Chapter LVII. The Convalescent
We meet with several puzzles here. Zarathustra calls himself the advocate of the circle (the Eternal Recurrence of all things), and he calls this doctrine his abysmal thought. In the last verse of the first paragraph, however, after hailing his deepest thought, he cries: “Disgust, disgust, disgust!” We know Nietzsche’s ideal man was that “world-approving, exuberant, and vivacious creature, who has not only learnt to compromise and arrange with that which was and is, but wishes to have it again, AS IT WAS AND IS, for all eternity insatiably calling out da capo, not only to himself, but to the whole piece and play” (see Note on Chapter XLII.). But if one ask oneself what the conditions to such an attitude are, one will realise immediately how utterly different Nietzsche was from his ideal. The man who insatiably cries da capo to himself and to the whole of his mise-en-scene, must be in a position to desire every incident in his life to be repeated, not once, but again and again eternally. Now, Nietzsche’s life had been too full of disappointments, illness, unsuccessful struggles, and snubs, to allow of his thinking of the Eternal Recurrence without loathing – hence probably the words of the last verse.
In verses 15 and 16, we have Nietzsche declaring himself an evolutionist in the broadest sense – that is to say, that he believes in the Development Hypothesis as the description of the process by which species have originated. Now, to understand his position correctly we must show his relationship to the two greatest of modern evolutionists – Darwin and Spencer. As a philosopher, however, Nietzsche does not stand or fall by his objections to the Darwinian or Spencerian cosmogony. He never laid claim to a very profound knowledge of biology, and his criticism is far more valuable as the attitude of a fresh mind than as that of a specialist towards the question. Moreover, in his objections many difficulties are raised which are not settled by an appeal to either of the men above mentioned. We have given Nietzsche’s definition of life in the Note on Chapter LVI., par. 10. Still, there remains a hope that Darwin and Nietzsche may some day become reconciled by a new description of the processes by which varieties occur. The appearance of varieties among animals and of “sporting plants” in the vegetable kingdom, is still shrouded in mystery, and the question whether this is not precisely the ground on which Darwin and Nietzsche will meet, is an interesting one. The former says in his “Origin of Species”, concerning the causes of variability: “…there are two factors, namely, the nature of the organism, and the nature of the conditions. THE FORMER SEEMS TO BE MUCH THE MORE IMPORTANT (The italics are mine.), for nearly similar variations sometimes arise under, as far as we can judge, dissimilar conditions; and on the other hand, dissimilar variations arise under conditions which appear to be nearly uniform.” Nietzsche, recognising this same truth, would ascribe practically all the importance to the “highest functionaries in the organism, in which the life-will appears as an active and formative principle,” and except in certain cases (where passive organisms alone are concerned) would not give such a prominent place to the influence of environment. Adaptation, according to him, is merely a secondary activity, a mere re-activity, and he is therefore quite opposed to Spencer’s definition: “Life is the continuous adjustment of internal relations to external relations.” Again in the motive force behind animal and plant life, Nietzsche disagrees with Darwin. He transforms the “Struggle for Existence” – the passive and involuntary condition – into the “Struggle for Power,” which is active and creative, and much more in harmony with Darwin’s own view, given above, concerning the importance of the organism itself. The change is one of such far-reaching importance that we cannot dispose of it in a breath, as a mere play upon words. “Much is reckoned higher than life itself by the living one.” Nietzsche says that to speak of the activity of life as a “struggle for existence,” is to state the case inadequately. He warns us not to confound Malthus with nature. There is something more than this struggle between the organic beings on this earth; want, which is supposed to bring this struggle about, is not so common as is supposed; some other force must be operative. The Will to Power is this force, “the instinct of self-preservation is only one of the indirect and most frequent results thereof.” A certain lack of acumen in psychological questions and the condition of affairs in England at the time Darwin wrote, may both, according to Nietzsche, have induced the renowned naturalist to describe the forces of nature as he did in his “Origin of Species”.
In verses 28, 29, and 30 of the second portion of this discourse we meet with a doctrine which, at first sight, seems to be merely “le manoir a l’envers,” indeed one English critic has actually said of Nietzsche, that “Thus Spake Zarathustra” is no more than a compendium of modern views and maxims turned upside down. Examining these heterodox pronouncements a little more closely, however, we may possibly perceive their truth. Regarding good and evil as purely relative values, it stands to reason that what may be bad or evil in a given man, relative to a certain environment, may actually be good if not highly virtuous in him relative to a certain other environment. If this hypothetical man represent the ascending line of life – that is to say, if he promise all that which is highest in a Graeco-Roman sense, then it is likely that he will be condemned as wicked if introduced into the society of men representing the opposite and descending line of life.
By depriving a man of his wickedness – more particularly nowadays – therefore, one may unwittingly be doing violence to the greatest in him. It may be an outrage against his wholeness, just as the lopping-off of a leg would be. Fortunately, the natural so-called “wickedness” of higher men has in a certain measure been able to resist this lopping process which successive slave-moralities have practised; but signs are not wanting which show that the noblest wickedness is fast vanishing from society – the wickedness of courage and determination – and that Nietzsche had good reasons for crying: “Ah, that (man’s) baddest is so very small! Ah, that his best is so very small. What is good? To be brave is good! It is the good war which halloweth every cause!” (see also par. 5, “Higher Man”).
Chapter LX. The Seven Seals
This is a final paean which Zarathustra sings to Eternity and the marriage-ring of rings, the ring of the Eternal Recurrence.
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PART IV
In my opinion this part is Nietzsche’s open avowal that all his philosophy, together with all his hopes, enthusiastic outbursts, blasphemies, prolixities, and obscurities, were merely so many gifts laid at the feet of higher men. He had no desire to save the world. What he wished to determine was: Who is to be master of the world? This is a very different thing. He came to save higher men; – to give them that freedom by which, alone, they can develop and reach their zenith (see Note on Chapter LIV., end). It has been argued, and with considerable force, that no such philosophy is required by higher men, that, as a matter of fact, higher men, by virtue of their constitutions always, do stand Beyond Good and Evil, and never allow anything to stand in the way of their complete growth. Nietzsche, however, was evidently not so confident about this. He would probably have argued that we only see the successful cases. Being a great man himself, he was well aware of the dangers threatening greatness in our age. In “Beyond Good and Evil” he writes: “There are few pains so grievous as to have seen, divined, or experienced how an exceptional man has missed his way and deteriorated…” He knew “from his painfullest recollections on what wretched obstacles promising developments of the highest rank have hitherto usually gone to pieces, broken down, sunk, and become contemptible.” Now in Part IV. we shall find that his strongest temptation to descend to the feeling of “pity” for his contemporaries, is the “cry for help” which he hears from the lips of the higher men exposed to the dreadful danger of their modern environment.
Chapter LXI. The Honey Sacrifice
In the fourteenth verse of this discourse Nietzsche defines the solemn duty he imposed upon himself: “Become what thou art.” Surely the criticism which has been directed against this maxim must all fall to the ground when it is remembered, once and for all, that Nietzsche’s teaching was never intended to be other than an esoteric one. “I am a law only for mine own,” he says emphatically, “I am not a law for all.” It is of the greatest importance to humanity that its highest individuals should be allowed to attain to their full development; for, only by means of its heroes can the human race be led forward step by step to higher and yet higher levels. “Become what thou art” applied to all, of course, becomes a vicious maxim; it is to be hoped, however, that we may learn in time that the same action performed by a given number of men, loses its identity precisely that same number of times. – “Quod licet Jovi, non licet bovi.”
At the last eight verses many readers may be tempted to laugh. In England we almost always laugh when a man takes himself seriously at anything save sport. And there is of course no reason why the reader should not be hilarious. – A certain greatness is requisite, both in order to be sublime and to have reverence for the sublime. Nietzsche earnestly believed that the Zarathustra-kingdom – his dynasty of a thousand years – would one day come; if he had not believed it so earnestly, if every artist in fact had not believed so earnestly in his Hazar, whether of ten, fifteen, a hundred, or a thousand years, we should have lost all our higher men; they would have become pessimists, suicides, or merchants. If the minor poet and philosopher has made us shy of the prophetic seriousness which characterized an Isaiah or a Jeremiah, it is surely our loss and the minor poet’s gain.
Chapter LXII. The Cry of Distress
We now meet with Zarathustra in extraordinary circumstances. He is confronted with Schopenhauer and tempted by the old Soothsayer to commit the sin of pity. “I have come that I may seduce thee to thy last sin!” says the Soothsayer to Zarathustra. It will be remembered that in Schopenhauer’s ethics, pity is elevated to the highest place among the virtues, and very consistently too, seeing that the Weltanschauung is a pessimistic one. Schopenhauer appeals to Nietzsche’s deepest and strongest sentiment – his sympathy for higher men. “Why dost thou conceal thyself?” he cries. “It is THE HIGHER MAN that calleth for thee!” Zarathustra is almost overcome by the Soothsayer’s pleading, as he had been once already in the past, but he resists him step by step. At length he can withstand him no longer, and, on the plea that the higher man is on his ground and therefore under his protection, Zarathustra departs in search of him, leaving Schopenhauer – a higher man in Nietzsche’s opinion – in the cave as a guest.
Chapter LXIII. Talk with the Kings
On his way Zarathustra meets two more higher men of his time; two kings cross his path. They are above the average modern type; for their instincts tell them what real ruling is, and they despise the mockery which they have been taught to call “Reigning.” “We ARE NOT the first men,” they say, “and have nevertheless to STAND FOR them: of this imposture have we at last become weary and disgusted.” It is the kings who tell Zarathustra: “There is no sorer misfortune in all human destiny than when the mighty of the earth are not also the first men. There everything becometh false and distorted and monstrous.” The kings are also asked by Zarathustra to accept the shelter of his cave, whereupon he proceeds on his way.
Chapter LXIV. The Leech
Among the higher men whom Zarathustra wishes to save, is also the scientific specialist – the man who honestly and scrupulously pursues his investigations, as Darwin did, in one department of knowledge. “I love him who liveth in order to know, and seeketh to know in order that the Superman may hereafter live. Thus seeketh he his own down-going.” “The spiritually conscientious one,” he is called in this discourse. Zarathustra steps on him unawares, and the slave of science, bleeding from the violence he has done to himself by his self-imposed task, speaks proudly of his little sphere of knowledge – his little hand’s breadth of ground on Zarathustra’s territory, philosophy. “Where mine honesty ceaseth,” says the true scientific specialist, “there am I blind and want also to be blind. Where I want to know, however, there want I also to be honest – namely, severe, rigorous, restricted, cruel, and inexorable.” Zarathustra greatly respecting this man, invites him too to the cave, and then vanishes in answer to another cry for help.
Chapter LXV. The Magician
The Magician is of course an artist, and Nietzsche’s intimate knowledge of perhaps the greatest artist of his age rendered the selection of Wagner, as the type in this discourse, almost inevitable. Most readers will be acquainted with the facts relating to Nietzsche’s and Wagner’s friendship and ultimate separation. As a boy and a youth Nietzsche had shown such a remarkable gift for music that it had been a question at one time whether he should not perhaps give up everything else in order to develop this gift, but he became a scholar notwithstanding, although he never entirely gave up composing, and playing the piano. While still in his teens, he became acquainted with Wagner’s music and grew passionately fond of it. Long before he met Wagner he must have idealised him in his mind to an extent which only a profoundly artistic nature could have been capable of. Nietzsche always had high ideals for humanity. If one were asked whether, throughout his many changes, there was yet one aim, one direction, and one hope to which he held fast, one would be forced to reply in the affirmative and declare that aim, direction, and hope to have been “the elevation of the type man.” Now, when Nietzsche met Wagner he was actually casting about for an incarnation of his dreams for the German people, and we have only to remember his youth (he was twenty-one when he was introduced to Wagner), his love of Wagner’s music, and the undoubted power of the great musician’s personality, in order to realise how very uncritical his attitude must have been in the first flood of his enthusiasm. Again, when the friendship ripened, we cannot well imagine Nietzsche, the younger man, being anything less than intoxicated by his senior’s attention and love, and we are therefore not surprised to find him pressing Wagner forward as the great Reformer and Saviour of mankind. “Wagner in Bayreuth” (English Edition, 1909) gives us the best proof of Nietzsche’s infatuation, and although signs are not wanting in this essay which show how clearly and even cruelly he was sub-consciously “taking stock” of his friend – even then, the work is a record of what great love and admiration can do in the way of endowing the object of one’s affection with all the qualities and ideals that a fertile imagination can conceive.
When the blow came it was therefore all the more severe. Nietzsche at length realised that the friend of his fancy and the real Richard Wagner – the composer of Parsifal – were not one; the fact dawned upon him slowly; disappointment upon disappointment, revelation after revelation, ultimately brought it home to him, and though his best instincts were naturally opposed to it at first, the revulsion of feeling at last became too strong to be ignored, and Nietzsche was plunged into the blackest despair. Years after his break with Wagner, he wrote “The Case of Wagner”, and “Nietzsche contra Wagner”, and these works are with us to prove the sincerity and depth of his views on the man who was the greatest event of his life.
The poem in this discourse is, of course, reminiscent of Wagner’s own poetical manner, and it must be remembered that the whole was written subsequent to Nietzsche’s final break with his friend. The dialogue between Zarathustra and the Magician reveals pretty fully what it was that Nietzsche grew to loathe so intensely in Wagner, – viz., his pronounced histrionic tendencies, his dissembling powers, his inordinate vanity, his equivocalness, his falseness. “It honoureth thee,” says Zarathustra, “that thou soughtest for greatness, but it betrayeth thee also. Thou art not great.” The Magician is nevertheless sent as a guest to Zarathustra’s cave; for, in his heart, Zarathustra believed until the end that the Magician was a higher man broken by modern values.
Chapter LXVI. Out of Service
Zarathustra now meets the last pope, and, in a poetical form, we get Nietzsche’s description of the course Judaism and Christianity pursued before they reached their final break-up in Atheism, Agnosticism, and the like. The God of a strong, warlike race – the God of Israel – is a jealous, revengeful God. He is a power that can be pictured and endured only by a hardy and courageous race, a race rich enough to sacrifice and to lose in sacrifice. The image of this God degenerates with the people that appropriate it, and gradually He becomes a God of love – “soft and mellow,” a lower middle-class deity, who is “pitiful.” He can no longer be a God who requires sacrifice, for we ourselves are no longer rich enough for that. The tables are therefore turned upon Him; HE must sacrifice to us. His pity becomes so great that he actually does sacrifice something to us – His only begotten Son. Such a process carried to its logical conclusions must ultimately end in His own destruction, and thus we find the pope declaring that God was one day suffocated by His all-too-great pity. What follows is clear enough. Zarathustra recognises another higher man in the ex-pope and sends him too as a guest to the cave.
Chapter LXVII. The Ugliest Man
This discourse contains perhaps the boldest of Nietzsche’s suggestions concerning Atheism, as well as some extremely penetrating remarks upon the sentiment of pity. Zarathustra comes across the repulsive creature sitting on the wayside, and what does he do? He manifests the only correct feelings that can be manifested in the presence of any great misery – that is to say, shame, reverence, embarrassment. Nietzsche detested the obtrusive and gushing pity that goes up to misery without a blush either on its cheek or in its heart – the pity which is only another form of self-glorification. “Thank God that I am not like thee!” – only this self-glorifying sentiment can lend a well-constituted man the impudence to SHOW his pity for the cripple and the ill-constituted. In the presence of the ugliest man Nietzsche blushes, – he blushes for his race; his own particular kind of altruism – the altruism that might have prevented the existence of this man – strikes him with all its force. He will have the world otherwise. He will have a world where one need not blush for one’s fellows – hence his appeal to us to love only our children’s land, the land undiscovered in the remotest sea.
Zarathustra calls the ugliest man the murderer of God! Certainly, this is one aspect of a certain kind of Atheism – the Atheism of the man who reveres beauty to such an extent that his own ugliness, which outrages him, must be concealed from every eye lest it should not be respected as Zarathustra respected it. If there be a God, He too must be evaded. His pity must be foiled. But God is ubiquitous and omniscient. Therefore, for the really GREAT ugly man, He must not exist. “Their pity IS it from which I flee away,” he says – that is to say: “It is from their want of reverence and lack of shame in presence of my great misery!” The ugliest man despises himself; but Zarathustra said in his Prologue: “I love the great despisers because they are the great adorers, and arrows of longing for the other shore.” He therefore honours the ugliest man: sees height in his self-contempt, and invites him to join the other higher men in the cave.