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BOOK I. – THE PINCHEYRAS

CHAPTER I
THE CALLEJÓN DE LAS CRUCES

Although the town of San Miguel de Tucuman is not very ancient, and its construction dates scarcely two centuries back, nevertheless – thanks, perhaps, to the calm and studious population which inhabit it – it has a certain middle age odour which is profusely exhaled from the old cloisters of its convents, and from the thick and gloomy walls of its churches. The grass in the low quarters of the town freely grows in the nearly always deserted streets; and here and there some wretched old house crumbling with age, leaning over the river which washes its foundations, incomprehensible miracle of equilibrium – presents to the curious look of the artistic traveller the most picturesque effects.

The Callejón de las Cruces, especially – a narrow and tortuous street, lined with low and sombre houses – which at one end abuts on the river, and at the other on the street de las Mercaderes, is, without doubt, one of the most singularly picturesque in the town.

At the period of our history, and perhaps at the present time, the greater part of the right side of the Callejón de las Cruces was occupied by a high and large house, of a cold and sombre aspect, whose thick walls, and the iron bars with which its windows wore furnished, made it resemble a prison.

However, it was nothing of the sort. This house was a kind of nunnery, such as are often met with even, now in Belgian and Dutch Flanders, so long possessed by the Spaniards, and which served for a retreat for women of all classes of society, who, without having positively taken vows, wished to live sheltered from the storms of the world, and to devote the remainder of their lives to exercises of piety, and works of benevolence.

As the reader has seen, by the description which we gave of the place when it came under notice, this house was thoroughly appropriated to its uses, and there continually reigned around it a peacefulness and a calm which made it rather resemble a vast necropolis than a partially religious community of women.

Every sound died without an echo on the threshold of the door of this gloomy house; sounds of joy, as well as cries of anger – the uproars of fêtes, as well as the rumblings on insurrection – nothing could galvanise it, or rouse it from its majestic and sombre indifference.

However, one evening – the very night when the governor of San Miguel had given, at the Cabildo, a ball to celebrate the victory gained by Zeno Cabral over the Spaniards¹– towards midnight, a troop of armed men, whose measured tread sounded heavily in the darkness, had left the street de las Mercaderes, turned into the Callejón de las Cruces, and, having reached the massive and solidly bolted door of the house of which we have spoken, they stopped.

He who appeared to be the chief of these men had knocked three times with the pommel of his sword on the door, which was immediately opened.

This man had, in a low voice, exchanged a few words with an invisible person; then, on a sign from himself, the ranks of his troop opened, and four women – four spectres, perhaps – draped in long veils, which did not allow any part of their person to be perceived, entered the house silently, and in a line. Some few words further had been exchanged between the chief of the troop and the invisible doorkeeper of this mysterious house; then the door had been again noiselessly closed, as it had been opened; the soldiers returned by the way they had come, and all was over.

This singular circumstance had transpired without awakening in any way the attention of the poor people who lived in the vicinity. The greater part were assisting at the fête in the streets or in the squares of the high quarters of the town; the remainder were sleeping, or Were too indifferent to trouble themselves about any noise whatever at so advanced an hour of the night.

So that, on the morrow, the inhabitants of the Callejón de las Cruces would have been quite unable to give the slightest account of what had passed at midnight in their street, at the gate of the Black House as among themselves they called this gloomy habitation, for which they had a strong dislike, and which was far from enjoying a good reputation among them.

Several days had passed since the fête, the town had resumed its calm and peaceful appearance, only the troops had not raised their camp – on the contrary, the Montonera of Don Zeno Cabral had installed itself at a short distance from them.

Vague rumours, which circulated in the town, gave rise to the belief that the revolutionists were preparing a great expedition against the Spaniards.

Emile Gagnepain – much annoyed at first at being continually the sport of events, and at seeing his free will completely annihilated for the benefit of others, and especially at being obliged, in spite of himself, to be mixed up with politics, when he would have been so happy to pass his days in wandering about the country, and particularly in dreamily stretching himself on the grass – had finished by making up his mind to these continual quarrels in which he could do nothing. He had, till better times arrived, resigned himself to his fate with that philosophic carelessness which formed the foundation of his character; and this the more readily, as he was not long in perceiving that his position as secretary to the Duc de Mantone was rather nominal than actual, and that, in fact, it was a magnificent sinecure, inasmuch as during the fortnight he had been supposed to fulfil its duties, the diplomatist had not given him a syllable to write.

Although both lived in the same house, the patron and the nominal secretary only saw one another rarely, and, ordinarily, did not meet but at meals, when the same table served them. Two or three days sometimes passed without their seeing each other.

M. Dubois, completely absorbed in the intricate combinations of politics, often passed the day in long and serious conferences with the chiefs of the executive power. He had been charged with a very difficult work on the election of the deputies to the general congress, which was about to be held at San Miguel de Tucuman, and in which the independence of the provinces of the ancient vice-royalty of Buenos Aires was about to be proclaimed.

So that, spite of the lively interest which he had in his young countryman, the diplomatist was obliged to neglect him – of which the latter by no means complained; on the contrary, profiting conscientiously by the agreeable leisure which politics gave to him, he gave himself up with delight to the contemplative life so dear to artists, and lounged whole days about the town and country, in quest of picturesque points of view, and of fine landscapes.

This search was by no means unprofitable in a country such as that in which he was accidently living, where nature, yet but little spoiled or marred by the unintelligent hand of man, possessed that seal of majesty and of grandeur which God alone knows how to impress so royally alike upon the most vast and the meanest works which spring from His all-powerful hands.

The inhabitants, accustomed to see the young man among them, attracted by his handsome and frank countenance, by his gentle manners and his careless air, were, by degrees, familiarised with him; and, notwithstanding that he was a European, and especially a Frenchman – that is to say, a gringo or heretic – had at last come to be very friendly to him, and allowed him to go wherever fancy led him, without following him with an uneasy curiosity, or worrying him with indiscreet questions.

Moreover, in the state of political excitement in which the country was at this time, when every passion was in ebullition, and revolutionary ideas turned every head, it appeared so strange to see a man walking about continually with an unconcerned air, carelessly looking about him with a smile on his lips, and his hands in his pockets, without regret for yesterday or care for tomorrow, that this man justly passed for a kind of phenomenon. Everyone envied him, and felt constrained to love him, by reason even of his placid indifference. He alone, perhaps, did not perceive the effect produced by his presence, when he rambled about the square or the most populous streets of the town; and he continued his promenade without even considering that he was for those whose path he crossed a walking enigma, of which they vainly sought the key. Some even, quite astounded by this magnificent indifference, which they could not comprehend, went so far as to believe that if he were not completely mad, at least he had some tendencies that way.

Emile occupied himself neither with one nor the other. He continued his careless open air life, following with his eyes the birds in their flight, listening for hours together to the mysterious murmur of a cascade, or in rapture with a splendid sunset in the Cordillera. Then, in the evening, he philosophically re-entered his lodging, murmuring between his teeth:

"Is not all this admirable! How much better this than politics! Parbleu! He must be an idiot who does not see it. Positively, people are absurd, they are asses! They would be so happy if they would only consent to live carelessly, without seeking to free themselves from their masters. As if, when some masters are gone, others will not immediately come! Positively they are animals fit to eat hay!"

The next day he resumed his walks, and so day after day, without worrying himself about a mode of life so agreeable and happy; and in this he was perfectly right.

The young painter, as we have already said, lived in a house placed at the disposal of M. Dubois by the Buenos Airean Government, and situated on the Plaza Mayor, under the gates. The young man, on stepping out of his house, found himself in face of a wide street, furnished with shops, which led out of the square. This street was the Calle de las Mercaderes. Now, the painter had been in the habit of going straight on, of following the Calle Mercaderes, at the end of which was the Callejón de las Cruces; he then entered the Callejón, and arrived, without any turning, at the river. Thus, twice a day – in the morning in going out, and in the evening in returning from his promenade – Emile Gagnepain passed the entire length of the Callejón de las Cruces.

He stopped sometimes for a considerable time to admire the graceful outline of some gable ends, dating from the earlier years of the conquest, and preferred to traverse this silent and solitary street, where he could freely give himself up to his thoughts without fear of being interrupted, rather than to take the streets of the higher quarters, where it was impossible to take a step without meeting some acquaintance whom he could not have passed without exchanging a few words, or at least without a bow – things which annoyed him much, as they broke the thread of his thoughts.

One morning when, according to custom, Emile Gagnepain had begun his walk, and was pensively traversing the Callejón de las Cruces, at the moment when he was passing the house of which we have spoken, he felt a slight tap on the crown of his hat, as if some light object had struck it, and a flower immediately fell at his feet.

The young man stopped with astonishment. His first movement was to raise his head, but he saw nothing; the old house had still its accustomed mournful and sombre aspect.

"Hum!" murmured he; "What does that mean? This flower, at all events, has not fallen from the sky."

He stooped down, picked it up delicately, and examined it with care.

It was a white rose, scarcely half opened, and still fresh and damp with dew.

Emile remained an instant wrapped in thought.

"Well, that is odd," said he; "this flower has only been gathered a few minutes; is it not to me that it has been thrown? Nay," added he, looking around him, "it would be very difficult to have thrown it to another, for I am alone. This deserves reflection. I must not be carried away by vanity. I'll wait till the evening."

And he continued his walk, after having vainly explored, with an anxious look, all the windows of this solitary house.

This incident, slight as it was, was sufficient to trouble the artist during the remainder of his promenade.

He was young, he believed himself good-looking; and, moreover, he had more than a reasonable share of vanity. His imagination soon carried him away. He called to mind all the love stories he had heard related in relation to Spain; and, putting this and that together, he soon arrived at this conclusion, excessively flattering to his self-love – that a beautiful Señora, held prisoner by some jealous husband, had seen him pass under her windows, had felt herself drawn towards him by an irresistible passion, and had thrown him this flower to attract his attention.

This conclusion was absurd, it was true but it immensely pleased the painter, whose self-love, as we have said, it flattered.

During the whole day the young man was burning with anxiety; twenty times he thought of returning, but, happily, reflection came to his aid, and he came to the conclusion that too much haste would compromise the success of his adventure, and that it would be better not again to pass the house till the hour when he was in the habit of returning home.

"In this way," said he, with a knowing air – questioning himself to avoid a disillusion, if, which was possible, he was deceived – "if she expects me, she will throw me another flower; then I will buy a guitar, a mantle the colour of the wall, and I will come like a lover of the time of the Cid Campeador, by starlight, to tell her my love."

But, notwithstanding this mockery, which he addressed to himself as he wandered about, he was much more concerned in the matter than he was ready to confess, and every moment he was consulting his watch to see if the hour for his return was near.

Although we may not be in love – and certainly the painter only felt at this moment a curiosity which he could not explain; for it was impossible for him to entertain any other feeling for a person whom he did not know: nevertheless the unknown – the unforeseen, if you will – has an indefinable charm, and exerts a powerful attraction on certain excitable organisations, which induces them in a moment to build up suppositions which they are not slow to consider as realities, until the truth suddenly comes, as a drop of cold water thrown into a boiling fluid will in a moment stop the evaporation of steam.

When the painter thought the hour had arrived, he turned back towards home. Affecting, perhaps, a little too visibly – if anyone had had an interest in watching his movements and gestures – the manners of a man completely indifferent, he reached the Callejón de las Cruces, and soon arrived near the house.

Spite of himself, the young man felt that he was flushed; his heart beat rapidly, and he had a buzzing in his ears, as when the blood, suddenly excited, rushes to the head.

All of a sudden, he felt a pretty smart shock to his hat.

He briskly raised his head.

Sudden as had been his movement, he could see nothing; only he heard a slight noise as if a window had been cautiously closed.

Disappointed at this second and unsuccessful attempt to perceive the person who was thus interested in him, he remained for a moment motionless; then, recollecting the ridiculousness of his position in the middle of a street, and under the eyes of people who were, perhaps, watching him from behind a window blind, he resumed his apparent coolness and indifference, and looked on the ground about him for the object which had so suddenly struck him.

He soon perceived it two or three paces from him.

This time it was not a flower. The object, whatever it was – for at first he could not be certain of it – was enveloped in paper, and tied carefully with a purple silk thread several times round the paper.

"Oh, oh!" thought the painter, picking up the little roll of paper, and rapidly hiding it in the pocket of the waistcoat which he wore under his poncho; "This complicates the matter. Are we already to write to one another? The devil! This is making rapid progress, indeed!"

He began to walk rapidly to reach his lodgings; but soon reflecting that this unaccustomed proceeding would astonish people who were in the habit of seeing him, lounging and looking about him, he checked himself, and resumed his ordinary pace.

But his hand was incessantly going to his pocket, to feel the object which he had so carefully deposited there.

"God pardon me," said he, after a time! "I believe it is a ring. Oh, oh! That would be charming! Upon, my word, I return to my first idea – I will buy a guitar, and a mantle the colour of the wall, and in making love to my beautiful unknown – for she is beautiful, I doubt not – I will forget the torments of exile. But," said he, suddenly stopping right in the middle of the square, and throwing up his arms with a desperate air, "if she is ugly! Ugly women have often extraordinary ideas which seize them, they know not why. Ah! That would be frightful! Come! What am I talking about? The devil take me, if I am not becoming stupid! She cannot be ugly, for the very simple, reason that all the Spaniards are pretty."

And reassured by this reasoning, the deduction from which was so pleasant, the young man pursued his journey.

As the reader has been in a position to perceive, Emile Gagnepain loved talking to himself – sometimes even he went to extravagant lengths – but the fault was not his. Thrown by chance in a foreign land, only speaking with difficulty the language of the people among whom he found himself, and not having near him any friend to whom he could confide his joys and his troubles, he was to some extent obliged to make a confidant of himself; so true is it that man is an eminently social animal, and that life in common is indispensable to him, through the incessant want which he experiences in each circumstance of his life, of unburdening his heart, and of sharing with some one of his own species the sweet or painful sentiments which it feels.

While he was still reflecting, the young man arrived at the house which, he occupied in common with M. Dubois.

An attendant seemed to be waiting for his arrival. As soon as he perceived the painter, he quickly approached him, and after having respectfully saluted him —

"I beg your pardon, your lordship," said he to him, "my lord duke has several times asked for you today. He has left orders that as soon as you arrive we should ask you to go to his apartment."

"Very well," he answered, "I will go there immediately."

So saying, instead of turning to the right to enter the part of the house which he occupied, he went towards the great staircase situated at the bottom of the court, and which led to the apartment of M. Dubois.

"Is it not strange," murmured he, mounting the staircase, "that this nuisance of a man, of whom I never know how to speak, should just want me at the very moment when I desire to be alone?"

M. Dubois waited for him in a large room rather richly furnished, in which he was pacing up and down, his head lowered and his arms crossed behind his back, like a man occupied with serious reflections.

As soon as he perceived the young man, he advanced rapidly towards him.

"Oh, you have come!" cried he. "For two hours I have been waiting for you. What has become of you?"

"I! Why, I have been walking. What would you have me do? Life is so short!"

"Always the same!" pursued the duke, laughing.

"I shall take good care not to change; I am too happy as I am."

"Sit down, we have to talk seriously."

"The devil!" said the young man, seating himself on a butaca.

"Why this exclamation?"

"Because your exordium appears to me to be of bad omen."

"Come, you who are so brave!"

"That's possible, but, you know, I have an unconquerable fear of politics, and it is probably of politics that you wish to talk to me."

"You have guessed it at the first trial."

"Then, I was sure of it," said he, with a despairing air.

"This is the matter on hand – "

"Pardon, could you not put off this grave conversation to a later period?"

"Why should I do so?"

"Why, because that would be so much gained for me."

"Impossible!" pursued M. Dubois, laughing; "You must take your part in it."

"Then, since it must be so," said he, with a sigh, "what is the question?"

"Here are the facts in a few words. You know that affairs are becoming more and more serious, and that the Spaniards, who, it was hoped, were conquered, have resumed a vigorous offensive, and have gained some important successes for some time past."

"I! I know nothing at all, I assure you."

"But how do you pass your time, then?"

"I have told you – I walk; I admire the works of God – which, between ourselves, I find much superior to those of men – and I am happy."

"You are a philosopher."

"I do not know."

"In a word, here is the matter in question. The Government, frightened, with reason, at the progress of the Spaniards, wish to put an end to it by uniting against them all the forces of which they can dispose."

"Very sensibly reasoned; but what can I do in all this?"

"You shall see."

"I ask nothing better."

"The Government wishes, then, to concentrate all its forces to strike a great blow. Emissaries have already been dispatched in all directions to inform the generals; but while we attack the enemy in front, it is important, in order to assure their defeat, to place them between two fires."

"That is to reason strategically, like Napoleon."

"Now, our general only is in a position to operate on the rear of the enemy, and to cut off his retreat This general is San Martin, who is now in Chili, at the head of an army of 10,000 men. Unhappily, it is excessively difficult to traverse the Spanish lines; but I have suggested to the council an infallible means of doing so."

"You are full of schemes."

"This means consists in dispatching you to St. Martin. You are a foreigner; they will not distrust you; you will pass in safety, and you will remit to the general the orders of which you will be the bearer – "

"Or I shall be arrested and hanged."

"Oh! That is not probable."

"But it is possible. Well, my dear sir, your project is charming."

"Is it not?"

"Yes, but on thorough reflection it does not please me at all, and I absolutely refuse it. The devil! I do not care to be hanged as a spy for a cause which is foreign to me, and of which I know nothing at all."

"What you say to me annoys me to the last degree, for I interest myself very much in you."

"I thank you for it, but I prefer that you should leave me in my obscurity. I am unambitiously retiring."

"I know it. Unhappily it is absolutely necessary that you charge yourself with this mission."

"Oh, indeed! It will be difficult for you to convince me of that."

"You are in error, my young friend; on the contrary, it will be very easy to me."

"I do not believe it."

"In this way: it appears that two Spanish prisoners, arrested some days ago at the Cabildo, and whose trial is proceeding at this moment, have charged you in their depositions, asserting that you are perfectly acquainted with their plans – in a word, that you were one of their accomplices."

"I!" cried the young man, starting with rage.

"You!" coolly answered the diplomatist "It was then a question of arresting you; the order was already signed when, not wishing you to be shot, I intervened in the discussion."

"I thank you for it."

"You know how much I love you. I warmly took up your defence, until – forced into my last retrenchments, and seeing that your destruction was resolved upon – I found no other expedient to make your innocence apparent to all, than to propose you as an emissary to General San Martin, asserting that you would be happy to give this pledge of your devotion to the revolution."

"But it is a horrible murder!" cried the young man, with despair; "I am in a fix!"

"Alas; yes, you see me afflicted at it – hanged by the Spaniards, if they take you – but they will not take you – or shot by the Buenos Aireans, if you refuse to serve them as an emissary."

"It is frightful," said the young man, utterly cast down; "never did an honest man find himself in so cruel an alternative."

"On which do you decide?"

"Have I the choice?"

"Why, look – reflect."

"I accept," said he, expressing a strong wish as to the fate of those who had thus entrapped him.

"Come, come, calm yourself. The danger is not so great as you suppose. Your mission, I hope, will terminate well."

"When I dreamed that I had come to America to study art, and to escape politics, what a fine idea I had then!"

M. Dubois could not help laughing.

"Grumble now; later you will relate your adventures."

"The fact is, that if I go on as now, they will be considerably varied. It is necessary that I set out immediately, no doubt?"

"No, we are not going on so rapidly as that. You have all the time necessary to make your preparations. Your journey will be long and difficult."

"How much time can I have to get ready to leave?"