Buch lesen: «Joe Wilson and His Mates»

Schriftart:

Titel: Joe Wilson and His Mates

von Scott Hemphill, L. M. Montgomery, L. Frank Baum, John Milton, René Descartes, Baroness Emmuska Orczy Orczy, Karl Marx, Friedrich Engels, Edgar Rice Burroughs, Unknown, Norman F. Joly, Norman Coombs, David Slowinski, Mark Twain, Henry David Thoreau, Stephen Crane, John Goodwin, Nathaniel Hawthorne, Winn Schwartau, Odd De Presno, Sir Walter Scott, Jules Verne, Mary Wollstonecraft Shelley, United States. Central Intelligence Agency, United States, Canada, Willa Sibert Cather, Anthony Hope, Edwin Abbott Abbott, Charles Dickens, Frederick Douglass, William Shakespeare, Bruce Sterling, Franklin Delano Roosevelt, Jane Austen, Thomas Hardy, Sir Arthur Conan Doyle, Edna St. Vincent Millay, Gene Stratton-Porter, Richard McGowan, Frances Hodgson Burnett, United States. Bureau of the Census, Electronic Frontier Foundation, Robert Louis Stevenson, Anonymous, Jerry Bonnell, Robert Nemiroff, Andrew Lang, G. K. Chesterton, John Bunyan, Sunzi 6th cent. B.C., Harold Frederic, Mary Wollstonecraft, Victor Hugo, René Doumic, Upton Sinclair, Virginia Woolf, George Eliot, Thomas Paine, Benjamin Franklin, Plato, Samuel Taylor Coleridge, Ruth M. Sprague, William Dean Howells, Wilkie Collins, Jean Webster, H. G. Wells, Kate Chopin, Mark Eliot Laxer, Louisa May Alcott, Frank Norris, Edith Wharton, S. D. Humphrey, Henry Hunt Snelling, William Morris, Mrs. Susanna Rowson, Christopher Morley, Sax Rohmer, Oscar Wilde, Gaston Leroux, Henry James, Project Gutenberg, Harriet Beecher Stowe, Various, Robert W. Service, A. B. Paterson, Henry Lawson, Jack London, Laozi, D. H. Lawrence, Julius Caesar, Joseph Conrad, W. Somerset Maugham, George MacDonald, Marcus Tullius Cicero, Virgil, Theodore Dreiser, Giuseppe Salza, Rudyard Kipling, ca. 50 BCE-16 BCE Sextus Propertius, Robert A. Harris, William Wells Brown, graf Leo Tolstoy, Omar Khayyám, Michael Hart, Library of Congress. Copyright Office, Coalition for Networked Information, Geoffrey Chaucer, Adam Lindsay Gordon, Hiram Corson, Robert Browning, Amy Lowell, Rupert Brooke, Joyce Kilmer, John Gower, Saki, Kenneth Grahame, Anna Sewell, Martin Luther, Philipp Melanchthon, National Atomic Museum, Alexander William Kinglake, Charles John Cutcliffe Wright Hyne, Amelia Edith Huddleston Barr, James Branch Cabell, Bayard Taylor, Horatio Alger, Booth Tarkington, Hjalmar Hjorth Boyesen, Michael Husted, Émile Gaboriau, Jerome K. Jerome, Stephen Vincent Benét, Edwin Arlington Robinson, J. Frank Dobie, Joseph Rodman Drake, Eliot Gregory, John Fox, John Muir, Richard Harding Davis, Edgar A. Guest, Mary Roberts Rinehart, Thomas Nelson Page, Sir Walter Alexander Raleigh, Rebecca Harding Davis, Charles Alexander Eastman, Zitkala-Sa, Marie L. McLaughlin, J. M. Barrie, Bram Stoker, Hesiod, Edna Ferber, John McCrae, Anna Howard Shaw, Elizabeth Garver Jordan, Frances Jenkins Olcott, P.-J. Proudhon, Eleanor H. Porter, Mary Hunter Austin, Sarah Orne Jewett, Russell Herman Conwell, Daniel Defoe, Henry Benjamin Wheatley, Ambrose Bierce, Nettie Garmer Barker, Martí Joan de Galba, Joanot Martorell, Oliver Goldsmith, Zane Grey, Winston Churchill, Arthur Machen, L. Cranmer-Byng, Torquato Tasso, H. De Vere Stacpoole, Elizabeth Cleghorn Gaskell, Frank Richard Stockton, Rutherford Hayes Platt, Sara Teasdale, Samuel Smiles, W. E. B. Du Bois, Phillis Wheatley, Elbert Hubbard, Richard Jefferies, George Henry Borrow, Sherwood Anderson, Vachel Lindsay, David Graham Phillips, Harry Houdini, Eugene Field, Gustave Le Bon, Henry Brodribb Irving, William Healy, Mary Tenney Healy, Charles Godfrey Leland, Ralph Parlette, Don Marquis, Richard Le Gallienne, Stewart Edward White, Andrew Steinmetz, Madame de La Fayette, Abbé Prévost, Honoré de Balzac, Charles W. Chesnutt, Sara Cone Bryant, William Booth, James Nasmyth, Enrico Ferri, Joe Hutsko, Miriam Michelson, Oliver Optic, Victor MacClure, Calamity Jane, Gertrude Franklin Horn Atherton, Dinah Maria Mulock Craik, Henry J. Coke, Kate Douglas Smith Wiggin, Victor [pseud.] Appleton, Carlo Collodi, Hugh Lofting, John Philip Sousa, Andrew Dickson White, Joseph Sheridan Le Fanu, Isaac Taylor Headland, Amy Steedman, B. M. Bower, William Tuckwell, Clarence Edgar Johnson, Sinclair Lewis, Rex Stout, Carl R. Maag, Steve Rohrer, Mariano Azuela, Royall Tyler, John Buchan, Ross Kay, J. L. Kennon, Eros Urides, Friedrich Schiller, William Cowper Brann, Adelaide L. Fries, Beatrix Potter, Mary Lamb, Charles Lamb, William Blake, Francis Bacon, Samuel Johnson, Tadashi Nakashima, Sidney Lanier, Edward Jenkins, Harriet E. Wilson, Ellen Craft, William Craft, Sir Thomas Browne, Alexander H. Japp, Guy de Maupassant, Thomas Bailey Aldrich, Snorri Sturluson, William Makepeace Thackeray, Fyodor Dostoyevsky, M. G. Lewis, Lucan, Edwin Lester Linden Arnold, Frank Bird Linderman, Tingfang Wu, Baron Alfred Tennyson Tennyson, Japan, Lodovico Ariosto, Alan Seeger, Anthony Trollope, Lewis Carroll, William James, Jonathan Swift, Edward Bellamy, Richard de Bury, Charles Mackay, Eliza Burt Gamble, R. M. Ballantyne, Fanny Van de Grift Stevenson, Mrs. Sutherland Orr, William Sharp, 4th century Smyrnaeus Quintus, Noah Webster, Russ Walter, Plutarch, Charles Kingsley, Frances Ellen Watkins Harper, Sarojini Naidu, Maksim Gorky, Greg Fee, Izaak Walton, U.S. Arms Control and Disarmament Agency, United States. Army. Corps of Engineers. Manhattan District, European Union, Alice Moore Dunbar-Nelson, Bertrand Russell, James Whitcomb Riley, S. Weir Mitchell, Horace Walpole, John Ruskin, Martha Young, Richard Lovelace, Henry Van Dyke, Michael Fairless, E. W. Hornung, Henry Rider Haggard, Edward Sylvester Ellis, Laura Lee Hope, Lafcadio Hearn, William Ernest Henley, John Clark Ridpath, G. Mercer Adam, Charles Keyser Edmunds, John A. Carpenter, Steven Levy, Edward Gibbon, Henry Clay, John C. Calhoun, Thomas Hart Benton, Arthur Brisbane, William Godwin, Walter L. Pyle, George M. Gould, Dornford Yates, Saint John of Damascus, Oliver Wendell Holmes, Hendrik Willem Van Loon, Isabella L. Bird, J. A. Munk, Sir W. S. Gilbert, Sir Max Beerbohm, George Whale, Edmund Day, Marion Mills Miller, John Murray, Mary Mapes Dodge, Abraham Merritt, Anne Brontë, Emily Brontë, Kakuzo Okakura, E. Nesbit, Charlotte Brontë, William J. Claxton, Christopher Marlowe, Sir John Mandeville, Jos. E. Badger, Titus Lucretius Carus, Charles Brockden Brown, Frederick Arthur Ambrose Talbot, Stendhal, Laurence Sterne, F. Scott Fitzgerald, Sophocles, Sir Arthur Sullivan, Graf Ilia Lvovich Tolstoi, Alexis de Tocqueville, H. Barber, Herbert Newton Casson, Frank Lewis Dyer, Thomas Commerford Martin, Frank Tymon, ca. 3rd cent. B.C. Apollonius Rhodius, 12th cent. de Troyes Chrétien, J. Walker McSpadden, Thorstein Veblen, R. D. Blackmore, William Gilmore Simms, Henry Timrod, M. L. Weems, Baron Thomas Babington Macaulay Macaulay, Francis Hopkinson Smith, Mary White Rowlandson, John Dewey, Margaret Mayo, John Mackenzie Bacon, Owen Wister, Agatha Christie, Epictetus, Evelyn Charles Vivian, W. Lockwood Marsh, Washington Irving, John Greenleaf Whittier, James Russell Lowell, Elizabeth Stoddard, Lady Lucie Duff Gordon, Princess Der Ling, John Quincy Adams, F. Marion, Bayard Veiller, Marvin Hill Dana, Octave Chanute, William James Jackman, Thomas Herbert Russell, Bernard Shaw, John Filson, Mikhail Yurevich Lermontov, Alice Isabel Hazeltine, Benedictus de Spinoza, William Dobein James, United States. Presidents., Gustavus Hindman Miller, St. Jude, R. U. Sirius, Mrs. W. G. Waters, Edgar Allan Poe, Abram Joseph Ryan, James Fenimore Cooper, W. H. Hudson, Charles Darwin, Marcet Haldeman-Julius, E. Haldeman-Julius, Robert Southey, Henry Kendall, Howard Pyle, Alexandre Dumas père, Thomas Love Peacock, Cal Stewart, Mary Eleanor Wilkins Freeman, John Munro, Edward Lear, Ellen Key, Thomas Wentworth Higginson, J. M. Synge, Miguel de Cervantes Saavedra, Dante Alighieri, Francis Parkman, Lloyd Osbourne, Graf von Benjamin Rumford, George Grossmith, Weedon Grossmith, Wilfred Owen

ISBN 978-3-7429-0984-8

Alle Rechte vorbehalten.

Es ist ohne vorherige schriftliche Erlaubnis nicht gestattet, dieses Werk im Ganzen oder in Teilen zu vervielfältigen oder zu veröffentlichen.

JOE WILSON AND HIS MATES

by Henry Lawson

Transcriber's Note: This etext was entered twice (manually) and electronically compared, by Alan R. Light This method assures a low rate of errors in the text—often lower than in the original. Special thanks go to Gary M. Johnson, of Takoma Park, Maryland, for his assistance in procuring a copy of the original text, and to the readers of soc.culture.australian and rec.arts.books (USENET newsgroups) for their help in preparing the glossary. Italicized words or phrases are capitalized. Some obvious errors may have been corrected.

An incomplete glossary of Australian, British, or antique terms and concepts which may prove helpful to understanding this book:

"A house where they took in cards on a tray" (from Joe Wilson's Courtship): An upper class house, with servants who would take a visitor's card (on a tray) to announce their presence, or, if the family was out, to keep a record of the visit.

Anniversary Day: Mentioned in the text, is now known as Australia Day. It commemorates the establishment of the first English settlement in Australia, at Port Jackson (Sydney Harbour), on 26 January 1788.

Gin: An obvious abbreviation of "aborigine", it only refers to *female* aborigines, and is now considered derogatory. It was not considered derogatory at the time Lawson wrote.

Jackaroo: At the time Lawson wrote, a Jackaroo was a "new chum" or newcomer to Australia, who sought work on a station to gain experience. The term now applies to any young man working as a station hand. A female station hand is a Jillaroo. Variant: Jackeroo.

Old-fashioned child: A child that acts old for their age. Americans would say 'Precocious'.

'Possum: In Australia, a class of marsupials that were originally mistaken for possums. They are not especially related to the possums of North and South America, other than both being marsupials.

Public/Pub.: The traditional pub. in Australia was a hotel with a "public" bar—hence the name. The modern pub has often (not always) dispensed with the lodging, and concentrated on the bar.

Tea: In addition to the regular meaning, Tea can also mean a light snack or a meal (i.e., where Tea is served). In particular, Morning Tea (about 10 AM) and Afternoon Tea (about 3 PM) are nothing more than a snack, but Evening Tea (about 6 PM) is a meal. When just "Tea" is used, it usually means the evening meal. Variant: Tea-time.

Tucker: Food.

Shout: In addition to the regular meaning, it also refers to buying drinks for all the members of a group, etc. The use of this term can be confusing, so the first instance is footnoted in the text.

Sly-grog-shop: An unlicensed bar or liquor-store.

Station: A farm or ranch, especially one devoted to cattle or sheep.

Store Bullock: Lawson makes several references to these. A bullock is a castrated bull. Bullocks were used in Australia for work that was too heavy for horses. 'Store' may refer to those cattle, and their descendants, brought to Australia by the British government, and sold to settlers from the 'Store'—hence, the standard draft animal.

Also: a hint with the seasons—remember that the seasons are reversed from those in the northern hemisphere, hence June may be hot, but December is even hotter. Australia is at a lower latitude than the United States, so the winters are not harsh by US standards, and are not even mild in the north. In fact, large parts of Australia are governed more by "dry" versus "wet" than by Spring-Summer-Fall-Winter.

—A. L.

JOE WILSON AND HIS MATES

Author of "While the Billy Boils", "On the Track and Over the Sliprails", "When the World was Wide, and other verses", "Verses, Popular and Humorous", "Children of the Bush", "When I was King, and other verses", etc.

The Author's Farewell to the Bushmen.

Contents


JOE WILSON AND HIS MATES The Author's Farewell to the Bushmen. Part I. Joe Wilson's Courtship. Brighten's Sister-In-Law. 'Water Them Geraniums'. I. A Lonely Track. II. 'Past Carin''. A Double Buggy at Lahey's Creek. I. Spuds, and a Woman's Obstinacy. II. Joe Wilson's Luck. III. The Ghost of Mary's Sacrifice. IV. The Buggy Comes Home. The Writer Wants to Say a Word. Part II. The Golden Graveyard. The Chinaman's Ghost. The Loaded Dog. Poisonous Jimmy Gets Left. I. Dave Regan's Yarn. II. Told by One of the Other Drovers. The Ghostly Door. A Wild Irishman. The Babies in the Bush. A Bush Dance. The Buck-Jumper. Jimmy Grimshaw's Wooing. At Dead Dingo. Telling Mrs Baker. A Hero in Dingo-Scrubs. The Little World Left Behind. The Never-Never Country.

Part I.

Joe Wilson's Courtship.

There are many times in this world when a healthy boy is happy. When he is put into knickerbockers, for instance, and 'comes a man to-day,' as my little Jim used to say. When they're cooking something at home that he likes. When the 'sandy-blight' or measles breaks out amongst the children, or the teacher or his wife falls dangerously ill—or dies, it doesn't matter which—'and there ain't no school.' When a boy is naked and in his natural state for a warm climate like Australia, with three or four of his schoolmates, under the shade of the creek-oaks in the bend where there's a good clear pool with a sandy bottom. When his father buys him a gun, and he starts out after kangaroos or 'possums. When he gets a horse, saddle, and bridle, of his own. When he has his arm in splints or a stitch in his head—he's proud then, the proudest boy in the district.

I wasn't a healthy-minded, average boy: I reckon I was born for a poet by mistake, and grew up to be a Bushman, and didn't know what was the matter with me—or the world—but that's got nothing to do with it.

There are times when a man is happy. When he finds out that the girl loves him. When he's just married. When he's a lawful father for the first time, and everything is going on all right: some men make fools of themselves then—I know I did. I'm happy to-night because I'm out of debt and can see clear ahead, and because I haven't been easy for a long time.

But I think that the happiest time in a man's life is when he's courting a girl and finds out for sure that she loves him and hasn't a thought for any one else. Make the most of your courting days, you young chaps, and keep them clean, for they're about the only days when there's a chance of poetry and beauty coming into this life. Make the best of them and you'll never regret it the longest day you live. They're the days that the wife will look back to, anyway, in the brightest of times as well as in the blackest, and there shouldn't be anything in those days that might hurt her when she looks back. Make the most of your courting days, you young chaps, for they will never come again.

A married man knows all about it—after a while: he sees the woman world through the eyes of his wife; he knows what an extra moment's pressure of the hand means, and, if he has had a hard life, and is inclined to be cynical, the knowledge does him no good. It leads him into awful messes sometimes, for a married man, if he's inclined that way, has three times the chance with a woman that a single man has—because the married man knows. He is privileged; he can guess pretty closely what a woman means when she says something else; he knows just how far he can go; he can go farther in five minutes towards coming to the point with a woman than an innocent young man dares go in three weeks. Above all, the married man is more decided with women; he takes them and things for granted. In short he is—well, he is a married man. And, when he knows all this, how much better or happier is he for it? Mark Twain says that he lost all the beauty of the river when he saw it with a pilot's eye,—and there you have it.

But it's all new to a young chap, provided he hasn't been a young blackguard. It's all wonderful, new, and strange to him. He's a different man. He finds that he never knew anything about women. He sees none of woman's little ways and tricks in his girl. He is in heaven one day and down near the other place the next; and that's the sort of thing that makes life interesting. He takes his new world for granted. And, when she says she'll be his wife——!

Make the most of your courting days, you young chaps, for they've got a lot of influence on your married life afterwards—a lot more than you'd think. Make the best of them, for they'll never come any more, unless we do our courting over again in another world. If we do, I'll make the most of mine.

But, looking back, I didn't do so badly after all. I never told you about the days I courted Mary. The more I look back the more I come to think that I made the most of them, and if I had no more to regret in married life than I have in my courting days, I wouldn't walk to and fro in the room, or up and down the yard in the dark sometimes, or lie awake some nights thinking.... Ah well!

I was between twenty-one and thirty then: birthdays had never been any use to me, and I'd left off counting them. You don't take much stock in birthdays in the Bush. I'd knocked about the country for a few years, shearing and fencing and droving a little, and wasting my life without getting anything for it. I drank now and then, and made a fool of myself. I was reckoned 'wild'; but I only drank because I felt less sensitive, and the world seemed a lot saner and better and kinder when I had a few drinks: I loved my fellow-man then and felt nearer to him. It's better to be thought 'wild' than to be considered eccentric or ratty. Now, my old mate, Jack Barnes, drank—as far as I could see—first because he'd inherited the gambling habit from his father along with his father's luck: he'd the habit of being cheated and losing very bad, and when he lost he drank. Till drink got a hold on him. Jack was sentimental too, but in a different way. I was sentimental about other people—more fool I!—whereas Jack was sentimental about himself. Before he was married, and when he was recovering from a spree, he'd write rhymes about 'Only a boy, drunk by the roadside', and that sort of thing; and he'd call 'em poetry, and talk about signing them and sending them to the 'Town and Country Journal'. But he generally tore them up when he got better. The Bush is breeding a race of poets, and I don't know what the country will come to in the end.

Well. It was after Jack and I had been out shearing at Beenaway shed in the Big Scrubs. Jack was living in the little farming town of Solong, and I was hanging round. Black, the squatter, wanted some fencing done and a new stable built, or buggy and harness-house, at his place at Haviland, a few miles out of Solong. Jack and I were good Bush carpenters, so we took the job to keep us going till something else turned up. 'Better than doing nothing,' said Jack.

'There's a nice little girl in service at Black's,' he said. 'She's more like an adopted daughter, in fact, than a servant. She's a real good little girl, and good-looking into the bargain. I hear that young Black is sweet on her, but they say she won't have anything to do with him. I know a lot of chaps that have tried for her, but they've never had any luck. She's a regular little dumpling, and I like dumplings. They call her 'Possum. You ought to try a bear up in that direction, Joe.'

I was always shy with women—except perhaps some that I should have fought shy of; but Jack wasn't—he was afraid of no woman, good, bad, or indifferent. I haven't time to explain why, but somehow, whenever a girl took any notice of me I took it for granted that she was only playing with me, and felt nasty about it. I made one or two mistakes, but—ah well!

'My wife knows little 'Possum,' said Jack. 'I'll get her to ask her out to our place and let you know.'

I reckoned that he wouldn't get me there then, and made a note to be on the watch for tricks. I had a hopeless little love-story behind me, of course. I suppose most married men can look back to their lost love; few marry the first flame. Many a married man looks back and thinks it was damned lucky that he didn't get the girl he couldn't have. Jack had been my successful rival, only he didn't know it—I don't think his wife knew it either. I used to think her the prettiest and sweetest little girl in the district.

But Jack was mighty keen on fixing me up with the little girl at Haviland. He seemed to take it for granted that I was going to fall in love with her at first sight. He took too many things for granted as far as I was concerned, and got me into awful tangles sometimes.

'You let me alone, and I'll fix you up, Joe,' he said, as we rode up to the station. 'I'll make it all right with the girl. You're rather a good-looking chap. You've got the sort of eyes that take with girls, only you don't know it; you haven't got the go. If I had your eyes along with my other attractions, I'd be in trouble on account of a woman about once a-week.'

'For God's sake shut up, Jack,' I said.

Do you remember the first glimpse you got of your wife? Perhaps not in England, where so many couples grow up together from childhood; but it's different in Australia, where you may hail from two thousand miles away from where your wife was born, and yet she may be a countrywoman of yours, and a countrywoman in ideas and politics too. I remember the first glimpse I got of Mary.

It was a two-storey brick house with wide balconies and verandahs all round, and a double row of pines down to the front gate. Parallel at the back was an old slab-and-shingle place, one room deep and about eight rooms long, with a row of skillions at the back: the place was used for kitchen, laundry, servants' rooms, &c. This was the old homestead before the new house was built. There was a wide, old-fashioned, brick-floored verandah in front, with an open end; there was ivy climbing up the verandah post on one side and a baby-rose on the other, and a grape-vine near the chimney. We rode up to the end of the verandah, and Jack called to see if there was any one at home, and Mary came trotting out; so it was in the frame of vines that I first saw her.

More than once since then I've had a fancy to wonder whether the rose-bush killed the grape-vine or the ivy smothered 'em both in the end. I used to have a vague idea of riding that way some day to see. You do get strange fancies at odd times.

Jack asked her if the boss was in. He did all the talking. I saw a little girl, rather plump, with a complexion like a New England or Blue Mountain girl, or a girl from Tasmania or from Gippsland in Victoria. Red and white girls were very scarce in the Solong district. She had the biggest and brightest eyes I'd seen round there, dark hazel eyes, as I found out afterwards, and bright as a 'possum's. No wonder they called her ''Possum'. I forgot at once that Mrs Jack Barnes was the prettiest girl in the district. I felt a sort of comfortable satisfaction in the fact that I was on horseback: most Bushmen look better on horseback. It was a black filly, a fresh young thing, and she seemed as shy of girls as I was myself. I noticed Mary glanced in my direction once or twice to see if she knew me; but, when she looked, the filly took all my attention. Mary trotted in to tell old Black he was wanted, and after Jack had seen him, and arranged to start work next day, we started back to Solong.

I expected Jack to ask me what I thought of Mary—but he didn't. He squinted at me sideways once or twice and didn't say anything for a long time, and then he started talking of other things. I began to feel wild at him. He seemed so damnably satisfied with the way things were going. He seemed to reckon that I was a gone case now; but, as he didn't say so, I had no way of getting at him. I felt sure he'd go home and tell his wife that Joe Wilson was properly gone on little 'Possum at Haviland. That was all Jack's way.

Next morning we started to work. We were to build the buggy-house at the back near the end of the old house, but first we had to take down a rotten old place that might have been the original hut in the Bush before the old house was built. There was a window in it, opposite the laundry window in the old place, and the first thing I did was to take out the sash. I'd noticed Jack yarning with 'Possum before he started work. While I was at work at the window he called me round to the other end of the hut to help him lift a grindstone out of the way; and when we'd done it, he took the tips of my ear between his fingers and thumb and stretched it and whispered into it—

'Don't hurry with that window, Joe; the strips are hardwood and hard to get off—you'll have to take the sash out very carefully so as not to break the glass.' Then he stretched my ear a little more and put his mouth closer—

'Make a looking-glass of that window, Joe,' he said.

I was used to Jack, and when I went back to the window I started to puzzle out what he meant, and presently I saw it by chance.

That window reflected the laundry window: the room was dark inside and there was a good clear reflection; and presently I saw Mary come to the laundry window and stand with her hands behind her back, thoughtfully watching me. The laundry window had an old-fashioned hinged sash, and I like that sort of window—there's more romance about it, I think. There was thick dark-green ivy all round the window, and Mary looked prettier than a picture. I squared up my shoulders and put my heels together and put as much style as I could into the work. I couldn't have turned round to save my life.

Presently Jack came round, and Mary disappeared.

'Well?' he whispered.

'You're a fool, Jack,' I said. 'She's only interested in the old house being pulled down.'

'That's all right,' he said. 'I've been keeping an eye on the business round the corner, and she ain't interested when I'M round this end.'

'You seem mighty interested in the business,' I said.

'Yes,' said Jack. 'This sort of thing just suits a man of my rank in times of peace.'

'What made you think of the window?' I asked.

'Oh, that's as simple as striking matches. I'm up to all those dodges. Why, where there wasn't a window, I've fixed up a piece of looking-glass to see if a girl was taking any notice of me when she thought I wasn't looking.'

He went away, and presently Mary was at the window again, and this time she had a tray with cups of tea and a plate of cake and bread-and-butter. I was prizing off the strips that held the sash, very carefully, and my heart suddenly commenced to gallop, without any reference to me. I'd never felt like that before, except once or twice. It was just as if I'd swallowed some clockwork arrangement, unconsciously, and it had started to go, without warning. I reckon it was all on account of that blarsted Jack working me up. He had a quiet way of working you up to a thing, that made you want to hit him sometimes—after you'd made an ass of yourself.

I didn't hear Mary at first. I hoped Jack would come round and help me out of the fix, but he didn't.

'Mr—Mr Wilson!' said Mary. She had a sweet voice.

I turned round.

'I thought you and Mr Barnes might like a cup of tea.'

'Oh, thank you!' I said, and I made a dive for the window, as if hurry would help it. I trod on an old cask-hoop; it sprang up and dinted my shin and I stumbled—and that didn't help matters much.

'Oh! did you hurt yourself, Mr Wilson?' cried Mary.

'Hurt myself! Oh no, not at all, thank you,' I blurted out. 'It takes more than that to hurt me.'

I was about the reddest shy lanky fool of a Bushman that was ever taken at a disadvantage on foot, and when I took the tray my hands shook so that a lot of the tea was spilt into the saucers. I embarrassed her too, like the damned fool I was, till she must have been as red as I was, and it's a wonder we didn't spill the whole lot between us. I got away from the window in as much of a hurry as if Jack had cut his leg with a chisel and fainted, and I was running with whisky for him. I blundered round to where he was, feeling like a man feels when he's just made an ass of himself in public. The memory of that sort of thing hurts you worse and makes you jerk your head more impatiently than the thought of a past crime would, I think.

€0,99

Genres und Tags

Altersbeschränkung:
0+
Veröffentlichungsdatum auf Litres:
25 Mai 2021
Umfang:
280 S. 1 Illustration
ISBN:
9783742909848
Rechteinhaber:
Автор
Download-Format:

Mit diesem Buch lesen Leute