"It is of little moment to me whether you do or not."
"You are making a mistake," he said, after a pause, during which their eyes had met in silence.
"The mistake would be to consent."
She had now recovered her self-possession. She even smiled a little.
"Imagine Mr. Raymond Noel in the street of the Hyacinth!" she said.
"Ah, I should hardly wish to live here; and my wife would naturally be with me."
"I hope so. And I hope she will be very charming and obedient and sweet." Then she dropped her sarcasms, and held out her hand in farewell. "There is no use in prolonging this, Mr. Noel. Do not think, however, that I do not appreciate your action; I do appreciate it. I said that I did not respect you, and I have not until now; but now I do. You will understand, of course, that I would rather not see you again, and refrain from seeking me. Go your way, and forget me; you can do so now with a clear conscience, for you have behaved well."
"It is not very likely that I shall forget you," answered Noel, "although I go my way. I see you are firmly resolved. For the present, therefore, all I can do is to go."
They shook hands, and he left her. As he passed through the small hall on his way to the outer door he met Mrs. Spurr; she was attired as opulently, in respect to colors, as ever, and she returned his greeting with much cordiality. He glanced back; Miss Macks had witnessed the meeting through the parlor door. Her color had faded; she looked sad and pale.
She kept her word; she did not see him again. If he went to the street of the Hyacinth, as he did two or three times, the little maid presented him with the Italian equivalent of "begs to be excused," which was evidently a standing order. If he wrote to her, as he did more than two or three times, she returned what he wrote, not unread, but without answer. He thought perhaps he should meet her, and was at some pains to find out her various engagements. But all was in vain; the days passed, and she remained invisible. Towards the last of May he left Rome. After leaving, he continued to write to her, but he gave no address for reply; she would now be obliged either to burn his letters or keep them, since she could no longer send them back. They could not have been called love-letters; they were friendly epistles, not long – pleasant, easy, sometimes amusing, like his own conversation. They came once a week. In addition he sent new books, and occasionally some other small remembrance.
In early September of that year there came to the street of the Hyacinth a letter from America. It was from one of Mrs. Spurr's old neighbors at Tuscolee, and she wrote to say that John Macks had come home – had come home broken in health and spirits, and, as he himself said, to die. He did not wish his mother to know; she could not come to him, and it would only distress her. He had money enough for the short time that was left him, and when she heard it would be only that he had passed away; he had passed from her life in reality years before. In this John Macks was sincere. He had been a ne'er-do-well, a rolling stone; he had not been a dutiful son. The only good that could be said of him, as far as his mother was concerned, was contained in the fact that he had not made demands upon her small purse since the sum he took from her when he first went away. He had written to her at intervals, briefly. His last letter had come eight months before.
But the Tuscolee neighbor was a mother herself, and, doing as she would be done by, she wrote to Rome. When her letter came Mrs. Spurr was overwhelmed with grief; but she was also stirred to an energy and determination which she had never shown before. For the first time in years she took the leadership, put her daughter decisively back into a subordinate place, and assumed the control. She would go to America. She must see her boy (the dearest child of the two, as the prodigal always is) again. But even while she was planning her journey illness seized her – her old rheumatic troubles, only more serious than before; it was plain that she could not go. She then required that her daughter should go in her place – go and bring her boy to Rome; this soft Italian air would give new life to his lungs. Oh, she should not die! Ettie need not be afraid of that. She would live for years just to get one look at him! And so it ended in the daughter's departure, an efficient nurse being left in charge; the physician said that although Mrs. Spurr would probably be crippled, she was in no danger otherwise.
Miss Macks left Rome on the 15th of September. On the 2d of December she again beheld the dome of St. Peter's rising in the blue sky. She saw it alone. John Macks had lived three weeks after her arrival at Tuscolee, and those three weeks were the calmest and the happiest of his unsuccessful – unworthy it may be – but also bitterly unhappy life. His sister did not judge him. She kissed him good-bye as he lost consciousness, and soon afterwards closed his eyes tenderly, with tears in her own. Although he was her brother, she had never known him; he went away when she was a child. She sat beside him a long time after he was dead, watching the strange, youthful peace come back to his worn face.
When she reached the street of the Hyacinth a carriage was before the door; carriages of that sort were not often required by the dwellers on the floors below their own, and she was rather surprised. She had heard from her mother in London, the nurse acting as amanuensis; at that time Mrs. Spurr was comfortable, although still confined to her bed most of the day. As she was paying her driver she heard steps on the stairway within. Then she beheld this: The nurse, carrying a pillow and shawls; next, her mother, in an invalid-chair, borne by two men; and last, Raymond Noel.
When Mrs. Spurr saw her daughter she began to cry. She had not expected her until the next day. Her emotion was so great that the drive was given up, and she was carried back to her room. Noel did not follow her; he shook hands with the new-comer, said that he would not detain her, and then, lifting his hat, he stepped into the carriage which was waiting and was driven away.
For two days Mrs. Spurr wished for nothing but to hear, over and over again, every detail of her boy's last hours. Then the excitement and renewed grief made her dangerously ill. After ten days she began to improve; but two weeks passed before she came back to the present sufficiently to describe to her daughter all "Mr. No-ul's kind attentions." He had returned to Rome the first of October, and had come at once to the street of the Hyacinth. Learning what had happened, he had devoted himself to her "most as if he was my real son, Ettie, I do declare! Of course, he couldn't never be like my own darling boy," continued the poor mother, overlooking entirely, with a mother's sublime forgetfulness, the small amount of devotion her boy had ever bestowed; "but he's just done everything he could, and there's no denying that."
"He has not been mentioned in your letters, mother."
"Well, child, I just told Mrs. Bowler not to. For he said himself, frankly, that you might not like it; but that he'd make his peace with you when you come back. I let him have his way about it, and I have enjoyed seeing him. He's the only person I've seen but Mrs. Bowler and the doctor, and I'm mortal tired of both."
During Mrs. Spurr's second illness Noel had not come in person to the street of the Hyacinth; he had sent to inquire, and fruits and flowers came in his name. Miss Macks learned that these had come from the beginning.
When three weeks had passed Mrs. Spurr was back in her former place as regarded health. One of her first requests was to be taken out to drive; during her daughter's absence Mr. Noel had taken her five times, and she had greatly enjoyed the change. It was not so simple a matter for the daughter as it had been for Mr. Noel; her purse was almost empty; the long journeys and her mother's illness had exhausted her store. Still she did it. Mrs. Spurr wished to go to the Pincio. Her daughter thought the crowd there would be an objection.
"It didn't tire me one bit when Mr. No-ul took me," said Mrs. Spurr, in an aggrieved tone; "and we went there every single time – just as soon as he found out that I liked it. What a lot of folks he does know, to be sure! They kept him a-bowing every minute."
The day after this drive Mr. Noel came to the street of the Hyacinth. He saw Miss Macks. Her manner was quiet, a little distant; but she thanked him, with careful acknowledgment of every item, for his kind attentions to her mother. He said little. After learning that Mrs. Spurr was much better he spoke of her own health.
"You have had two long, fatiguing journeys, and you have been acting as nurse; it would be well for you to give yourself entire rest for several weeks at least."
She replied, coldly, that she was perfectly well, and turned the conversation to subjects less personal. He did not stay long. As he rose to take leave, he said:
"You will let me come again, I hope? You will not repeat the 'not at home' of last spring?"
"I would really much rather not see you, Mr. Noel," she answered, after hesitating.
"I am sorry. But of course I must submit." Then he went away.
Miss Macks now resumed her burdens. She was obliged to take more pupils than she had ever accepted before, and to work harder. She had not only to support their little household, but there were now debts to pay. She was out almost the whole of every day.
After she had entered upon her winter's work Raymond Noel began to come again to the street of the Hyacinth. But he did not come to see her; his visits were to her mother. He came two or three times a week, and always during the hours when the daughter was absent. He sat and talked to Mrs. Spurr, or rather listened to her, in a way that greatly cheered that lady's monotonous days. She told him her whole history; she minutely described Tuscolee and its society; and, finally, he heard the whole story of "John." In addition, he sent her various little delicacies, taking pains to find something she had not had.
Miss Macks would have put an end to this if she had known how. But certainly Mr. Noel was not troubling her, and Mrs. Spurr resented any attempt at interference.
"I don't see why you should object, Ettie. He seems to like to come, and there's but few pleasures left to me, I'm sure! You oughtn't to grudge them!"
In this way two months passed, Noel continuing his visits, and Miss Macks continuing her lessons. She was working very hard. She now looked not only pale, but much worn. Count L – , who had been long absent, returned to Rome about this time. He saw her one day, although she did not see him. The result of this vision of her was that he went down to Naples, and, before long, the desirable second cousin with the fortune was the sister of the Princess C – .
One afternoon in March Miss Macks was coming home from the broad, new, tiresome piazza Indipendenza; the distance was long, and she walked with weariness. As she drew near the dome of the Pantheon she met Raymond Noel. He stopped, turned, and accompanied her homeward. She had three books.
"Give them to me," he said, briefly, taking them from her.
"Do you know what I have heard to-day?" he went on. "They are going to tear down your street of the Hyacinth. The Government has at last awakened to the shame of allowing all those modern accretions to disfigure longer the magnificent old Pagan temple. All the streets in the rear, up to a certain point, are to be destroyed. And the street of the Hyacinth goes first. You will be driven out."
"I presume we can find another like it."
He went on talking about the Pantheon until they entered the doomed street; it was as obstinately narrow and dark as ever. Then he dropped his Pagan temple.
"How much longer are you going to treat me in this way, Faith?" he said. "You make me very unhappy. You are wearing yourself out, and it troubles me greatly. If you should fall ill I think that would be the end. I should then take matters into my own hands, and I don't believe you would be able to keep me off. But why should we wait for illness? It is too great a risk."
They were approaching her door. She said nothing, only hastened her steps.
"I have been doing my best to convince you, without annoying you, that you were mistaken about me. And the reason I have been doing it is that I am convinced myself. If I was not entirely sure last spring that I loved you, I certainly am sure now. I spent the summer thinking of it. I know now, beyond the possibility of a doubt, that I love you above all and everything. There is no 'duty' or 'generosity' in this, but simply my own feelings. I could perfectly well have let the matter drop; you gave me every opportunity to do so. That I have not done it should show you – a good deal. For I am not of the stuff of which heroes are made. I should not be here unless I wanted to; my motive is the selfish one of my own happiness."
They had entered the dark hallway.
"Do you remember the morning when you stood here, with two tears in your eyes, saying 'Never mind; you will come another time'?" (Here the cobbler came down the stairs.) "Why not let the demolition of the street of the Hyacinth be the crisis of our fate?" he went on, returning the cobbler's bow. (Here the cobbler departed.) "If you refuse, I shall not give you up; I shall go on in the same way. But – haven't I been tried long enough?"
"You have not," she answered. "But, unless you will leave Rome, and – me, I cannot bear it longer."
It was a great downfall, of course; Noel always maintained that it was.
"But the heights upon which you had placed yourself, my dear, were too superhuman," he said, excusingly.
The street of the Hyacinth experienced a great downfall, also. During the summer it was demolished.
Before its demolition Mrs. Lawrence, after three long breaths of astonishment, had come to offer her congratulations – in a new direction this time.
"It is the most fortunate thing in the world," she said to everybody, "that Mrs. Spurr is now confined to her bed for life, and is obliged to wear mourning."
But Mrs. Spurr is not confined to her bed; she drives out with her daughter whenever the weather is favorable. She wears black, but is now beginning to vary it with purple and lavender.
A CHRISTMAS PARTY
IN 188- the American Consul at Venice was occupying the second story of an old palace on the Grand Canal. It was the story which is called by Italians the piano nobile, or noble floor. Beneath this piano nobile there is a large low ground, or rather water, floor, whose stone pavement, only slightly above the level of the canal outside, is always damp and often wet. At the time of the Consul's residence this water-floor was held by another tenant, a dealer in antiquities, who had partitioned off a shallow space across its broad front for a show-room. As this dealer had the ground-floor, he possessed, of course, the principal entrance of the palace, with its broad marble steps descending into the rippling wavelets of the splendid azure street outside, and with the tall, slender poles, irregularly placed in the water, which bore testimony to the aristocracy of the venerable pile they guarded. One could say that these blue wands, ornamented with heraldic devices, were like the spears of knights; this is what Miss Senter said. Or one could notice their strong resemblance to barbers' poles; and this was what Peter Senter always mentioned.
Peter Senter was the American Consul, and his sister Barbara was the Consuless; for she kept house for her brother, who was a bachelor. And she not only kept house for him, but she assisted him in other ways, owing to her knowledge of Italian. The Consul, a man of fifty-seven, spoke only the language of his native place – Rochester, New York. That he could not understand the speech (gibberish, he called it) of the people with whom he was supposed to hold official relations did not disturb him; he thought it patriotic not to understand. There was a vice-consul, an Italian, who could attend to the business matters; and as for the rest, wasn't Barbara there – Barbara, who could chatter not only in Italian, but in French and German also, with true feminine glibness? (For Peter, in his heart, thought it unmasculine to have a polyglot tongue.) He knew how well his sister could speak, because he had paid her bills during the six years of her education abroad. These bills had been large; of course, therefore, the knowledge must be large as well.
Miss Senter was always chronically annoyed that she and her brother did not possess the state entrance. As the palace was at present divided, the tenants of the noble floor descended by an outside stairway to a large inner court, and from this court opened the second water-door. Their staircase was a graceful construction of white marble, and the court, with the blue sky above, one or two fretted balconies, and a sculptured marble well-curb in the centre, was highly picturesque. But this did not reconcile the American lady to the fact that their door was at the side of the palace; she thought that by right the gondola of the Consul should lie among the heraldic poles on the Grand Canal. But, in spite of right, nothing could be done; the antiquity-dealer held his premises on a long lease. Miss Senter, therefore, disliked the dealer.
Her dislike, however, had not prevented her from paying a visit to his establishment soon after she had taken possession of the high-ceilinged rooms above. For she was curious about the old palace, and wished to see every inch of it; if there had been cellars, she would have gone down to inspect them, and she was fully determined to walk "all over the roof." The dealer's name was Pelham – "Z. Pelham" was inscribed on his sign. How he came by this English title no one but himself could have told. He was supposed to be either a Pole or an Armenian, and he spoke many languages with equal fluency and incorrectness. He appeared to have feeble health, and he always wore large arctic over-shoes; he was short and thin, and the most noticeable expression of his plain, small face was resignation. Z. Pelham conducted the Consuless through the dusky space behind his show-room, a vast, low, open hall with massive squat columns and arches, and the skeletons of two old gondolas decaying in a corner. At the back he opened a small door, and pointed out a flight of stone steps going up steeply in a spiral, enclosed in a circular shaft like a round tower. "It leads to the attic floor. Her Excellency wishes to mount?" he inquired, patiently. For, owing to the wares in which he dealt, he had had a large acquaintance with eccentric characters of all nations.
"Certainly," replied Miss Senter. "Carmela, you can stay below, if you like," she said to the servant who accompanied her.
But no; Carmela also wished to mount. Z. Pelham preceded them, therefore, carrying his small oil-lamp. They went slowly, for the steps were narrow, the spiral sharp. The attic, when they reached it, was a queer, ghostly place; but there was a skylight with a ladder, and the Consuless carried out her intention of traversing the roof, while Mr. Pelham waited calmly, seated on the open scuttle door. Carmela followed her mistress. She gave little cries of admiration; there never were such wonderful ladies anywhere as those of America, she declared. On the way down, the stairs were so much like a corkscrew that Miss Senter, feeling dizzy, was obliged to pause for a moment where there was a landing. "Isn't there a secret chamber?" she demanded of the dealer.
Z. Pelham shook his head. "I have not one found."
"Try again," said Miss Senter, laughing. "I'll make it worth your while, Mr. Pelham."
Z. Pelham surveyed the walls, as if to see where he could have one built. His eye passed over a crack, and, raising his lamp, he showed it to the Consuless. "One time was there a door, opening into the rooms of her Excellency. But it opens not ever now; it is covered on inside."
"Oh, that isn't a secret chamber," answered Miss Senter; "we have doors that have been shut up at home. What I want is something mysterious – behind a picture, or a sliding panel."
Partly in return for this expedition to the roof, and partly because she had a liking for wood-carvings, Miss Senter purchased from Mr. Pelham, shortly afterwards, his best antique cabinet. It was eight feet high, and its whole surface was beautifully sculptured in odd designs, no two alike. Within were many ingenious receptacles, and, better than these, a concealed drawer. "You see I have my secret chamber, after all," said the Consuless, making a joke. And there was a best even to this better; for after the cabinet had been placed in her own room, Miss Senter discovered within it a second hiding-place, even more perfectly concealed than the first. This was delightful, and she confided to its care all her loose money. She thought with disgust of the ugly green safe, built into the wall of Peter's Rochester house, where she was obliged to keep her gold and silver when at home. Not only was Miss Senter's own room in the old palace handsomely furnished, but all the others belonging to the apartment were rich in beautiful things. The Consuless had used her own taste, which was great, and her brother's fortune, which was greater, deferring to him only on one point – namely, warmth. In Peter's mind the temperature of his Rochester house remained a fixed standard, and his sister therefore provided in every room a place for a generous open fire, while in the great drawing-room, in addition to this fire, two large white Vienna stoves, like monuments, were set up, hidden behind screens. As this salon was eighty feet long and thirty feet high, it required all this if it was to be used – used by Peter, at least – in December, January, and February; for the Venetian winter, though short, is often sharp and raw.
On Christmas Eve of their third year in Venice this drawing-room was lighted for a party. At one end, concealed by a curtain, stood a Christmas-tree; for there were thirty children among their invited guests, who would number in all over fifty. After the tree had bestowed its fruit the children were to have a dance, and an odd little projection like a very narrow balcony high on the wall was to be occupied by five musicians. These musicians would have been much more comfortable below. But Miss Senter was sure that this shelf was intended for musicians; her musicians, therefore, were to sit there, though their knees would be well squeezed between the wall and the balustrade. Fifteen minutes before the appointed hour, which was an early one on account of the children, the Consuless appeared. She found her brother standing before the fire, surveying the room, with his hands behind him.
"Doesn't it look pretty?" said the sister, with pride; for she had a great faith in all her pots and pans, carvings and tapestries. Any one, however, could have had faith in the chandeliers of Venetian glass, from which came the soft radiance of hundreds of wax candles, lighting up the ancient gilding of the ceiling.
"Well, Barly, you know that personally I don't care much for all these second-hand articles you have collected," replied Peter. "And you haven't got the room very warm, after all – only 60°. However, I can stand it if the supper is all right – plenty of it, and the hot things really hot; not lukewarm, you know."
"We can trust Giorgio. But I'll go and have a final word with him, if you like," answered Miss Senter, crossing the beautiful salon, her train sweeping over the floor behind her. The Consuless was no longer young (the days when Peter had paid those school bills were now far distant), and she had never been handsome. But she was tall and slender, with pretty hands and feet, a pleasant expression in her blue eyes, and soft brown hair, now heavily tinged with silver. Her brother's use of "Barly" was a grief to her. She had tried to lead him towards the habit of calling her Barbe, the French form of Barbara, if nickname he must have. But he pronounced this Bob, and that was worse than the other.
On her way towards the kitchen the Consuless came upon Carmela. Carmela was the servant who had the general oversight of everything excepting the cooking. For Giorgio, the cook, allowed no interference in his department; in the kitchen he must be Cæsar or nothing. Carmela was not the house-keeper, for Miss Senter herself was the house-keeper. But the American would have found her task twenty times, fifty times more difficult if she had not had this skilful little deputy to carry out all her orders. Carmela was said to be middle-aged. But her short, slender figure was so erect, her little face so alert, her movements were so brisk, and her small black eyes so bright, that she seemed full of youthful fire; in fact, if one saw only her back, she looked younger than Assunta and Beppa, who were Venetian girls of twenty. Carmela was always attired in the French fashion, with tight corsets, a plain black dress fitting like a glove round her little waist, and short enough to show the neat shoes on her small feet; over this black dress there was a jaunty white apron with pockets, and upon her beautifully braided shining dark hair was perched a small spotless muslin cap. The younger servants asserted that the slight pink tint on the tidy little woman's cheeks was artificial. However that may have been, Carmela, as she stood, was the personification of trimness and activity. Untiring and energetic, she was a wonderful worker; Miss Senter, who had been much in Italy, appreciated her good-fortune in having secured for her Venetian house-keeping such a coadjutor as this. Carmela was scrupulously neat, and she was even more scrupulously honest, never abstracting so much as a pin; she economized for her mistress with her whole soul, and kept watch over every detail; she told the truth, she swept the corners, she dusted under everything; she worked conscientiously, in one way and another, all day long. Even Peter, who did not like foreign servants, liked Carmela; he said she was "so spry!"
"Is everything ready?" inquired Miss Senter, as she met her deputy.
"Yes, signorina, everything," answered Carmela, briskly. She was looking her very best and tightest, all black and white, with black silk stockings showing above her little high-heeled shoes. As she spoke she put her hands in their black lace mitts in the pockets of her apron, and, middle-aged though she was said to be, she looked at that moment like a smart French soubrette of the stage.
"I am going to the kitchen to have a word with Giorgio," said the Consuless, passing on.
"If the signorina permits, I carry the train," answered Carmela, lifting the satin folds from the floor. Thus they went on together, mistress and maid, through various rooms and corridors, until finally the kitchen was reached. It was a large, lofty place, brilliantly lighted, for Giorgio was old and needed all the radiance that could be obtained to aid his failing sight. He was a small man with a melancholy countenance. But this melancholy was an accident of expression; in reality, old Giorgio was cheerful and amiable, with a good deal of mild wit. He was the most skilful cook in Venice. But his health had failed some years before, and he had now very little strength; the Consul, who liked good dinners, paid him high wages, and gave him a young assistant.
"Well, Giorgio, all promises well, I trust?" said Miss Senter as she entered, her steps somewhat impeded by the tightness with which Carmela held back her train. "The Consul is particular about having the hot things really hot, and constantly renewed, as it is such a cold night. The three men from Florian's will have charge of the ices and the other cold things, and will do all that is necessary in the supper-room. But for the hot dishes we depend upon you."
Giorgio, who was dressed entirely in white, bowed and waved his hand. "Mademoiselle need give herself no uneasiness," he said in French. For Giorgio had learned his art in Paris, and whenever Carmela was present he invariably answered his mistress in the language of that Northern capital, even though her question had been couched in Italian; it was one of his ways – and he had but few – of standing up, as it were, against the indefatigable little deputy. For, clever though Carmela was, she had never been out of her native land, and could speak no tongue but her own.
"Are you feeling well, Giorgio?" continued Miss Senter. "I see that you look pale. I am afraid you have been doing too much. Where is Luigi?" (Luigi was the cook's assistant.)
"He has gone home; ten minutes ago. I let him go, as it is a festival. He is young, and we can be young but once. Che vuole! In addition, all was done."
"No," said Miss Senter, who was now speaking French also; "there is still much to do, and it was not wise to let Luigi go. You are certainly very tired, Giorgio."
"Let not mademoiselle think of it," said the old man, straightening himself a little.
"But I shall think of it," said Miss Senter, kindly. "Carmela," she continued, speaking now in Italian, "go to my room and get my case of cordials."
Carmela divined that the cordial was for the cook. "And the signorina's train?" she said. "Surely I cannot leave it on this dirty floor! Will not the signorina return to the drawing-room to take her cordial? Eh – it is not for her? It is for Giorgio? A man? A man to be faint like a girl? Ha, ha! it makes me laugh!"
"Go and get it," repeated Miss Senter, taking the train over her own arm. She knew that Carmela did not like the cook. Jealousy was the one fault the hard-working little creature possessed. "She has tried to make me dismiss Giorgio more than once," she said to her brother, in confidence; "but I always pretend not to see the feeling that influences her. It is only Giorgio she is jealous of; she gets on perfectly well with Luigi, and with Assunta and Beppa; while for Ercole she can never do enough. She is devoted to Ercole!"