A CHIP FROM THE MAELSTROM
"The cop just sceert her to death, that's what he done. For Gawd's sake, boss, don't let on I tole you."
The negro, stopping suddenly in his game of craps in the Pell Street back yard, glanced up with a look of agonized entreaty. Discovering no such fell purpose in his questioner's face, he added quickly, reassured:—
"And if he asks if you seed me a-playing craps, say no, not on yer life, boss, will yer?" And he resumed the game where he left off.
An hour before he had seen Maggie Lynch die in that hallway, and it was of her he spoke. She belonged to the tenement and to Pell Street, as he did himself. They were part of it while they lived, with all that that implied; when they died, to make part of it again, reorganized and closing ranks in the trench on Hart's Island. It is only the Celestials in Pell Street who escape the trench. The others are booked for it from the day they are pushed out from the rapids of the Bowery into this maelstrom that sucks under all it seizes. Thenceforward they come to the surface only at intervals in the police courts, each time more forlorn, but not more hopeless, until at last they disappear and are heard of no more.
When Maggie Lynch turned the corner no one there knows. The street keeps no reckoning, and it doesn't matter. She took her place unchallenged, and her "character" was registered in due time. It was good. Even Pell Street has its degrees and its standard of perfection. The standard's strong point is contempt of the Chinese, who are hosts in Pell Street. Maggie Lynch came to be known as homeless, without a man, though with the prospects of motherhood approaching, yet she "had never lived with a Chink." To Pell Street that was heroic. It would have forgiven all the rest, had there been anything to forgive. But there was not. Whatever else may be, cant is not among the vices of Pell Street.
And it is well. Maggie Lynch lived with the Cuffs on the top floor of No. 21 until the Cuffs moved. They left an old lounge they didn't want, and Maggie. Maggie was sick, and the housekeeper had no heart to put her out. Heart sometimes survives in the slums, even in Pell Street, long after respectability has been hopelessly smothered. It provided shelter and a bed for Maggie when her only friends deserted her. In return she did what she could, helping about the hall and stairs. Queer that gratitude should be another of the virtues the slum has no power to smother, though dive and brothel and the scorn of the good do their best, working together.
There was an old mattress that had to be burned, and Maggie dragged it down with an effort. She took it out in the street, and there set it on fire. It burned and blazed high in the narrow street. The policeman saw the sheen in the windows on the opposite side of the way, and saw the danger of it as he came around the corner. Maggie did not notice him till he was right behind her. She gave a great start when he spoke to her.
"I've a good mind to lock you up for this," he said as he stamped out the fire. "Don't you know it's against the law?"
The negro heard it and saw Maggie stagger toward the door, with her hand pressed upon her heart, as the policeman went away down the street. On the threshold she stopped, panting.
"My Gawd, that cop frightened me!" she said, and sat down on the door-step.
A tenant who came out saw that she was ill, and helped her into the hall. She gasped once or twice, and then lay back, dead.
Word went around to the Elizabeth Street station, and was sent on from there with an order for the dead-wagon. Maggie's turn had come for the ride up the Sound. She was as good as checked for the Potter's Field, but Pell Street made an effort and came up almost to Maggie's standard.
Even while the dead-wagon was rattling down the Bowery, one of the tenants ran all the way to Henry Street, where he had heard that Maggie's father lived, and brought him to the police station. The old man wiped his eyes as he gazed upon his child, dead in her sins.
"She had a good home," he said to Captain Young, "but she didn't know it, and she wouldn't stay. Send her home, and I will bury her with her mother."
The Potter's Field was cheated out of a victim, and by Pell Street. But the maelstrom grinds on and on.
SARAH JOYCE'S HUSBANDS
Policeman Muller had run against a boisterous crowd surrounding a drunken woman at Prince Street and the Bowery. When he joined the crowd it scattered, but got together again before it had run half a block, and slunk after him and his prisoner to the Mulberry Street station. There Sergeant Woodruff learned by questioning the woman that she was Mary Donovan and had come down from Westchester to have a holiday. She had had it without a doubt. The Sergeant ordered her to be locked up for safe-keeping, when, unexpectedly, objection was made.
A small lot of the crowd had picked up courage to come into the station to see what became of the prisoner. From out of this, one spoke up: "Don't lock that woman up; she is my wife."
"Eh," said the Sergeant, "and who are you?"
The man said he was George Reilly and a salesman. The prisoner had given her name as Mary Donovan and said she was single. The Sergeant drew Mr. Reilly's attention to the street door, which was there for his accommodation, but he did not take the hint. He became so abusive that he, too, was locked up, still protesting that the woman was his wife.
She had gone on her way to Elizabeth Street, where there is a matron, to be locked up there; and the objections of Mr. Reilly having been silenced at last, peace was descending once more upon the station-house, when the door was opened, and a man with a swagger entered.
"Got that woman locked up here?" he demanded.
"What woman?" asked the Sergeant, looking up.
"Her what Muller took in."
"Well," said the Sergeant, looking over the desk, "what of her?"
"I want her out; she is my wife. She—"
The Sergeant rang his bell. "Here, lock this man up with that woman's other husband," he said, pointing to the stranger.
The fellow ran out just in time, as the doorman made a grab for him. The Sergeant drew a tired breath and picked up the ruler to make a red line in his blotter. There was a brisk step, a rap, and a young fellow stood in the open door.
"Say, Serg," he began.
The Sergeant reached with his left hand for the inkstand, while his right clutched the ruler. He never took his eyes off the stranger.
"Say," wheedled he, glancing around and seeing no trap, "Serg, I say: that woman w'at's locked up, she's—"
"She's what?" asked the Sergeant, getting the range as well as he could.
"My wife," said the fellow.
There was a bang, the slamming of a door, and the room was empty. The doorman came running in, looked out, and up and down the street. But nothing was to be seen. There is no record of what became of the third husband of Mary Donovan.
The first slept serenely in the jail. The woman herself, when she saw the iron bars in the Elizabeth Street station, fell into hysterics and was taken to the Hudson Street Hospital.
Reilly was arraigned in the Tombs Police Court in the morning. He paid his fine and left, protesting that he was her only husband.
He had not been gone ten minutes when Claimant No. 4 entered.
"Was Sarah Joyce brought here?" he asked Clerk Betts.
The clerk couldn't find the name.
"Look for Mary Donovan," said No. 4.
"Who are you?" asked the clerk.
"I am Sarah's husband," was the answer.
Clerk Betts smiled, and told the man the story of the other three.
"Well, I am blamed," he said.
MERRY CHRISTMAS IN THE TENEMENTS
It was just a sprig of holly, with scarlet berries showing against the green, stuck in, by one of the office boys probably, behind the sign that pointed the way up to the editorial rooms. There was no reason why it should have made me start when I came suddenly upon it at the turn of the stairs; but it did. Perhaps it was because that dingy hall, given over to dust and draughts all the days of the year, was the last place in which I expected to meet with any sign of Christmas; perhaps it was because I myself had nearly forgotten the holiday. Whatever the cause, it gave me quite a turn.
I stood, and stared at it. It looked dry, almost withered. Probably it had come a long way. Not much holly grows about Printing-House Square, except in the colored supplements, and that is scarcely of a kind to stir tender memories. Withered and dry, this did. I thought, with a twinge of conscience, of secret little conclaves of my children, of private views of things hidden from mamma at the bottom of drawers, of wild flights when papa appeared unbidden in the door, which I had allowed for once to pass unheeded. Absorbed in the business of the office, I had hardly thought of Christmas coming on, until now it was here. And this sprig of holly on the wall that had come to remind me,—come nobody knew how far,—did it grow yet in the beech-wood clearings, as it did when I gathered it as a boy, tracking through the snow? "Christ-thorn" we called it in our Danish tongue. The red berries, to our simple faith, were the drops of blood that fell from the Saviour's brow as it drooped under its cruel crown upon the cross.
Back to the long ago wandered my thoughts: to the moss-grown beech in which I cut my name and that of a little girl with yellow curls, of blessed memory, with the first jack-knife I ever owned; to the story-book with the little fir tree that pined because it was small, and because the hare jumped over it, and would not be content though the wind and the sun kissed it, and the dews wept over it and told it to rejoice in its young life; and that was so proud when, in the second year, the hare had to go round it, because then it knew it was getting big,—Hans Christian Andersen's story that we loved above all the rest; for we knew the tree right well, and the hare; even the tracks it left in the snow we had seen. Ah, those were the Yule-tide seasons, when the old Domkirke shone with a thousand wax candles on Christmas eve; when all business was laid aside to let the world make merry one whole week; when big red apples were roasted on the stove, and bigger doughnuts were baked within it for the long feast! Never such had been known since. Christmas to-day is but a name, a memory.
A door slammed below, and let in the noises of the street. The holly rustled in the draught. Some one going out said, "A Merry Christmas to you all!" in a big, hearty voice. I awoke from my revery to find myself back in New York with a glad glow at the heart. It was not true. I had only forgotten. It was myself that had changed, not Christmas. That was here, with the old cheer, the old message of good-will, the old royal road to the heart of mankind. How often had I seen its blessed charity, that never corrupts, make light in the hovels of darkness and despair! how often watched its spirit of self-sacrifice and devotion in those who had, besides themselves, nothing to give! and as often the sight had made whole my faith in human nature. No! Christmas was not of the past, its spirit not dead. The lad who fixed the sprig of holly on the stairs knew it; my reporter's note-book bore witness to it. Witness of my contrition for the wrong I did the gentle spirit of the holiday, here let the book tell the story of one Christmas in the tenements of the poor:—
It is evening in Grand Street. The shops east and west are pouring forth their swarms of workers. Street and sidewalk are filled with an eager throng of young men and women, chatting gayly, and elbowing the jam of holiday shoppers that linger about the big stores. The street-cars labor along, loaded down to the steps with passengers carrying bundles of every size and odd shape. Along the curb a string of pedlers hawk penny toys in push-carts with noisy clamor, fearless for once of being moved on by the police. Christmas brings a two weeks' respite from persecution even to the friendless street-fakir. From the window of one brilliantly lighted store a bevy of mature dolls in dishabille stretch forth their arms appealingly to a troop of factory-hands passing by. The young men chaff the girls, who shriek with laughter and run. The policeman on the corner stops beating his hands together to keep warm, and makes a mock attempt to catch them, whereat their shrieks rise shriller than ever. "Them stockin's o' yourn 'll be the death o' Santa Claus!" he shouts after them, as they dodge. And they, looking back, snap saucily, "Mind yer business, freshy!" But their laughter belies their words. "They giv' it to ye straight that time," grins the grocer's clerk, come out to snatch a look at the crowds; and the two swap holiday greetings.
At the corner, where two opposing tides of travel form an eddy, the line of push-carts debouches down the darker side street. In its gloom their torches burn with a fitful glare that wakes black shadows among the trusses of the railroad structure overhead. A woman, with worn shawl drawn tightly about head and shoulders, bargains with a pedler for a monkey on a stick and two cents' worth of flitter-gold. Five ill-clad youngsters flatten their noses against the frozen pane of the toy-shop, in ecstasy at something there, which proves to be a milk wagon, with driver, horses, and cans that can be unloaded. It is something their minds can grasp. One comes forth with a penny goldfish of pasteboard clutched tightly in his hand, and, casting cautious glances right and left, speeds across the way to the door of a tenement, where a little girl stands waiting. "It's yer Chris'mas, Kate," he says, and thrusts it into her eager fist. The black doorway swallows them up.
Across the narrow yard, in the basement of the rear house, the lights of a Christmas tree show against the grimy window pane. The hare would never have gone around it, it is so very small. The two children are busily engaged fixing the goldfish upon one of its branches. Three little candles that burn there shed light upon a scene of utmost desolation. The room is black with smoke and dirt. In the middle of the floor oozes an oil-stove that serves at once to take the raw edge off the cold and to cook the meals by. Half the window panes are broken, and the holes stuffed with rags. The sleeve of an old coat hangs out of one, and beats drearily upon the sash when the wind sweeps over the fence and rattles the rotten shutters. The family wash, clammy and gray, hangs on a clothes-line stretched across the room. Under it, at a table set with cracked and empty plates, a discouraged woman sits eying the children's show gloomily. It is evident that she has been drinking. The peaked faces of the little ones wear a famished look. There are three—the third an infant, put to bed in what was once a baby carriage. The two from the street are pulling it around to get the tree in range. The baby sees it, and crows with delight. The boy shakes a branch, and the goldfish leaps and sparkles in the candle-light.
"See, sister!" he pipes; "see Santa Claus!" And they clap their hands in glee. The woman at the table wakes out of her stupor, gazes around her, and bursts into a fit of maudlin weeping.
The door falls to. Five flights up, another opens upon a bare attic room which a patient little woman is setting to rights. There are only three chairs, a box, and a bedstead in the room, but they take a deal of careful arranging. The bed hides the broken plaster in the wall through which the wind came in; each chair-leg stands over a rat-hole, at once to hide it and to keep the rats out. One is left; the box is for that. The plaster of the ceiling is held up with pasteboard patches. I know the story of that attic. It is one of cruel desertion. The woman's husband is even now living in plenty with the creature for whom he forsook her, not a dozen blocks away, while she "keeps the home together for the childer." She sought justice, but the lawyer demanded a retainer; so she gave it up, and went back to her little ones. For this room that barely keeps the winter wind out she pays four dollars a month, and is behind with the rent. There is scarce bread in the house; but the spirit of Christmas has found her attic. Against a broken wall is tacked a hemlock branch, the leavings of the corner grocer's fitting-block; pink string from the packing-counter hangs on it in festoons. A tallow dip on the box furnishes the illumination. The children sit up in bed, and watch it with shining eyes.
"We're having Christmas!" they say.
The lights of the Bowery glow like a myriad twinkling stars upon the ceaseless flood of humanity that surges ever through the great highway of the homeless. They shine upon long rows of lodging-houses, in which hundreds of young men, cast helpless upon the reef of the strange city, are learning their first lessons of utter loneliness; for what desolation is there like that of the careless crowd when all the world rejoices? They shine upon the tempter setting his snares there, and upon the missionary and the Salvation Army lass, disputing his catch with him; upon the police detective going his rounds with coldly observant eye intent upon the outcome of the contest; upon the wreck that is past hope, and upon the youth pausing on the verge of the pit in which the other has long ceased to struggle. Sights and sounds of Christmas there are in plenty in the Bowery. Balsam and hemlock and fir stand in groves along the busy thoroughfare, and garlands of green embower mission and dive impartially. Once a year the old street recalls its youth with an effort. It is true that it is largely a commercial effort; that the evergreen, with an instinct that is not of its native hills, haunts saloon-corners by preference; but the smell of the pine woods is in the air, and—Christmas is not too critical—one is grateful for the effort. It varies with the opportunity. At "Beefsteak John's" it is content with artistically embalming crullers and mince-pies in green cabbage under the window lamp. Over yonder, where the mile-post of the old lane still stands,—in its unhonored old age become the vehicle of publishing the latest "sure cure" to the world,—a florist, whose undenominational zeal for the holiday and trade outstrips alike distinction of creed and property, has transformed the sidewalk and the ugly railroad structure into a veritable bower, spanning it with a canopy of green, under which dwell with him, in neighborly good-will, the Young Men's Christian Association and the Jewish tailor next door.
In the next block a "turkey-shoot" is in progress. Crowds are trying their luck at breaking the glass balls that dance upon tiny jets of water in front of a marine view with the moon rising, yellow and big, out of a silver sea. A man-of-war, with lights burning aloft, labors under a rocky coast. Groggy sailormen, on shore leave, make unsteady attempts upon the dancing balls. One mistakes the moon for the target, but is discovered in season. "Don't shoot that," says the man who loads the guns; "there's a lamp behind it." Three scared birds in the window recess try vainly to snatch a moment's sleep between shots and the trains that go roaring overhead on the elevated road. Roused by the sharp crack of the rifles, they blink at the lights in the street, and peck moodily at a crust in their bed of shavings.
The dime museum gong clatters out its noisy warning that "the lecture" is about to begin. From the concert hall, where men sit drinking beer in clouds of smoke, comes the thin voice of a short-skirted singer, warbling, "Do they think of me at home?" The young fellow who sits near the door, abstractedly making figures in the wet track of the "schooners," buries something there with a sudden restless turn, and calls for another beer. Out in the street a band strikes up. A host with banners advances, chanting an unfamiliar hymn. In the ranks marches a cripple on crutches. Newsboys follow, gaping. Under the illuminated clock of the Cooper Institute the procession halts, and the leader, turning his face to the sky, offers a prayer. The passing crowds stop to listen. A few bare their heads. The devoted group, the flapping banners, and the changing torch-light on upturned faces, make a strange, weird picture. Then the drum-beat, and the band files into its barracks across the street. A few of the listeners follow, among them the lad from the concert hall, who slinks shamefacedly in when he thinks no one is looking.
Down at the foot of the Bowery is the "pan-handlers' beat," where the saloons elbow one another at every step, crowding out all other business than that of keeping lodgers to support them. Within call of it, across the square, stands a church which, in the memory of men yet living, was built to shelter the fashionable Baptist audiences of a day when Madison Square was out in the fields, and Harlem had a foreign sound. The fashionable audiences are gone long since. To-day the church, fallen into premature decay, but still handsome in its strong and noble lines, stands as a missionary outpost in the land of the enemy, its builders would have said, doing a greater work than they planned. To-night is the Christmas festival of its English-speaking Sunday-school, and the pews are filled. The banners of United Italy, of modern Hellas, of France and Germany and England, hang side by side with the Chinese dragon and the starry flag—signs of the cosmopolitan character of the congregation. Greek and Roman Catholics, Jews and joss-worshippers, go there; few Protestants, and no Baptists. It is easy to pick out the children in their seats by nationality, and as easy to read the story of poverty and suffering that stands written in more than one mother's haggard face, now beaming with pleasure at the little ones' glee. A gayly decorated Christmas tree has taken the place of the pulpit. At its foot is stacked a mountain of bundles, Santa Claus's gifts to the school. A self-conscious young man with soap-locks has just been allowed to retire, amid tumultuous applause, after blowing "Nearer, my God, to Thee" on his horn until his cheeks swelled almost to bursting. A trumpet ever takes the Fourth Ward by storm. A class of little girls is climbing upon the platform. Each wears a capital letter on her breast, and has a piece to speak that begins with the letter; together they spell its lesson. There is momentary consternation: one is missing. As the discovery is made, a child pushes past the doorkeeper, hot and breathless. "I am in 'Boundless Love,'" she says, and makes for the platform, where her arrival restores confidence and the language.
In the audience the befrocked visitor from up-town sits cheek by jowl with the pigtailed Chinaman and the dark-browed Italian. Up in the gallery, farthest from the preacher's desk and the tree, sits a Jewish mother with three boys, almost in rags. A dingy and threadbare shawl partly hides her poor calico wrap and patched apron. The woman shrinks in the pew, fearful of being seen; her boys stand upon the benches, and applaud with the rest. She endeavors vainly to restrain them. "Tick, tick!" goes the old clock over the door through which wealth and fashion went out long years ago, and poverty came in.
Tick, tick! the world moves, with us—without; without or with. She is the yesterday, they the to-morrow. What shall the harvest be?
Loudly ticked the old clock in time with the doxology, the other day, when they cleared the tenants out of Gotham Court down here in Cherry Street, and shut the iron doors of Single and Double Alley against them. Never did the world move faster or surer toward a better day than when the wretched slum was seized by the health officers as a nuisance unfit longer to disgrace a Christian city. The snow lies deep in the deserted passageways, and the vacant floors are given over to evil smells, and to the rats that forage in squads, burrowing in the neglected sewers. The "wall of wrath" still towers above the buildings in the adjoining Alderman's Court, but its wrath at last is wasted.
It was built by a vengeful Quaker, whom the alderman had knocked down in a quarrel over the boundary line, and transmitted its legacy of hate to generations yet unborn; for where it stood it shut out sunlight and air from the tenements of Alderman's Court. And at last it is to go, Gotham Court and all; and to the going the wall of wrath has contributed its share, thus in the end atoning for some of the harm it wrought. Tick! old clock; the world moves. Never yet did Christmas seem less dark on Cherry Hill than since the lights were put out in Gotham Court forever.
In "The Bend" the philanthropist undertaker who "buries for what he can catch on the plate" hails the Yule-tide season with a pyramid of green made of two coffins set on end. It has been a good day, he says cheerfully, putting up the shutters; and his mind is easy. But the "good days" of The Bend are over, too. The Bend itself is all but gone. Where the old pigsty stood, children dance and sing to the strumming of a cracked piano-organ propelled on wheels by an Italian and his wife. The park that has come to take the place of the slum will curtail the undertaker's profits, as it has lessened the work of the police. Murder was the fashion of the day that is past. Scarce a knife has been drawn since the sunlight shone into that evil spot, and grass and green shrubs took the place of the old rookeries. The Christmas gospel of peace and good-will moves in where the slum moves out. It never had a chance before.
The children follow the organ, stepping in the slush to the music, bareheaded and with torn shoes, but happy; across the Five Points and through "the Bay,"—known to the directory as Baxter Street,—to "the Divide," still Chatham Street to its denizens, though the aldermen have rechristened it Park Row. There other delegations of Greek and Italian children meet and escort the music on its homeward trip. In one of the crooked streets near the river its journey comes to an end. A battered door opens to let it in. A tallow dip burns sleepily on the creaking stairs. The water runs with a loud clatter in the sink: it is to keep it from freezing. There is not a whole window pane in the hall. Time was when this was a fine house harboring wealth and refinement. It has neither now. In the old parlor downstairs a knot of hard-faced men and women sit on benches about a deal table, playing cards. They have a jug between them, from which they drink by turns. On the stump of a mantel-shelf a lamp burns before a rude print of the Mother of God. No one pays any heed to the hand-organ man and his wife as they climb to their attic. There is a colony of them up there—three families in four rooms.
"Come in, Antonio," says the tenant of the double flat,—the one with two rooms,—"come and keep Christmas." Antonio enters, cap in hand. In the corner by the dormer-window a "crib" has been fitted up in commemoration of the Nativity. A soap-box and two hemlock branches are the elements. Six tallow candles and a night-light illuminate a singular collection of rarities, set out with much ceremonial show. A doll tightly wrapped in swaddling-clothes represents "the Child." Over it stands a ferocious-looking beast, easily recognized as a survival of the last political campaign,—the Tammany tiger,—threatening to swallow it at a gulp if one as much as takes one's eyes off it. A miniature Santa Claus, a pasteboard monkey, and several other articles of bric-a-brac of the kind the tenement affords, complete the outfit. The background is a picture of St. Donato, their village saint, with the Madonna "whom they worship most." But the incongruity harbors no suggestion of disrespect. The children view the strange show with genuine reverence, bowing and crossing themselves before it. There are five, the oldest a girl of seventeen, who works for a sweater, making three dollars a week. It is all the money that comes in, for the father has been sick and unable to work eight months and the mother has her hands full: the youngest is a baby in arms. Three of the children go to a charity school, where they are fed, a great help, now the holidays have come to make work slack for sister. The rent is six dollars—two weeks' pay out of the four. The mention of a possible chance of light work for the man brings the daughter with her sewing from the adjoining room, eager to hear. That would be Christmas indeed! "Pietro!" She runs to the neighbors to communicate the joyful tidings. Pietro comes, with his new-born baby, which he is tending while his wife lies ill, to look at the maestro, so powerful and good. He also has been out of work for months, with a family of mouths to fill, and nothing coming in. His children are all small yet, but they speak English.
"What," I say, holding a silver dime up before the oldest, a smart little chap of seven—"what would you do if I gave you this?"
"Get change," he replies promptly. When he is told that it is his own, to buy toys with, his eyes open wide with wondering incredulity. By degrees he understands. The father does not. He looks questioningly from one to the other. When told, his respect increases visibly for "the rich gentleman."
They were villagers of the same community in southern Italy, these people and others in the tenements thereabouts, and they moved their patron saint with them. They cluster about his worship here, but the worship is more than an empty form. He typifies to them the old neighborliness of home, the spirit of mutual help, of charity, and of the common cause against the common enemy. The community life survives through their saint in the far city to an unsuspected extent. The sick are cared for; the dreaded hospital is fenced out. There are no Italian evictions. The saint has paid the rent of this attic through two hard months; and here at his shrine the Calabrian village gathers, in the persons of these three, to do him honor on Christmas eve.
Where the old Africa has been made over into a modern Italy, since King Humbert's cohorts struck the up-town trail, three hundred of the little foreigners are having an uproarious time over their Christmas tree in the Children's Aid Society's school. And well they may, for the like has not been seen in Sullivan Street in this generation. Christmas trees are rather rarer over here than on the East Side, where the German leavens the lump with his loyalty to home traditions. This is loaded with silver and gold and toys without end, until there is little left of the original green. Santa Claus's sleigh must have been upset in a snow-drift over here, and righted by throwing the cargo overboard, for there is at least a wagon-load of things that can find no room on the tree. The appearance of "teacher" with a double armful of curly-headed dolls in red, yellow, and green Mother-Hubbards, doubtful how to dispose of them, provokes a shout of approval, which is presently quieted by the principal's bell. School is "in" for the preliminary exercises. Afterward there are to be the tree and ice-cream for the good children. In their anxiety to prove their title clear, they sit so straight, with arms folded, that the whole row bends over backward. The lesson is brief, the answers to the point.