The Wild Man of the West: A Tale of the Rocky Mountains

Chapter Ten

Short Treatise on Horseflesh—Remarks on Slang—Doings and Sights on the Prairie—The Mountain Fort

A horse is a wonderful thing—if we may presume to style so noble a creature “a thing!” And the associations connected in some minds with a horse are wonderful associations. No doubt a horse, to many people, is a commonplace enough sort of thing; and the associations connected with horseflesh in general, in some minds, are decidedly low—having relation to tugging a cart, or tumbling along with a plough, or rattling with a cab, or prancing in a carriage, or being cut up into butcher’s meat for cats and dogs. Nevertheless, a horse is a wonderful creature; and man’s associations in connection with him are, not infrequently, of the most wonderful and romantic kind. Talk to the warrior of his steed, and he will speak of him as of his dearest friend. Talk to the Arab of his horse, and he will talk of his pet, his spoiled child! As it is with these, so is it with the trapper of the western prairies.

After a few weeks’ acquaintance, the trapper and his horse become one—part and parcel of each other, at least as far as it is possible for man and horse to amalgamate. On the one hand, the horse is tended, hobbled, patted, saddled, spoken to, watched over, and tenderly cared for by the man; on the other hand, the man is carried, respected, sometimes bitten (playfully), depended on, and loved by the horse. Day after day, and week after week, the limbs of the one and the ribs of the other are pressed against each other, until they become all but united, and the various play of muscles on the part of both becomes so delicately significant that the bridle, to a great extent, becomes unnecessary, and the rider feels when the horse is about to shy, just as quickly as the horse feels, by a gentle pressure on either side, how much the rider wishes him to diverge to the right or left.

Sometimes the horse breaks his hobbles and runs away, thus aggravating the spirits of, and causing infinite annoyance to, the man. Frequently the man, out of revenge for such or similar freaks, larrups and pains and worries the horse. But these little asperities are the occasional landmarks that give point and piquancy to the even tenor of their loving career. Neither would, for a moment, think of allowing such incidents to rankle in his bosom. Both would repudiate with scorn the idea that they were a whit less useful, or in any degree less attached, to each other on account of such trifling tiffs!

Day after day our trappers mounted their steeds and traversed the great prairie—now at a rattling trot, now at a tearing gallop; frequently at a quiet foot-pace, when the nature of the ground rendered a more rapid progress dangerous, or when the exhaustion of horses and men rendered rest necessary, or when the beautiful nature of the scenery and the warm sunny condition of the atmosphere induced a contemplative frame of mind and a placid state of body.

Night after night the horses—having stuffed themselves, like greedy things as they were, with the greenest and tenderest herbage on the rich plains—returned to the camp fire round which the trappers were lying in deep slumber, and each selecting his own master, would stand over him with drooping head and go to sleep, until dawn called them again to united action.

Thus day and night passed for the space of three weeks after the night of the surprise of the Indian camp, without anything particular occurring; and thus quadrupeds and bipeds came to be familiar and well acquainted with each other—so thoroughly united in sympathetic action—as almost to become hexapeds, if we may be permitted the expression.

March Marston’s quadruped was a beautiful little bay, whose tendency to bound over every little stick and stone, as if it were a five-barred gate, and to run away upon all and every occasion, admirably suited the tastes and inclinations of its mercurial rider.

There was one among the quadrupeds which was striking in appearance—not to say stunning. No; we won’t say stunning, because that is a slang expression, and many persons object to slang expressions; therefore we will avoid that word; although we confess to being unable to see why, if it is allowable (as every one will admit it is) to assert that men may be mentally “struck,” it is not equally proper to say that they may be stunned. But we bow to prejudice. We won’t say that that horse was “stunning.” While on this subject, we think it right to guard ourself, parenthetically, from the charge of being favourable to

all

 kinds of slang. We are in favour of speech—yes, we assert that broadly and fearlessly, without reservation—but we are not in favour of

all

 speech. Coarse speech, for instance, we decidedly object to. So, we are in favour of slang, but not of

all

 slang. There are some slang words which are used instead of oaths, and these, besides being wicked, are exceedingly contemptible. Tempting, however, they are—too apt to slip from the tongue and from the pen, and to cause regret afterwards.

But to return. Although we won’t say that the quadruped in question was stunning, we will say again that it was striking—so powerfully striking that the force of the stroke was calculated almost to stun. It was uncommonly tall, remarkably short in the body, and had a piebald coat. Moreover, it had no tail—to speak of—as that member had, in some unguarded moment, got into the blaze of the camp fire and been burnt off close to the stump. The stump, however, was pretty long, and, at the time when the trappers became possessed of the animal, that appendage was covered with a new growth of sparsely scattered and very stiff hair, about three inches long, so that it resembled a gigantic bottle-brush. Being a spirited animal, the horse had a lively bottle-brush, which was grotesque, if it was nothing else.

This quadruped’s own particular biped was Theodore Bertram. He had a peculiar liking for it (as he had for everything picturesque), not only on account of its good qualities—which were, an easy gait and a tender mouth—but also because it was his own original animal, that of which he had been deprived by the Indians, and which he had recaptured with feelings akin to those of a mother who recovers a long-lost child.

We have said that the space of three weeks passed without anything particular occurring to our trappers. This remark, however, must be taken in a limited sense. Nothing particularly connected with the thread of this story occurred; though very many and particularly interesting things of a minor nature did occur during the course of that period.

It would require a work equal in size to the “Encyclopaedia Britannica” to contain all the interesting things that were said and seen and done on those prairies by these trappers within that brief space of time. A conscientiously particular chronicler of events would have detailed the route of each day, the latitude and longitude of each resting-place, the very nature of the wood which composed the fuel of each fire. He would have recorded that March Marston’s little bay ran away with him—not, in a general way, fifty or a hundred times, but exactly so many times, specifying the concomitant circumstances of each separate time, and the results of each particular race. He would have noted, with painful accuracy, the precise number of times in which Theodore Bertram (being a bad rider) fell off his horse, or was pitched off in consequence of that quadruped putting its foot inadvertently into badger holes. He would have mentioned that on each occasion the unfortunate artist blackened his eye, or bled or skinned his nasal organ, and would have dilated anatomically on the peculiar colour of the disfigured orb and the exact amount of damage done to the bruised nose. He would have told not only the general fact that bears, and elks, and antelopes, and prairie dogs, and wolves, and buffaloes, were seen in great numbers continually, and were shot in abundance, but he would have recorded that Bertram did, on one occasion, in the height of his enthusiastic daring, give a shout and draw one of his blunderbuss-pistols, on observing a grisly bear at a short distance ahead of him; that he dashed his heels violently against the sides of his remarkable horse; that the said horse did toss his head, shake his bottle-brush, and rush full tilt towards the bear until he caught sight of it, when he turned off at a sharp angle, leaving Bertram on the plain at the mercy of the bear; that Bruin, who was in nowise alarmed, observing his condition, came to see what was the matter with him; and that he, Mr Bertram, would certainly have fallen a victim to his own headstrong courage on the one hand, and to the bear’s known tendency to rend human beings on the other, had not March come up at that moment and shot it through the heart, while Redhand shot it through the brain.

And this supposed conscientious chronicler of events, had he been a naturalist, would have further detailed, with graphic particularity, the rich, exuberant, and varied

flora

 of the region—from the largest plant that waved and blossomed in the prairie winds to the lowliest floweret that nestled among the tender and sweet-scented grasses on the prairie’s breast. In regard to the

fauna

 of those regions, he would have launched out upon the form, the colour, size, habits, peculiarities, etcetera, of every living thing, from the great buffalo (which he would have carefully explained was

not

 the buffalo, but the

bison

) down to the sly, impudent, yet harmless little prairie dog (which he would have also carefully noted was

not

 the prairie dog, but the marmot).

Had this supposed recorder of facts been of an erratic nature, given to wander from anecdote to description, and

vice versa

, he would perhaps have told, in a parenthetical sort of way, how that, during these three weeks, the trappers enjoyed uninterrupted fine weather; how the artist sketched so indefatigably that he at last filled his book to overflowing and had to turn it upside down, begin at the end, and sketch on the backs of his previous drawings; how Big Waller and Black Gibault became inseparable friends and sang duets together when at full gallop, the latter shrieking like a wild-cat, the former roaring like a buffalo bull; how March Marston became madder than ever, and infected his little steed with the same disease, so that the two together formed a species of insane compound that caused Redhand and Bounce to give vent to many a low chuckle and many a deep sagacious remark, and induced Hawkswing to gaze at it—the compound—in grave astonishment.

All this and a great deal more might be told, and, no doubt, might prove deeply interesting. But, as no man can do everything, so no man can record everything; therefore we won’t attempt it, but shall at once, and without further delay, proceed to that part of our tale which bears more directly on the Rocky Mountains and the Wild Man of the West himself.

“It’s a strong place,” said Redhand, checking the pace of his horse and pointing to a small edifice or fort which stood on the summit of a little mound or hill about a quarter of a mile in advance of them—“a very strong place—such as would puzzle the redskins to break into if defended by men of ordinary pluck.”

“Men of pluck sometimes get careless, and go to sleep, though,” said March Marston, riding up to the old trapper; “I’ve heard o’ such forts bein’ taken by redskins before now.”

“So have I, lad, so have I,” returned Redhand; “I’ve heard o’ a fort bein’ attacked by Injuns when the men were away huntin’, an’ bein’ burnt down. But it ginerally turns out that the whites have had themselves to thank for’t.”

“Ay, that’s true,” observed Bounce; “some o’ the whites in them parts is no better nor they should be. They treats the poor Injuns as if they wos dogs or varmints, an’ then they’re astonished if the redskins murder them out o’ revenge. I know’d one feller as told me that when he lived on the west side o’ the mountains, where some of the Injuns are a murderin’ set o’ thieves, he niver lost a chance o’ killin’ a redskin. Of course the redskins niver lost a chance o’ killin’ the whites; an’ so they come to sich a state o’ war, that they had to make peace by givin’ them no end o’ presents o’ guns an’ cloth an’ beads—enough to buy up the furs o’ a whole tribe.”

“I guess they was powerful green to do anything o’ the sort,” said Big Waller. “I knowed a feller as was in command of a party o’ whites, who got into much the same sort of fix with the Injuns—always fightin’ and murderin’; so what does he do, think ye?”

“Shooted de chief and all hims peepil,” suggested Gibault.

“Nothin’ o’ the sort,” replied Waller. “He sends for the chief, an’ gives him a grand present, an’ says he wants to marry his darter. An’ so he

did

 marry his darter, right off, an’ the whites an’ redskins was friends ever after that. The man what did that was a gentleman too—so they said; tho’ for my part I don’t know wot a gentleman is—no more do I b’lieve there ain’t sich a thing; but if there be, an’ it means anything good, I calc’late that that man

wos

 a gentleman, for w’en he grew old he took his old squaw to Canada with him, ’spite the larfin’ o’ his comrades, who said he’d have to sot up a wigwam for her in his garden. But he says, ‘No,’ says he, ‘I married the old ooman for better an’ for worse, an’ I’ll stick by her to the last. There’s too many o’ you chaps as leaves yer wives behind ye when ye go home—I’m detarmined to sot ye a better example.’ An’ so he did. He tuk her home an’ put her in a grand house in some town in Canada—I don’t well mind which—but when he wasn’t watchin’ of her, the old ooman would squat down on the carpet in the drawin’-room, for, d’ye see, she hadn’t bin used to chairs. His frinds used to advise him to put her away, an’ the kindlier sort said he should give her a room to herself, and not bring her into company where she warn’t at ease; but no, the old man said always, ‘She’s my lawful wedded wife, an’ if she was a buffalo cow I’d stick by her to the last’—an’ so he did.”

“Vraiment he was von cur’ous creetur,” observed Gibault.

“See, they have descried us!” exclaimed Bertram, pointing to the fort, which they were now approaching, and where a bustle among the inhabitants showed that their visitors were not always peacefully disposed, and that it behoved them to regard strangers with suspicion.

“Would it not be well to send one of our party on in advance with a white flag?” observed Bertram.

“No need for that,” replied Redhand, “they’re used to all kinds o’ visitors—friends as well as foes. I fear, however, from the haste they show in closing their gate, that they ain’t on good terms with the Injuns.”

“The red-men and the pale-faces are at war,” said Hawkswing.

“Ay, you’re used to the signs, no doubt,” returned Redhand, “for you’ve lived here once upon a time, I b’lieve.”

The Indian made no reply, but a dark frown overspread his countenance for a few minutes. When it passed, his features settled down into their usual state of quiet gravity.

“Have ye ever seed that fort before?” inquired Bounce in the Indian tongue.

“I have,” answered Hawkswing. “Many moons have passed since I was in this spot. My nation was strong then. It is weak now. Few braves are left. We sometimes carried our furs to that fort to trade with the pale-faces. It is called the Mountain Fort. The chief of the pale-faces was a bad man then. He loved fire-water too much. If he is there still, I do not wonder that there is war between him and the red-men.”

“That’s bad,” said Bounce, shaking his head slowly—“very bad; for the redskins ’ll kill us if they can on account o’ them rascally fur-traders. Howsomdiver we can’t mend it, so we must bear it.”

As Bounce uttered this consolatory remark, the party cantered up to the open space in front of the gate of the fort, just above which a man was seen leaning quietly over the wooden walls of the place with a gun resting on his arm.

“Hallo!” shouted this individual when they came within hail.

“Hallo!” responded Bounce.

“Friends or foes, and where from?” inquired the laconic guardian of the fort.

“Friends,” replied Redhand riding forward, “we come from the Yellowstone. Have lost some of our property, but got some of it back, and want to trade furs with you.”

To this the sentinel made no reply, but, looking straight at Big Waller, inquired abruptly, “Are you the Wild Man?”

“Wot wild man?” said Waller gruffly.

“Why, the Wild Man o’ the West?”

“No, I hain’t,” said Waller still more gruffly, for he did not feel flattered by the question.

“Have you seen him?”

“No I hain’t, an’ guess I shouldn’t know him if I had.”

“Why do you ask?” inquired March Marston, whose curiosity had been roused by these unexpected questions.

“’Cause I want to know,” replied the man quitting his post and disappearing. In a few minutes he opened the gate, and the trappers trotted into the square of the fort.

The Mountain Fort, in which they now dismounted, was one of those little wooden erections in which the hardy pioneers of the fur trade were wont in days of old to establish themselves in the very heart of the Indian country. Such forts may still be seen in precisely similar circumstances, and built in the same manner, at the present day, in the Hudson’s Bay territories; with this difference that the Indians, having had long experience of the good intentions and the kindness of the pale-faces, no longer regard them with suspicion. The walls were made of strong tall palisades, with bastions built of logs at the corners, and a gallery running all round inside close to the top of the walls, so that the defenders of the place could fire over the palisades, if need be, at their assailants. There was a small iron cannon in each bastion. One large gate formed the entrance, but this was only opened to admit horsemen or carts; a small wicket in one leaf of the gate formed the usual entrance.

The buildings within the fort consisted of three little houses, one being a store, the others dwelling-houses, about which several men and women and Indian children, besides a number of dogs, were grouped. These immediately surrounded the trappers as they dismounted. “Who commands here?” inquired Redhand.

“I do,” said the sentinel before referred to, pushing aside the others and stepping forward, “at least I do at present. My name’s McLeod. He who ought to command is drunk. He’s

always

 drunk.”

There was a savage gruffness in the way in which McLeod said this that surprised the visitors, for his sturdy-looking and honest countenance seemed to accord ill with such tones.

“An’ may I ask who

he

 is?” said Redhand.

“Oh yes, his name’s Macgregor—you can’t see him to-night, though. There’ll be bloody work here before long if he don’t turn over a new leaf—”

McLeod checked himself as if he felt that he had gone too far. Then he added, in a tone that seemed much more natural to him, “Now, sirs, come this way. Here,” (turning to the men who stood by), “look to these horses and see them fed. Come into the hall, friends, an’ the squaws will prepare something for you to eat while we have a smoke and a talk together.”

So saying, this changeable man, who was a strange compound of a trapper and a gentleman, led the way to the principal dwelling-house, and, throwing open the door, ushered his guests into the reception hall of the Mountain Fort.

Chapter Eleven

Original Efforts in the Art of Painting—Fur-Trading Hospitality—Wonderful Accounts of the Wild Man of the West, from an Eye-witness—Buffalo Hunting, Scalping, Murdering, and a Summary Method of inflicting Punishment

The reception hall of the Mountain Fort, into which, as we have stated, the trappers were ushered by McLeod, was one of those curious apartments which were in those days (and in a few cases still are) created for the express purpose of “astonishing the natives!”

It was a square room, occupying the centre of the house, and having doors all round, which opened into the sleeping or other apartments of the dwelling. In the front wall of this room were the door which led direct into the open air, and the two windows. There were no passages in the house—it was all rooms and doors. One of these doors, towards the back, opened into a species of scullery—but it was not exactly a scullery, neither was it a kitchen, neither was it a pantry. The squaws lived there—especially the cooking squaws—and a few favoured dogs. A large number of pots and pans and kettles, besides a good deal of lumber and provisions in daily use, also dwelt there. A door led from this room out to the back of the house, and into a small offshoot, which was the kitchen proper. Here a spirited French Canadian reigned supreme in the midst of food, fire, and steam, smoke, smells, and fat.

But to return to the reception hall. There were no pictures on its walls, no draperies about its windows, no carpets on its floors, no cloths on its tables, and no ornaments on its mantelshelf. Indeed, there was no mantelshelf to put ornaments upon. The floor, the walls, the ceiling, the chairs, the tables; all were composed of the same material—wood. The splendour of the apartment was entirely due to paint. Everything was painted—and that with a view solely to startling effect. Blue, red, and yellow, in their most brilliant purity, were laid on in a variety of original devices, and with a boldness of contrast that threw Moorish effort in that line quite into the shade. The Alhambra was nothing to it! The floor was yellow ochre; the ceiling was sky-blue; the cornices were scarlet, with flutings of blue and yellow, and, underneath, a broad belt of fruit and foliage, executed in an extremely arabesque style. The walls were light green, with narrow bands of red down the sides of each plank. The table was yellow, the chairs blue, and their bottoms red, by way of harmonious variety. But the grand point—the great masterpiece in the ornamentation of this apartment—was the centre-piece in the ceiling, in the execution of which there was an extraordinary display of what can be accomplished by the daring flight of an original genius revelling in the conscious possession of illimitable power, without the paralysing influence of conventional education.

The device itself was indescribable. It was a sun or a star, or rather a union and commingling of suns and stars in violent contrast, wreathed with fanciful fruits and foliage, and Cupids, and creatures of a now extinct species. The rainbow had been the painter’s palette; genius his brush; fancy-gone-mad his attendant; the total temporary stagnation of redskin faculties his object, and ecstasy his general state of mind, when he executed this magnificent

chef d’oeuvre

 in the centre of the ceiling of the reception hall at the Mountain Fort.

The fireplace was a capacious cavern in the wall opposite the entrance door, in which, during winter, there usually burned a roaring bonfire of huge logs of wood, but where, at the time of which we write, there was just enough fire to enable visitors to light their pipe’s. When that fire blazed up in the dark winter nights, the effect of that gorgeous apartment was dazzling—absolutely bewildering.

The effect upon our trappers when they entered was sufficiently strong. They gazed round in amazement, each giving vent to his feelings in his own peculiar exclamatory grunt, or gasp, or cough. In addition to this, Bounce smote his thigh with unwonted vigour. Gibault, after gazing for a few minutes, sighed out something that sounded like

magnifique

! and Bertram grinned from ear to ear. He went further: he laughed aloud—an impolite thing to do, in the circumstances, and, for a grave man like him, an unusual ebullition of feeling. But it was observed and noted that on this occasion the artist did not draw forth his sketch-book.

McLeod, who, from his speech and bearing, was evidently a man of some education, placed chairs for his visitors, took the lid off a large canister of tobacco, and, pushing it into the middle of the yellow table, said—

“Sit ye down, friends, and help yourselves.”

He set them the example by taking down his own pipe from a nail in the wall, and proceeding to fill it. Having done so, he took a piece of glowing charcoal from the fire, and, placing it on the bowl, began to smoke, glancing the while, with an amused expression on his grave face, at the trappers, who, while filling their pipes, kept gazing round the walls and up at the ceiling.

“Ha!” said he, “you are struck with our hall (puff, puff). It’s rather (puff) an effective one (puff). Have a light?”

Bounce, to whom the light was offered, accepted the same, applied it to his pipe, and said—

“Well, yes (puff), it is (puff) raither wot ye may call (puff) pecooliar.”

“Most visitors to this place think so,” said McLeod. “The Indians highly approve of it, and deem me quite a marvel of artistic power.”

“Wot! did

you

 paint it?” inquired Waller.

“I did,” answered McLeod, with a nod.

“Vraiment, de Injuns am right in deir opinion of you,” cried Gibault, relighting his pipe, which, in the astonished state of his mind, he had allowed to go out.

McLeod smiled, if we may so speak,

gravely

, in acknowledgment of the compliment.

“Ha!” cried Gibault, turning to Bertram as if a sudden thought had occurred to him, “Monsieur Bertram et Monsieur Mak Load, you be broders. Oui, Monsieur Mak Load, dis mine comrade—him be von painteur.”

“Indeed!” said McLeod, turning to the artist with more interest than he had yet shown towards the strangers.

“I have, indeed, the honour to follow the noble profession of painting,” said Bertram, “but I cannot boast of having soared so high as—as—”

“As to attempt the frescoes on the ceiling of a reception hall in the backwoods,” interrupted McLeod, laughing. “No, I believe you, sir; but, although I cannot presume to call you brother professionally, still I trust that I may do so as an amateur. I am delighted to see you here. It is not often we are refreshed with the sight of the face of a civilised man in these wild regions.”

“Upon my word, sir, you are plain-spoken,” said March Marston with a look of affected indignation; “what do you call

us

?”

“Pardon me, young sir,” replied McLeod, “I call you trappers, which means neither civilised nor savage; neither fish, nor flesh, nor fowl—”

“That’s a foul calumny,” cried Bounce, knocking the ashes out of his pipe, and refilling it from the canister; “it’s wot may be called a—a—”

“Lie,” suggested Waller.

“No,” said Bounce, “it ain’t that. I don’t like that word. It’s a ugly word, an’ you shouldn’t ought to use it, Waller. It’s a

error

; that’s wot it is, in a feelosophical pint o’ view. Jest as much of a error, now, as it was in you, Mister McLeod, putting so little baccy in this here thing that there ain’t none left.”

“What! is it all done?” cried McLeod, rising, and seizing the canister; “so it is. I declare you smoke almost as fast as the Wild Man himself; for whom I mistook you, Mr Waller, when I saw you first, at some distance off.”

Saying this, he left the room to fetch a further supply of the soothing weed, and at the same moment two squaws appeared, bearing smoking dishes of whitefish and venison.

“That fellow knows something about the Wild Man o’ the West,” said March Marston in a low, eager tone, to his comrades. “Twice has he mentioned his name since we arrived.”

“So he has,” observed Redhand, “but there may be other wild men besides our one.”

“Unpossible,” said Bounce emphatically.

“Ditto,” cried Waller still more emphatically; “what say you, Hawkswing?”

“There is but one Wild Man of the West,” replied the Indian.

“By the way, Hawkswing, what was the name o’ the rascally trader you said was in charge o’ this fort when you lived here?” asked Redhand.

“Mokgroggir,” replied the Indian.

“Ha, Macgregor, ye mean, no doubt.”

Hawkswing nodded.

“Here you are, friends,” said McLeod, re-entering the room with a large roll of tobacco. “Help yourselves and don’t spare it. There’s plenty more where that came from. But I see the steaks are ready, so let us fall to; we can smoke afterwards.”

During the repast, to which the trappers applied themselves with the gusto of hungry men, March Marston questioned McLeod about the Wild Man.

“The Wild Man o’ the West,” said he in some surprise; “is it possible there are trappers in the Rocky Mountains who have not heard of

him

?”

“Oh yes,” said March hastily, “we’ve heard of him, but we want to hear more particularly about him, for the accounts don’t all agree.”

“Ha! that’s it,” said Bounce, speaking with difficulty through a large mouthful of fish, “that’s it. They don’t agree. One says his rifle is thirty feet long, another forty feet, an’ so on. There’s no gittin’ at truth in this here—”

A bone having stuck in Bounce’s throat at that moment he was unable to conclude the sentence.

“As to the length of his rifle,” said McLeod, when the noise made by Bounce in partially choking had subsided, “you seem to have got rather wild notions about that, and about the Wild Man too, I see.”

“But he

is

 a giant, isn’t he?” inquired March anxiously.

“N–not exactly. Certainly he is a big fellow, about the biggest man I ever saw—but he’s not forty feet high!”

March Marston’s romantic hopes began to sink. “Then he’s an ordinary man just like one o’ us,” he said almost gloomily.

“Nay, that he is not,” returned McLeod, laughing. “Your comrade Waller does indeed approach to him somewhat in height, but he’s nothing to him in breadth; and as for ferocity, strength, and activity, I never saw anything like him in my life. He comes sometimes here to exchange his furs for powder and lead, but he’ll speak to no one, except in the sharpest, gruffest way. I think he’s mad myself. But he seems to lead a charmed life here; for although he has had fights with many of the tribes in these parts, he always puts them to flight, although he fights single-handed.”

“Single-handed!” exclaimed Bounce in surprise.

“Ay. I’ve seen him at it myself, and can vouch for it, that if ever there was a born fiend let loose on this earth it’s the Wild Man of the West when he sets-to to thrash a dozen Indians. But I must do him the justice to say that I never heard of him making an unprovoked attack on anybody. When he first came to these mountains, many years ago—before I came here—the Indians used to wonder who he was and what he meant to do. Then after a while, seeing he had