Upon the 31st of June, the eve of Edward Arundel's wedding-day, Olivia Marchmont sat in her own room, – the room that she had chiefly occupied ever since her husband's death, – the study looking out into the quadrangle. She sat alone in that dismal chamber, dimly lighted by a pair of wax-candles, in tall tarnished silver candlesticks. There could be no greater contrast than that between this desolate woman and the master of the house. All about him was bright and fresh, and glittering and splendid; around her there was only ruin and decay, thickening dust and gathering cobwebs, – outward evidences of an inner wreck. John Marchmont's widow was of no importance in that household. The servants did not care to trouble themselves about her whims or wishes, nor to put her rooms in order. They no longer curtseyed to her when they met her, wandering – with a purposeless step and listless feet that dragged along the ground – up and down the corridor, or out in the dreary quadrangle. What was to be gained by any show of respect to her, whose brain was too weak to hold the memory of their conduct for five minutes together?

Barbara Simmons only was faithful to her mistress with an unvarying fidelity. She made no boast of her devotion; she expected neither fee nor reward for her self-abnegation. That rigid religion of discipline which had not been strong enough to preserve Olivia's stormy soul from danger and ruin was at least all-sufficient for this lower type of woman. Barbara Simmons had been taught to do her duty, and she did it without question or complaint. As she went through rain, snow, hail, or sunshine twice every Sunday to Kemberling church, – as she sat upon a cushionless seat in an uncomfortable angle of the servants' pew, with the sharp edges of the woodwork cutting her thin shoulders, to listen patiently to dull rambling sermons upon the hardest texts of St. Paul, – so she attended upon her mistress, submitting to every caprice, putting up with every hardship; because it was her duty so to do. The only relief she allowed herself was an hour's gossip now and then in the housekeeper's room; but she never alluded to her mistress's infirmities, nor would it have been safe for any other servant to have spoken lightly of Mrs. John Marchmont in stern Barbara's presence.

Upon this summer evening, when happy people were still lingering amongst the wild flowers in shady lanes, or in the dusky pathways by the quiet river, Olivia sat alone, staring at the candles.

Was there anything in her mind; or was she only a human automaton, slowly decaying into dust? There was no speculation in those large lustreless eyes, fixed upon the dim light of the candles. But, for all that, the mind was not a blank. The pictures of the past, for ever changing like the scenes in some magic panorama, revolved before her. She had no memory of that which had happened a quarter of an hour ago; but she could remember every word that Edward Arundel had said to her in the Rectory-garden at Swampington, – every intonation of the voice in which those words had been spoken.

There was a tea-service on the table: an attenuated little silver teapot; a lopsided cream-jug, with thin worn edges and one dumpy little foot missing; and an antique dragon china cup and saucer with the gilding washed off. That meal, which is generally called social, has but a dismal aspect when it is only prepared for one. The solitary teacup, half filled with cold, stagnant tea, with a leaf or two floating upon the top, like weeds on the surface of a tideless pond; the teaspoon, thrown askew across a little pool of spilt milk in the tea-tray, – looked as dreary as the ruins of a deserted city.

In the western drawing-room Paul was strolling backwards and forwards, talking to his mother and sisters, and admiring his pictures. He had spent a great deal of money upon art since taking possession of the Towers, and the western drawing-room was quite a different place to what it had been in John Marchmont's lifetime.

Etty's divinities smiled through hazy draperies, more transparent than the summer vapours that float before the moon. Pearly-complexioned nymphs, with faces archly peeping round the corner of soft rosy shoulders, frolicked amidst the silver spray of classic fountains. Turner's Grecian temples glimmered through sultry summer mists; while glimpses of ocean sparkled here and there, and were as beautiful as if the artist's brush had been dipped in melted opals. Stanfield's breezy beaches made cool spots of freshness on the wall, and sturdy sailor-boys, with their hands up to their mouths and their loose hair blowing in the wind, shouted to their comrades upon the decks of brown-sailed fishing-smacks. Panting deer upon dizzy crags, amid the misty Highlands, testified to the hand of Landseer. Low down, in the corners of the room, there lurked quaint cottage-scenes by Faed and Nichol. Ward's patched and powdered beaux and beauties, – a Rochester, in a light perriwig; a Nell Gwynne, showing her white teeth across a basket of oranges; a group of Incroyables, with bunches of ribbons hanging from their low topboots, and two sets of dangling seals at their waists – made a blaze of colour upon the walls: and amongst all these glories of to-day there were prim Madonnas and stiff-necked angels by Raphael and Tintoretto; a brown-faced grinning boy by Murillo (no collection ever was complete without that inevitable brown-faced boy); an obese Venus, by the great Peter Paul; and a pale Charles the First, with martyrdom foreshadowed in his pensive face, by Vandyke.

Paul Marchmont contemplated his treasures complacently, as he strolled about the room, with his coffee-cup in his hand; while his mother watched him admiringly from her comfortable cushioned nest at one end of a luxurious sofa.

"Well, mother," Mr. Marchmont said presently, "let people say what they may of me, they can never say that I have used my money badly. When I am dead and gone, these pictures will remain to speak for me; posterity will say, 'At any rate the fellow was a man of taste.' Now what, in Heaven's name, could that miserable little Mary have done with eleven thousand a year, if – if she had lived to enjoy it?"

* * * * *

The minute-hand of the little clock in Mrs. John Marchmont's study was creeping slowly towards the quarter before eleven, when Olivia was aroused suddenly from that long reverie, in which the images of the past had shone upon her across the dull stagnation of the present like the domes and minarets in a Phantasm City gleaming athwart the barren desert-sands.

She was aroused by a cautious tap upon the outside of her window. She got up, opened the window, and looked out. The night was dark and starless, and there was a faint whisper of wind among the trees.

"Don't be frightened," whispered a timid voice; "it's only me, George Weston. I want to talk to you, Mrs. John. I've got something particular to tell you – awful particular; but they mustn't hear it; theymustn't know I'm here. I came round this way on purpose. You can let me in at the little door in the lobby, can't you, Mrs. John? I tell you, I must tell you what I've got to tell you," cried Mr. Weston, indifferent to tautology in his excitement. "Do let me in, there's a dear good soul. The little door in the lobby, you know; it's locked, you know, but I dessay the key's there."

"The door in the lobby?" repeated Olivia, in a dreamy voice.

"Yes, you know. Do let me in now, that's a good creature. It's awful particular, I tell you. It's about Edward Arundel."

Edward Arundel! The sound of that name seemed to act upon the woman's shattered nerves like a stroke of electricity. The drooping head reared itself erect. The eyes, so lustreless before, flashed fire from their sombre depths. Comprehension, animation, energy returned; as suddenly as if the wand of an enchanter had summoned the dead back to life.

"Edward Arundel!" she cried, in a clear voice, which was utterly unlike the dull deadness of her usual tones.

"Hush," whispered Mr. Weston; "don't speak loud, for goodness gracious sake. I dessay there's all manner of spies about. Let me in, and I'll tell you everything."

"Yes, yes; I'll let you in. The door by the lobby – I understand; come, come."

Olivia disappeared from the window. The lobby of which the surgeon had spoken was close to her own apartment. She found the key in the lock of the door. The place was dark; she opened the door almost noiselessly, and Mr. Weston crept in on tiptoe. He followed Olivia into the study, closed the door behind him, and drew a long breath.

"I've got in," he said; "and now I am in, wild horses shouldn't hold me from speaking my mind, much less Paul Marchmont."

He turned the key in the door as he spoke, and even as he did so glanced rather suspiciously towards the window. To his mind the very atmosphere of that house was pervaded by the presence of his brother-in-law.

"O Mrs. John!" exclaimed the surgeon, in piteous accents, "the way that I've been trampled upon. You've been trampled upon, Mrs. John, but you don't seem to mind it; and perhaps it's better to bring oneself to that, if one can; but I can't. I've tried to bring myself to it; I've even taken to drinking, Mrs. John, much as it goes against me; and I've tried to drown my feelings as a man in rum-and-water. But the more spirits I consume, Mrs. John, the more of a man I feel."

Mr. Weston struck the top of his hat with his clenched fist, and stared fiercely at Olivia, breathing very hard, and breathing rum-and-water with a faint odour of lemon-peel.

"Edward Arundel! – what about Edward Arundel?" said Olivia, in a low eager voice.

"I'm coming to that, Mrs. John, in due c'course," returned Mr. Weston, with an air of dignity that was superior even to hiccough. "What I say, Mrs. John," he added, in a confidential and argumentative tone, "is this: I won't be trampled upon!" Here his voice sank to an awful whisper. "Of course it's pleasant enough to have one's rent provided for, and not to be kept awake by poor's-rates, Mrs. John; but, good gracious me! I'd rather have the Queen's taxes and the poor-rates following me up day and night, and a man in possession to provide for at every meal – and you don't know how contemptuous a man in possession can look at you if you offer him salt butter, or your table in a general way don't meet his views – than the conscience I've had since Paul Marchmont came into Lincolnshire. I feel, Mrs. John, as if I'd committed oceans of murders. It's a miracle to me that my hair hasn't turned white before this; and it would have done it, Mrs. J., if it wasn't of that stubborn nature which is too wiry to give expression to a man's sufferings. O Mrs. John, when I think how my pangs of conscience have been made game of, – when I remember the insulting names I have been called, because my heart didn't happen to be made of adamant, – my blood boils; it boils, Mrs. John, to that degree, that I feel the time has come for action. I have been put upon until the spirit of manliness within me blazes up like a fiery furnace. I have been trodden upon, Mrs. John; but I'm not the worm they took me for. To-day they've put the finisher upon it." The surgeon paused to take breath. His mild and rather sheep-like countenance was flushed; his fluffy eyebrows twitched convulsively in his endeavours to give expression to the violence of his feelings. "To-day they've put the finisher upon it," he repeated. "I'm to go to Australia, am I? Ha! ha! we'll see about that. There's a nice opening in the medical line, is there? and dear Paul will provide the funds to start me! Ha! ha! two can play at that game. It's all brotherly kindness, of course, and friendly interest in my welfare – that's what it's called, Mrs. J. Shall I tell you what it is? I'm to be got rid of, at any price, for fear my conscience should get the better of me, and I should speak. I've been made a tool of, and I've been trampled upon; but they've beenobliged to trust me. I've got a conscience, and I don't suit their views. If I hadn't got a conscience, I might stop here and have my rent and taxes provided for, and riot in rum-and-water to the end of my days. But I've a conscience that all the pineapple rum in Jamaica wouldn't drown, and they're frightened of me."

Olivia listened to all this with an impatient frown upon her face. I doubt if she knew the meaning of Mr. Weston's complaints. She had been listening only for the one name that had power to transform her from a breathing automaton into a living, thinking, reasoning woman. She grasped the surgeon's wrist fiercely.

"You told me you came here to speak about Edward Arundel," she said.

"Have you been only trying to make a fool of me."

"No, Mrs. John; I have come to speak about him, and I come to you, because I think you're not so bad as Paul Marchmont. I think that you've been a tool, like myself; and they've led you on, step by step, from bad to worse, pretty much as they have led me. You're Edward Arundel's blood-relation, and it's your business to look to any wrong that's done him, more than it is mine. But if you don't speak, Mrs. John, I will. Edward Arundel is going to be married."

"Going to be married!" The words burst from Olivia's lips in a kind of shriek, and she stood glaring hideously at the surgeon, with her lips apart and her eyes dilated. Mr. Weston was fascinated by the horror of that gaze, and stared at her in silence for some moments. "You are a madman!" she exclaimed, after a pause; "you are a madman! Why do you come here with your idiotic fancies? Surely my life is miserable enough without this!"

"I ain't mad, Mrs. John, any more than" – Mr. Weston was going to say, "than you are;" but it struck him that, under existing circumstances, the comparison might be ill-advised – "I ain't any madder than other people," he said, presently. "Edward Arundel is going to be married. I have seen the young lady in Kemberling with her pa; and she's a very sweet young woman to look at; and her name is Belinda Lawford; and the wedding is to be at eleven o'clock to-morrow morning at Hillingsworth church."

Olivia slowly lifted her hands to her head, and swept the loose hair away from her brow. All the mists that had obscured her brain melted slowly away, and showed her the past as it had really been in all its naked horror. Yes; step by step the cruel hand had urged her on from bad to worse; from bad to worse; until it had driven her here.

It was for this that she had sold her soul to the powers of hell. It was for this that she had helped to torture that innocent girl whom a dying father had given into her pitiless hand. For this! for this! To find at last that all her iniquity had been wasted, and that Edward Arundel had chosen another bride – fairer, perhaps, than the first. The mad, unholy jealousy of her nature awoke from the obscurity of mental decay, a fierce ungovernable spirit. But another spirit arose in the next moment. CONSCIENCE, which so long had slumbered, awoke and cried to her, in an awful voice, "Sinner, whose sin has been wasted, repent! restore! It is not yet too late."

The stern precepts of her religion came back to her. She had rebelled against those rigid laws, she had cast off those iron fetters, only to fall into a worse bondage; only to submit to a stronger tyranny. She had been a servant of the God of Sacrifice, and had rebelled when an offering was demanded of her. She had cast off the yoke of her Master, and had yielded herself up the slave of sin. And now, when she discovered whither her chains had dragged her, she was seized with a sudden panic, and wanted to go back to her old master.

She stood for some minutes with her open palms pressed upon her forehead, and her chest heaving as if a stormy sea had raged in her bosom.

"This marriage must not take place," she cried, at last.

"Of course it mustn't," answered Mr. Weston; "didn't I say so just now?

And if you don't speak to Paul and prevent it, I will. I'd rather you spoke to him, though," added the surgeon thoughtfully, "because, you see, it would come better from you, wouldn't it now?"

Olivia Marchmont did not answer. Her hands had dropped from her head, and she was standing looking at the floor.

"There shall be no marriage," she muttered, with a wild laugh. "There's another heart to be broken – that's all. Stand aside, man," she cried; "stand aside, and let me go to him; let me go to him."

She pushed the terrified surgeon out of her pathway, and locked the door, hurried along the passage and across the hall. She opened the door of the western drawing-room, and went in.

Mr. Weston stood in the corridor looking after her. He waited for a few minutes, listening for any sound that might come from the western drawing-room. But the wide stone hall was between him and that apartment; and however loudly the voices might have been uplifted, no breath of them could have reached the surgeon's ear. He waited for about five minutes, and then crept into the lobby and let himself out into the quadrangle.

"At any rate, nobody can say that I'm a coward," he thought complacently, as he went under a stone archway that led into the park. "But what a whirlwind that woman is! O my gracious, what a perfect whirlwind she is!"

CHAPTER IX
"GOING TO BE MARRIED!"

Paul Marchmont was still strolling hither and thither about the room, admiring his pictures, and smiling to himself at the recollection of the easy manner in which he had obtained George Weston's consent to the Australian arrangement. For in his sober moments the surgeon was ready to submit to anything his wife and brother-in-law imposed upon him; it was only under the influence of pineapple rum that his manhood asserted itself. Paul was still contemplating his pictures when Olivia burst into the room; but Mrs. Marchmont and her invalid daughter had retired for the night, and the artist was alone, – alone with his own thoughts, which were rather of a triumphal and agreeable character just now; for Edward's marriage and Mr. Weston's departure were equally pleasant to him.

He was startled a little by Olivia's abrupt entrance, for it was not her habit to intrude upon him or any member of that household; on the contrary, she had shown an obstinate determination to shut herself up in her own room, and to avoid every living creature except her servant Barbara Simmons.

Paul turned and confronted her very deliberately, and with the smile that was almost habitual to him upon his thin pale lips. Her sudden appearance had blanched his face a little; but beyond this he betrayed no sign of agitation.

"My dear Mrs. Marchmont, you quite startle me. It is so very unusual to see you here, and at this hour especially."

It did not seem as if she had heard his voice. She went sternly up to him, with her thin listless arms hanging at her side, and her haggard eyes fixed upon his face.

"Is this true?" she asked.

He started a little, in spite of himself; for he understood in a moment what she meant. Some one, it scarcely mattered who, had told her of the coming marriage.

"Is what true, my dear Mrs. John?" he said carelessly.

"Is this true that George Weston tells me?" she cried, laying her thin hand upon his shoulder. Her wasted fingers closed involuntarily upon the collar of his coat, her lips contracted into a ghastly smile, and a sudden fire kindled in her eyes. A strange sensation awoke in the tips of those tightening fingers, and thrilled through every vein of the woman's body, – such a horrible thrill as vibrates along the nerves of a monomaniac, when the sight of a dreadful terror in his victim's face first arouses the murderous impulse in his breast.

Paul's face whitened as he felt the thin finger-points tightening upon his neck. He was afraid of Olivia.

"My dear Mrs. John, what is it you want of me?" he said hastily. "Pray do not be violent."

"I am not violent."

She dropped her hand from his breast. It was true, she was not violent. Her voice was low; her hand fell loosely by her side. But Paul was frightened of her, nevertheless; for he saw that if she was not violent, she was something worse – she was dangerous.

"Did George Weston tell me the truth just now?" she said.

Paul bit his nether-lip savagely. George Weston had tricked him, then, after all, and had communicated with this woman. But what of that? She would scarcely be likely to trouble herself about this business of Edward Arundel's marriage. She must be past any such folly as that. She would not dare to interfere in the matter. She could not.

"Is it true?" she said; "is it? Is it true that Edward Arundel is going to be married to-morrow?"

She waited, looking with fixed, widely-opened eyes at Paul's face.

"My dear Mrs. John, you take me so completely by surprise, that I – "

"That you have not got a lying answer ready for me," said Olivia, interrupting him. "You need not trouble yourself to invent one. I see that George Weston told me the truth. There was reality in his words. There is nothing but falsehood in yours."

Paul stood looking at her, but not listening to her. Let her abuse and upbraid him to her heart's content; it gave him leisure to reflect, and plan his course of action; and perhaps these bitter words might exhaust the fire within her, and leave her malleable to his skilful hands once more. He had time to think this, and to settle his own line of conduct while Olivia was speaking to him. It was useless to deny the marriage. She had heard of it from George Weston, and she might hear of it from any one else whom she chose to interrogate. It was useless to try to stifle this fact.

"Yes, Mrs. John," he said, "it is quite true. Your cousin, Mr. Arundel, is going to marry Belinda Lawford; a very lucky thing for us, believe me, as it will put an end to all questioning and watching and suspicion, and place us beyond all danger."

Olivia looked at him, with her bosom heaving, her breath growing shorter and louder with every word he spoke.

"You mean to let this be, then?" she said, when he had finished speaking.

"To let what be?"

"This marriage. You will let it take place?"

"Most certainly. Why should I prevent it?"

"Why should you prevent it?" she cried fiercely; and then, in an altered voice, in tones of anguish that were like a wail of despair, she exclaimed, "O my God! my God! what a dupe I have been; what a miserable tool in this man's hands! O my offended God! why didst Thou so abandon me, when I turned away from Thee, and made Edward Arundel the idol of my wicked heart?"

Paul sank into the nearest chair, with a faint sigh of relief.

"She will wear herself out," he thought, "and then I shall be able to do what I like with her."

But Olivia turned to him again while he was thinking this.

"Do you imagine that I will let this marriage take place?" she asked.

"I do not think that you will be so mad as to prevent it. That little mystery which you and I have arranged between us is not exactly child's play, Mrs. John. We can neither of us afford to betray the other. Let Edward Arundel marry, and work for his wife, and be happy; nothing could be better for us than his marriage. Indeed, we have every reason to be thankful to Providence for the turn that affairs have taken," Mr. Marchmont concluded, piously.

"Indeed!" said Olivia; "and Edward Arundel is to have another bride. He is to be happy with another wife; and I am to hear of their happiness, to see him some day, perhaps, sitting by her side and smiling at her, as I have seen him smile at Mary Marchmont. He is to be happy, and I am to know of his happiness. Another baby-faced girl is to glory in the knowledge of his love; and I am to be quiet – I am to be quiet. Is it for this that I have sold my soul to you, Paul Marchmont? Is it for this I have shared your guilty secrets? Is it for this I have heardher feeble wailing sounding in my wretched feverish slumbers, as I have heard it every night, since the day she left this house? Do you remember what you said to me? Do you remember how you tempted me? Do you remember how you played upon my misery, and traded on the tortures of my jealous heart? 'He has despised your love,' you said: 'will you consent to see him happy with another woman?' That was your argument, Paul Marchmont. You allied yourself with the devil that held possession of my breast, and together you were too strong for me. I was set apart to be damned, and you were the chosen instrument of my damnation. You bought my soul, Paul Marchmont. You shall not cheat me of the price for which I sold it. You shall hinder this marriage!"

"You are a madwoman, Mrs. John Marchmont, or you would not propose any such thing."

"Go," she said, pointing to the door; "go to Edward Arundel, and do something, no matter what, to prevent this marriage."

"I shall do nothing of the kind."

He had heard that a monomaniac was always to be subdued by indomitable resolution, and he looked at Olivia, thinking to tame her by his unfaltering glance. He might as well have tried to look the raging sea into calmness.

"I am not a fool, Mrs. John Marchmont," he said, "and I shall do nothing of the kind."

He had risen, and stood by the lamp-lit table, trifling rather nervously with its elegant litter of delicately-bound books, jewel-handled paper-knives, newly-cut periodicals, and pretty fantastical toys collected by the women of the household.

The faces of the two were nearly upon a level as they stood opposite to each other, with only the table between them.

"Then I will prevent it!" Olivia cried, turning towards the door.

Paul Marchmont saw the resolution stamped upon her face. She would do what she threatened. He ran to the door and had his hand upon the lock before she could reach it.

"No, Mrs. John," he said, standing at the door, with his back turned to Olivia, and his fingers busy with the bolts and key. In spite of himself, this woman had made him a little nervous, and it was as much as he could do to find the handle of the key. "No, no, my dear Mrs. John; you shall not leave this house, nor this room, in your present state of mind. If you choose to be violent and unmanageable, we will give you the full benefit of your violence, and we will give you a better sphere of action. A padded room will be more suitable to your present temper, my dear madam. If you favour us with this sort of conduct, we will find people more fitted to restrain you."

He said all this in a sneering tone that had a trifling tremulousness in it, while he locked the door and assured himself that it was safely secured. Then he turned, prepared to fight out the battle somehow or other.

At the very moment of his turning there was a sudden crash, a shiver of broken glass, and the cold night-wind blew into the room. One of the long French windows was wide open, and Olivia Marchmont was gone.

He was out upon the terrace in the next moment; but even then he was too late, for he could not see her right or left of him upon the long stone platform. There were three separate flights of steps, three different paths, widely diverging across the broad grassy flat before Marchmont Towers. How could he tell which of these ways Olivia might have chosen? There was the great porch, and there were all manner of stone abutments along the grim façade of the house. She might have concealed herself behind any one of them. The night was hopelessly dark. A pair of ponderous bronze lamps, which Paul had placed before the principal doorway, only made two spots of light in the gloom. He ran along the terrace, looking into every nook and corner which might have served as a hiding-place; but he did not find Olivia.

She had left the house with the avowed intention of doing something to prevent the marriage. What would she do? What course would this desperate woman take in her jealous rage? Would she go straight to Edward Arundel and tell him – ?

Yes, this was most likely; for how else could she hope to prevent the marriage?

Paul stood quite still upon the terrace for a few minutes, thinking. There was only one course for him. To try and find Olivia would be next to hopeless. There were half-a-dozen outlets from the park. There were ever so many different pathways through the woody labyrinth at the back of the Towers. This woman might have taken any one of them. To waste the night in searching for her would be worse than useless.

There was only one thing to be done. He must countercheck this desperate creature's movements.

He went back to the drawing-room, shut the window, and then rang the bell.

There were not many of the old servants who had waited upon John Marchmont at the Towers now. The man who answered the bell was a person whom Paul had brought down from London.

"Get the chesnut saddled for me, Peterson," said Mr. Marchmont. "My poor cousin's widow has left the house, and I am going after her. She has given me very great alarm to-night by her conduct. I tell you this in confidence; but you can say as much to Mrs. Simmons, who knows more about her mistress than I do. See that there's no time lost in saddling the chesnut. I want to overtake this unhappy woman, if I can. Go and give the order, and then bring me my hat."

The man went away to obey his master. Paul walked to the chimneypiece and looked at the clock.

"They'll be gone to bed at the Grange," he thought to himself. "Will she go there and knock them up, I wonder? Does she know that Edward's there? I doubt that; and yet Weston may have told her. At any rate, I can be there before her. It would take her a long time to get there on foot. I think I did the right thing in saying what I said to Peterson. I must have the report of her madness spread everywhere. I must face it out. But how – but how? So long as she was quiet, I could manage everything. But with her against me, and George Weston – oh, the cur, the white-hearted villain, after all that I've done for him and Lavinia! But what can a man expect when he's obliged to put his trust in a fool?"