Suddenly from the opposite bank came the music of the magic flute, and her voice as suddenly stopped and failed her.
“Again—again,” said Darrell, dreamily. “The same music! the same air! and this the same place on which we two stood together when I first dared to say, ‘I love!’ Look! we are under the very tree! Look! there is the date I carved on the bark when you were gone, but had left Hope behind. Ah, Caroline, why can I not now resign myself to age? Why is youth, while I speak, rushing back into my heart, into my soul? Why cannot I say, ‘Gratefully I accept your tender friendship; let the past be forgotten; through what rests to me of the future while on earth, be to me as a child. I cannot—I cannot! Go!”
She drew nearer to him, gently, timidly. “Even that, Darrell,—even that; something in your life—let me be something still!”
“Ah,” he said with melancholy bitterness, “you deceive me no longer now! You own that, when here we stood last and exchanged our troth, you in the blossom, and I in the prime, of life—you own that it was no woman’s love, deaf to all calumny, proof to all craft that could wrong the absent; no woman’s love, warm as the heart, undying as the soul, that you pledged me then?”
“Darrell, it was not—though then I thought it was.”
“Ay, ay,” he continued with a smile, as if of triumph in his own pangs, “so that truth is confessed at last! And when, once more free, you wrote to me the letter I returned, rent in fragments, to your hand—or when, forgiving my rude outrage and fierce reproach, you spoke to me so gently yonder, a few weeks since, in these lonely shades, then what were your sentiments, your motives? Were they not those of a long-suppressed and kind remorse? of a charity akin to that which binds rich to poor, bows happiness to suffering?—some memories of gratitude—nay, perhaps of childlike affection?—all amiable, all generous, all steeped in that sweetness of nature to which I unconsciously rendered justice in the anguish I endured in losing you; but do not tell me that even then you were under the influence of woman’s love.”
“Darrell, I was not.”
“You own it, and you suffer me to see you again! Trifler and cruel one, is it but to enjoy the sense of your undiminished, unalterable power?”
“Alas, Darrell! alas! why am I here?—why so yearning, yet so afraid to come? Why did my heart fail when these trees rose in sight against the sky?—why, why—why was it drawn hither by the spell I could not resist? Alas, Darrell, alas! I am a woman now—and—and this—”
She lowered her veil, and turned away; her lips could not utter the word, because the word was not pity, not remorse, not remembrance, not even affection; and the woman loved now too well to subject to the hazard of rejection—LOVE!
“Stay, oh stay!” cried Darrell. “Oh that I could dare to ask you to complete the sentence! I know—I know by the mysterious sympathy of my own soul, that you could never deceive me more! Is it—is it—”
His lips falter too; but her hand is clasped in his; her head is reclining upon his breast; the veil is withdrawn from the sweet downcast face; and softly on her ear steal the murmured words, “Again and now, till the grave—Oh, by this hallowing kiss, again—the Caroline of old!”
Fuller and fuller, spreading, wave after wave, throughout the air, till it seemed interfused and commingled with the breath which the listeners breathe, the flute’s mellow gush streams along. The sun slopes in peace towards the west; not a cloud in those skies, clearer seen through yon boughs stripped of leaves, and rendering more vivid the evergreen of the arbute and laurel.
Lionel and Sophy are now seated on yon moss-grown trunk, on either side the old grey-haired man, as if agreeing for a while even to forget each. other, that they may make him feel how fondly he is remembered. Sophy is resting both her hands on the old man’s shoulder, looking into his face, and murmuring in his ear with voice like the coo of a happy dove. Ah, fear not, Sophy; he is happy too—he who never thinks of himself. Look—the playful smile round his arch lips; look—now he is showing off Sir Isaac to Vance; with austere solemnity the dog goes through his tricks; and Vance, with hand stroking his chin, is moralising on all that might have befallen had he grudged his three pounds to that famous INVESTMENT.
Behind that group, shadowed by the Thorn-tree, stands the PREACHER, thoughtful and grave, foreseeing the grief that must come to the old man with the morrow, when he will learn that a guilty son nears his end, and will hasten to comfort Jasper’s last days with pardon. But the Preacher looks not down to the death-couch alone; on and high over death looks the Preacher! By what words Heavenly Mercy may lend to his lips shall he steal away, yet in time, to the soul of the dying, and justify murmurs of hope to the elm of a life so dark with the shades of its past? And to him, to the Preacher, they who survive—the two mourners will come in their freshness of sorrow! He, the old man? Nay, to him there will be comfort. His spirit Heaven’s kindness had tempered to trials; and, alas for that son, what could father hope more than a death free from shame, and a chance yet vouchsafed for repentance? But she, the grim, iron-grey woman? The Preacher’s interest, I know, will soon centre on her:—And balm may yet drop on thy wounds, thou poor, grim, iron-grey, loving woman.
Lo! that traitor, the Flute-player, over whom falls the deep grateful shade from the eaves of the roof-tree reprieved; though unconscious as yet of that happy change in the lot of the master which, ere long, may complete (and haply for sons sprung in truth from the blood of the Darrell) yon skeleton pile, and consummate, for ends nobler far, the plan of a grand life imperfect;—though as yet the musician nor knows nor conjectures the joy that his infamous treason to Sophy so little deserves; yet, as if by those finer perceptions of sense impressed ere they happen, by changes of pleasure and of pain, which Art so mysteriously gives to the minds from which music is born, his airs, of themselves, float in joy: Like a bird at the coming of spring, it is gladness that makes him melodious.
And Alban Morley, seemingly intent upon the sketch which his amiable niece-in-law submits to his critical taste ere she ventures to show it to Vance, is looking from under his brows towards the grove, out from which, towering over all its dark brethren, soars the old trysting beech-tree, and to himself he is saying: “Ten to one that the old House of Vipont now weather the CRISIS; and a thousand to one that I find at last my armchair at the hearth of my schoolfriend, Guy Darrell!”
And the lake is as smooth as glass; and the swans, hearkening the music, rest still, with white breasts against the grass of the margin; and the doe, where she stands, her fore-feet in the water, lifts her head wistfully, with nostrils distended, and wondering soft eyes that are missing the master. Now full on the beech-grove shines the westering sun; out from the gloomy beech-grove into the golden sunlight—they come, they come—Man and the Helpmate, two lives re-betrothed—two souls re-united. Be it evermore! Amen.