Buch lesen: «The Fire Court»
Copyright
Published by HarperCollinsPublishers Ltd
1 London Bridge Street
London SE1 9GF
First published in Great Britain by HarperCollinsPublishers 2018
Copyright © Andrew Taylor 2018
Cover design by Dominic Forbes © HarperCollinsPublishers Ltd 2018
Cover illustration Old London Bridge (engraving), Jongh, Claude de (fl.1610-1663) / Private Collection © Look and Learn / Illustrated Papers Collection / Bridgeman Images
Andrew Taylor asserts the moral right to be identified as the author of this work.
Prelims show ‘A map of the area of London affected by the Great Fire of London in 1666’ © The British Library
A catalogue copy of this book is available from the British Library.
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
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Source ISBN: 9780008119133
Ebook Edition © April 2018 ISBN: 9780008119126
Version: 2020-01-06
Dedication
For Caroline
Contents
Cover
Title Page
Copyright
Dedication
Map
The People
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
Chapter Twenty-One
Chapter Twenty-Two
Chapter Twenty-Three
Chapter Twenty-Four
Chapter Twenty-Five
Chapter Twenty-Six
Chapter Twenty-Seven
Chapter Twenty-Eight
Chapter Twenty-Nine
Chapter Thirty
Chapter Thirty-One
Chapter Thirty-Two
Chapter Thirty-Three
Chapter Thirty-Four
Chapter Thirty-Five
Chapter Thirty-Six
Chapter Thirty-Seven
Chapter Thirty-Eight
Chapter Thirty-Nine
Chapter Forty
Chapter Forty-One
Chapter Forty-Two
Chapter Forty-Three
Chapter Forty-Four
Chapter Forty-Five
Chapter Forty-Six
Chapter Forty-Seven
Chapter Forty-Eight
Chapter Forty-Nine
Chapter Fifty
Chapter Fifty-One
Chapter Fifty-Two
Chapter Fifty-Three
Keep Reading …
About the Author
By the Same Author
About the Publisher
THE PEOPLE
Infirmary Close, The Savoy
James Marwood, clerk to Joseph Williamson, and to the Board of Red Cloth
Nathaniel Marwood, his father, widowed husband of Rachel; formerly a printer
Margaret and Sam Witherdine, their servants
The Drawing Office, Henrietta Street
Simon Hakesby, surveyor and architect
‘Jane Hakesby’, his maid, formerly known as Catherine Lovett
Brennan, his draughtsman
Clifford’s Inn and the Fire Court
Lucius Gromwell, antiquary
Theophilus Chelling, clerk to the Fire Court
Sir Thomas Twisden, a judge at the Fire Court
Miriam, a servant at Clifford’s Inn
Pall Mall
Sir Philip Limbury
Jemima, Lady Limbury, daughter of Sir George Syre
Mary, her maid
Richard, Sir Philip’s manservant; also known as Sourface
Hester, a maid
Whitehall
Joseph Williamson, Under-Secretary of State to Lord Arlington
William Chiffinch, Keeper of the King’s Private Closet
Others
Roger Poulton, retired cloth merchant; late of Dragon Yard
Elizabeth Lee, his housekeeper
Celia Hampney, his widowed niece
Tabitha, Mistress Hampney’s maid
Mistress Grove, of Lincoln’s Inn Fields; who lets lodgings to Mistress Hampney
Barty, a crossing-sweeper in Fleet Street, by Temple Bar
CHAPTER ONE
Rachel. There you are.
She hesitated in the doorway that led from the Savoy Stairs and the river. She wore a long blue cloak over a grey dress he did not recognize. In her hand was a covered basket. She walked across the garden to the archway in the opposite corner. Her pattens clacked on the flagged path.
That’s my Rachel, he thought. Always busy. But why did she not greet him?
You are like the river, my love, he had told her once, always moving and always the same.
They had been sitting by the Thames in Barnes Wood. She had let down her hair, which was brown but shot through with golden threads that glowed in the sunlight.
She had looked like a whore, with her loose, glorious hair.
He felt a pang of repulsion. Then he rallied. A woman’s hair encouraged lustful thoughts, he argued with himself, but it could not be sinful when the woman was your wife, joined to you in the sight of God, flesh of your flesh, bone of your bone.
Now the garden was empty. There was no reason why he should not go after her. Indeed, it was his duty. Was not woman the weaker vessel?
He used his stick as a prop to help him rise. He was still hale and hearty, thank God, but his limbs grew stiff if he did not move them for a while.
He walked towards the archway. The path beyond made a turn to the right, rounding the corner of one of the old hospital buildings of the Savoy. He glimpsed Rachel ahead, passing through the gate that led up to the Strand. She paused to look at something – a piece of paper? – in her hand. Then she was gone.
She must be going shopping. A harmless pleasure, but only as long as it did not encourage vanity, a woman’s besetting sin. Women were weak, women were sinful, which was why God had placed men to watch over them and to correct them when they erred.
The porter in his lodge took no notice of him. A cobbled path led up to the south side of the Strand. The traffic roared and clattered along the roadway.
He looked towards Charing Cross, thinking that the shops of the New Exchange would have drawn her like a moth to a blaze of candles. No sign of her. Could he have lost her already? He looked the other way, and there she was, walking towards the ruins of the City.
He waved his stick. ‘Rachel,’ he cried. ‘Come here.’
The racket and clatter of the Strand drowned his words.
He followed her, the stiffness dropping from his limbs, his legs gathering strength and momentum with the exercise. On and on she walked, past Somerset House and Arundel House, past St Clement’s and under Temple Bar into Fleet Street and the Liberties of the City.
He kept his eyes fixed on the cloak, and the rhythm of his walking lulled his mind until he almost forgot why he was here. By the Temple, Rachel hesitated, turning towards the roadway with its sluggish currents of vehicles and animals. She looked down at the paper in her hand. A painted coach lumbered to a halt on the opposite side of the road. At that moment, a brewer’s dray, coming from the other direction and laden with barrels, drew up beside it. Between them, they blocked the street.
Rachel slipped among the traffic and threaded her way across the street.
The brewer’s men were unloading the dray outside the Devil Tavern. A barrel broke free and crashed into the roadway. The impact shattered the staves on one side. Beer spurted into the street. Two beggars ran whooping towards the growing puddle. They crouched and lapped like dogs. The traffic came to a complete halt, jammed solid by its own weight pressing from either side.
A sign, he thought, a sign from God. He has parted this river of traffic for me just as it had pleased Him to part the Red Sea before Moses and the Chosen People.
He walked across the street, his eyes fixed on Rachel’s cloak. She turned to the left in the shadow of the square tower of St Dunstan-in-the-West.
Why was she leading him such a merry dance? Suspicion writhed within him. Had the serpent tempted her? Had she succumbed to the devil’s wiles?
An alley ran past the west side of the church to a line of iron railings with a gateway in the middle. Beside it, a porter’s lodge guarded the entrance to a cramped court. Men were milling around the doorway of a stone-faced building with high, pointed windows.
Rachel was there too, looking once again at the paper in her hand. She passed through the doorway. He followed, but the crowd held him back.
‘By your leave, sirs, by your leave,’ he cried. ‘Pray, sirs, by your leave.’
‘Hush, moderate your voice,’ hissed a plump clerk dressed in black. ‘Stand back, the judges are coming through.’
He stared stupidly at the clerk. ‘The judges?’
‘The Fire Court, of course. The judges are sitting this afternoon.’
Three gentlemen came in procession, attended by their clerks and servants. They were conducted through the archway.
He pressed after them. The doorway led to a passage. At the other end of it a second doorway gave on to a larger courtyard, irregular in shape. Beyond it was a garden, a green square among the soot-stained buildings.
Was that Rachel over there by the garden?
He called her name. His voice was thin and reedy, as it was in dreams. She did not hear him, though two men in black gowns stared curiously at him.
How dared she ignore him? What was this place full of men? Why had she not told him she was coming here? Surely, please God, she did not intend to betray him?
On the first floor of the building to the right of the garden, a tall man stood at one of the nearer windows, looking down on the court below. The panes of glass reduced him to little more than a shadow. Rachel turned into a doorway at the nearer end of a building to the right of the garden, next to a fire-damaged ruin.
His breath heaved in his chest. He had the strangest feeling that the man had seen Rachel, and perhaps himself as well.
The man had gone. This was Rachel’s lover. He had been watching for her, and now she was come.
His own duty was plain. He crossed the court to the doorway. The door was ajar. On the wall to one side, sheltered by the overhang of the porch, was a painted board. White letters marched, or rather staggered, across a black background:
XIV
6 Mr Harrison
5 Mr Moran
4 Mr Gorvin
3 Mr Gromwell
2 Mr Drury
1 Mr Bews
Distracted, he frowned. Taken as a whole, the board was an offence to a man’s finer feelings and displeasing to God. The letters varied in size, and their spacing was irregular. In particular, the lettering of Mr Gromwell’s name had been quite barbarously executed. It was clearly a later addition, obliterating the original name that had been there. A trickle of paint trailed from the final ‘l’ of Gromwell. The sign-painter had tried ineffectually to brush it away, probably with his finger, and had succeeded only in leaving the corpse of a small insect attached to it.
Perhaps, he thought, fumbling in his pocket, temporarily diverted from Rachel, a man might scrape away the worst of the drip with the blade of a pocket knife. If only—
He heard sounds within. And a man’s voice. Then a second voice – a woman’s.
Oh, Rachel, how could you?
He pushed the door wide and crossed the threshold. Two doors faced each other across a small lobby. At the back, a staircase rose into the shadows.
He listened, but heard only silence. He caught sight of something gleaming on the second step of the stairs. He stepped closer and peered at it.
A speck of damp mud. The moisture caught the light from the open door behind him.
‘Rachel?’ he called.
There was no reply. His mind conjured up a vision of her in a man’s chamber, her skirts thrown up, making the two-backed beast with him. He shook his head violently, trying to shake the foul images out of it.
He climbed the stairs. On the next landing, two more doors faced each other, number three on the right and number four on the left. Another, smaller door had been squeezed into the space between the staircase and the back of the landing.
Number three. Three was a number of great importance. There were three doors and three Christian virtues, Faith, Hope and Charity. Man has three enemies, the world, the flesh and the devil. Mr Gromwell’s number was three, whoever Gromwell was.
In God’s creation, everything had meaning, nothing was by chance, all was pre-ordained, even the insect trapped in the paint, placed there to show him the way.
He raised the latch. The door swung slowly backwards, revealing a square sitting room. Late afternoon sunshine filled the chamber, and for a moment he was transfixed by the loveliness of the light.
A window to God …
He blinked, and loveliness became mere sunshine. The light caught on a picture in a carved gilt frame, which hung over the mantelpiece. He stared at it, at the women it portrayed, who were engaged in a scene of such wickedness that it took his breath away. He forced himself to look away and the rest of the room came slowly to his attention: a press of blackened oak; chair and stools; a richly coloured carpet; a table on which were papers, wine, sweetmeats and two glasses; and a couch strewn with velvet cushions the colour of leaves in spring.
And on the couch—
Inside his belly, the serpent twisted and sunk its teeth.
Something did not fit, something was wrong—
The woman lay sleeping on the couch, her head turned away from him. Her hair was loose – dark ringlets draped over white skin. Her silk gown was designed to reveal her breasts rather than conceal them. The gown was yellow, and also red in places.
She had kicked off her shoes before falling asleep, and they lay beside the couch. They were silly, feminine things with high heels and silver buckles. The hem of the gown had risen almost to the knees, revealing a froth of lace beneath. One hand lay carelessly on her bosom. She wore a ring with a sapphire.
But she wasn’t Rachel. She didn’t resemble Rachel in the slightest. She was older, for a start, thinner, smaller, and less well-favoured.
His mind whirred, useless as a child’s spinning top. He had a sudden, shameful urge to touch the woman’s breast.
‘Mistress,’ he said. ‘Mistress? Are you unwell?’
She did not reply.
‘Mistress,’ he said sharply, angry with himself as well as with her for leading him into temptation. ‘Are you drunk? Wake up.’
He drew closer, and stooped over her. Such a wanton, sinful display of flesh. The devil’s work to lead mankind astray. He stared at the breasts, unable to look away. They were quite still. The woman might have been a painted statue in a Popish church.
She had a foolish face, of course. Her mouth was open, which showed her teeth; some were missing, and the rest were stained. Dull, sad eyes stared at him.
Oh God, he thought, and for a moment the fog in his mind cleared and he saw the wretch for what she truly was.
Merciful father, here are the wages of sin, for me as well as for her. God had punished his lust, and this poor woman’s. God be blessed in his infinite wisdom.
And yet – what if there were still life in this fallen woman? Would not God wish him to urge her to repent?
Her complexion was unnaturally white. There was a velvet beauty patch at the corner of her left eye in the shape of a coach and horses, and another on her cheek in the form of a heart. The poor vain woman, tricking herself out with her powders and patches, and for what? To entice men into her sinful embrace.
He knelt beside her and rested his ear against the left side of her breast, hoping to hear or feel through the thickness of the gown and the shift beneath the beating of a heart. Nothing. He shifted his fingers to one side. He could not find a heartbeat.
His fingertips touched something damp, a stickiness. He smelled iron. He was reminded of the butcher’s shop beside his old premises in Pater Noster Row.
Was that another sound? On the landing? On the stairs.
He withdrew his hand. The fingers were red with blood. Like the butcher’s fingers when he had killed a pig on the step, and the blood drained down to the gutter, a feast for flies. Why was there so much blood? It was blood on the yellow gown: that was why some of it was red.
Thank God it was not Rachel. He sighed and drew down the lids over the sightless eyes. He knew what was due to death. When Rachel had drawn her last labouring breath—
The cuff of his shirt had trailed across the blood. He blinked, his train of thought broken. There was blood on his sleeve. They would be angry with him for fouling his linen.
He took a paper from the table and wiped his hand and the cuff as best he could. He stuffed the paper in his pocket to tidy it away and rose slowly to his feet.
Rachel – how in God’s name could he have forgotten her? Perhaps she had gone outside while he was distracted.
In his haste, he collided with a chair and knocked it over. On the landing, he closed the door behind him. He went downstairs. As he came out into the sunshine, something shifted in his memory and suddenly he knew this place for what it was: one of those nests of lawyers that had grown up outside the old city walls, as nests of rooks cluster in garden trees about a house.
Lawyers. The devil’s spawn. They argued white into black with their lies and their Latin, and they sent innocent, God-fearing men to prison, as he knew to his cost.
Birds sang in the garden. The courtyard was full of people, mainly men, mainly dressed in lawyers’ black which reminded him again of rooks, talking among themselves. Caw, caw, he murmured to himself, caw, caw.
He walked stiffly towards the hall with its high, pointed windows. At the door, he paused, and looked back. His eyes travelled up the building he had just left. The shadowy man was back at the first-floor window. He raised his arm at the shadow, partly in accusation and partly in triumph: there, see the rewards of sin. Fall on your knees and repent.
Suddenly, there was Rachel herself. She was coming out of the doorway of the blackened ruin next to Staircase XIV. She had pulled her cloak over her face to cover her shame. She was trying to hide from him. She was trying to hide from God.
Caw, caw, said the rooks.
‘Rachel,’ he said, or perhaps he only thought it. ‘Rachel.’
A lawyer passed her, jostling her shoulder, and for a moment the cloak slipped. To his astonishment, he saw that the woman was not Rachel, after all. This woman wore the mark of Cain on her face. Cain was jealous of his brother Abel, so he slew him.
Not Rachel. His wife was dead, rotting in her grave, waiting among the worms for the Second Coming of the Lord and the everlasting reign of King Jesus. Nor had Rachel borne the mark of Cain.
‘Sinner!’ he cried, shaking his fist. ‘Sinner!’
The bite of the serpent endured beyond death. Perhaps he had been wrong about Rachel. Had she been a whore too, like Eve a temptress of men, destined to writhe for all eternity in the flames of hell?
Caw, caw, said the rooks. Caw, caw.