Scott did just the contrary. He never tried to be unlike somebody else; if he hit, as he did hit, upon great new styles of literature, – absolutely new in the case of the historical novel, revived after long trance in the case of the verse tale, – it was from no desire to innovate, but because his genius called him. Though in ordinary ways he was very much a man of his time, he did not contort himself in any fashion by way of expressing a (then) modern spirit, a Georgian idiosyncrasy, or anything of that sort; he was content with the language of the best writers and the thoughts of the best men. He was no amateur of the topsy-turvy, and had not the very slightest desire to show how a literary head could grow beneath the shoulders. He was satisfied that his genius should flow naturally. And the consequence is that it was never checked, that it flows still for us with all its spontaneous charm, and that it will flow in omne volubilis ævum. Among many instances of the strength which accompanied this absence of strain one already alluded to may be mentioned again. Scott is one of the most literary of all writers. He was saturated with reading; nothing could happen but it brought some felicitous quotation, some quaint parallel to his mind from the great wits, or the small, of old. Yet no writer is less bookish than he; none insults his readers less with any parade, with any apparent consciousness of erudition; and he wears his learning so lightly that pedants have even accused him of lacking it because he lacks pedantry. His stream, to resume the simile, carries in solution more reading as well as more wit, more knowledge of life and nature, more gifts of almost all kinds than would suffice for twenty men of letters, yet the very power of its solvent force, as well as the vigour of its current, makes these things comparatively invisible.
In dealing with an author so voluminous and so various in his kinds and subjects of composition, it is a hard matter to say what has to be said within prescribed limits such as these, just as it is still harder to select from so copious a store of biographical information details which may be sufficient, and not more than sufficient, to give a firm and distinct picture of his life. Yet it may perhaps be questioned whether very elaborate handling is necessary for Scott. No man probably, certainly no man of letters, is more of a piece than he. As he has been subjected to an almost unparalleled trial in the revelation of his private thoughts, so his literary powers and performances extend over a range which is unusual, if not absolutely singular, in men of letters of the first rank. Yet he is the same throughout, in romance as in review, in novel as in note-writing. Except his dramatic work, a department for which he seems to have been almost totally unfitted (despite the felicity of his 'Old Play' fragments), nothing of his can be neglected by those who wish to enjoy him to the full. Yet though there is no monotony, there is a uniformity which is all the more delightfully brought out by the minor variations of subject and kind. The last as the first word about Scott should perhaps be, 'Read him. And, as far as may be, read all of him.'
When, in comparatively early days of his acquaintance with Lockhart, Scott, thinking himself near death in the paroxysms of his cramps, bequeathed to his future son-in-law, in the words of the ballad, 'the vanguard of the three,' the duty of burying him and continuing his work, if possible, he had himself limited the heritage to the defence of ancient faith and loyalty – a great one enough. But his is, in fact, a greater. From generation to generation, whosoever determines, in so far as fate and the gods allow, to hold these things fast, and, moreover, to love all good literature, to temper erudition with common sense, to let humour wait always upon fancy, and duty upon romance; whosoever at least tries to be true to the past, to show a bold front to the present, and to let the future be as it may; whosoever 'spurns the vulgar' while endeavouring to be just to individuals, and faces 'the Secret' with neither bravado nor cringing, – he may take, if not the vanguard, yet a place according to his worth and merit, in the legion which this great captain led. Of the frequent parallels or contrasts drawn between him and Shakespeare it is not the least noteworthy that he is, of all men of letters, that one of whom we have the most intimate and the fullest revelation, while of Shakespeare we have the least. There need be very little doubt that if we knew everything about Shakespeare, he would come, as a man of mould might, scathless from the test. But we do know everything, or almost everything, about Scott, and he comes out nearly as well as anyone but a faultless monster could. For all the works of the Lord in literature, as in other things, let us give thanks – for Blake and for Beddoes as well as for Shelley and for Swift. But let everyone who by himself, or by his fathers, claims origin between Tol-Pedn-Penwith and Dunnet Head give thanks, with more energy and more confidence than in any other case save one, for the fact that his is the race and his the language of Sir Walter Scott.