"What do you mean?" spluttered Germaine. "What other thing?"
"My death."
"You lie!" cried Madame Astaing.
Thérèse did not raise her voice. She made not a movement of aversion or indignation and simply repeated:
"My death, Germaine. I have read your latest letters, six letters from you which he was foolish enough to leave about in his pocket-book and which I read last night, six letters in which the terrible word is not set down, but in which it appears between every line. I trembled as I read it! That Jacques should come to this!… Nevertheless the idea of stabbing him did not occur to me for a second. A woman like myself, Germaine, does not readily commit murder.... If I lost my head, it was after that … and it was your fault...."
She turned her eyes to Rénine as if to ask him if there was no danger in her speaking and revealing the truth.
"Don't be afraid," he said. "I will be answerable for everything."
She drew her hand across her forehead. The horrible scene was being reenacted within her and was torturing her. Germaine Astaing did not move, but stood with folded arms and anxious eyes, while Hortense Daniel sat distractedly awaiting the confession of the crime and the explanation of the unfathomable mystery.
"It was after that and it was through your fault Germaine … I had put back the pocket-book in the drawer where it was hidden; and I said nothing to Jacques this morning … I did not want to tell him what I knew.... It was too horrible.... All the same, I had to act quickly; your letters announced your secret arrival to-day.... I thought at first of running away, of taking the train.... I had mechanically picked up that dagger, to defend myself.... But when Jacques and I went down to the beach, I was resigned.... Yes, I had accepted death: 'I will die,' I thought, 'and put an end to all this nightmare!'… Only, for the children's sake, I was anxious that my death should look like an accident and that Jacques should have no part in it. That was why your plan of a walk on the cliff suited me.... A fall from the top of a cliff seems quite natural … Jacques therefore left me to go to his cabin, from which he was to join you later at the Trois Mathildes. On the way, below the terrace, he dropped the key of the cabin. I went down and began to look for it with him … And it happened then … through your fault … yes, Germaine, through your fault … Jacques' pocket-book had slipped from his jacket, without his noticing it, and, together with the pocket-book, a photograph which I recognized at once: a photograph, taken this year, of myself and my two children. I picked it up … and I saw.... You know what I saw, Germaine. Instead of my face, the face in the photograph was yours!… You had put in your likeness, Germaine, and blotted me out! It was your face! One of your arms was round my elder daughter's neck; and the younger was sitting on your knees.... It was you, Germaine, the wife of my husband, the future mother of my children, you, who were going to bring them up … you, you! … Then I lost my head. I had the dagger … Jacques was stooping … I stabbed him...."
Every word of her confession was strictly true. Those who listened to her felt this profoundly; and nothing could have given Hortense and Rénine a keener impression of tragedy.
She had fallen back into her chair, utterly exhausted. Nevertheless, she went on speaking unintelligible words; and it was only gradually by leaning over her, that they were able to make out:
"I thought that there would be an outcry and that I should be arrested. But no. It happened in such a way and under such conditions that no one had seen anything. Further, Jacques had drawn himself up at the same time as myself; and he actually did not fall. No, he did not fall! I had stabbed him; and he remained standing! I saw him from the terrace, to which I had returned. He had hung his jacket over his shoulders, evidently to hide his wound, and he moved away without staggering … or staggering so little that I alone was able to perceive it. He even spoke to some friends who were playing cards. Then he went to his cabin and disappeared.... In a few moments, I came back indoors. I was persuaded that all of this was only a bad dream … that I had not killed him … or that at the worst the wound was a slight one. Jacques would come out again. I was certain of it.... I watched from my balcony.... If I had thought for a moment that he needed assistance, I should have flown to him.... But truly I didn't know … I didn't guess.... People speak of presentiments: there are no such things. I was perfectly calm, just as one is after a nightmare of which the memory is fading away.... No, I swear to you, I knew nothing … until the moment…"
She interrupted herself, stifled by sobs.
Rénine finished her sentence for her,
"Until the moment when they came and told you, I suppose?"
Thérèse stammered:
"Yes. It was not till then that I was conscious of what I had done … and I felt that I was going mad and that I should cry out to all those people, 'Why, it was I who did it! Don't search! Here is the dagger … I am the culprit!' Yes, I was going to say that, when suddenly I caught sight of my poor Jacques.... They were carrying him along.... His face was very peaceful, very gentle.... And, in his presence, I understood my duty, as he had understood his.... He had kept silent, for the sake of the children. I would be silent too. We were both guilty of the murder of which he was the victim; and we must both do all we could to prevent the crime from recoiling upon them.... He had seen this clearly in his dying agony. He had had the amazing courage to keep his feet, to answer the people who spoke to him and to lock himself up to die. He had done this, wiping out all his faults with a single action, and in so doing had granted me his forgiveness, because he was not accusing me … and was ordering me to hold my peace … and to defend myself … against everybody … especially against you, Germaine."
She uttered these last words more firmly. At first wholly overwhelmed by the unconscious act which she had committed in killing her husband, she had recovered her strength a little in thinking of what she had done and in defending herself with such energy. Faced by the intriguing woman whose hatred had driven both of them to death and crime, she clenched her fists, ready for the struggle, all quivering with resolution.
Germaine Astaing did not flinch. She had listened without a word, with a relentless expression which grew harder and harder as Thérèse's confessions became precise. No emotion seemed to soften her and no remorse to penetrate her being. At most, towards the end, her thin lips shaped themselves into a faint smile. She was holding her prey in her clutches.
Slowly, with her eyes raised to a mirror, she adjusted her hat and powdered her face. Then she walked to the door.
Thérèse darted forward:
"Where are you going?"
"Where I choose."
"To see the examining-magistrate?"
"Very likely."
"You sha'n't pass!"
"As you please. I'll wait for him here."
"And you'll tell him what?"
"Why, all that you've said, of course, all that you've been silly enough to say. How could he doubt the story? You have explained it all to me so fully."
Thérèse took her by the shoulders:
"Yes, but I'll explain other things to him at the same time, Germaine, things that concern you. If I'm ruined, so shall you be."
"You can't touch me."
"I can expose you, show your letters."
"What letters?"
"Those in which my death was decided on."
"Lies, Thérèse! You know that famous plot exists only in your imagination. Neither Jacques nor I wished for your death."
"You did, at any rate. Your letters condemn you."
"Lies! They were the letters of a friend to a friend."
"Letters of a mistress to her paramour."
"Prove it."
"They are there, in Jacques' pocket-book."
"No, they're not."
"What's that you say?"
"I say that those letters belonged to me. I've taken them back, or rather my brother has."
"You've stolen them, you wretch! And you shall give them back again," cried Thérèse, shaking her.
"I haven't them. My brother kept them. He has gone."
Thérèse staggered and stretched out her hands to Rénine with an expression of despair. Rénine said:
"What she says is true. I watched the brother's proceedings while he was feeling in your bag. He took out the pocket-book, looked through it with his sister, came and put it back again and went off with the letters."
Rénine paused and added,
"Or, at least, with five of them."
The two women moved closer to him. What did he intend to convey? If Frédéric Astaing had taken away only five letters, what had become of the sixth?
"I suppose," said Rénine, "that, when the pocket-book fell on the shingle, that sixth letter slipped out at the same time as the photograph and that M. d'Ormeval must have picked it up, for I found it in the pocket of his blazer, which had been hung up near the bed. Here it is. It's signed Germaine Astaing and it is quite enough to prove the writer's intentions and the murderous counsels which she was pressing upon her lover."
Madame Astaing had turned grey in the face and was so much disconcerted that she did not try to defend herself. Rénine continued, addressing his remarks to her:
"To my mind, madame, you are responsible for all that happened. Penniless, no doubt, and at the end of your resources, you tried to profit by the passion with which you inspired M. d'Ormeval in order to make him marry you, in spite of all the obstacles, and to lay your hands upon his fortune. I have proofs of this greed for money and these abominable calculations and can supply them if need be. A few minutes after I had felt in the pocket of that jacket, you did the same. I had removed the sixth letter, but had left a slip of paper which you looked for eagerly and which also must have dropped out of the pocket-book. It was an uncrossed cheque for a hundred thousand francs, drawn by M. d'Ormeval in your brother's name … just a little wedding-present … what we might call pin-money. Acting on your instructions, your brother dashed off by motor to Le Havre to reach the bank before four o'clock. I may as well tell you that he will not have cashed the cheque, for I had a telephone-message sent to the bank to announce the murder of M. d'Ormeval, which stops all payments. The upshot of all this is that the police, if you persist in your schemes of revenge, will have in their hands all the proofs that are wanted against you and your brother. I might add, as an edifying piece of evidence, the story of the conversation which I overheard between your brother and yourself in a dining-car on the railway between Brest and Paris, a fortnight ago. But I feel sure that you will not drive me to adopt these extreme measures and that we understand each other. Isn't that so?"
Natures like Madame Astaing's, which are violent and headstrong so long as a fight is possible and while a gleam of hope remains, are easily swayed in defeat. Germaine was too intelligent not to grasp the fact that the least attempt at resistance would be shattered by such an adversary as this. She was in his hands. She could but yield.
She therefore did not indulge in any play-acting, nor in any demonstration such as threats, outbursts of fury or hysterics. She bowed:
"We are agreed," she said. "What are your terms?"
"Go away. If ever you are called upon for your evidence, say that you know nothing."
She walked away. At the door, she hesitated and then, between her teeth, said:
"The cheque."
Rénine looked at Madame d'Ormeval, who declared:
"Let her keep it. I would not touch that money."
When Rénine had given Thérèse d'Ormeval precise instructions as to how she was to behave at the enquiry and to answer the questions put to her, he left the chalet, accompanied by Hortense Daniel.
On the beach below, the magistrate and the public prosecutor were continuing their investigations, taking measurements, examining the witnesses and generally laying their heads together.
"When I think," said Hortense, "that you have the dagger and M. d'Ormeval's pocket-book on you!"
"And it strikes you as awfully dangerous, I suppose?" he said, laughing. "It strikes me as awfully comic."
"Aren't you afraid?"
"Of what?"
"That they may suspect something?"
"Lord, they won't suspect a thing! We shall tell those good people what we saw and our evidence will only increase their perplexity, for we saw nothing at all. For prudence sake we will stay a day or two, to see which way the wind is blowing. But it's quite settled: they will never be able to make head or tail of the matter."
"Nevertheless, you guessed the secret and from the first. Why?"
"Because, instead of seeking difficulties where none exist, as people generally do, I always put the question as it should be put; and the solution comes quite naturally. A man goes to his cabin and locks himself in. Half an hour later, he is found inside, dead. No one has gone in. What has happened? To my mind there is only one answer. There is no need to think about it. As the murder was not committed in the cabin, it must have been committed beforehand and the man was already mortally wounded when he entered his cabin. And forthwith the truth in this particular case appeared to me. Madame d'Ormeval, who was to have been killed this evening, forestalled her murderers and while her husband was stooping to the ground, in a moment of frenzy stabbed him in the back. There was nothing left to do but look for the reasons that prompted her action. When I knew them, I took her part unreservedly. That's the whole story."
The day was beginning to wane. The blue of the sky was becoming darker and the sea, even more peaceful than before.
"What are you thinking of?" asked Rénine, after a moment.
"I am thinking," she said, "that if I too were the victim of some machination, I should trust you whatever happened, trust you through and against all. I know, as certainly as I know that I exist, that you would save me, whatever the obstacles might be. There is no limit to the power of your will."
He said, very softly:
"There is no limit to my wish to please you."
VI
THE LADY WITH THE HATCHET
One of the most incomprehensible incidents that preceded the great war was certainly the one which was known as the episode of the lady with the hatchet. The solution of the mystery was unknown and would never have been known, had not circumstances in the cruellest fashion obliged Prince Rénine–or should I say, Arsène Lupin?–to take up the matter and had I not been able to-day to tell the true story from the details supplied by him.
Let me recite the facts. In a space of eighteen months, five women disappeared, five women of different stations in life, all between twenty and thirty years of age and living in Paris or the Paris district.
I will give their names: Madame Ladoue, the wife of a doctor; Mlle. Ardant, the daughter of a banker; Mlle. Covereau, a washer-woman of Courbevoie; Mlle. Honorine Vernisset, a dressmaker; and Madame Grollinger, an artist. These five women disappeared without the possibility of discovering a single particular to explain why they had left their homes, why they did not return to them, who had enticed them away, and where and how they were detained.
Each of these women, a week after her departure, was found somewhere or other in the western outskirts of Paris; and each time it was a dead body that was found, the dead body of a woman who had been killed by a blow on the head from a hatchet. And each time, not far from the woman, who was firmly bound, her face covered with blood and her body emaciated by lack of food, the marks of carriage-wheels proved that the corpse had been driven to the spot.
The five murders were so much alike that there was only a single investigation, embracing all the five enquiries and, for that matter, leading to no result. A woman disappeared; a week later, to a day, her body was discovered; and that was all. The bonds that fastened her were similar in each case; so were the tracks left by the wheels; so were the blows of the hatchet, all of which were struck vertically at the top and right in the middle of the forehead.
The motive of the crime? The five women had been completely stripped of their jewels, purses and other objects of value. But the robberies might well have been attributed to marauders or any passersby, since the bodies were lying in deserted spots. Were the authorities to believe in the execution of a plan of revenge or of a plan intended to do away with the series of persons mutually connected, persons, for instance, likely to benefit by a future inheritance? Here again the same obscurity prevailed. Theories were built up, only to be demolished forthwith by an examination of the facts. Trails were followed and at once abandoned.
And suddenly there was a sensation. A woman engaged in sweeping the roads picked up on the pavement a little note-book which she brought to the local police-station. The leaves of this note-book were all blank, excepting one, on which was written a list of the murdered women, with their names set down in order of date and accompanied by three figures: Ladoue, 132; Vernisset, 118; and so on.
Certainly no importance would have been attached to these entries, which anybody might have written, since every one was acquainted with the sinister list. But, instead of five names, it included six! Yes, below the words "Grollinger, 128," there appeared "Williamson, 114." Did this indicate a sixth murder?
The obviously English origin of the name limited the field of the investigations, which did not in fact take long. It was ascertained that, a fortnight ago, a Miss Hermione Williamson, a governess in a family at Auteuil, had left her place to go back to England and that, since then, her sisters, though she had written to tell them that she was coming over, had heard no more of her.
A fresh enquiry was instituted. A postman found the body in the Meudon woods. Miss Williamson's skull was split down the middle.
I need not describe the public excitement at this stage nor the shudder of horror which passed through the crowd when it read this list, written without a doubt in the murderer's own hand. What could be more frightful than such a record, kept up to date like a careful tradesman's ledger:
"On such a day, I killed so-and-so; on such a day so-and-so!"
And the sum total was six dead bodies.
Against all expectation, the experts in handwriting had no difficulty in agreeing and unanimously declared that the writing was "that of a woman, an educated woman, possessing artistic tastes, imagination and an extremely sensitive nature." The "lady with the hatchet," as the journalists christened her, was decidedly no ordinary person; and scores of newspaper-articles made a special study of her case, exposing her mental condition and losing themselves in far-fetched explanations.
Nevertheless it was the writer of one of these articles, a young journalist whose chance discovery made him the centre of public attention, who supplied the one element of truth and shed upon the darkness the only ray of light that was to penetrate it. In casting about for the meaning of the figures which followed the six names, he had come to ask himself whether those figures did not simply represent the number of the days separating one crime from the next. All that he had to do was to check the dates. He at once found that his theory was correct. Mlle. Vernisset had been carried off one hundred and thirty-two days after Madame Ladoue; Mlle. Covereau one hundred and eighteen days after Honorine Vernisset; and so on.
There was therefore no room for doubt; and the police had no choice but to accept a solution which so precisely fitted the circumstances: the figures corresponded with the intervals. There was no mistake in the records of the lady with the hatchet.
But then one deduction became inevitable. Miss Williamson, the latest victim, had been carried off on the 26th of June last, and her name was followed by the figures 114: was it not to be presumed that a fresh crime would be committed a hundred and fourteen days later, that is to say, on the 18th of October? Was it not probable that the horrible business would be repeated in accordance with the murderer's secret intentions? Were they not bound to pursue to its logical conclusion the argument which ascribed to the figures–to all the figures, to the last as well as to the others–their value as eventual dates?
Now it was precisely this deduction which was drawn and was being weighed and discussed during the few days that preceded the 18th of October, when logic demanded the performance of yet another act of the abominable tragedy. And it was only natural that, on the morning of that day, Prince Rénine and Hortense, when making an appointment by telephone for the evening, should allude to the newspaper-articles which they had both been reading:
"Look out!" said Rénine, laughing. "If you meet the lady with the hatchet, take the other side of the road!"
"And, if the good lady carries me off, what am I to do?"
"Strew your path with little white pebbles and say, until the very moment when the hatchet flashes in the air, 'I have nothing to fear; he will save me.' He is myself … and I kiss your hands. Till this evening, my dear."
That afternoon, Rénine had an appointment with Rose Andrée and Dalbrèque to arrange for their departure for the States.1 Before four and seven o'clock, he bought the different editions of the evening papers. None of them reported an abduction.
At nine o'clock he went to the Gymnase, where he had taken a private box.
At half-past nine, as Hortense had not arrived, he rang her up, though without thought of anxiety. The maid replied that Madame Daniel had not come in yet.
Seized with a sudden fear, Rénine hurried to the furnished flat which Hortense was occupying for the time being, near the Parc Monceau, and questioned the maid, whom he had engaged for her and who was completely devoted to him. The woman said that her mistress had gone out at two o'clock, with a stamped letter in her hand, saying that she was going to the post and that she would come back to dress. This was the last that had been seen of her.
"To whom was the letter addressed?"
"To you, sir. I saw the writing on the envelope: Prince Serge Rénine."
He waited until midnight, but in vain. Hortense did not return; nor did she return next day.
"Not a word to any one," said Rénine to the maid. "Say that your mistress is in the country and that you are going to join her."
For his own part, he had not a doubt: Hortense's disappearance was explained by the very fact of the date, the 18th of October. She was the seventh victim of the lady with the hatchet.
"The abduction," said Rénine to himself, "precedes the blow of the hatchet by a week. I have, therefore, at the present moment, seven full days before me. Let us say six, to avoid any surprise. This is Saturday: Hortense must be set free by mid-day on Friday; and, to make sure of this, I must know her hiding-place by nine o'clock on Thursday evening at latest."
Rénine wrote, "THURSDAY EVENING, NINE O'CLOCK," in big letters, on a card which he nailed above the mantelpiece in his study. Then at midday on Saturday, the day after the disappearance, he locked himself into the study, after telling his man not to disturb him except for meals and letters.
He spent four days there, almost without moving. He had immediately sent for a set of all the leading newspapers which had spoken in detail of the first six crimes. When he had read and reread them, he closed the shutters, drew the curtains and lay down on the sofa in the dark, with the door bolted, thinking.
By Tuesday evening he was no further advanced than on the Saturday. The darkness was as dense as ever. He had not discovered the smallest clue for his guidance, nor could he see the slightest reason to hope.
At times, notwithstanding his immense power of self-control and his unlimited confidence in the resources at his disposal, at times he would quake with anguish. Would he arrive in time? There was no reason why he should see more clearly during the last few days than during those which had already elapsed. And this meant that Hortense Daniel would inevitably be murdered.
The thought tortured him. He was attached to Hortense by a much stronger and deeper feeling than the appearance of the relations between them would have led an onlooker to believe. The curiosity at the beginning, the first desire, the impulse to protect Hortense, to distract her, to inspire her with a relish for existence: all this had simply turned to love. Neither of them was aware of it, because they barely saw each other save at critical times when they were occupied with the adventures of others and not with their own. But, at the first onslaught of danger, Rénine realized the place which Hortense had taken in his life and he was in despair at knowing her to be a prisoner and a martyr and at being unable to save her.
He spent a feverish, agitated night, turning the case over and over from every point of view. The Wednesday morning was also a terrible time for him. He was losing ground. Giving up his hermit-like seclusion, he threw open the windows and paced to and fro through his rooms, ran out into the street and came in again, as though fleeing before the thought that obsessed him:
"Hortense is suffering.... Hortense is in the depths.... She sees the hatchet.... She is calling to me.... She is entreating me.... And I can do nothing...."
It was at five o'clock in the afternoon that, on examining the list of the six names, he received that little inward shock which is a sort of signal of the truth that is being sought for. A light shot through his mind. It was not, to be sure, that brilliant light in which every detail is made plain, but it was enough to tell him in which direction to move.
His plan of campaign was formed at once. He sent Adolphe, his chauffeur, to the principal newspapers, with a few lines which were to appear in type among the next morning's advertisements. Adolphe was also told to go to the laundry at Courbevoie, where Mlle. Covereau, the second of the six victims, had been employed.
On the Thursday, Rénine did not stir out of doors. In the afternoon, he received several letters in reply to his advertisement. Then two telegrams arrived. Lastly, at three o'clock, there came a pneumatic letter, bearing the Trocadéro postmark, which seemed to be what he was expecting.
He turned up a directory, noted an address–"M. de Lourtier-Vaneau, retired colonial governor, 47 bis, Avenue Kléber"–and ran down to his car:
"Adolphe, 47 bis, Avenue Kléber."
He was shown into a large study furnished with magnificent book-cases containing old volumes in costly bindings. M. de Lourtier-Vaneau was a man still in the prime of life, wearing a slightly grizzled beard and, by his affable manners and genuine distinction, commanding confidence and liking.
"M. de Lourtier," said Rénine, "I have ventured to call on your excellency because I read in last year's newspapers that you used to know one of the victims of the lady with the hatchet, Honorine Vernisset."
"Why, of course we knew her!" cried M. de Lourtier. "My wife used to employ her as a dressmaker by the day. Poor girl!"
"M. de Lourtier, a lady of my acquaintance has disappeared as the other six victims disappeared.
"What!" exclaimed M. de Lourtier, with a start. "But I have followed the newspapers carefully. There was nothing on the 18th of October."
"Yes, a woman of whom I am very fond, Madame Hortense Daniel, was abducted on the 17th of October."
"And this is the 22nd!"
"Yes; and the murder will be committed on the 24th."
"Horrible! Horrible! It must be prevented at all costs...."
"And I shall perhaps succeed in preventing it, with your excellency's assistance."
"But have you been to the police?"
"No. We are faced by mysteries which are, so to speak, absolute and compact, which offer no gap through which the keenest eyes can see and which it is useless to hope to clear up by ordinary methods, such as inspection of the scenes of the crimes, police enquiries, searching for finger-prints and so on. As none of those proceedings served any good purpose in the previous cases, it would be waste of time to resort to them in a seventh, similar case. An enemy who displays such skill and subtlety would not leave behind her any of those clumsy traces which are the first things that a professional detective seizes upon."
"Then what have you done?"
"Before taking any action, I have reflected. I gave four days to thinking the matter over."
M. de Lourtier-Vaneau examined his visitor closely and, with a touch of irony, asked:
"And the result of your meditations …?"
"To begin with," said Rénine, refusing to be put out of countenance, "I have submitted all these cases to a comprehensive survey, which hitherto no one else had done. This enabled me to discover their general meaning, to put aside all the tangle of embarrassing theories and, since no one was able to agree as to the motives of all this filthy business, to attribute it to the only class of persons capable of it."
"That is to say?"
"Lunatics, your excellency."
M. de Lourtier-Vaneau started:
"Lunatics? What an idea!"
"M. de Lourtier, the woman known as the lady with the hatchet is a madwoman."
"But she would be locked up!"
"We don't know that she's not. We don't know that she is not one of those half-mad people, apparently harmless, who are watched so slightly that they have full scope to indulge their little manias, their wild-beast instincts. Nothing could be more treacherous than these creatures. Nothing could be more crafty, more patient, more persistent, more dangerous and at the same time more absurd and more logical, more slovenly and more methodical. All these epithets, M. de Lourtier, may be applied to the doings of the lady with the hatchet. The obsession of an idea and the continual repetition of an act are characteristics of the maniac. I do not yet know the idea by which the lady with the hatchet is obsessed but I do know the act that results from it; and it is always the same. The victim is bound with precisely similar ropes. She is killed after the same number of days. She is struck by an identical blow, with the same instrument, in the same place, the middle of the forehead, producing an absolutely vertical wound. An ordinary murderer displays some variety. His trembling hand swerves aside and strikes awry. The lady with the hatchet does not tremble. It is as though she had taken measurements; and the edge of her weapon does not swerve by a hair's breadth. Need I give you any further proofs or examine all the other details with you? Surely not. You now possess the key to the riddle; and you know as I do that only a lunatic can behave in this way, stupidly, savagely, mechanically, like a striking clock or the blade of the guillotine...."