This is the story of how a woman's love triumphed over neglect and wrong, and of how the unrequited passion in the great heart of a boy trod its devious paths in the way to death, until it stood alone with its burden of sin before God and the pitiless deep.

In the middle of the Irish Sea there is, as every one knows, an island which for many ages has had its own people, with their own language and laws, their own judges and governor, their own lords and kings, their own customs and superstitions, their own proverbs and saws, their own ballads and songs. On the west coast of the Isle of Man stands the town of Peel. Though clean and sweet, it is not even yet much of a place to look at with its nooks and corners, its blind lanes and dark alleys, its narrow, crooked, crabbed streets. Thirty-five years ago it was a poor little hungry fishing port, chill and cheerless enough, staring straight out over miles and miles of bleak sea. To the north of Peel stretches a broad shore; to the south lies the harbor with a rocky headland and bare mountain beyond. In front – divided from the mainland by a narrow strait – is a rugged island rock, on which stand the ruins of a castle. At the back rises a gentle slope dotted over with gray houses.

This is the scene of the following history of the love that was won and the love that was lost, of death that had no sting and the grave that had no victory. Wild and eery as the coast on which I learned it is this story of love and death; but it is true as Truth and what it owes to him who writes it now with feelings deeper than he can say is less than it asks of all by whom it is read in sympathy and simple faith.

CHAPTER I
MYLREA BALLADHOO

The season was early summer; the year 1850. The morning had been bright and calm, but a mist had crept up from the sea as the day wore on, and the night, when it came, was close, dark, and dumb. Laden with its salt scent, the dank vapor had enveloped an old house on the "brew" behind the town. It was a curious place – ugly, long, loose, and straggling. One might say it was a featureless and irresolute old fabric. Over the porch was printed, "Prepare to meet thy God." It was called Balladhoo, and, with its lands, it had been for ages the holding of the Mylreas, an ancient Manx family, once rich and consequently revered, now notoriously less wealthy and proportionately more fallible.

In this house there was a parlor that faced the bay and looked out towards the old castle and the pier at the mouth of the harbor. Over the mantel-piece was carved "God's Providence is Mine Inheritance." One might add that it was a melancholy old mansion.

A gentleman was busy at a table in the bay window sorting and arranging papers by the last glimmering daylight. He was a man of sixty-five, stout, yet flaccid, and slack, and wearing a suit of coarse blue homespun that lay loosely upon him. His white hair hung about a face that bespoke an unusual combination of traits. The eyes and forehead were full of benevolence, but the mouth was alternately strong and weak, harsh and tender, uncertain whether the proper function of its mobile corners was to turn up in laughter or down in disdain.

This was Evan Mylrea, member of the House of Keys, Harbor Commissioner, and boat-owner, philanthropist and magistrate, coroner, constable and "local" for the Wesleyan body, and commonly known by his surname coupled with the name of his estate – Mylrea Balladhoo. Mylrea Balladhoo did not belie his face. He was the sort of man who gives his dog one blow for snapping at his hand, and then two more for not coming back to be caressed. Rightly understood, the theory of morals that an act like this implies tells the whole story of Mylrea's life and character, so far as either of these concerns the present history. It was the rule on which this man, now grown old, had lived with the young, reckless, light-hearted, thoughtless, beautiful, and darling wife whom he had brought from England thirty years ago, and buried at home five years afterwards. It was the principle on which he had brought up her only son.

Just now there came from some remote part of the house the most doleful wails that ever arrested mortal ears. At times they resembled the scream of the cormorant as he wheels over a rock at sea. At other times they recalled more precisely the plaintive appeal of the tailless tabby when she is pressed hard for time and space. Mylrea Balladhoo was conscious of these noises. Glancing once at his face, you might have thought it had dropped to a stern frown. Glancing twice, you must have seen that it had risen to a broad grin. One might certainly say that this was a gruesome dwelling.

There was a loud banging of doors, the distant screeches were suddenly abridged; there was the tread of an uncertain foot in the passage without, the door opened, and an elderly man entered, carrying a lamp, which he placed on the table. It was James Quark, the gardener, commonly called Jemmy Balladhoo. That mention of the cormorant was lucky; this man's eyes had just the sea-bird's wild stare. The two little gray-green globes of fire were, however, set in a face of the most flabby amiability. His hair, which was thin and weak, traveled straight down his forehead due for his eyes. In one hand he carried something by the neck, which, as he entered, he made late and futile efforts to conceal behind his back.

"It's Mr. Kerruish Kinvig, sir, that's coming up to see you," said the man in a meek voice.

"Show him in," said Mylrea Balladhoo; "and, Jemmy," he added, shouting in the man's ear, "for mercy's sake take that fiddle to the barn."

"Take him to the barn?" said Jemmy, with an affrighted stare. "Why, it's coming here he is, this very minute."

"The fiddle, the fiddle!" shouted Mr. Mylrea. "I always had my doubts about the music that's in it, and now I see there's none."

Jemmy took himself off, carrying his fiddle very tenderly in both hands. He was all but stone deaf, poor fellow, and had never yet known the full enjoyment of his own music. That's why he was so liberal of it with people more happily endowed.

A big blustering fellow then dashed into the parlor without ceremony.

"Balladhoo," he shouted, in a voice that rang through the house, "why don't you have the life of that howling demon? Here, take my clasp-knife at it and silence it forever."

"It's gone to the barn," said Mylrea Balladhoo, quietly, in reply to these bloodthirsty proposals.

The newcomer, Kerruish Kinvig, was a prosperous net-maker in Peel, and a thorn in the side of every public official within a radius of miles. The joy of his life was to have a delightful row with a magistrate, a coroner, a commissioner, or perhaps a parson by preference. When there was never a public meeting to be interrupted, never a "vestry" to be broken up, Kerruish Kinvig became as flat and stale as an old dog, and was forced to come up and visit his friend Mylrea Balladhoo, just by way of keeping his hand in.

On the present occasion he had scarcely seated himself, when he leaped up, rushed to the window, peered into the night, and shouted that the light on the harbor pier was out once more. He declared that this was the third time within a month; prophesied endless catastrophes; didn't know for his part what in the name of common-sense the commissioners were about; could swear that smuggling was going on under their very noses.

"I'll have the law on the lot of you," bellowed Kinvig at the full pitch of his voice, and meantime he helped himself to the whisky on the table, and filled his pipe from the domestic bowl. "It's the truth, I'll fling you all out," he shouted through a cloud of smoke.

"Eh, you'll have your fling," replied the unperturbed Mylrea.

Then, going to the door, the master of Balladhoo recalled the gardener.

From the subsequent conversation it appeared that, to prevent illicit trading, the Imperial Government had been compelled to station a cutter in every harbor of the island; that the cutter stationed at Peel, having come by some injury a month ago, had been removed to England for repairs, and had not yet been brought back. Kerruish Kinvig declared that some gang of scoundrels, perceiving the incompetence of the home officials, were availing themselves of the absence of the Government ship to run vessels laden with contraband goods under the cover of the darkness.

Jemmy came back, and Mr. Mylrea sent him to fetch his son Christian.

Jemmy went off for that purpose.

Some talk of the young man then ensued between his father and Kinvig. It transpired that Christian had had a somewhat questionable career – was his father's only son, and had well-nigh ruined the old man with debts contracted during a mysterious absence of six years. Christian had just returned home, and Mylrea Balladhoo, stern on the outside, tender at the core, loving his son as the one thing left to him to love, had forgiven everything – disgrace, ingratitude, and impoverishment – and taken back the prodigal without a word.

And, in truth, there was something so winsome in the young fellow's reckless, devil-may-care indifference that he got at the right side of people's affections in spite of themselves. Only those who come close to this type of character can recognise the rift of weakness or wilfulness, or it may be of selfishness, that runs through the fair vein of so much good-nature. And if Mylrea Balladhoo saw nothing, who then should complain?

Now, Kerruish Kinvig was just as fond of Christian as anybody else, but that was no just cause and impediment why he should hold his peace as to the young man's manifold weaknesses. So it was —

"Look here, Balladhoo. I've something to say about that fine son of yours, and it's middling strange too."

"Drop it, Kerruish," muttered Mylrea.

"So I will, but it's into your ear I'll drop it. Do you know he's hanging round one of my net-makers – eh?"

"You're fond of a spell at the joking, Kerruish, but in a general way, you know, a man doesn't like to look like a fool. You've got too much fun in you, Kerruish; that's your fault, and I've always said so."

There was a twinkle in the old man's eye, but it went off like summer lightning. "Who is she?" he asked, in another tone.

"Mona Cregeen they're calling her," said Kinvig.

"What is she?"

"Don't I tell you – one of my net-makers!" thundered Kinvig.

"Who are her people? Where does she come from? What do you know about her? What has Christian had to say to her – "

"Hold on; that's a middling tidy lot to begin with," shouted Kinvig.

Then it was explained that Mona Cregeen was a young woman of perhaps three-and-twenty, who had recently come to Peel from somewhere in the south of the island, accompanied by her aged mother and little sister, a child of five, closely resembling her.

Jemmy, the gardener, returned to say that Christian was not at home; left an hour ago; said he would be back before bedtime.

"Ah! it's the 'Jolly Herrings' he's off to," said Kinvig. The "Jolly Herrings" was a low hovel of an inn down in the town.

"As I say, you've a fine feeling for the fun, Kerruish," said Mylrea; "Jemmy, put on your coat quick. You have to carry a message to the harbor-master. It can't wait for Master Christian."

Now, Jemmy Balladhoo had, as we have seen, one weakness, but it was not work. He remembered quite opportunely that there was a boy in the kitchen who had just come up on an errand from the town, and must of course go back again. It was quite an inspiration, but none the less plainly evident that the boy was the very person to carry the message to the harbor-master.

"Who is he?" shouted Kerruish Kinvig.

"Danny Fayle," answered Jemmy.

"Pshaw! he'll never get there," bawled Kinvig.

"Bring him up," said Mylrea Balladhoo.

A minute later, a fisher-lad of eighteen shambled into the room. You might have said he was long rather than tall. He wore a guernsey and fumbled with a soft blue seaman's cap in one hand. His fair hair clustered in tangled curls over his face, which was sweet and comely, but had a simple vacant look from a lagging lower lip.

Danny was an orphan, and had been brought up none too tenderly by an uncle and aunt. The uncle, Bill Kisseck, was admiral of the fishing-fleet, and master of a fishing-lugger belonging to Mr. Mylrea. To-morrow was to be the first day of the herring season, and it was relative to that event that Danny had been sent up to Balladhoo. The lad received from Mr. Mylrea, in his capacity as harbor commissioner, a message of stern reproof and warning, which he was to convey to the official whose lack of watchfulness had allowed the light on the harbor pier to go out.

"Run straight to his house, Danny, my lad," said Mylrea Balladhoo.

"And don't go cooling your heels round that cottage of the Cregeens," put in Kerruish Kinvig.

A faint smile that had rested like a ray of pale sunshine on the lad's simple face suddenly vanished. He hung his head, touched his forehead with the hand holding the cap, and disappeared.

CHAPTER II
IN PEEL CASTLE

When Danny reached the outside of the house, the night was even more dark and dumb than before. He turned to the right under the hill known as the Giant's Fingers, and took the cliff road to the town. The deep boom of the waters rolling slowly on the sand below came up to him through the dense air. He could hear the little sandpiper screaming at Orry's Head across the bay. The sea-swallow shot past him, too, with its low mournful cry. Save for these, everything was still.

Danny had walked about a quarter of a mile, when he paused for a moment at the gate of a cottage that stood halfway down the hill to the town. There was a light in the kitchen, and from where he stood in the road Danny could see those who were within. As if by an involuntary movement, his cap was lifted from his head and fumbled in his fingers, while his eyes gazed yearningly in at the curtainless window. Then he remembered the harsh word of Kerruish Kinvig, and started off again more rapidly. It was as though he had been kneeling at a fair shrine when a cruel hand befouled and blurred it.

Danny was superstitious. He was full to the throat of fairy lore and stories of witchcraft. The night was dark; the road was lonely; hardly a sound save that of his own footsteps broke the stillness, and the ghostly memories would arise. To banish them Danny began to whistle, and, failing with that form of musical society, to sing. His selection of a song was not the happiest under the circumstances. Oddly enough, it was the doleful ballad of Myle Charaine. Danny sang it in Manx, but here is a stave of it in the lusty tones of the fine old "Lavengro" —

"O, Myle Charaine, where got you your gold?
Lone, lone, you have left me here.
O, not in the curragh, deep under the mold,
Lone, lone, and void of cheer."

There was not much cheer that Danny could get out of Myle Charaine's company, but he could not at the moment think of any ballad hero who was much more heartsome. He had a good step of the road to go yet. Somehow the wild legend of the Moddey Dhoo would creep up into Danny's mind. In the days when the old castle was garrisoned, the soldiers in the guardroom were curious about a strange black dog that came every night and lay in their midst. "It's a devil," said one. "I'll follow it and see," said another. When the dog arose to go, the intrepid soldier went out after it. His comrades tried to prevent him. "I'll follow it," he said, "if it leads to hell." A minute afterward there was an unearthly scream; the soldier rushed back pale as a corpse, and with great staring eyes. He said not a word, and died within the hour. The Moddey Dhoo kept tormenting poor Danny to-night. So he set up the song afresh, and to heighten the sportive soul of it, he began to run. Once having taken to his heels, Danny ran as if the black dog itself had been behind him. By the time he reached the town he was fairly spent. Myle Charaine and the Moddey Dhoo together had been too much for Danny. What with the combined exertion of legs and lungs, the lad was perspiring from head to foot.

The house of the harbor-master was a little ivy-covered cottage that stood on the east end of the quay, near the bridge that crossed the river. The harbor-master himself was an unmarried elderly man, who enjoyed the curious distinction of having always worn short petticoats. His full and correct name seems almost to have been lost. He was known as Tommy-Bill-beg, a by-name which had at least a certain genealogical value in showing that the harbor-master was Tommy the son of Little Bill. When Danny reached the cottage he knocked, and had no answer. Then he lifted the latch and walked in. The house was empty, though a light was burning. It had two rooms and no more. One was a dark closet of a sleeping-crib. The other, the living room, was choked with nearly every conceivable article of furniture and species of domestic ornament. Shells, fish-bones, bits of iron and lead ore, sticks and pipes lay on tables, chairs, chests, settles, and corner cupboards. A three-legged stool stood before the fire-place; and with all his wealth of rickety furniture, this was probably the sole article which the harbor-master used.

There was a facetious-faced timepiece on the mantel-piece; and when folks pitied the isolation of Tommy-Bill-beg, and asked him if he never felt lonely, he always replied, "Not while I hear the clock tick." But Tommy-Bill-beg had not heard the clock tick for twenty years. He resembled Jemmy Quark in being almost stone-deaf, and had a further bond of union with the gardener of Balladhoo in being musical. He played no instrument, however, except his voice, which he believed to be of the finest quality and compass. The harbor-master was wofully wrong as to the former, but right as to the latter; he had a voice like a rasp, and as loud as a fog-horn. Printed copies of ballads were pinned up on various parts of the wall of his kitchen. Tommy-Bill-beg could not read a line; but he would rather have died than allow that this was so, and he never sang except from print.

Danny Fayle knew well how often the musical weakness of the harbor-master was played upon by the Peel men; and when he found the cottage empty he suspected that some wags of fisher-fellows had decoyed Tommy-Bill-beg away to the "Jolly Herrings" for the sport of having him sing on this their last night ashore. Danny set off for the inn, which was in Castle Street. He walked along the quay, intending to turn up a passage.

The night seemed darker than ever now, and not a breath of wind was stirring. The harbor on Danny's left was some twenty yards across, and another twenty yards divided the mainland from the island rock, on which stood the ruins of the old fortress. The tide was out, and the fishing-luggers lay at secure anchorage on the shingle, and in six inches of mud. The pier was straight ahead, and there the light should now be burning.

As Danny approached the passage that led up to Castle Street he heard the distant rumble of noisy singing. Yes, it came from the "Jolly Herrings" beyond question, and Tommy-Bill-beg was there airing his single vanity.

Danny was about to turn up the passage when, in a lull in the singing, he thought he caught the sound of voices and of the tread of feet. Both came from the rock outside, and Danny could not resist the temptation to walk on and listen.

There could be no doubt of it. Some people were going up to the castle. What could they want in that desolate place at night, and thus late? In Danny's mind the ancient castle had always been encircled by ghostly imaginings. Perhaps it was fear that drew him to it now. Probably ordinary common-sense would have suggested that Danny should run off first to the harbor-master with the message that he had been charged to deliver, but Danny had neither part nor lot in that ordinary inheritance.

Near the bottom of the ebb tide the neck that divided the pier from the castle could be forded. Danny stole down the pier steps and crossed the ford as noiselessly as he could. A flight of other steps hewn out of the rock went up from the water's edge to the deep portcullis. Danny crept up. He found that the old notched and barred door leading into the castle stood open. Danny stood and listened. The footsteps that he heard before were now far ahead of him. It was darkest of all under these thick walls. Danny had to pass the doorway of the ruined guardroom, terrible with the tradition of the black dog. As he went by the door he turned his head toward it in the darkness. At that instant he thought he heard something stir. He gasped, but could not scream. He stretched his arms fearfully toward the sound. There was nothing. All was still once more; only the receding footsteps dying away. Danny thought he had deceived himself. It was as though he had heard the rustle of a dress, but it must have been the soft rustle of leaves.

Yet there were no trees in the castle.

Danny stepped forward into the courtyard. His feet fell softly on the grass that now grew there. But he stopped again, and his heart seemed to stand still. He could have sworn that behind him he heard a light stealthy tread. Danny dropped to his knees, breathless and trembling.

It was gone. The deep, thick boom of the sea came from the shore far behind, and the thin, low plash of broken waters from the rocks beneath. The footsteps had ceased now, but Danny could hear voices. He rose to his feet and walked toward whence they came.

He found himself outside the crumbling walls of the roofless chapel of St. Patrick. He heard noises from within, and crouched behind a stone. Presently a light was struck. It lighted all the air above it. Danny crept up to the chapel wall and peered in at one of the lancet windows.

A company of men were there, but he could not distinguish their faces. The single lantern they carried was now turned with its face to the ground. One of them had a crowbar with which he was prizing up a stone. It was a gravestone. The men were tearing open an old vault.

There was some muttering, and one of the men seemed to protest. "Stop!" he cried; "I'm not going to have a hand in a job like this. I'm bad enough, God knows, but no man shall say that I helped to violate a grave."

Danny shook from head to foot. He knew that voice. Just then the sea-swallow shot again overhead, uttering its low, mournful cry. At the same instant Danny thought he heard a half-stiffed moan not far from his side, and once more his ear caught that soft rustling sound. Quivering in every limb, he could not stir. He must stand and be silent. He clung to the stone wall with convulsive fingers.

The man with the crowbar laughed. "Dowse that now," he said, and laughed again.

"Och, the timid he is to be sure, and the religious, too, all at once."

Danny knew that voice also, and knew as well that to utter a word or sound at that moment might be as much as his life was worth. The men were raising the stone.

"Here, bear a hand," said one.

"Never," said the first speaker.

There was a low, grating laugh. One of the men leaped into the vault.

"Now, then, tail on here more hands. Let's have it, quick."

Then Danny saw that, lying on the ground, was something that he had not observed before. It was like a thick black roll some four feet long. Two of the men got hold of it to hand it to the man below.

"Come! lay down, d'ye hear?"

Danny's terror mastered him. He turned to run. Then the man who had spoken first cried, "What's that?"

There was a moment's pause.

"What's what?" said the man in the vault.

"I'll swear on my soul I saw a woman pass the porch."

A bitter little laugh followed.

"Och, it's always a woman he's seeing."

Danny had found his legs at last. Flying along the grass as softly as a lapwing, he reached the old gate. Then he turned and listened. No; there was nothing to show that he had been heard. He crept down the steps to the water's edge. There in a creek he saw a boat which he had not observed on going up. He looked at the name.

It was "Ben-my-Chree."

Danny turned to the ford. The tide had risen a foot since he crossed, but he paddled through the water and gained the pier. Then he ran home as fast as his long legs would carry him, wet with sweat and speechless with dismay.

Next morning Danny remembered that he had forgotten all about the harbor-master and the light.

"Och, the cursed young imp that he is," cried his uncle, Bill Kisseck, hitching his hand into Danny's guernsey at the neck, and steadying him as if he had been a sack with an open mouth. "Aw, the booby; just taking a rovin' commission and snappin' his finger at the ould masther. What d'ye think would a happent to you, ye beach-comber, if some ship had run ashore and been wrecked and scuttled and all hands lost, and not a pound of cargo left at her, and never a light on the pier, and all along of you, ye idiot waistrel!"