To Walter V. R. Berry
H. J. never at any time received presents easily, and the difficulty seems to have reached a climax over one recently sent him by Mr. Berry. It may not be obvious that the gift in question was a leather dressing-case.
Lamb House, Rye.February 8th, 1912.
Très-cher et très-grand ami!
How you must have wondered at my silence! But it has been, alas, inevitable and now is but feebly and dimly broken. Just after you passed through London—or rather even while you were passing through it—I began to fall upon evil days again; a deplorable bout of unwellness which, making me fit for nothing, gave me a sick struggle, first, in those awkward Pall Mall conditions, and then reduced me to scrambling back here as best I might, where I have been these several days but a poor ineffectual rag. I shall get better here if I can still further draw on my sadly depleted store of time and patience; but meanwhile I am capable but of this weak and appealing grimace—so deeply discouraged am I to feel that there are still, and after I have travelled so far, such horrid little deep holes for me to tumble into. (This has been a deeper one than for many months, though I am, I believe, slowly scrambling out; and blest to me has been the resource of crawling to cover here—for better aid and comfort.) … The case has really and largely been, however, all the while, dearest Walter, that of my having had to yield, just after your glittering passage in town, to that simply overwhelming coup de massue of your—well, of your you know what. It was that that knocked me down—when I was just trembling for a fall; it was that that laid me flat.
February 14th. Well, dearest Walter, it laid me after all so flat that I broke down, a week ago, in the foregoing attempt to do you, and your ineffable procédé, some manner of faint justice; I wasn't then apt for any sort of right or worthy approach to you, and there was nothing for me but resignedly to intermit and me recoucher. You had done it with your own mailed fist—mailed in glittering gold, speciously glazed in polished, inconceivably and indescribably sublimated, leather, and I had rallied but too superficially from the stroke. It claimed its victim afresh, and I have lain the better part of a week just languidly heaving and groaning as a result de vos œuvres—and forced thereby quite to neglect and ignore all letters. I am a little more on my feet again, and if this continues shall presently be able to return to town (Saturday or Monday;) where, however, the monstrous object will again confront me. That is the grand fact of the situation—that is the tawny lion, portentous creature, in my path. I can't get past him, I can't get round him, and on the other hand he stands glaring at me, refusing to give way and practically blocking all my future. I can't live with him, you see; because I can't live up to him. His claims, his pretensions, his dimensions, his assumptions and consumptions, above all the manner in which he causes every surrounding object (on my poor premises or within my poor range) to tell a dingy or deplorable tale—all this makes him the very scourge of my life, the very blot on my scutcheon. He doesn't regild that rusty metal—he simply takes up an attitude of gorgeous swagger, straight in front of all the rust and the rubbish, which makes me look as if I had stolen somebody else's (re-garnished blason) and were trying to palm it off as my own. Cher et bon Gaultier, I simply can't afford him, and that is the sorry homely truth. He is out of the picture—out of mine; and behold me condemned to live forever with that canvas turned to the wall. Do you know what that means?—to have to give up going about at all, lest complications (of the most incalculable order) should ensue from its being seen what I go about with. Bonne renommée vaut mieux que sac-de-voyage doré, and though I may have had weaknesses that have brought me a little under public notice, my modest hold-all (which has accompanied me in most of my voyage through life) has at least, so far as I know, never fait jaser. All this I have to think of—and I put it candidly to you while yet there is time. That you shouldn't have counted the cost—to yourself—that is after all perhaps conceivable (quoiqu'à peine!) but that you shouldn't have counted the cost to me, to whom it spells ruin: that ranks you with those great lurid, though lovely, romantic and historic figures and charmers who have scattered their affections and lavished their favours only (as it has presently appeared) to consume and to destroy! More prosaically, dearest Walter (if one of the most lyric acts recorded in history—and one of the most finely aesthetic, and one stamped with the most matchless grace, has a prosaic side,) I have been truly overwhelmed by the princely munificence and generosity of your procédé, and I have gasped under it while tossing on the bed of indisposition. For a beau geste, c'est le plus beau, by all odds, of any in all my life ever esquissé in my direction, and it has, as such, left me really and truly panting helplessly after—or rather quite intensely before—it! What is a poor man to do, mon prince, mon bon prince, mon grand prince, when so prodigiously practised upon? There is nothing, you see: for the proceeding itself swallows at a gulp, with its open crimson jaws (such a rosy mouth!) like Carlyle's Mirabeau, "all formulas." One doesn't "thank," I take it, when the heavens open—that is when the whale of Mr. Allen's-in-the-Strand celestial shopfront does—and discharge straight into one's lap the perfect compendium, the very burden of the song, of just what the Angels have been raving about ever since we first heard of them. Well may they have raved—but I can't, you see; I have to take the case (the incomparable suit-case) in abject silence and submission. Ah, Walter, Walter, why do you do these things? they're magnificent, but they're not—well, discussable or permissible or forgiveable. At least not all at once. It will take a long, long time. Only little by little and buckle-hole by buckle-hole, shall I be able to look, with you, even one strap in the face. As yet a sacred horror possesses me, and I must ask you to let me, please, though writing you at such length, not so much as mention the subject. It's better so. Perhaps your conscience will tell you why—tell you, I mean, that great supreme gestes are only fair when addressed to those who can themselves gesticulate. I can't—and it makes me feel so awkward and graceless and poor. I go about trying—so as to hurl it (something or other) back on you; but it doesn't come off—practice doesn't make perfect; you are victor, winner, master, oh irresistible one—you've done it, you've brought it off and got me down forever, and I must just feel your weight and bear your might to bless your name—even to the very end of the days of yours, dearest Walter, all too abjectly and too touchedly,
HENRY JAMES.
To W. D. Howells
The following "open letter" was written to be read at the dinner held in New York in celebration of Mr. Howells's seventy-fifth birthday.
105 Pall Mall, S.W.February 19th, 1912.
My dear Howells,
It is made known to me that they are soon to feast in New York the newest and freshest of the splendid birthdays to which you keep treating us, and that your many friends will meet round you to rejoice in it and reaffirm their allegiance. I shall not be there, to my sorrow, and though this is inevitable I yet want to be missed, peculiarly and monstrously missed; so that these words shall be a public apology for my absence: read by you, if you like and can stand it, but better still read to you and in fact straight at you, by whoever will be so kind and so loud and so distinct. For I doubt, you see, whether any of your toasters and acclaimers have anything like my ground and title for being with you at such an hour. There can scarce be one, I think, to-day, who has known you from so far back, who has kept so close to you for so long, and who has such fine old reasons—so old, yet so well preserved—to feel your virtue and sound your praise. My debt to you began well-nigh half a century ago, in the most personal way possible, and then kept growing and growing with your own admirable growth—but always rooted in the early intimate benefit. This benefit was that you held out your open editorial hand to me at the time I began to write—and I allude especially to the summer of 1866—with a frankness and sweetness of hospitality that was really the making of me, the making of the confidence that required help and sympathy and that I should otherwise, I think, have strayed and stumbled about a long time without acquiring. You showed me the way and opened me the door; you wrote to me, and confessed yourself struck with me—I have never forgotten the beautiful thrill of that. You published me at once—and paid me, above all, with a dazzling promptitude; magnificently, I felt, and so that nothing since has ever quite come up to it. More than this even, you cheered me on with a sympathy that was in itself an inspiration. I mean that you talked to me and listened to me—ever so patiently and genially and suggestively conversed and consorted with me. This won me to you irresistibly and made you the most interesting person I knew—lost as I was in the charming sense that my best friend was an editor, and an almost insatiable editor, and that such a delicious being as that was a kind of property of my own. Yet how didn't that interest still quicken and spread when I became aware that—with such attention as you could spare from us, for I recognised my fellow beneficiaries—you had started to cultivate your great garden as well; the tract of virgin soil that, beginning as a cluster of bright, fresh, sunny and savoury patches, close about the house, as it were, was to become that vast goodly pleasaunce of art and observation, of appreciation and creation, in which you have laboured, without a break or a lapse, to this day, and in which you have grown so grand a show of—well, really of everything. Your liberal visits to my plot, and your free-handed purchases there, were still greater events when I began to see you handle, yourself, with such ease the key to our rich and inexhaustible mystery. Then the question of what you would make of your own powers began to be even more interesting than the question of what you would make of mine—all the more, I confess, as you had ended by settling this one so happily. My confidence in myself, which you had so helped me to, gave way to a fascinated impression of your own spread and growth; for you broke out so insistently and variously that it was a charm to watch and an excitement to follow you. The only drawback that I remember suffering from was that I, your original debtor, couldn't print or publish or pay you—which would have been a sort of ideal repayment and of enhanced credit; you could take care of yourself so beautifully, and I could (unless by some occasional happy chance or rare favour) scarce so much as glance at your proofs or have a glimpse of your "endings." I could only read you, full-blown and finished—and see, with the rest of the world, how you were doing it again and again.
That then was what I had with time to settle down to—the common attitude of seeing you do it again and again; keep on doing it, with your heroic consistency and your noble, genial abundance, during all the years that have seen so many apparitions come and go, so many vain flourishes attempted and achieved, so many little fortunes made and unmade, so many weaker inspirations betrayed and spent. Having myself to practise meaner economies, I have admired, from period to period, your so ample and liberal flow; wondered at your secret for doing positively a little—what do I say a little? I mean a magnificent deal!—of Everything. I seem to myself to have faltered and languished, to have missed more occasions than I have grasped, while you have piled up your monument just by remaining at your post. For you have had the advantage, after all, of breathing an air that has suited and nourished you; of sitting up to your neck, as I may say—or at least up to your waist—amid the sources of your inspiration. There and so you were at your post; there and so the spell could ever work for you, there and so your relation to all your material grow closer and stronger, your perception penetrate, your authority accumulate. They make a great array, a literature in themselves, your studies of American life, so acute, so direct, so disinterested, so preoccupied but with the fine truth of the case; and the more attaching to me, always, for their referring themselves to a time and an order when we knew together what American life was—or thought we did, deluded though we may have been! I don't pretend to measure the effect, or to sound the depths, if they be not the shallows, of the huge wholesale importations and so-called assimilations of this later time; I can only feel and speak for those conditions in which, as "quiet observers," as careful painters, as sincere artists, we could still, in our native, our human and social element, know more or less where we were and feel more or less what we had hold of. You knew and felt these things better than I; you had learnt them earlier and more intimately, and it was impossible, I think, to be in more instinctive and more informed possession of the general truth of your subject than you happily found yourself. The real affair of the American case and character, as it met your view and brushed your sensibility, that was what inspired and attached you, and, heedless of foolish flurries from other quarters, of all wild or weak slashings of the air and wavings in the void, you gave yourself to it with an incorruptible faith. You saw your field with a rare lucidity; you saw all it had to give in the way of the romance of the real and the interest and the thrill and the charm of the common, as one may put it; the character and the comedy, the point, the pathos, the tragedy, the particular home-grown humanity under your eyes and your hand and with which the life all about you was closely interknitted. Your hand reached out to these things with a fondness that was in itself a literary gift, and played with them as the artist only and always can play: freely, quaintly, incalculably, with all the assurance of his fancy and his irony, and yet with that fine taste for the truth and the pity and the meaning of the matter which keeps the temper of observation both sharp and sweet. To observe, by such an instinct and by such reflection, is to find work to one's hand and a challenge in every bush; and as the familiar American scene thus bristled about you, so, year by year, your vision more and more justly responded and swarmed. You put forth A Modern Instance, and The Rise of Silas Lapham, and A Hazard of New Fortunes, and The Landlord at Lion's Head, and The Kentons (that perfectly classic illustration of your spirit and your form,) after having put forth in perhaps lighter-fingered prelude A Foregone Conclusion, and The Undiscovered Country, and The Lady of the Aroostook, and The Minister's Charge—to make of a long list too short a one; with the effect, again and again, of a feeling for the human relation, as the social climate of our country qualifies, intensifies, generally conditions and colours it, which, married in perfect felicity to the expression you found for its service, constituted the originality that we want to fasten upon you, as with silver nails, to-night. Stroke by stroke and book by book your work was to become, for this exquisite notation of our whole democratic light and shade and give and take, in the highest degree documentary; so that none other, through all your fine long season, could approach it in value and amplitude. None, let me say too, was to approach it in essential distinction; for you had grown master, by insidious practices best known to yourself, of a method so easy and so natural, so marked with the personal element of your humour and the play, not less personal, of your sympathy, that the critic kept coming on its secret connection with the grace of letters much as Fenimore Cooper's Leather-stocking—so knowing to be able to do it!—comes, in the forest, on the subtle tracks of Indian braves. However, these things take us far, and what I wished mainly to put on record is my sense of that unfailing, testifying truth in you which will keep you from ever being neglected. The critical intelligence—if any such fitful and discredited light may still be conceived as within our sphere—has not at all begun to render you its tribute. The more inquiringly and perceivingly it shall still be projected upon the American life we used to know, the more it shall be moved by the analytic and historic spirit, the more indispensable, the more a vessel of light, will you be found. It's a great thing to have used one's genius and done one's work with such quiet and robust consistency that they fall by their own weight into that happy service. You may remember perhaps, and I like to recall, how the great and admirable Taine, in one of the fine excursions of his French curiosity, greeted you as a precious painter and a sovereign witness. But his appreciation, I want you to believe with me, will yet be carried much further, and then—though you may have argued yourself happy, in your generous way and with your incurable optimism, even while noting yourself not understood—your really beautiful time will come. Nothing so much as feeling that he may himself perhaps help a little to bring it on can give pleasure to yours all faithfully,
HENRY JAMES.
To Mrs. Wharton
The following refers to the third volume (covering the years 1838 to 1848) of Mme Vladimir Karénine's "George Sand, sa Vie et ses Œuvres," an article on which, written by H. J. for the Quarterly Review, appears in Notes on Novelists.
Reform Club, Pall Mall, S.W.March 13th, 1912.
Dearest Edith,
Just a word to thank you—so inadequately—for everything. Your letter of the 1st infinitely appeals to me, and the 3d vol. of the amazing Vladimir (amazing for acharnement over her subject) has rejoiced my heart the more that I had quite given up expecting it. The two first vols. had long ago deeply held me—but I had at last had to suppose them but a colossal fragment. Fortunately the whole thing proves less fragmentary than colossal, and our dear old George ressort more and more prodigious the nearer one gets to her. The passages you marked contribute indeed most to this ineffable effect—and the long letter to sweet Solange is surely one of the rarest fruits of the human intelligence, one of the great things of literature. And what a value it all gets from our memory of that wondrous day when we explored the very scene where they pigged so thrillingly together. What a crew, what mœurs, what habits, what conditions and relations every way—and what an altogether mighty and marvellous George!—not diminished by all the greasiness and smelliness in which she made herself (and so many other persons!) at home. Poor gentlemanly, crucified Chop!—not naturally at home in grease—but having been originally pulled in—and floundering there at last to extinction! Ce qui dépasse, however—and it makes the last word about dear old G. really—is her overwhelming glibness, as exemplified, e.g., in her long letter to Gryzmala (or whatever his name,) the one to the first page or two of which your pencil-marks refer me, and in which she "posts" him, as they say at Stockbridge, as to all her amours. To have such a flow of remark on that subject, and everything connected with it, at her command helps somehow to make one feel that Providence laid up for the French such a store of remark, in advance and, as it were, should the worst befall, that their conduct and mœurs, coming after, had positively to justify and do honour to the whole collection of formulae, phrases and, as I say, glibnesses—so that as there were at any rate such things there for them to inevitably say, why not simply do all the things that would give them a rapport and a sense? The things we, poor disinherited race, do, we have to do so dimly and sceptically, without the sense of any such beautiful cadres awaiting us—and therefore poorly and going but half—or a tenth—of the way. It makes a difference when you have to invent your suggestions and glosses all after the fact: you do it so miserably compared with Providence—especially Providence aided by the French language: which by the way convinces me that Providence thinks and really expresses itself only in French, the language of gallantry. It will be a joy when we can next converse on these and cognate themes—I know of no such link of true interchange as a community of interest in dear old George.
I don't know what else to tell you—nor where this will find you.... I kind of pray that you may have been able to make yourself a system of some sort—to have arrived at some modus vivendi. The impossible wears on us, but we wear a little here, I think, even on the coal-strike and the mass of its attendant misery; though they produce an effect and create an atmosphere unspeakably dismal and depressing; to which the window-smashing women add a darker shade. I am blackly bored when the latter are at large and at work; but somehow I am still more blackly bored when they are shut up in Holloway and we are deprived of them....
Yours all and always, dearest Edith,
HENRY JAMES.