VOLTAIRE AND FREDERICK THE GREAT
At the present time,6 when it is so difficult to think of anything but of what is and what will be, it may yet be worth while to cast occasionally a glance backward at what was. Such glances may at least prove to have the humble merit of being entertaining: they may even be instructive as well. Certainly it would be a mistake to forget that Frederick the Great once lived in Germany. Nor is it altogether useless to remember that a curious old gentleman, extremely thin, extremely active, and heavily bewigged, once decided that, on the whole, it would be as well for him not to live in France. For, just as modern Germany dates from the accession of Frederick to the throne of Prussia, so modern France dates from the establishment of Voltaire on the banks of the Lake of Geneva. The intersection of those two momentous lives forms one of the most curious and one of the most celebrated incidents in history. To English readers it is probably best known through the few brilliant paragraphs devoted to it by Macaulay; though Carlyle's masterly and far more elaborate narrative is familiar to every lover of The History of Friedrich II. Since Carlyle wrote, however, fifty years have passed. New points of view have arisen, and a certain amount of new material—including the valuable edition of the correspondence between Voltaire and Frederick published from the original documents in the Archives at Berlin—has become available. It seems, therefore, in spite of the familiarity of the main outlines of the story, that another rapid review of it will not be out of place.
Voltaire was forty-two years of age, and already one of the most famous men of the day, when, in August 1736, he received a letter from the Crown Prince of Prussia. This letter was the first in a correspondence which was to last, with a few remarkable intervals, for a space of over forty years. It was written by a young man of twenty-four, of whose personal qualities very little was known, and whose importance seemed to lie simply in the fact that he was heir-apparent to one of the secondary European monarchies. Voltaire, however, was not the man to turn up his nose at royalty, in whatever form it might present itself; and it was moreover clear that the young prince had picked up at least a smattering of French culture, that he was genuinely anxious to become acquainted with the tendencies of modern thought, and, above all, that his admiration for the author of the Henriade and Zaïre was unbounded.
La douceur et le support [wrote Frederick] que vous marquez pour tous ceux qui se vouent aux arts et aux sciences, me font espérer que vous ne m'exclurez pas du nombre de ceux que vous trouvez dignes de vos instructions. Je nomme ainsi votre commerce de lettres, qui ne peut être que profitable à tout être pensant. J'ose même avancer, sans déroger au mérite d'autrui, que dans l'univers entier il n'y aurait pas d'exception à faire de ceux dont vous ne pourriez être le maître.
The great man was accordingly delighted; he replied with all that graceful affability of which he was a master, declared that his correspondent was 'un prince philosophe qui rendra les hommes heureux,' and showed that he meant business by plunging at once into a discussion of the metaphysical doctrines of 'le sieur Wolf,' whom Frederick had commended as 'le plus célèbre philosophe de nos jours.' For the next four years the correspondence continued on the lines thus laid down. It was a correspondence between a master and a pupil: Frederick, his passions divided between German philosophy and French poetry, poured out with equal copiousness disquisitions upon Free Will and la raison suffisante, odes sur la Flatterie, and epistles sur l'Humanité, while Voltaire kept the ball rolling with no less enormous philosophical replies, together with minute criticisms of His Royal Highness's mistakes in French metre and French orthography. Thus, though the interest of these early letters must have been intense to the young Prince, they have far too little personal flavour to be anything but extremely tedious to the reader of to-day. Only very occasionally is it possible to detect, amid the long and careful periods, some faint signs of feeling or of character. Voltaire's empressement seems to take on, once or twice, the colours of something like a real enthusiasm; and one notices that, after two years, Frederick's letters begin no longer with 'Monsieur' but with 'Mon cher ami,' which glides at last insensibly into 'Mon cher Voltaire'; though the careful poet continues with his 'Monseigneur' throughout. Then, on one occasion, Frederick makes a little avowal, which reads oddly in the light of future events.
Souffrez [he says] que je vous fasse mon caractère, afin que vous ne vous y mépreniez plus … J'ai peu de mérite et peu de savoir; mais j'ai beaucoup de bonne volonté, et un fonds inépuisable d'estime et d'amitié pour les personnes d'une vertu distinguée, et avec cela je suis capable de toute la constance que la vraie amitié exige. J'ai assez de jugement pour vous rendre toute la justice que vous méritez; mais je n'en ai pas assez pour m'empêcher de faire de mauvais vers.
But this is exceptional; as a rule, elaborate compliments take the place of personal confessions; and, while Voltaire is never tired of comparing Frederick to Apollo, Alcibiades, and the youthful Marcus Aurelius, of proclaiming the rebirth of 'les talents de Virgile et les vertus d'Auguste,' or of declaring that 'Socrate ne m'est rien, c'est Frédéric que j'aime,' the Crown Prince is on his side ready with an equal flow of protestations, which sometimes rise to singular heights. 'Ne croyez pas,' he says, 'que je pousse mon scepticisime à outrance … Je crois, par exemple, qu'il n'y a qu'un Dieu et qu'un Voltaire dans le monde; je crois encore que ce Dieu avait besoin dans ce siècle d'un Voltaire pour le rendre aimable.' Decidedly the Prince's compliments were too emphatic, and the poet's too ingenious; as Voltaire himself said afterwards, 'les épithètes ne nous coûtaient rien'; yet neither was without a little residue of sincerity. Frederick's admiration bordered upon the sentimental; and Voltaire had begun to allow himself to hope that some day, in a provincial German court, there might be found a crowned head devoting his life to philosophy, good sense, and the love of letters. Both were to receive a curious awakening.
In 1740 Frederick became King of Prussia, and a new epoch in the relations between the two men began. The next ten years were, on both sides, years of growing disillusionment. Voltaire very soon discovered that his phrase about 'un prince philosophe qui rendra les hommes heureux' was indeed a phrase and nothing more. His prince philosophe started out on a career of conquest, plunged all Europe into war, and turned Prussia into a great military power. Frederick, it appeared, was at once a far more important and a far more dangerous phenomenon than Voltaire had suspected. And, on the other hand, the matured mind of the King was not slow to perceive that the enthusiasm of the Prince needed a good deal of qualification. This change of view, was, indeed, remarkably rapid. Nothing is more striking than the alteration of the tone in Frederick's correspondence during the few months which followed his accession: the voice of the raw and inexperienced youth is heard no more, and its place is taken—at once and for ever—by the self-contained caustic utterance of an embittered man of the world. In this transformation it was only natural that the wondrous figure of Voltaire should lose some of its glitter—especially since Frederick now began to have the opportunity of inspecting that figure in the flesh with his own sharp eyes. The friends met three or four times, and it is noticeable that after each meeting there is a distinct coolness on the part of Frederick. He writes with a sudden brusqueness to accuse Voltaire of showing about his manuscripts, which, he says, had only been sent him on the condition of un secret inviolable. He writes to Jordan complaining of Voltaire's avarice in very stringent terms. 'Ton avare boira la lie de son insatiable désir de s'enrichir … Son apparition de six jours me coûtera par journée cinq cent cinquante écus. C'est bien payer un fou; jamais bouffon de grand seigneur n'eut de pareils gages.' He declares that 'la cervelle du poète est aussi légère que le style de ses ouvrages,' and remarks sarcastically that he is indeed a man extraordinaire en tout.
Yet, while his opinion of Voltaire's character was rapidly growing more and more severe, his admiration of his talents remained undiminished. For, though he had dropped metaphysics when he came to the throne, Frederick could never drop his passion for French poetry; he recognised in Voltaire the unapproachable master of that absorbing art; and for years he had made up his mind that, some day or other, he would posséder—for so he put it—the author of the Henriade, would keep him at Berlin as the brightest ornament of his court, and, above all, would have him always ready at hand to put the final polish on his own verses. In the autumn of 1743 it seemed for a moment that his wish would be gratified. Voltaire spent a visit of several weeks in Berlin; he was dazzled by the graciousness of his reception and the splendour of his surroundings; and he began to listen to the honeyed overtures of the Prussian Majesty. The great obstacle to Frederick's desire was Voltaire's relationship with Madame du Châtelet. He had lived with her for more than ten years; he was attached to her by all the ties of friendship and gratitude; he had constantly declared that he would never leave her—no, not for all the seductions of princes. She would, it is true, have been willing to accompany Voltaire to Berlin; but such a solution would by no means have suited Frederick. He was not fond of ladies—even of ladies like Madame du Châtelet—learned enough to translate Newton and to discuss by the hour the niceties of the Leibnitzian philosophy; and he had determined to posséder Voltaire either completely or not at all. Voltaire, in spite of repeated temptations, had remained faithful; but now, for the first time, poor Madame du Châtelet began to be seriously alarmed. His letters from Berlin grew fewer and fewer, and more and more ambiguous; she knew nothing of his plans; 'il est ivre absolument' she burst out in her distress to d'Argental, one of his oldest friends. By every post she dreaded to learn at last that he had deserted her for ever. But suddenly Voltaire returned. The spell of Berlin had been broken, and he was at her feet once more.
What had happened was highly characteristic both of the Poet and of the King. Each had tried to play a trick on the other, and each had found the other out. The French Government had been anxious to obtain an insight into the diplomatic intentions of Frederick, in an unofficial way; Voltaire had offered his services, and it had been agreed that he should write to Frederick declaring that he was obliged to leave France for a time owing to the hostility of a member of the Government, the Bishop of Mirepoix, and asking for Frederick's hospitality. Frederick had not been taken in: though he had not disentangled the whole plot, he had perceived clearly enough that Voltaire's visit was in reality that of an agent of the French Government; he also thought he saw an opportunity of securing the desire of his heart. Voltaire, to give verisimilitude to his story, had, in his letter to Frederick, loaded the Bishop of Mirepoix with ridicule and abuse; and Frederick now secretly sent this letter to Mirepoix himself. His calculation was that Mirepoix would be so outraged that he would make it impossible for Voltaire ever to return to France; and in that case—well, Voltaire would have no other course open to him but to stay where he was, in Berlin, and Madame du Châtelet would have to make the best of it. Of course, Frederick's plan failed, and Voltaire was duly informed by Mirepoix of what had happened. He was naturally very angry. He had been almost induced to stay in Berlin of his own accord, and now he found that his host had been attempting, by means of treachery and intrigue, to force him to stay there whether he liked it or not. It was a long time before he forgave Frederick. But the King was most anxious to patch up the quarrel; he still could not abandon the hope of ultimately securing Voltaire; and besides, he was now possessed by another and a more immediate desire—to be allowed a glimpse of that famous and scandalous work which Voltaire kept locked in the innermost drawer of his cabinet and revealed to none but the most favoured of his intimates—La Pucelle.
Accordingly the royal letters became more frequent and more flattering than ever; the royal hand cajoled and implored. 'Ne me faites point injustice sur mon caractère; d'ailleurs il vous est permis de badiner sur mon sujet comme il vous plaira.' 'La Pucelle! La Pucelle! La Pucelle! et encore La Pucelle!' he exclaims. 'Pour l'amour de Dieu, ou plus encore pour l'amour de vous-même, envoyez-la-moi.' And at last Voltaire was softened. He sent off a few fragments of his Pucelle—just enough to whet Frederick's appetite—and he declared himself reconciled, 'Je vous ai aimé tendrement,' he wrote in March 1749; 'j'ai été fâché contre vous, je vous ai pardonné, et actuellement je vous aime à la folie.' Within a year of this date his situation had undergone a complete change. Madame du Châtelet was dead; and his position at Versailles, in spite of the friendship of Madame de Pompadour, had become almost as impossible as he had pretended it to have been in 1743. Frederick eagerly repeated his invitation; and this time Voltaire did not refuse. He was careful to make a very good bargain; obliged Frederick to pay for his journey; and arrived at Berlin in July 1750. He was given rooms in the royal palaces both at Berlin and Potsdam; he was made a Court Chamberlain, and received the Order of Merit, together with a pension of £800 a year. These arrangements caused considerable amusement in Paris; and for some days hawkers, carrying prints of Voltaire dressed in furs, and crying 'Voltaire le prussien! Six sols le fameux prussien!' were to be seen walking up and down the Quays.
The curious drama that followed, with its farcical περιπετἑια and its tragi-comic dénouement, can hardly be understood without a brief consideration of the feelings and intentions of the two chief actors in it. The position of Frederick is comparatively plain. He had now completely thrown aside the last lingering remnants of any esteem which he may once have entertained for the character of Voltaire. He frankly thought him a scoundrel. In September 1749, less than a year before Voltaire's arrival, and at the very period of Frederick's most urgent invitations, we find him using the following language in a letter to Algarotti: 'Voltaire vient de faire un tour qui est indigne.' (He had been showing to all his friends a garbled copy of one of Frederick's letters).
Il mériterait d'être fleurdelisé au Parnasse. C'est bien dommage qu'une âme aussi lâche soit unie à un aussi beau génie. Il a les gentillesses et les malices d'un singe. Je vous conterai ce que c'est, lorsque je vous reverrai; cependant je ne ferai semblant de rien, car j'en ai besoin pour l'étude de l'élocution française. On peut apprendre de bonnes choses d'un scélérat. Je veux savoir son français; que m'importe sa morale? Cet homme a trouvé le moyen de réunir tous les contraires. On admire son esprit, en même temps qu'on méprise son caractère.
There is no ambiguity about this. Voltaire was a scoundrel; but he was a scoundrel of genius. He would make the best possible teacher of l'élocution française; therefore it was necessary that he should come and live in Berlin. But as for anything more—as for any real interchange of sympathies, any genuine feeling of friendliness, of respect, or even of regard—all that was utterly out of the question. The avowal is cynical, no doubt; but it is at any rate straightforward, and above all it is peculiarly devoid of any trace of self-deception. In the face of these trenchant sentences, the view of Frederick's attitude which is suggested so assiduously by Carlyle—that he was the victim of an elevated misapprehension, that he was always hoping for the best, and that, when the explosion came he was very much surprised and profoundly disappointed—becomes obviously untenable. If any man ever acted with his eyes wide open, it was Frederick when he invited Voltaire to Berlin.
Yet, though that much is clear, the letter to Algarotti betrays, in more than one direction, a very singular state of mind. A warm devotion to l'élocution française is easy enough to understand; but Frederick's devotion was much more than warm; it was so absorbing and so intense that it left him no rest until, by hook or by crook, by supplication, or by trickery, or by paying down hard cash, he had obtained the close and constant proximity of—what?—of a man whom he himself described as a 'singe' and a 'scélérat,' a man of base soul and despicable character. And Frederick appears to see nothing surprising in this. He takes it quite as a matter of course that he should be, not merely willing, but delighted to run all the risks involved by Voltaire's undoubted roguery, so long as he can be sure of benefiting from Voltaire's no less undoubted mastery of French versification. This is certainly strange; but the explanation of it lies in the extraordinary vogue—a vogue, indeed, so extraordinary that it is very difficult for the modern reader to realise it—enjoyed throughout Europe by French culture and literature during the middle years of the eighteenth century. Frederick was merely an extreme instance of a universal fact. Like all Germans of any education, he habitually wrote and spoke in French; like every lady and gentleman from Naples to Edinburgh, his life was regulated by the social conventions of France; like every amateur of letters from Madrid to St. Petersburg, his whole conception of literary taste, his whole standard of literary values, was French. To him, as to the vast majority of his contemporaries, the very essence of civilisation was concentrated in French literature, and especially in French poetry; and French poetry meant to him, as to his contemporaries, that particular kind of French poetry which had come into fashion at the court of Louis XIV. For this curious creed was as narrow as it was all-pervading. The Grand Siècle was the Church Infallible; and it was heresy to doubt the Gospel of Boileau.
Frederick's library, still preserved at Potsdam, shows us what literature meant in those days to a cultivated man: it is composed entirely of the French Classics, of the works of Voltaire, and of the masterpieces of antiquity translated into eighteenth-century French. But Frederick was not content with mere appreciation; he too would create; he would write alexandrines on the model of Racine, and madrigals after the manner of Chaulieu; he would press in person into the sacred sanctuary, and burn incense with his own hands upon the inmost shrine. It was true that he was a foreigner; it was true that his knowledge of the French language was incomplete and incorrect; but his sense of his own ability urged him forward, and his indefatigable pertinacity kept him at his strange task throughout the whole of his life. He filled volumes, and the contents of those volumes afford probably the most complete illustration in literature of the very trite proverb—Poeta nascitur, non fit. The spectacle of that heavy German Muse, with her feet crammed into pointed slippers, executing, with incredible conscientiousness, now the stately measure of a Versailles minuet, and now the spritely steps of a Parisian jig, would be either ludicrous or pathetic—one hardly knows which—were it not so certainly neither the one nor the other, but simply dreary with an unutterable dreariness, from which the eyes of men avert themselves in shuddering dismay. Frederick himself felt that there was something wrong—something, but not really very much. All that was wanted was a little expert advice; and obviously Voltaire was the man to supply it—Voltaire, the one true heir of the Great Age, the dramatist who had revived the glories of Racine (did not Frederick's tears flow almost as copiously over Mahomet as over Britannicus?), the epic poet who had eclipsed Homer and Virgil (had not Frederick every right to judge, since he had read the 'Iliad' in French prose and the 'Aeneid' in French verse?), the lyric master whose odes and whose epistles occasionally even surpassed (Frederick Confessed it with amazement) those of the Marquis de la Fare. Voltaire, there could be no doubt, would do just what was needed; he would know how to squeeze in a little further the waist of the German Calliope, to apply with his deft fingers precisely the right dab of rouge to her cheeks, to instil into her movements the last nuances of correct deportment. And, if he did that, of what consequence were the blemishes of his personal character? 'On peut apprendre de bonnes choses d'un scélérat.'
And, besides, though Voltaire might be a rogue, Frederick felt quite convinced that he could keep him in order. A crack or two of the master's whip—a coldness in the royal demeanour, a hint at a stoppage of the pension—and the monkey would put an end to his tricks soon enough. It never seems to have occurred to Frederick that the possession of genius might imply a quality of spirit which was not that of an ordinary man. This was his great, his fundamental error. It was the ingenuous error of a cynic. He knew that he was under no delusion as to Voltaire's faults, and so he supposed that he could be under no delusion as to his merits. He innocently imagined that the capacity for great writing was something that could be as easily separated from the owner of it as a hat or a glove. 'C'est bien dommage qu'une âme aussi lâche soit unie à un aussi beau génie.' C'est bien dommage!—as if there was nothing more extraordinary in such a combination than that of a pretty woman and an ugly dress. And so Frederick held his whip a little tighter, and reminded himself once more that, in spite of that beau génie, it was a monkey that he had to deal with. But he was wrong: it was not a monkey; it was a devil, which is a very different thing.
A devil—or perhaps an angel? One cannot be quite sure. For, amid the complexities of that extraordinary spirit, where good and evil were so mysteriously interwoven, where the elements of darkness and the elements of light lay crowded together in such ever-deepening ambiguity, fold within fold, the clearer the vision the greater the bewilderment, the more impartial the judgment the profounder the doubt. But one thing at least is certain: that spirit, whether it was admirable or whether it was odious, was moved by a terrific force. Frederick had failed to realise this; and indeed, though Voltaire was fifty-six when he went to Berlin, and though his whole life had been spent in a blaze of publicity, there was still not one of his contemporaries who understood the true nature of his genius; it was perhaps hidden even from himself. He had reached the threshold of old age, and his life's work was still before him; it was not as a writer of tragedies and epics that he was to take his place in the world. Was he, in the depths of his consciousness, aware that this was so? Did some obscure instinct urge him forward, at this late hour, to break with the ties of a lifetime, and rush forth into the unknown?
What his precise motives were in embarking upon the Berlin adventure it is very difficult to say. It is true that he was disgusted with Paris—he was ill-received at Court, and he was pestered by endless literary quarrels and jealousies; it would be very pleasant to show his countrymen that he had other strings to his bow, that, if they did not appreciate him, Frederick the Great did. It is true, too, that he admired Frederick's intellect, and that he was flattered by his favour. 'Il avait de l'esprit,' he said afterwards, 'des grâces, et, de plus, il était roi; ce qui fait toujours une grande séduction, attendu la faiblesse humaine.' His vanity could not resist the prestige of a royal intimacy; and no doubt he relished to the full even the increased consequence which came to him with his Chamberlain's key and his order—to say nothing of the addition of £800 to his income. Yet, on the other hand, he was very well aware that he was exchanging freedom for servitude, and that he was entering into a bargain with a man who would make quite sure that he was getting his money's worth; and he knew in his heart that he had something better to do than to play, however successfully, the part of a courtier. Nor was he personally attached to Frederick; he was personally attached to no one on earth. Certainly he had never been a man of feeling, and now that he was old and hardened by the uses of the world he had grown to be completely what in essence he always was—a fighter, without tenderness, without scruples, and without remorse. No, he went to Berlin for his own purposes—however dubious those purposes may have been.
And it is curious to observe that in his correspondence with his niece, Madame Denis, whom he had left behind him at the head of his Paris establishment and in whom he confided—in so far as he can be said to have confided in anyone—he repeatedly states that there is nothing permanent about his visit to Berlin. At first he declares that he is only making a stay of a few weeks with Frederick, that he is going on to Italy to visit 'sa Sainteté' and to inspect 'la ville souterraine,' that he will be back in Paris in the autumn. The autumn comes, and the roads are too muddy to travel by; he must wait till the winter, when they will be frozen hard. Winter comes, and it is too cold to move; but he will certainly return in the spring. Spring comes, and he is on the point of finishing his Siècle de Louis XIV.; he really must wait just a few weeks more. The book is published; but then how can he appear in Paris until he is quite sure of its success? And so he lingers on, delaying and prevaricating, until a whole year has passed, and still he lingers on, still he is on the point of going, and still he does not go. Meanwhile, to all appearances, he was definitely fixed, a salaried official, at Frederick's court; and he was writing to all his other friends, to assure them that he had never been so happy, that he could see no reason why he should ever come away. What were his true intentions? Could he himself have said? Had he perhaps, in some secret corner of his brain, into which even he hardly dared to look, a premonition of the future? At times, in this Berlin adventure, he seems to resemble some great buzzing fly, shooting suddenly into a room through an open window and dashing frantically from side to side; when all at once, as suddenly, he swoops away and out through another window which opens in quite a different direction, towards wide and flowery fields; so that perhaps the reckless creature knew where he was going after all.
In any case, it is evident to the impartial observer that Voltaire's visit could only have ended as it did—in an explosion. The elements of the situation were too combustible for any other conclusion. When two confirmed egotists decide, for purely selfish reasons, to set up house together, everyone knows what will happen. For some time their sense of mutual advantage may induce them to tolerate each other, but sooner or later human nature will assert itself, and the ménage will break up. And, with Voltaire and Frederick, the difficulties inherent in all such cases were intensified by the fact that the relationship between them was, in effect, that of servant and master; that Voltaire, under a very thin disguise, was a paid menial, while Frederick, condescend as he might, was an autocrat whose will was law. Thus the two famous and perhaps mythical sentences, invariably repeated by historians of the incident, about orange-skins and dirty linen, do in fact sum up the gist of the matter. 'When one has sucked the orange, one throws away the skin,' somebody told Voltaire that the King had said, on being asked how much longer he would put up with the poet's vagaries. And Frederick, on his side, was informed that Voltaire, when a batch of the royal verses were brought to him for correction, had burst out with 'Does the man expect me to go on washing his dirty linen for ever?' Each knew well enough the weak spot in his position, and each was acutely and uncomfortably conscious that the other knew it too. Thus, but a very few weeks after Voltaire's arrival, little clouds of discord become visible on the horizon; electrical discharges of irritability began to take place, growing more and more frequent and violent as time goes on; and one can overhear the pot and the kettle, in strictest privacy, calling each other black. 'The monster,' whispers Voltaire to Madame Denis, 'he opens all our letters in the post'—Voltaire, whose light-handedness with other people's correspondence was only too notorious. 'The monkey,' mutters Frederick, 'he shows my private letters to his friends'—Frederick, who had thought nothing of betraying Voltaire's letters to the Bishop of Mirepoix. 'How happy I should be here,' exclaims the callous old poet, 'but for one thing—his Majesty is utterly heartless!' And meanwhile Frederick, who had never let a farthing escape from his close fist without some very good reason, was busy concocting an epigram upon the avarice of Voltaire.
It was, indeed, Voltaire's passion for money which brought on the first really serious storm. Three months after his arrival in Berlin, the temptation to increase his already considerable fortune by a stroke of illegal stock-jobbing proved too strong for him; he became involved in a series of shady financial transactions with a Jew; he quarrelled with the Jew; there was an acrimonious lawsuit, with charges and countercharges of the most discreditable kind; and, though the Jew lost his case on a technical point, the poet certainly did not leave the court without a stain upon his character. Among other misdemeanours, it is almost certain—the evidence is not quite conclusive—that he committed forgery in order to support a false oath. Frederick was furious, and for a moment was on the brink of dismissing Voltaire from Berlin. He would have been wise if he had done so. But he could not part with his beau génie so soon. He cracked his whip, and, setting the monkey to stand in the corner, contented himself with a shrug of the shoulders and the exclamation 'C'est l'affaire d'un fripon qui a voulu tromper un filou.' A few weeks later the royal favour shone forth once more, and Voltaire, who had been hiding himself in a suburban villa, came out and basked again in those refulgent beams.