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A Drama on the Seashore

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"Women alone know how to render such impressions," I said. "You would be the despair of a poet, dear soul that I divine so well!"

"The extreme heat of mid-day casts into those three expressions of the infinite an all-powerful color," said Pauline, smiling. "I can here conceive the poesy and the passion of the East."

"And I can perceive its despair."

"Yes," she said, "this dune is a cloister, – a sublime cloister."

We now heard the hurried steps of our guide; he had put on his Sunday clothes. We addressed a few ordinary words to him; he seemed to think that our mood had changed, and with that reserve that comes of misery, he kept silence. Though from time to time we pressed each other's hands that we might feel the mutual flow of our ideas and impressions, we walked along for half an hour in silence, either because we were oppressed by the heat which rose in waves from the burning sands, or because the difficulty of walking absorbed our attention. Like children, we held each other's hands; in fact, we could hardly have made a dozen steps had we walked arm in arm. The path which led to Batz was not so much as traced. A gust of wind was enough to efface all tracks left by the hoofs of horses or the wheels of carts; but the practised eye of our guide could recognize by scraps of mud or the dung of cattle the road that crossed that desert, now descending towards the sea, then rising landward according to either the fall of the ground or the necessity of rounding some breastwork of rock. By mid-day, we were only half way.

"We will stop to rest over there," I said, pointing to a promontory of rocks sufficiently high to make it probable we should find a grotto.

The fisherman, who heard me and saw the direction in which I pointed, shook his head, and said, —

"Some one is there. All those who come from the village of Batz to Croisic, or from Croisic to Batz, go round that place; they never pass it."

These words were said in a low voice, and seemed to indicate a mystery.

"Who is he, – a robber, a murderer?"

Our guide answered only by drawing a deep breath, which redoubled our curiosity.

"But if we pass that way, would any harm happen to us?"

"Oh, no!"

"Will you go with us?"

"No, monsieur."

"We will go, if you assure us there is no danger."

"I do not say so," replied the fisherman, hastily. "I only say that he who is there will say nothing to you, and do you no harm. He never so much as moves from his place."

"Who is it?"

"A man."

Never were two syllables pronounced in so tragic a manner. At this moment we were about fifty feet from the rocky eminence, which extended a long reef into the sea. Our guide took a path which led him round the base of the rock. We ourselves continued our way over it; but Pauline took my arm. Our guide hastened his steps in order to meet us on the other side, where the two paths came together again.

This circumstance excited our curiosity, which soon became so keen that our hearts were beating as if with a sense of fear. In spite of the heat of the day, and the fatigue caused by toiling through the sand, our souls were still surrendered to the softness unspeakable of our exquisite ecstasy. They were filled with that pure pleasure which cannot be described unless we liken it to the joy of listening to enchanting music, Mozart's "Audiamo mio ben," for instance. When two pure sentiments blend together, what is that but two sweet voices singing? To be able to appreciate properly the emotion that held us, it would be necessary to share the state of half sensuous delight into which the events of the morning had plunged us. Admire for a long time some pretty dove with iridescent colors, perched on a swaying branch above a spring, and you will give a cry of pain when you see a hawk swooping down upon her, driving its steel claws into her breast, and bearing her away with murderous rapidity. When we had advanced a step or two into an open space which lay before what seemed to be a grotto, a sort of esplanade placed a hundred feet above the ocean, and protected from its fury by buttresses of rock, we suddenly experienced an electrical shudder, something resembling the shock of a sudden noise awaking us in the dead of night.

We saw, sitting on a vast granite boulder, a man who looked at us. His glance, like that of the flash of a cannon, came from two bloodshot eyes, and his stoical immobility could be compared only to the immutable granite masses that surrounded him. His eyes moved slowly, his body remaining rigid as though he were petrified. Then, having cast upon us that look which struck us like a blow, he turned his eyes once more to the limitless ocean, and gazed upon it, in spite of its dazzling light, as eagles gaze at the sun, without lowering his eyelids. Try to remember, dear uncle, one of those old oaks, whose knotty trunks, from which the branches have been lopped, rise with weird power in some lonely place, and you will have an image of this man. Here was a ruined Herculean frame, the face of an Olympian Jove, destroyed by age, by hard sea toil, by grief, by common food, and blackened as it were by lightning. Looking at his hard and hairy hands, I saw that the sinews stood out like cords of iron. Everything about him denoted strength of constitution. I noticed in a corner of the grotto a quantity of moss, and on a sort of ledge carved by nature on the granite, a loaf of bread, which covered the mouth of an earthenware jug. Never had my imagination, when it carried me to the deserts where early Christian anchorites spent their lives, depicted to my mind a form more grandly religious nor more horribly repentant than that of this man. You, who have a life-long experience of the confessional, dear uncle, you may never, perhaps, have seen so awful a remorse, – remorse sunk in the waves of prayer, the ceaseless supplication of a mute despair. This fisherman, this mariner, this hard, coarse Breton, was sublime through some hidden emotion. Had those eyes wept? That hand, moulded for an unwrought statue, had it struck? That ragged brow, where savage honor was imprinted, and on which strength had left vestiges of the gentleness which is an attribute of all true strength, that forehead furrowed with wrinkles, was it in harmony with the heart within? Why was this man in the granite? Why was the granite in the man? Which was the man, which was the granite? A world of fancies came into our minds. As our guide had prophesied, we passed in silence, rapidly; when he met us he saw our emotion of mingled terror and astonishment, but he made no boast of the truth of his prediction; he merely said, —

"You have seen him."

"Who is that man?"

"They call him the Man of the Vow."

You can imagine the movement with which our two heads turned at once to our guide. He was a simple-hearted fellow; he understood at once our mute inquiry, and here follows what he told us; I shall try to give it as best I can in his own language, retaining his popular parlance.

"Madame, folks from Croisic and those from Batz think this man is guilty of something, and is doing a penance ordered by a famous rector to whom he confessed his sin somewhere beyond Nantes. Others think that Cambremer, that's his name, casts an evil fate on those who come within his air, and so they always look which way the wind is before they pass this rock. If it's nor'-westerly they wouldn't go by, no, not if their errand was to get a bit of the true cross; they'd go back, frightened. Others – they are the rich folks of Croisic – they say that Cambremer has made a vow, and that's why people call him the Man of the Vow. He is there night and day, he never leaves the place. All these sayings have some truth in them. See there," he continued, turning round to show us a thing we had not remarked, "look at that wooden cross he has set up there, to the left, to show that he has put himself under the protection of God and the holy Virgin and the saints. But the fear that people have of him keeps him as safe as if he were guarded by a troop of soldiers. He has never said one word since he locked himself up in the open air in this way; he lives on bread and water, which is brought to him every morning by his brother's daughter, a little lass about twelve years old to whom he has left his property, a pretty creature, gentle as a lamb, a nice little girl, so pleasant. She has such blue eyes, long as that," he added, marking a line on his thumb, "and hair like the cherubim. When you ask her: 'Tell me, Perotte' (That's how we say Pierette in these parts," he remarked, interrupting himself; "she is vowed to Saint Pierre; Cambremer is named Pierre, and he was her godfather) – 'Tell me, Perotte, what does your uncle say to you?' – 'He says nothing to me, nothing.' – 'Well, then, what does he do to you?' 'He kisses me on the forehead, Sundays.' – 'Are you afraid of him?' – 'Ah, no, no; isn't he my godfather? he wouldn't have anybody but me bring him his food.' Perotte declares that he smiles when she comes; but you might as well say the sun shines in a fog; he's as gloomy as a cloudy day."