CHAPTER XI
Showing that if a good face is a letter of recommendation, a good heart is a letter of credit.
The next day they rode forth, host and guest, and that ride proved an eventful crisis in the fortune of Lionel Haughton. Hitherto I have elaborately dwelt on the fact that whatever the regard Darrell might feel for him, it was a regard apart from that interest which accepts a responsibility and links to itself a fate. And even if, at moments, the powerful and wealthy man had felt that interest, he had thrust it from him. That he meant to be generous was indeed certain, and this he had typically shown in a very trite matter-of-fact way. The tailor, whose visit had led to such perturbation, had received instructions beyond the mere supply of the raiment for which he had been summoned; and a large patent portmanteau, containing all that might constitute the liberal outfit of a young man in the rank of gentleman, had arrived at Fawley, and amazed and moved Lionel, whom Darrell had by this time thoroughly reconciled to the acceptance of benefits. The gift denoted this: “In recognizing you as kinsman, I shall henceforth provide for you as gentleman.” Darrell indeed meditated applying for an appointment in one of the public offices, the settlement of a liberal allowance, and a parting shake of the hand, which should imply, “I have now behaved as becomes me: the rest belongs to you. We may never meet again. There is no reason why this good-by may not be forever.”
But in the course of that ride, Darrell’s intentions changed. Wherefore? You will never guess! Nothing so remote as the distance between cause and effect, and the cause for the effect here was—poor little Sophy.
The day was fresh, with a lovely breeze, as the two riders rode briskly over the turf of rolling commons, with the feathery boughs of neighbouring woodlands tossed joyously to and fro by the sportive summer wind. The exhilarating exercise and air raised Lionel’s spirits, and released his tongue from all trammels; and when a boy is in high spirits, ten to one but he grows a frank egotist, feels the teeming life of his individuality, and talks about himself. Quite unconsciously, Lionel rattled out gay anecdotes of his school-days; his quarrel with a demoniacal usher; how he ran away; what befell him; how the doctor went after, and brought him back; how splendidly the doctor behaved,—neither flogged nor expelled him, but after patiently listening, while he rebuked the pupil, dismissed the usher, to the joy of the whole academy; how he fought the head boy in the school for calling the doctor a sneak; how, licked twice, he yet fought that head boy a third time, and licked him; how, when head boy himself, he had roused the whole school into a civil war, dividing the boys into Cavaliers and Roundheads; how clay was rolled out into cannon-balls and pistol-shots, sticks shaped into swords, the playground disturbed to construct fortifications; how a slovenly stout boy enacted Cromwell; how he himself was elevated into Prince Rupert; and how, reversing all history, and infamously degrading Cromwell, Rupert would not consent to be beaten; and Cromwell at the last, disabled by an untoward blow across the knuckles, ignominiously yielded himself prisoner, was tried by a court-martial, and sentenced to be shot! To all this rubbish did Darrell incline his patient ear,—not encouraging, not interrupting, but sometimes stifling a sigh at the sound of Lionel’s merry laugh, or the sight of his fair face, with heightened glow on his cheeks, and his long silky hair, worthy the name of lovelocks, blown by the wind from the open loyal features, which might well have graced the portrait of some youthful Cavalier. On bounded the Spanish jennet, on rattled the boy rider. He had left school now, in his headlong talk; he was describing his first friendship with Frank Vance, as a lodger at his mother’s; how example fired him, and he took to sketch-work and painting; how kindly Vance gave him lessons; how at one time he wished to be a painter; how much the mere idea of such a thing vexed his mother, and how little she was moved when he told her that Titian was of a very ancient family, and that Francis I., archetype of gentleman, visited Leonardo da Vinci’s sick-bed; and that Henry VIII. had said to a pert lord who had snubbed Holbein, “I can make a lord any day, but I cannot make a Holbein!” how Mrs. Haughton still confounded all painters in the general image of the painter and the plumber who had cheated her so shamefully in the renewed window-sashes and redecorated walls, which Time and the four children of an Irish family had made necessary to the letting of the first floor. And these playful allusions to the maternal ideas were still not irreverent, but contrived so as rather to prepossess Darrell in Mrs. Haughton’s favour by bringing out traits of a simple natural mother, too proud, perhaps, of her only son, not caring what she did, how she worked, so that he might not lose caste as a born Haughton. Darrell understood, and nodded his head approvingly. “Certainly,” he said, speaking almost for the first time, “Fame confers a rank above that of gentlemen and of kings; and as soon as she issues her patent of nobility, it matters not a straw whether the recipient be the son of a Bourbon or of a tallow-chandler. But if Fame withhold her patent; if a well-born man paint aldermen, and be not famous (and I dare say you would have been neither a Titian nor a Holbein),—why, he might as well be a painter and plumber, and has a better chance even of bread and cheese by standing to his post as gentleman. Mrs. Haughton was right, and I respect her.”
“Quite right. If I lived to the age of Methuselah, I could not paint a head like Frank Vance.”
“And even he is not famous yet. Never heard of him.”
“He will be famous: I am sure of it; and if you lived in London, you would hear of him even now. Oh, sir! such a portrait as he painted the other day! But I must tell you all about it.” And therewith Lionel plunged at once, medias res, into the brief broken epic of little Sophy, and the eccentric infirm Belisarius for whose sake she first toiled and then begged; with what artless eloquence he brought out the colours of the whole story,—now its humour, now its pathos; with what beautifying sympathy he adorned the image of the little vagrant girl, with her mien of gentlewoman and her simplicity of child; the river excursion to Hampton Court; her still delight; how annoyed he felt when Vance seemed ashamed of her before those fine people; the orchard scene in which he had read Darrell’s letter, that, for the time, drove her from the foremost place in his thoughts; the return home, the parting, her wistful look back, the visit to the Cobbler’s next day; even her farewell gift, the nursery poem, with the lines written on the fly-leaf, he had them by heart! Darrell, the grand advocate, felt he could not have produced on a jury, with those elements, the effect which that boy-narrator produced on his granite self.
“And, oh, sir!” cried Lionel, checking his horse, and even arresting Darrell’s with bold right hand—“oh,” said he, as he brought his moist and pleading eyes in full battery upon the shaken fort to which he had mined his way—“oh, sir! you are so wise and rich and kind, do rescue that poor child from the penury and hardships of such a life! If you could but have seen and heard her! She could never have been born to it! You look away: I offend you! I have no right to tax your benevolence for others; but, instead of showering favours upon me, so little would suffice for her!—if she were but above positive want, with that old man (she would not be happy without him), safe in such a cottage as you give to your own peasants! I am a man, or shall be one soon; I can wrestle with the world, and force my way somehow; but that delicate child, a village show, or a beggar on the high road!—no mother, no brother, no one but that broken-down cripple, leaning upon her arm as his crutch. I cannot bear to think of it. I am sure I shall meet her again somewhere; and when I do, may I not write to you, and will you not come to her help? Do speak; do say ‘Yes,’ Mr. Darrell.”
The rich man’s breast heaved slightly; he closed his eyes, but for a moment. There was a short and sharp struggle with his better self, and the better self conquered.
“Let go my reins; see, my horse puts down his ears; he may do you a mischief. Now canter on: you shall be satisfied. Give me a moment to—to unbutton my coat: it is too tight for me.”
CHAPTER XII
Guy Darrell gives way to an impulse, and quickly decides what he will do with it.
“Lionel Haughton,” said Guy Darrell, regaining his young cousin’s side, and speaking in a firm and measured voice, “I have to thank you for one very happy minute; the sight of a heart so fresh in the limpid purity of goodness is a luxury you cannot comprehend till you have come to my age; journeyed, like me, from Dan to Beersheba, and found all barren. Heed me: if you had been half-a-dozen years older, and this child for whom you plead had been a fair young woman, perhaps just as innocent, just as charming,—more in peril,—my benevolence would have lain as dormant as a stone. A young man’s foolish sentiment for a pretty girl,—as your true friend, I should have shrugged my shoulders and said, ‘Beware!’ Had I been your father, I should have taken alarm and frowned. I should have seen the sickly romance which ends in dupes and deceivers. But at your age, you, hearty, genial, and open-hearted boy,—you, caught but by the chivalrous compassion for helpless female childhood,—oh, that you were my son,—oh, that my dear father’s blood were in those knightly veins! I had a son once! God took him;” the strong man’s lips quivered: he hurried on. “I felt there was manhood in you, when you wrote to fling my churlish favours in my teeth; when you would have left my roof-tree in a burst of passion which might be foolish, but was nobler than the wisdom of calculating submission, manhood, but only perhaps man’s pride as man,—man’s heart not less cold than winter. To-day you have shown me something far better than pride; that nature which constitutes the heroic temperament is completed by two attributes,—unflinching purpose, disinterested humanity. I know not yet if you have the first; you reveal to me the second. Yes! I accept the duties you propose to me; I will do more than leave to you the chance of discovering this poor child. I will direct my solicitor to take the right steps to do so. I will see that she is safe from the ills you feel for her. Lionel, more still, I am impatient till I write to Mrs. Haughton. I did her wrong. Remember, I have never seen her. I resented in her the cause of my quarrel with your father, who was once dear to me. Enough of that. I disliked the tone of her letters to me. I disliked it in the mother of a boy who had Darrell blood; other reasons too,—let them pass. But in providing for your education; I certainly thought her relations provided for her support. She never asked me for help there; and, judging of her hastily, I thought she would not have scrupled to do so, if my help there had not been forestalled. You have made me understand her better; and, at all events, three-fourths of what we are in boyhood most of us owe to our mothers! You are frank, fearless, affectionate, a gentleman. I respect the mother who has such a son.”
Certainly praise was rare upon Darrell’s lips; but when he did praise, he knew how to do it! And no man will ever command others who has not by nature that gift! It cannot be learned. Art and experience can only refine its expression.
CHAPTER XIII
He who sees his heir in his own child, carries his eye over hopes and possessions lying far beyond his gravestone, viewing his life, even here, as a period but closed with a comma. He who sees his heir in another man’s child, sees the full stop at the end of the sentence.
Lionel’s departure was indefinitely postponed; nothing more was said of it. Meanwhile Darrell’s manner towards him underwent a marked change. The previous indifference the rich kinsman had hitherto shown as to the boy’s past life, and the peculiarities of his intellect and character, wholly vanished. He sought now, on the contrary, to plumb thoroughly the more hidden depths which lurk in the nature of every human being, and which, in Lionel, were the more difficult to discern from the vivacity and candour which covered with so smooth and charming a surface a pride tremulously sensitive, and an ambition that startled himself in the hours when solitude and revery reflect upon the visions of youth the giant outline of its own hopes.
Darrell was not dissatisfied with the results of his survey; yet often, when perhaps most pleased, a shade would pass over his countenance; and had a woman who loved him been by to listen, she would have heard the short slight sigh which came and went too quickly for the duller sense of man’s friendship to recognize it as the sound of sorrow.
In Darrell himself, thus insensibly altered, Lionel daily discovered more to charm his interest and deepen his affection. In this man’s nature there were, indeed, such wondrous under-currents of sweetness, so suddenly gushing forth, so suddenly vanishing again! And exquisite in him were the traits of that sympathetic tact which the world calls fine breeding, but which comes only from a heart at once chivalrous and tender, the more bewitching in Darrell from their contrast with a manner usually cold, and a bearing so stamped with masculine, self-willed, haughty power. Thus—days went on as if Lionel had become a very child of the house. But his sojourn was in truth drawing near to a close not less abrupt and unexpected than the turn in his host’s humours to which he owed the delay of his departure.
One bright afternoon, as Darrell was standing at the window of his private study, Fairthorn, who had crept in on some matter of business, looked at his countenance long and wistfully, and then, shambling up to his side, put one hand on his shoulder with a light timid touch, and, pointing with the other to Lionel, who was lying on the grass in front of the casement reading the “Faerie Queene,” said, “Why do you take him to your heart if he does not comfort it?”
Darrell winced and answered gently, “I did not know you were in the room. Poor Fairthorn; thank you!”
“Thank me!—what for?”
“For a kind thought. So, then, you like the boy?”
“Mayn’t I like him?” asked Fairthorn, looking rather frightened; “surely you do!”
“Yes, I like him much; I am trying my best to love him. But, but”—Darrell turned quickly, and the portrait of his father over the mantelpiece came full upon his sight,—an impressive, a haunting face,—sweet and gentle, yet with the high narrow brow and arched nostril of pride, with restless melancholy eyes, and an expression that revealed the delicacy of intellect, but not its power. There was something forlorn, but imposing, in the whole effigy. As you continued to look at the countenance, the mournful attraction grew upon you. Truly a touching and a most lovable aspect. Darrell’s eyes moistened.
“Yes, my father, it is so!” he said softly. “All my sacrifices were in vain. The race is not to be rebuilt! No grandchild of yours will succeed me,—me, the last of the old line! Fairthorn, how can I love that boy? He may be my heir, and in his veins not a drop of my father’s blood!”
“But he has the blood of your father’s ancestors; and why must you think of him as your heir?—you, who, if you would but go again into the world, might yet find a fair wi—”
With such a stamp came Darrell’s foot upon the floor that the holy and conjugal monosyllable dropping from Fairthorn’s lips was as much cut in two as if a shark had snapped it. Unspeakably frightened, the poor man sidled away, thrust himself behind a tall reading-desk, and, peering aslant from that covert, whimpered out, “Don’t, don’t now, don’t be so awful; I did not mean to offend, but I’m always saying something I did not mean; and really you look so young still” (coaxingly), “and, and—”
Darrell, the burst of rage over, had sunk upon a chair, his face bowed over his hands, and his breast heaving as if with suppressed sobs.
The musician forgot his fear; he sprang forward, almost upsetting the tall desk; he flung himself on his knees at Darrell’s feet, and exclaimed in broken words, “Master, master, forgive me! Beast that I was! Do look up—do smile or else beat me—kick me.”
Darrell’s right hand slid gently from his face, and fell into Fairthorn’s clasp.
“Hush, hush,” muttered the man of granite; “one moment, and it will be over.”
One moment! That might be but a figure of speech; yet before Lionel had finished half the canto that was plunging him into fairyland, Darrell was standing by him with his ordinary tranquil mien; and Fairthorn’s flute from behind the boughs of a neighbouring lime-tree was breathing out an air as dulcet as if careless Fauns still piped in Arcady, and Grief were a far dweller on the other side of the mountains, of whom shepherds, reclining under summer leaves, speak as we speak of hydras and unicorns, and things in fable.
On, on swelled the mellow, mellow, witching music; and now the worn man with his secret sorrow, and the boy with his frank glad laugh, are passing away, side by side, over the turf, with its starry and golden wild-flowers, under the boughs in yon Druid copse, from which they start the ringdove,—farther and farther, still side by side, now out of sight, as if the dense green of the summer had closed around them like waves. But still the flute sounds on, and still they hear it, softer and softer as they go. Hark! do you not hear it—you?
CHAPTER XIV
There are certain events which to each man’s life are as comets to the earth, seemingly strange and erratic portents; distinct from the ordinary lights which guide our course and mark our seasons, yet true to their own laws, potent in their own influences. Philosophy speculates on their effects, and disputes upon their uses; men who do not philosophize regard them as special messengers and bodes of evil.
They came out of the little park into a by-lane; a vast tract of common land, yellow with furze and undulated with swell and hollow, spreading in front; to their right the dark beechwoods, still beneath the weight of the July noon. Lionel had been talking about the “Faerie Queene,” knight-errantry, the sweet impossible dream-life that, safe from Time, glides by bower and hall, through magic forests and by witching eaves in the world of poet-books. And Darrell listened, and the flute-notes mingled with the atmosphere faint and far off, like voices from that world itself.
Out then they came, this broad waste land before them; and Lionel said merrily,—
“But this is the very scene! Here the young knight, leaving his father’s hall, would have checked his destrier, glancing wistfully now over that green wild which seems so boundless, now to the ‘umbrageous horror’ of those breathless woodlands, and questioned himself which way to take for adventure.”
“Yes,” said Darrell, coming out from his long reserve on all that concerned his past life,—“Yes, and the gold of the gorse-blossoms tempted me; and I took the waste land.” He paused a moment, and renewed: “And then, when I had known cities and men, and snatched romance from dull matter-of-fact, then I would have done as civilization does with romance itself,—I would have enclosed the waste land for my own aggrandizement. Look,” he continued, with a sweep of the hand round the width of prospect, “all that you see to the verge of the horizon, some fourteen years ago, was to have been thrown into the pretty paddock we have just quitted, and serve as park round the house I was then building. Vanity of human wishes! What but the several proportions of their common folly distinguishes the baffled squire from the arrested conqueror? Man’s characteristic cerebral organ must certainly be acquisitiveness.”
“Was it his organ of acquisitiveness that moved Themistocles to boast that ‘he could make a small state great’?” “Well remembered,—ingeniously quoted,” returned Darrell, with the polite bend of his stately head. “Yes, I suspect that the coveting organ had much to do with the boast. To build a name was the earliest dream of Themistocles, if we are to accept the anecdote that makes him say, ‘The trophies of Miltiades would not suffer him to sleep,’ To build a name, or to create a fortune, are but varying applications of one human passion. The desire of something we have not is the first of our childish remembrances: it matters not what form it takes, what object it longs for; still it is to acquire! it never deserts us while we live.”
“And yet, if I might, I should like to ask, what you now desire that you do not possess?”
“I—nothing; but I spoke of the living! I am dead. Only,” added Darrell, with his silvery laugh, “I say, as poor Chesterfield said before me, ‘It is a secret: keep it.’”
Lionel made no reply; the melancholy of the words saddened him: but Darrell’s manner repelled the expression of sympathy or of interest; and the boy fell into conjecture, what had killed to the world this man’s intellectual life?
And thus silently they continued to wander on till the sound of the flute had long been lost to their ears. Was the musician playing still?
At length they came round to the other end of Fawley village, and Darrell again became animated.
“Perhaps,” said he, returning to the subject of talk that had been abruptly suspended,—“perhaps the love of power is at the origin of each restless courtship of Fortune: yet, after all, who has power with less alloy than the village thane? With so little effort, so little thought, the man in the manor-house can make men in the cottage happier here below and more fit for a hereafter yonder. In leaving the world I come from contest and pilgrimage, like our sires the Crusaders, to reign at home.”
As he spoke, he entered one of the cottages. An old paralytic man was seated by the fire, hot though the July sun was out of doors; and his wife, of the same age, and almost as helpless, was reading to him a chapter in the Old Testament,—the fifth chapter in Genesis, containing the genealogy, age, and death of the patriarchs before the Flood. How the faces of the couple brightened when Darrell entered. “Master Guy!” said the old man, tremulously rising. The world-weary orator and lawyer was still Master Guy to him.
“Sit down, Matthew, and let, me read you a chapter.” Darrell took the Holy Book, and read the Sermon on the Mount. Never had Lionel heard anything like that reading; the feeling which brought out the depth of the sense, the tones, sweeter than the flute, which clothed the divine words in music. As Darrell ceased, some beauty seemed gone from the day. He lingered a few minutes, talking kindly and familiarly, and then turned into another cottage, where lay a sick woman. He listened to her ailments, promised to send her something to do her good from his own stores, cheered up her spirits, and, leaving her happy, turned to Lionel with a glorious smile, that seemed to ask, “And is there not power in this?”
Put it was the sad peculiarity of this remarkable man that all his moods were subject to rapid and seemingly unaccountable variations. It was as if some great blow had fallen on the mainspring of his organization, and left its original harmony broken up into fragments each impressive in itself, but running one into the other with an abrupt discord, as a harp played upon by the winds. For, after this evident effort at self-consolation or self-support in soothing or strengthening others, suddenly Darrell’s head fell again upon his breast, and he walked on, up the village lane, heeding no longer either the open doors of expectant cottagers or the salutation of humble passers-by. “And I could have been so happy here!” he said suddenly. “Can I not be so yet? Ay, perhaps, when I am thoroughly old,—tied to the world but by the thread of an hour. Old men do seem happy; behind them, all memories faint, save those of childhood and sprightly youth; before them, the narrow ford, and the sun dawning up through the clouds on the other shore. ‘T is the critical descent into age in which man is surely most troubled; griefs gone, still rankling; nor-strength yet in his limbs, passion yet in his heart-reconciled to what loom nearest in the prospect,—the armchair and the palsied head. Well! life is a quaint puzzle. Bits the most incongruous join into each other, and the scheme thus gradually becomes symmetrical and clear; when, lo! as the infant claps his hands and cries, ‘See! see! the puzzle is made out!’ all the pieces are swept back into the box,—black box with the gilded nails. Ho! Lionel, look up; there is our village church, and here, close at my right, the churchyard!”
Now while Darrell and his young companion were directing their gaze to the right of the village lane, towards the small gray church,—towards the sacred burial-ground in which, here and there amongst humbler graves, stood the monumental stone inscribed to the memory of some former Darrell, for whose remains the living sod had been preferred to the family vault; while both slowly neared the funeral spot, and leaned, silent and musing, over the rail that fenced it from the animals turned to graze on the sward of the surrounding green,—a foot-traveller, a stranger in the place, loitered on the threshold of the small wayside inn, about fifty yards off to the left of the lane, and looked hard at the still figures of the two kinsmen.
Turning then to the hostess, who was standing somewhat within the threshold, a glass of brandy-and-water in her hand, the third glass that stranger had called for during his half hour’s rest in the hostelry, quoth the man,
“The taller gentleman yonder is surely your squire, is he not? but who is the shorter and younger person?”
The landlady put forth her head.
“Oh! that is a relation of the squire down on a visit, sir. I heard coachman say that the squire’s taken to him hugely; and they do think at the Hall that the young gentleman will be his heir.”
“Aha!—indeed—his heir! What is the lad’s name? What relation can he be to Mr. Darrell?”
“I don’t know what relation exactly, sir; but he is one of the Haughtons, and they’ve been kin to the Fawley folks time out of mind.”
“Haughton?—aha! Thank you, ma’am. Change, if you please.”
The stranger tossed off his dram, and stretched his hand for his change.
“Beg pardon, sir, but this must be forring money,” said the landlady, turning a five-franc piece on her palm with suspicious curiosity.
“Foreign! Is it possible?” The stranger dived again into his pocket, and apparently with some difficulty hunted out half-a-crown.
“Sixpence more, if you please, sir; three brandies, and bread-and-cheese and the ale too, sir.”
“How stupid I am! I thought that French coin was a five shilling piece. I fear I have no English money about me but this half-crown; and I can’t ask you to trust me, as you don’t know me.”
“Oh, sir, ‘t is all one if you know the squire. You may be passing this way again.”
“I shall not forget my debt when I do, you may be sure,” said the stranger; and, with a nod, he walked away in the same direction as Darrell and Lionel had already taken, through a turnstile by a public path that, skirting the churchyard and the neighbouring parsonage, led along a cornfield to the demesnes of Fawley.
The path was narrow, the corn rising on either side, so that two persons could not well walk abreast. Lionel was some paces in advance, Darrell walking slow. The stranger followed at a distance: once or twice he quickened his pace, is if resolved to overtake Darrell; then apparently his mind misgave him, and he again fell back.
There was something furtive and sinister about the man. Little could be seen of his face, for he wore a large hat of foreign make, slouched deep over his brow, and his lips and jaw were concealed by a dark and full mustache and beard. As much of the general outline of the countenance as remained distinguishable was nevertheless decidedly handsome; but a complexion naturally rich in colour seemed to have gained the heated look which comes with the earlier habits of intemperance before it fades into the leaden hues of the later.
His dress bespoke pretension to a certain rank: but its component parts were strangely ill-assorted, out of date, and out of repair; pearl-coloured trousers, with silk braids down their sides; brodequins to match,—Parisian fashion three years back, but the trousers shabby, the braiding discoloured, the brodequins in holes. The coat-once a black evening dress-coat—of a cut a year or two anterior to that of the trousers; satin facing,-cloth napless, satin stained. Over all, a sort of summer travelling-cloak, or rather large cape of a waterproof silk, once the extreme mode with the lions of the Chaussee d’Autin whenever they ventured to rove to Swiss cantons or German spas; but which, from a certain dainty effeminacy in its shape and texture, required the minutest elegance in the general costume of its wearer as well as the cleanliest purity in itself. Worn by this traveller, and well-nigh worn out too, the cape became a finery mournful as a tattered pennon over a wreck.