin that it ever grows, and that’s the Tuxerloch; without somebody to guide you there you’d never find it.”
“Oh, I won’t have a guide,” Will responded, hastily. “I hate to be guided. It’s too ignominious. If I can’t find my own way about low mountains like these, in the forest region, I’d prefer to lose it; and I certainly won’t pay a man to show me where the fern is.”
“Certainly not,” the wirth answered, with true Tyrolese thrift. “I didn’t mean that. Why waste your money on one of the regular guides, who charge you five florins for eating half your lunch for you? But Linnet knows the way as well as any trained guide of them. It’s not a hard road; she’ll go along with you and show you it.”
“Oh, dear no,” Will replied, with a little hurried embarrassment, for he felt it would be awkward to be thrown all day into the society of a young girl in so equivocal a position. “I’m sure we can find the way all right ourselves. There are woodcutters on the hills we can ask about the path; and if it comes to that, I really don’t mind whether I find it or not – it’s only by way of goal for a day’s expedition.”
Andreas Hausberger, however, was an imperious soul. “Linnet shall go,” he said, shortly, without making more words about it. “She has nothing else to do. It’s bad for her to be cooped up in the house too much. A long walk on the hills will be no end of good for her. That’s what I always say; when young women come down from the mountains in winter, they do themselves harm by changing their mode of life all at once too suddenly, and living in close rooms without half the exercise they used to take on the alp with their milking and churning.”
So, whether they would or not, the two young men were compelled in the end to put up as best they might with Linnet’s guidance and company. No great hardship either, Will thought to himself, as Linnet, bare-headed, but in her Sunday best, led the way up the green slopes behind the village inn, with the bounding gait of a holiday alp-girl. As to Florian, his soul was in the seventh heavens. To see that Oread’s light foot trip gracefully over the lawns was to him pure joy – a stray breath of Hellas. What Hellas was like, to be sure – the arid Hellas of reality – with its dusty dry hills and its basking rocks, Florian had not in his own soul the very faintest conception. But still, the Hellenic ideal was none the less near and dear to him. From stray scraps of Theocritus and his inner consciousness he had constructed for himself an Arcadia of quite Alpine greenness, and had peopled it with lithe maidens of uncircumscribed affections. So, whenever he wanted to give anything in heaven or earth the highest praise in his power, he observed with an innocent smile that it was utterly Hellenic.
Linnet led them on, talking unaffectedly as she went, by long ridge-like spurs, up vague trails through the woods, and over spongy pastures. As elsewhere on their walks, Florian noted here and there little whitewashed shrines at every turn of the road, and endless rude crucifixes where ghastly white limbs seemed to writhe and struggle in realistic torture. Of a sudden, by one of these, Linnet dropped on her knees – all at once without a word of warning; she dropped as if mechanically, her lips moving meanwhile in muttered prayer. Florian gazed at her curiously; Will stood by expectant, in a reverent and mutely sympathetic attitude. For some minutes the girl knelt there, murmuring low to herself. As she rose from her knees, she turned gravely to Will. “Here my father has died,” she said, with solemn slowness in her broken English. “He has slipped from that rock. The fall has killed him. Will you say, for his soul’s repose, before you go, a Vaterunser?”
She looked up at him pleadingly, as if she thought the prayers of so great a gentleman must carry weight of their own in Our Lady’s councils. With infinite gentleness, Will bowed his head in acquiescence, and, after a moment’s hesitation, not to hurt her feelings, dropped on his knees himself and bent his neck in silent prayer before the tawdry little oratory. It was one of those rough shrines, painted by unskilled fingers, where naked souls in rude flames of purgatory plead for aid with clasped hands and outstretched arms to placidly unheeding blue-robed Madonnas. Underneath, an inscription, with N’s turned the wrong way, and capitals mixed with smaller letters, informed the passer-by that, “Here, on the 20th of August 188-, the virtuous guide and experienced woodcutter, Josef Telser of St Valentin, perished by a fall from a slippery rock during a dangerous thunderstorm. The pious wanderer is hereby implored to say three Paternosters, of his charitable good-will, to redeem a tortured soul from the fires of purgatory.”
Will knelt there for a minute or two, muttering the Paternosters out of pure consideration for Linnet’s sensitive feelings. When he rose from his knees again, he saw the girl herself had moved off a little way to pick a few bright ragworts and Michaelmas daisies that still lingered on these bare heights, for a bouquet to lay before the shrine of Our Lady. Like all her countrywomen, she was profoundly religious – or, if you choose to put it so, profoundly superstitious. (’Tis the point of view alone that makes all the difference.) Florian, a little apart, with his hand on his cheek and his head on one side, eyed the oratory sentimentally. “How sweet it is,” he said, after a pause, with an expansive smile, “to see this poor child, with her childlike faith, thus throwing herself on her knees in filial submission before her father’s cenotaph! How delightful is the sentiment that prompts such respect for the memory of the dead! How eloquent must be the words of her simple colophon!” Florian was fond of colophons; he didn’t know what they were, but he always thought them so very Hellenic!
Will’s face was graver. With one finger he pointed to the uncompromising flames of that most material purgatory. “I’m afraid,” he said, seriously, “to her, poor child, this act of worship envisages itself in a very different fashion. She prays to hasten the escape of her father’s soul from what she takes to be a place of very genuine torture.”
Florian looked closer. As yet, he had never observed the subsidiary episode of the spirits in their throes of fiery torment, which forms a component part of all these wayside oratories. He inspected the rude design with distant philosophical interest. “This is quaint,” he said, “most quaint. I admire its art immensely. The point about it all that particularly appeals to me is the charming superiority of Our Lady’s calm soul to the essentially modern vice of pity. There she sits on her throne, unswerved and unswerving, not even deigning to contemplate with that marked squint in her eye the extremely unpleasant and uncomfortable position of her petitioners beneath her. I admire it very much. I find it quite Etruscan.”
“To you and me – yes, quaint – nothing more than that,” Will responded, soberly; “but to Linnet, it’s all real – fire, flames, and torments; she believes what she sees there.”
As he spoke, the girl came back, with her nosegay in her hand, and, tying it round with a thread from a little roll in her pocket, laid it reverently on the shrine with a very low obeisance. “You see,” she said to Will, speaking in English once more, for Andreas Hausberger wished her to take advantage of this unusual opportunity for acquiring the language, “my poor father is killed in the middle of his sins; he falls from the rock and is taken up dead; there is no priest close by; he has not confessed; he has not had absolution; he has no viaticum; no oil to anoint him. That makes it that he must go straight down to purgatory.” And she clasped her hands as she spoke in very genuine sympathy.
“Then all these shrines,” Florian said, looking up a little surprised, “are they all of them where somebody has been killed by accident?”
“The most of them,” Linnet answered, as who should say of course; “so many of our people are that way killed, you see; it is thunderstorms, or snow-slides, or trees that fall, or floods on rivers, things that I cannot say, for I know not the names how to speak them in English. And, as no priest is by, so shall they go to purgatory. For that, we make shrines to release them from their torments.”
They had gone on their way by this time, and reached a corner of the path where it turned abruptly in zig-zags round a great rocky precipice. Just as they drew abreast of it, and were passing the corner, a young man came suddenly on them from the opposite direction. He was a fiery young man, dressed in the native Tyrolese costume of real life; his hand held a rifle; his conical hat was gaily decked behind, like most of his countrymen’s, with a blackcock’s feather. The stranger’s mien was bold – nay, saucy and defiant. He looked every inch a typical Alpine jäger. As he confronted them he paused, and glared for a moment at Linnet. Next instant he raised his hat with half-sarcastic politeness; then, in a very rapid voice, he said something to their companion in a patois so pronounced that Will Deverill himself, familiar as he was with land and people, could make nothing out of it. But Linnet, unabashed, answered him back once or twice in the same uncouth dialect. Their colloquy grew warm. The stranger seemed angry; he waved his hand toward the Englishmen, and appeared, as Will judged, to be asking their pretty guide what she did in such company. As for Linnet, her answers were evidently of the sort which turneth away wrath, though on this hot-headed young man they were ineffectually bestowed. He stamped his foot once or twice; then he turned to Will Deverill.
“Who sent you out with the sennerin?” he asked, haughtily, in good German.
Will answered him back with calm but cold politeness. “Herr Hausberger, our wirth,” he said, “asked the Fräulein to accompany us, as she knew the place where a certain fern I wished to find on the hills was growing.”
“I know where it grows myself,” the jäger replied, with a defiant air. “Let her go back to the inn; it is far for her to walk. I can show you the way to it.”
“Certainly not,” Will retorted, in most decided tones. “The Fräulein has been good enough to accompany us thus far; I can’t allow her now to go back alone to the village.”
“She’s used to it,” the man said, gruffly, with half a sneer, his fingers twitching.
“That may be,” Will retorted, with quiet self-possession; “but I’m not used to allowing her to do so.”
For a minute the stranger put one sturdy foot forward, held his head haughtily, with his hat on one side, and half lifted his fist, as if inclined to rush forthwith upon the offending Englishman, and settle the question between them then and there by open violence. But Linnet, biting her lip and knitting her brow in suspense, rushed in to separate them. “Take care what you do,” she cried hurriedly in English to Will. “Don’t let him strike. Stand away of him. He’s a Robbler!”
“A what?” Will replied, half smiling at her eagerness, for he was not at all alarmed himself by her truculent fellow-countryman.
“A Robbler,” Linnet repeated, looking up at him pleadingly. “You know not what that is? Then will I tell you quickly. The feather in his hat, it is turned the wrong way. When a Tyrolese does so, he wills thereby to say he will make himself a Robbler. Therefore, if any one speaks angry to him, it is known he will strike back. It is – I cannot say what it means in English, but it invites to fight; it is the sign of a challenge.”