Blackwood's Edinburgh Magazine, Volume 63, No. 392, June, 1848

CHAPTER VIII

My father took three strides up and down the room, and then, halting on his hearth, and facing his brother, he thus spoke – "I condemn his deed, Roland! At best he was but a haughty egotist. I understand why Brutus should slay his sons. By that sacrifice he saved his country! What did this poor dupe of an exaggeration save? nothing but his own name. He could not lift the crime from his son's soul, nor the dishonour from his son's memory. He could but gratify his own vain pride, and, insensibly to himself, his act was whispered to him by the fiend that ever whispers to the heart of man, 'Dread men's opinions more than God's law!' Oh, my dear brother, what minds like yours should guard against the most is not the meanness of evil – it is the evil that takes false nobility, by garbing itself in the royal magnificence of good." My uncle walked to the window, opened it, looked out a moment, as if to draw in fresh air, closed it gently, and came back again to his seat; but during the short time the window had been left open, a moth flew in.

"Tales like these," renewed my father, pityingly – "whether told by some great tragedian or in thy simple style, my brother, – tales like these have their uses: they penetrate the heart to make it wiser; but all wisdom is meek, my Roland. They invite us to put the question to ourselves that thou hast asked – 'Can we condemn this man?' and reason answers, as I have answered – 'We pity the man, we condemn the deed.' We – take care, my love! that moth will be in the candle. We —whish! – whish!" – and my father stopped to drive away the moth. My uncle turned, and taking his handkerchief from the lower part of his face, on which he had wished to conceal the workings, he flapped away the moth from the flame. My mother moved the candles from the moth. I tried to catch the moth in my father's straw-hat. The deuce was in the moth, it baffled us all; now circling against the ceiling, now swooping down at the fatal lights. As if by a simultaneous impulse, my father approached one candle, my uncle approached the other; and just as the moth was wheeling round and round, irresolute which to choose for its funeral pyre, both were put out. The fire had burned down low in the grate, and in the sudden dimness my father's soft sweet voice came forth as if from an invisible being: – "We leave ourselves in the dark to save a moth from the flame, brother! shall we do less for our fellow-men? Extinguish, oh! humanely extinguish the light of our reason, when the darkness more favours our mercy." Before the lights were relit, my uncle had left the room. His brother followed him; my mother and I drew near to each other and talked in whispers.

GUESSES AT TRUTH

¹²We remember perusing this book soon after its first appearance. The shortness of the several sections into which it is divided, and the frequent change of topics, keeping the mind in a constant state of expectation, prevented us, we suppose, from feeling at that time a sense of weariness. In the perpetual anticipation of finding something new in the next paragraph or section, we forgot the disappointment which the last had so often occasioned. It is only thus we can explain the difference of feeling with which we have re-perused this third and late edition of the same work. The brevity of chapters, and interchange of topics, could not practise their kindly deception on us twice. Like those intertwisted walks in a confined shrubbery, which are designed to cheat the pedestrian into the idea of vast extent of space, the imposition succeeds but once. At the second perambulation we discover within what narrow boundaries we have been led up and down, and made our profitless circuit. We are compelled to say that an exceeding weariness came over us on the second perusal of these Guesses at Truth. Notwithstanding the modesty of the title, there are few books which wear so perpetually the air of superiority, of profound and subtle thought, with so very little to justify the pretension. There is a constant smile of self-complacency – but it plays over a very barren landscape. The soil is sterile on which this sunshine is resting. It is not uninstructive to notice how far an assumption of superiority, coupled with a form of composition indulgent to the reader's attention, and stimulating to his curiosity, may succeed in giving popularity and very respectable reputation to a work which, when examined closely, proves to be made up of materials of the slightest possible value.

We are the more disposed to look a little into these Guesses at Truth, because they afford a fair specimen of the manner and lucubrations of a small class, or coterie, whom we have had amongst us, and who may be best described as the Coleridgean school of philosophers. It is a class distinguished by the thorough contempt it manifests for all whom the world has been accustomed to consider as clear and painstaking thinkers – by an overweening, quiet arrogance – by a general indolence of mind interrupted by fitful efforts of thought, and much laborious trifling. They are not genuine conscientious thinkers after any order of philosophy; they are as little followers of Kant as they are of Locke; but they take advantage of the name and reputation of the one to speak with something approximating to disdain of the superficiality of the other. That they alone are right – would be fair enough. To one who strenuously labours to bring out and establish his principles, we readily permit a great confidence in his own opinion; if he did not think others wrong and himself alone right, why should he be labouring at our conviction? But these gentlemen do not labour; they have earned nothing with the sweat of their brow; they hover over all things with a consummate self-complacency; they investigate nothing; they condescend to understand no one. Men of indolent ability, they would be supposed calmly to overlook the whole field of philosophic controversy, and by dint of some learning, by the perpetual proclamation of the shallowness of their contemporaries, and a mysterious intimation of profundities of thought of their own, which they are sufficiently cautious not to attempt too fully to reveal, – they certainly contrive to make a marvellous impression upon the good-natured reader.

That we are right in pronouncing Coleridge as the master who has formed this coterie of writers, many passages in the present work would testify; but Archdeacon Hare, the author of the greater portion of it, has very lately, in the plenitude of his years, proclaimed his great veneration, and a sort of allegiance, towards Coleridge the philosopher. To Coleridge the poet be all honour paid – we join in whatever applause may, within reasonable compass, be bestowed upon him; but Coleridge the sage, the metaphysician, the divine, is a very different person; and with all his undoubted genius, the very last man, we humbly conceive, to give a wise and steady direction to the thinking faculty of others. It is thus, however, that Archdeacon Hare, in his late Memoir of John Sterling, speaks of this wilful, fitful, erratic genius: – "At that time it was beginning to be acknowledged by more than a few that Coleridge is the true sovereign of modern English thought. The Aids to Reflection had recently been published, and were doing the work for which they were so admirably fitted; that book to which many, as has been said by one of Sterling's chief friends, 'owe even their own selves.' Few felt the obligation more deeply than Sterling. 'To Coleridge (he wrote to me in 1836) I owe education. He taught me to believe that an empirical philosophy is none; that faith is the highest reason; that all criticism, whether of literature, laws, or manners, is blind, without the power of discerning the organic unity of the object, &c., &c.'" He taught him to believe he had a meaning where he had none, to slight authors as shallow because they were lucid and intelligible, to substitute occasional efforts, and a dogmatism arising out of generous emotions, for the steady discipline of philosophy, and the calm inquiry after truth. The whole intellectual career of Sterling proves how unfortunate he was in having fallen under the dominion of this "true sovereign of modern English thought." With the finest moral temper in the world, we find him never, for two years together, with the same set of opinions, and his set of opinions at each time were such as a Coleridgean only could hold together in harmony.

Let any one not overawed by sounding reputations, examine the Aids to Reflection, – this work which gives a claim to the sovereignty of modern English thought, – the characteristic that will chiefly strike him is the predominance of hard writing, which at first wears the appearance, and is found to be the melancholy substitute, of hard thinking. On closer examination, he will be surprised to find how much space is wasted in verbal quibbles, which the author in vain endeavours to raise into importance; and how often the quotations from Leighton, dignified with the name of aphorisms, are such as any page of any sermon would have supplied him with. Amidst this jumble of crude metaphysics and distorted theology, there is from time to time an admirable observation admirably expressed; and there is also from time to time an absurdity so flagrant, that it requires all the author's skill of composition to redeem it from the charge of utter nonsense.

At the time when Coleridge wrote, what are known especially as German metaphysics had hardly reached our shores. He had studied them, or, like every active mind, had rather studied on them. They had given an impulse and direction to his own trains of thought; and if Coleridge had been capable of a continuous application, and a complete execution of any one work, he might have introduced a body of metaphysics into this country which, though due in its origin to German thinkers, would still have been justly entitled his own. But for this continuous labour he was not disposed: we have, therefore, a mere dim broken outline of a system of philosophy (intelligible only to those who have studied that system in other works) applied, in a very strange manner, to the dogmatic tenets of theology. This forms the basis of the Aids to Reflection; and very much of aid or assistance it must bring! We venture to say, that no one unacquainted, from any other source, with the speculations of Kant or Schelling, – let him give what attention, or bring what brains he may to his task, – can understand the refracted and partial representation of their tenets which Coleridge occasionally gives. Take, for instance, a long note, which every reader of the book must remember, upon Thesis and Antithesis, and Punctum Indifferens. With all the assistance of scholastic and geometrical terms, and that illustration abruptly enough introduced of "sulphuretted hydrogen," the reader, we are persuaded, if he comes fresh to the subject, must be utterly at a loss for a meaning. We have diagram and tabular view, and algebraic signs, and chemical illustration, and all the paraphernalia of a most desperate development of thought, and not one sentence of lucid explanation.

On the great subject of the existence of God, Coleridge appears to us to assume a most unsatisfactory and a somewhat perilous position. To oppose the school of Locke and Paley – far too simple for his taste – he gives a validity to the ambitious subtleties which made Shelley an atheist. The great argument from design, so convincing to us all, he slights, – it is too vulgar and commonplace for his purpose, – and finds his grounds of belief in the practical reason of Kant, (an afterthought of the philosopher of Kœnigsberg, and evidently at issue with the main tenets of his system,) or in certain ontological dogmas, which of all things are most open to dispute.

"I hold, then, it is true," he says, "that all the (so-called) demonstrations of a God either prove too little, as that from the order or apparent purpose in nature; or too much, namely, that the world is itself God; or they clandestinely involve the conclusion in the premises, passing off the mere analysis or explication of an assertion for the proof of it – a species of logical legerdemain not unlike that of the jugglers at a fair, who, putting into their mouths what seems to be a walnut, draw out a score yards of ribbon, as in the postulate of a First Cause. And, lastly, in all these demonstrations, the demonstrators presuppose the idea or conception of a God without being able to authenticate it; that is, to give an account whence they obtained it. For it is clear that the proof first mentioned, and the most natural and convincing of all (the cosmological, I mean, or that from the order of nature), presupposes the ontological; that is, the proof of a God from the necessity and necessary objectivity of the Idea. If the latter can assure us of a God as an existing reality. the former will go far to prove his power, wisdom, and benevolence. All this I hold. But I also hold, that the truth the hardest to demonstrate, is the one which, of all others, least needs to be demonstrated; that though there may be no conclusive demonstrations of a good, wise, living, and personal God, there are so many convincing reasons for it within and without – a grain of sand sufficing, and a whole universe at hand to echo the decision! – that for every mind not devoid of all reason, and desperately conscience-proof, the truth which it is the least possible to prove, it is little else than impossible not to believe, – only indeed, just so much short of impossible as to leave some room for the will, and the moral election, and thereby to keep it a truth of religion, and the possible subject of a commandment." – (P. 132.)

We are not very partial to this notion of a truth of the reason being a subject for the exercise of moral obedience, and least of all in the case of a truth, the recognition of which must precede any intelligible exercise of the religious conscience. In common with the vast majority of mankind, we hold that the cosmological argument is complete in itself. Ontology, as a branch of metaphysics placed in opposition to psychology, is, by the greater number of reflecting men, regarded as a mere shadow, the region of utter and hopeless obscurity. We know nothing in itself, – only its phenomena; being escapes us, except as that to which the phenomena belong. If we prove, or rather if we see, order and wisdom in the material world, we have all the demonstration of a being, intelligent and wise, that our minds are capable of receiving. We have the same proof for the being of God, as we have for the existence of matter or of mind; we cannot have more, and we have not a jot less.

By way of compensation, our philosopher, when he is once in possession of the Idea of God, evolves from it, by unassisted reason, the most profound mysteries of revealed religion. Mark here the elated step of the triumphant logician: —

"I form a certain notion in my mind, and say, 'This is what I understand by the term God.' From books and conversation, I find that the learned generally connect the same notion with the same word. I then apply the rules laid down by the masters of logic for the involution and evolution of terms [the conjurer that he is!] and prove, to as many as agree with me in my premises, that the notion God involves the notion Trinity." – (P. 126.)

The further description of this successful process of the involution and evolution of terms is postponed to a future work. It was a strange and somewhat affected position that Coleridge assumed between the philosophical and the religious world. He would belong to both, and yet would be unhappy if you did not regard him as standing apart and alone. He was the Punctum Indifferens, which might be both, or neither. The philosopher among divines, the divine among philosophers, he was delighted to appear to each class in a masquerade drawn from the wardrobe of the other. Even on the most ordinary occasions, he would sometimes eke out, or obscure, his explanations by a little of the dialect of the chapel, or the meeting-house. Near the commencement of the book is the following note: —

"Distinction between Thought and Attention. – By Thought is here meant the voluntary reproduction in our own minds of those states of consciousness, or (to use a phrase more familiar to the religious reader) of those inward experiences, to which, as to his best and most authentic documents, the teacher of moral and religious truth refers us. In Attention, we keep the mind passive; in Thought, we rouse it into activity. In the former, we submit to an impression, – we keep the mind steady in order to receive the stamp. In the latter, we seek to imitate the artist, while we ourselves make a copy or duplicate of his work. We may learn arithmetic or the elements of geometry by continued attention alone; but self-knowledge, or an insight into the laws and constitution of the human mind, and, the grounds of religion and true morality, in addition to the effort of attention, requires the energy of thought."

Now this reference to the word experience, as one which would be more familiar to the religious reader, is pure affectation; because he must have known that religious people never use that term in the wide or general sense of states of consciousness, but restrict its meaning to a very peculiar class of feelings. As to the distinction which is here laid down, we thought we agreed with Coleridge till we came to the illustration that was to make all clear. He who has to learn arithmetic, or geometry must assuredly exercise thought as well as attention. It is by that "voluntary reproduction" of the ideas presented to him, by which Coleridge defines thought, that he can alone fully understand and make the subject his own.

At other times this erratic genius rejoices in astonishing all philosophically-minded individuals by some extravagance got from the remotest regions of the religious world. What but some morbid caprice could have induced him to pen such a paragraph as this: —

"It might be the means of preventing many unhappy marriages, if the youth of both sexes had it early impressed on their minds that marriage contracted between Christians is a true and perfect Symbol or Mystery; that is, the actualising Faith being supposed to exist in the receivers, it is an outward sign co-essential with that which it signifies, or a living part of that, the whole of which it represents."

Coleridge never did seriously think – of that we may be sure – that the repetition of this abracadabra could be the means "of preventing many unhappy marriages."

The author of the Aids to Reflection had, however, this undoubted merit – that he was a thinker – that, in his own fitful method, he gave himself from time to time to strenuous meditation. He lacked, indeed, the calm, and serene, and patient thought which characterises the successful inquirer into philosophic truth. He could plunge boldly in, and dive deeply down; but the tranquillity of mind which the diver should possess in those depths where the light is so faint – this he failed in; so that, from his perilous enterprises, he often rose with tangled weeds instead of treasure, spasmodically clasped in both his hands, and held aloft with a shout of triumph. This energy of mind makes itself felt through all the cumbrous obscurity of his exposition, and is the real secret of the influence which he exerted over many, to whom he imparted a noble but irregular impulse, and a sense of proud achievement where nothing complete had been accomplished. His disciples are therefore distinguished, as we have remarked, by undisciplined efforts of thought, and a fancied superiority to the age in which they live, – a notion that they stand upon an intellectual eminence they have neither attained nor fairly toiled for.

But we are in danger of forgetting that it is not the Aids to Reflection, but the Guesses at Truth, we are at present concerned with. Guesses at Truth! You think, of course, that the modest inquirer is about to give us the conclusions to which he has arrived upon the great questions of philosophy, – to collect together the results of his investigations into first principles and the eternal problems of human life. But these results, whatever they may be, are rather assumed than expressed throughout the whole book. As you read on, you find the page still occupied with some trifling discussion about words – strictures upon the contemporary tastes – odd bits of criticism and politics – quibble and conundrum. Over all, indeed, is seen hanging the beetle-brow of the pre-eminent sage, and you are to presume that the meditative man is unbending, and merely at his sport. But he is unbent always: the bow is never strung, or nothing flies from it; the great thinker never sets himself earnestly to work. At last you conclude that there is no work in him– that he never did, and never will work; and that it is useless to wait any longer for this nodding image, with its eternal smile of self-complacency, to turn into an oracle of wisdom.

If, indeed, the writer or writers were verily sportive, – if there were wit or amusement in this unbent condition of the bow, most readers might think there was very little reason to complain: there would be mirth, if not wisdom, to be had. But there is no such compensation. With few exceptions, nothing can be more heavy or cumbrous than their efforts at pleasantry. The illustrations, intended to be humorous and sprightly, have no gaiety in them; and the satirical observations have rarely any other characteristic of satire than their evident injustice.

The manner in which these writers appear to have proceeded, in the excogitation of their detached remarks, is after this fashion, – on all occasions, trivial or important, to carp at any thing that assumes the shape of a commonplace truth, any thing that is generally said or admitted. By this means some merit of originality may surely be obtained, and a lofty character for independence secured. Open the book at the first page: —

"The heart has often been compared to the needle for its constancy: has it ever been so for its variations?"

Why should it? Why should the magnetic needle, which is a popular illustration for constancy of purpose, be chosen as an emblem also for our mutability? Are there not the winds, and the clouds, and the feather blown in the air, and a thousand other similes for this phase of our nature? But "true as the needle to the pole" had been said so long that it was time to see whether the saying could not be reversed. We may as well quote the rest of the passage.

"Yet were any man to keep minutes of his feelings from youth to age, what a table of variations would they present! how numerous! how diverse! how strange! This is just what we find in the writings of Horace. If we consider his occasional effusions – and such they almost all are – as merely expressing the piety or the passion, the seriousness or the levity of the moment, we shall have no difficulty in accounting for those discrepancies in their features which have so much puzzled professional commentators. Their very contradictions prove their truth. Or, could the face even of Ninon de l'Enclos at seventy be just what it was at seventeen? Nay, was Cleopatra before Augustus the same as Cleopatra with Antony? or Cleopatra with Antony the same as with the great Julius?"

A section half a page in length, and on so trite a subject, ought at least to have boasted a greater distinctness of thought. One would hardly have anticipated that the shifting humours of Horace and the decline of Ninon's beauty (of whom it seems to be gravely asked, whether she could be just the same at seventy as at seventeen,) would be put in the same category. The form of composition adopted by the author has not prevented a frequent confusion of ideas, though it has rendered such a fault less excusable. His mode of progression is "like a peacock's walk, a stride and a stand," yet he often fails to take his single step with firmness and decision.

In a work of this kind, we know not how better to proceed than to examine some of the sections in the order they occur; and, as we have begun at the first page, we shall turn over the leaves of the book, and, without too much anxiety of selection, extract for our comment such as appear best to characterise the authors. Nor shall we attempt to make any distinction between the writers. The larger portion, and to which no signature is affixed, is the composition of Archdeacon Hare; those signed U, are by his brother; and there are occasionally other signatures, as A. and L., and A. and O. L., but what names these stand for we are not informed, – nor are we anxious to know. It is as a specimen of a certain class or coterie of thinkers we have been induced to notice the work, and we would at all times rather assail the thing said than the person who says it. It is remarkable that there is as much harmony between the several parts of the work as if the whole had been written by the same individual; and where inconsistencies appear, they will generally be found in the portions which bear the same signature, and which are the composition therefore of the same writer.

"Philosophy, like every thing else, in a Christian nation, should be Christian. We throw away the better half of our means, when we neglect to avail ourselves of the advantages which starting in the right road gives us. It is idle to urge that unless we do this, anti-Christians will deride us. Curs bark at gentlemen on horseback; but who, except a hypochondriac, ever gave up riding on that account?"

To say that philosophy should be Christian, is very much like saying that truth should be Christian. The philosophy of a genuine Christian will be Christian, we presume, unless he be capable of believing contradictory propositions. Or does the writer mean that that alone is Christian philosophy of which Coleridge has given us a slight specimen, and where the attempt is made to deduce from human reason alone the revealed mysteries of Christianity? What follows is as carelessly penned as it is pointless and vapid. "It is idle to urge that unless we do this anti-Christians will deride us." It would be impossible from the mere rules of grammar to know what it is that anti-Christians would deride us for doing, – whether for going right or wrong. But the illustration, by no means very elegant, which follows, comes to our assistance. As the anti-Christians, are the curs, and the gentleman on horseback the Christian philosopher, and as riding on horseback is certainly a very commendable thing, we discover that it is for going right that the anti-Christians would deride us.

The next is an instance how an observation, good in itself, may be run to death.

"'I am convinced that jokes are often accidental. A man in the course of conversation throws out a remark at random, and is as much surprised as any of the company, on hearing it, to find it witty.'

"For the substance of this observation I am indebted to one of the pleasantest men I ever knew, who was doubtless giving the results of his own experience. He might have carried his remark some steps further with ease and profit. It would have done our pride no harm to be reminded, how few of our best and wisest, and even of our newest thoughts, do really and wholly originate in ourselves, – how few of them are voluntary, or at least intentional. Take away all that has been suggested or improved by the hints and remarks of others, – all that has fallen from us accidentally, all that has been struck out by collision, all that has been prompted by a sudden impulse, or has occurred to us when least looking for it – and the remainder, which alone can be claimed as the fruit of our thought and study, will in every man form a small portion of his store, and in most men will be little worth preserving."

This is carrying his friend's observation "a little further with ease and profit!" It is carrying it to where it is utterly lost in mere absurdity. "Take away all that has been suggested," &c. – (take away all that we have ever learned) – "take away all that has been prompted," &c. – (take away all excitement to thinking, as well as all materials of thought) – and we should be glad to know what "remainder" can be left at all. The paragraph continues thus —

"We can no more make thoughts than seeds. How absurd, then, for a man to call himself a poet or maker! The ablest writer is a gardener first, and then a cook," (two very industrious professions at all events.) "His tasks are, carefully to select and cultivate his strongest and most nutritive thoughts; and, when they are ripe, to dress them wholesomely, and so that they may have a relish."

A very succulent image. The next sentence which our eye falls upon is pretty, and we willingly extract it: —

"Leaves are light, and useless, and idle, and wavering, and changeable; they even dance: yet God has made them part of the oak. In so doing, he has given us a lesson not to deny the stout-heartedness within, because we see the lightsomeness without."

The following truism we should have hardly thought deserving of a place amidst Guesses at Truth; but, being admitted, the section devoted to it might surely have been preserved from obscurity to the close: —

"Time is no agent, as some people appear to think, that it should accomplish any thing of itself. Looking at a heap of stones for a thousand years will do no more toward building a house of them, than looking at them for a moment. For time, when applied to works of any kind, being only a succession of relevant acts, each furthering the work, it is clear that even an infinite succession of irrelevant and therefore inefficient acts would no more achieve or forward the completion, than an infinite number of jumps on the same spot would advance a man toward his journey's end. There is a motion, without progress in time as well as in space; where a thing often remains stationary, which appears to us to recede, while we are leaving it behind."

Plain sailing enough till we come to the last sentence. We dare not say that "we do not understand this" – these writers tell us so often that the critic fails in understanding simply from his own want of apprehension – but we may venture to hint that whatever meaning it contains might have been more clearly expressed. The hapless critic, by the way, is severely dealt with by this school of philosophers. He is told that "Coleridge's golden rule —Until you understand an author's ignorance, presume yourself ignorant of his understanding– should be borne in mind by all writers who feel an itching in their forefinger and thumb to be carping at their wisers and betters." (P. 161) Our wisers should have informed the critic how he is to fathom an author's ignorance except by examining the accuracy and intelligibility of the positive statements he makes. "A Reviewer's business," we are assured in another part, "is to have positive opinions upon all subjects, without need of steadfast principles or thoroughgoing knowledge upon any: and he belongs to the hornet class, unproductive of any thing useful or sweet, but ever ready to sally forth and sting." Hard measure this. But we must not be judges in our own cause.