CHAPTER XXVII
LUCRETIA REGAINS HER SON
It seemed as if now, when danger became most imminent and present, that that very danger served to restore to Lucretia Dalibard her faculties, which during the earlier day had been steeped in a kind of dreary stupor. The absolute necessity of playing out her execrable part with all suitable and consistent hypocrisy, braced her into iron. But the disguise she assumed was a supernatural effort, it stretched to cracking every fibre of the brain; it seemed almost to herself as if, her object once gained, either life or consciousness could hold out no more.
A chaise stopped at the porch; two gentlemen descended. The elder paused irresolutely, and at length, taking out a card, inscribed "Mr. Walter Ardworth," said, "If Madame Dalibard can be spoken to for a moment, will you give her this card?"
The footman hesitatingly stared at the card, and then invited the gentleman into the hall while he took up the message. Not long had the visitor to wait, pacing the dark oak floors and gazing on the faded banners, before the servant reappeared: Madame Dalibard would see him. He followed his guide up the stairs, while his young companion turned from the hall, and seated himself musingly on one of the benches on the deserted terrace.
Grasping the arms of her chair with both hands, her eyes fixed eagerly on his face, Lucretia Dalibard awaited the welcome visitor.
Prepared as he had been for change, Walter was startled by the ghastly alteration in Lucretia's features, increased as it was at that moment by all the emotions which raged within. He sank into the chair placed for him opposite Lucretia, and clearing his throat, said falteringly,—
"I grieve indeed, Madame, that my visit, intended to bring but joy, should chance thus inopportunely. The servant informed me as we came up the stairs that your niece was ill; and I sympathize with your natural anxiety,—Susan's only child, too; poor Susan!"
"Sir," said Lucretia, impatiently, "these moments are precious. Sir, sir, my son,—my son!" and her eyes glanced to the door. "You have brought with you a companion,—does he wait without? My son!"
"Madame, give me a moment's patience. I will be brief, and compress what in other moments might be a long narrative into a few sentences."
Rapidly then Walter Ardworth passed over the details, unnecessary now to repeat to the reader,—the injunctions of Braddell, the delivery of the child to the woman selected by his fellow-sectarian (who, it seemed, by John Ardworth's recent inquiries, was afterwards expelled the community, and who, there was reason to believe, had been the first seducer of the woman thus recommended). No clew to the child's parentage had been given to the woman with the sum intrusted for his maintenance, which sum had perhaps been the main cause of her reckless progress to infamy and ruin. The narrator passed lightly over the neglect and cruelty of the nurse, to her abandonment of the child when the money was exhausted. Fortunately she had overlooked the coral round its neck. By that coral, and by the initials V. B., which Ardworth had had the precaution to have burned into the child's wrist, the lost son had been discovered; the nurse herself (found in the person of Martha Skeggs, Lucretia's own servant) had been confronted with the woman to whom she gave the child, and recognized at once. Nor had it been difficult to obtain from her the confession which completed the evidence.
"In this discovery," concluded Ardworth, "the person I employed met your own agent, and the last links in the chain they traced together. But to that person—to his zeal and intelligence—you owe the happiness I trust to give you. He sympathized with me the more that he knew you personally, felt for your sorrows, and had a lingering belief that you supposed him to be the child you yearned for. Madame, thank my son for the restoration of your own!"
Without sound, Lucretia had listened to these details, though her countenance changed fearfully as the narrator proceeded. But now she groaned aloud and in agony.
"Nay, Madame," said Ardworth, feelingly, and in some surprise, "surely the discovery of your son should create gladder emotions! Though, indeed, you will be prepared to find that the poor youth so reared wants education and refinement, I have heard enough to convince me that his dispositions are good and his heart grateful. Judge of this yourself; he is in these walls, he is—"
"Abandoned by a harlot,—reared by a beggar! My son!" interrupted Lucretia, in broken sentences. "Well, sir, have you discharged your task! Well have you replaced a mother!" Before Ardworth could reply, loud and rapid steps were heard in the corridor, and a voice, cracked, indistinct, but vehement. The door was thrown open, and, half-supported by Captain Greville, half dragging him along, his features convulsed, whether by pain or passion, the spy upon Lucretia's secrets, the denouncer of her crime, tottered to the threshold. Pointing to where she sat with his long, lean arm, Beck exclaimed, "Seize her! I 'cuse her, face to face, of the murder of her niece,—of—of I told you, sir—I told you—"
"Madame," said Captain Greville, "you stand charged by this witness with the most terrible of human crimes. I judge you not. Your niece, I rejoice to bear, yet lives. Pray God that her death be not traced to those kindred hands!" Turning her eyes from one to the other with a wandering stare, Lucretia Dalibard remained silent. But there was still scorn on her lip, and defiance on her brow. At last she said slowly, and to Ardworth,—
"Where is my son? You say he is within these walls. Call him forth to protect his mother! Give me at least my son,—my son!"
Her last words were drowned by a fresh burst of fury from her denouncer. In all the coarsest invective his education could supply, in all the hideous vulgarities of his untutored dialect, in that uncurbed licentiousness of tone, look, and manner which passion, once aroused, gives to the dregs and scum of the populace, Beck poured forth his frightful charges, his frantic execrations. In vain Captain Greville strove to check him; in vain Walter Ardworth sought to draw him from the room. But while the poor wretch—maddening not more with the consciousness of the crime than with the excitement of the poison in his blood—thus raved and stormed, a terrible suspicion crossed Walter Ardworth; mechanically,—as his grasp was on the accuser's arm,—he bared the sleeve, and on the wrist were the dark-blue letters burned into the skin and bearing witness to his identity with the lost Vincent Braddell.
"Hold, hold!" he exclaimed then; "hold, unhappy man!—it is your mother whom you denounce!"
Lucretia sprang up erect; her eyes seemed starting from her head. She caught at the arm pointed towards her in wrath and menace, and there, amidst those letters that proclaimed her son, was the small puncture, surrounded by a livid circle, that announced her victim. In the same instant she discovered her child in the man who was calling down upon her head the hatred of Earth and the justice of Heaven, and knew herself his murderess!
She dropped the arm, and sank back on the chair; and whether the poison had now reached to the vitals, or whether so unwonted a passion in so frail a frame sufficed for the death-stroke, Beck himself, with a low, suffocated cry, slid from the hand of Ardworth, and tottering a step or so, the blood gushed from his mouth over Lucretia's robe; his head drooped an instant, and, falling, rested first upon her lap, then struck heavily upon the floor. The two men bent over him and raised him in their arms; his eyes opened and closed, his throat rattled, and as he fell back into their arms a corpse, a laugh rose close at hand,—it rang through the walls, it was heard near and afar, above and below; not an ear in that house that heard it not. In that laugh fled forever, till the Judgment-day, from the blackened ruins of her lost soul, the reason of the murderess-mother.
CHAPTER XXVIII
THE LOTS VANISH WITHIN THE URN
Varney's self-commune restored to him his constitutional audacity. He returned to Laughton towards the evening, and held a long conference with Greville. Fortunately for him, perhaps, and happily for all, Helen had lost all more dangerous symptoms; and the physician, who was in the house, saw in her state nothing not easily to be accounted for by natural causes. Percival had arrived, had seen Helen,—no wonder she was better! Both from him and from Helen, Madame Dalibard's fearful condition was for the present concealed. Ardworth's story, and the fact of Beck's identity with Vincent Braddell, were also reserved for a later occasion. The tale which Beck had poured into the ear of Greville (when, recognizing the St. John livery, the captain stopped his chaise to inquire if Percival were at the Hall, and when thrilled by the hideous import of his broken reply, that gentleman had caused him to enter the vehicle to explain himself further), Varney, with his wonted art and address, contrived to strip of all probable semblance. Evidently the poor lad had been already delirious; his story must be deemed the nightmare of his disordered reason. Varney insisted upon surgical examination as to the cause of his death. The membranes of the brain were found surcharged with blood, as in cases of great mental excitement; the slight puncture in the wrist, ascribed to the prick of a rusty nail, provoked no suspicion. If some doubts remained still in Greville's acute mind, he was not eager to express, still less to act upon them. Helen was declared to be out of danger; Percival was safe,—why affix by minute inquiry into the alleged guilt of Madame Dalibard (already so awfully affected by the death of her son and by the loss of her reason) so foul a stain on the honoured family of St. John? But Greville was naturally anxious to free the house as soon as possible both of Varney and that ominous Lucretia, whose sojourn under its roof seemed accursed. He therefore readily assented when Varney proposed, as his obvious and personal duty, to take charge of his mother-in-law, and remove her to London for immediate advice.
At the dead of the black-clouded night, no moon and no stars, the son of Olivier Dalibard bore away the form of the once-formidable Lucretia,—the form, for the mind was gone; that teeming, restless, and fertile intellect, which had carried along the projects with the preterhuman energies of the fiend, was hurled into night and chaos. Manacled and bound, for at times her paroxysms were terrible, and all partook of the destructive and murderous character which her faculties, when present, had betrayed, she was placed in the vehicle by the shrinking side of her accomplice.
Long before he arrived in London, Varney had got rid of his fearful companion. His chaise had stopped at the iron gates of a large building somewhat out of the main road, and the doors of the madhouse closed on Lucretia Dalibard.
Varney then hastened to Dover, with intention of flight into France; he was just about to step into the vessel, when he was tapped rudely on the shoulder, and a determined voice said, "Mr. Gabriel Varney, you are my prisoner!"
"For what? Some paltry debt?" said Varney, haughtily.
"For forgery on the Bank of England!"
Varney's hand plunged into his vest. The officer seized it in time, and wrested the blade from his grasp. Once arrested for an offence it was impossible to disprove, although the very smallest of which his conscience might charge him, Varney sank into the blackest despair. Though he had often boasted, not only to others, but to his own vain breast, of the easy courage with which, when life ceased to yield enjoyment, he could dismiss it by the act of his own will; though he had possessed himself of Lucretia's murderous ring, and death, if fearful, was therefore at his command,—self-destruction was the last thought that occurred to him; that morbid excitability of fancy which, whether in his art or in his deeds, had led him to strange delight in horror, now served but to haunt him with the images of death in those ghastliest shapes familiar to them who look only into the bottom of the charnel, and see but the rat and the worm and the loathsome agencies of corruption. It was not the despair of conscience that seized him, it was the abject clinging to life; not the remorse of the soul,—that still slept within him, too noble an agency for one so debased,—but the gross physical terror. As the fear of the tiger, once aroused, is more paralyzing than that of the deer, proportioned to the savageness of a disposition to which fear is a novelty, so the very boldness of Varney, coming only from the perfection of the nervous organization, and unsupported by one moral sentiment, once struck down, was corrupted into the vilest cowardice. With his audacity, his shrewdness forsook him. Advised by his lawyer to plead guilty, he obeyed, and the sentence of transportation for life gave him at first a feeling of reprieve; but when his imagination began to picture, in the darkness of his cell, all the true tortures of that penalty,—not so much, perhaps, to the uneducated peasant-felon, inured to toil, and familiarized with coarse companionship, as to one pampered like himself by all soft and half-womanly indulgences,—the shaven hair, the convict's dress, the rigorous privation, the drudging toil, the exile, seemed as grim as the grave. In the dotage of faculties smitten into drivelling, he wrote to the Home Office, offering to disclose secrets connected with crimes that had hitherto escaped or baffled justice, on condition that his sentence might be repealed, or mitigated into the gentler forms of ordinary transportation. No answer was returned to him, but his letter provoked research. Circumstances connected with his uncle's death, and with various other dark passages in his life, sealed against him all hope of a more merciful sentence; and when some acquaintances, whom his art had made for him, and who, while grieving for his crime, saw in it some excuses (ignorant of his feller deeds), sought to intercede in his behalf, the reply of the Home Office was obvious: "He is a fortunate man to have been tried and condemned for his least offence." Not one indulgence that could distinguish him from the most execrable ruffian condemned to the same sentence was conceded.
The idea of the gibbet lost all its horror. Here was a gibbet for every hour. No hope,—no escape. Already that Future Doom which comprehends the "Forever" opened upon him black and fathomless. The hour-glass was broken up, the hand of the timepiece was arrested. The Beyond stretched before him without limit, without goal,—on into Annihilation or into Hell.
EPILOGUE TO PART THE SECOND
Stand, O Man! upon the hill-top in the stillness of the evening hour, and gaze, not with joyous, but with contented eyes, upon the beautiful world around thee. See where the mists, soft and dim, rise over the green meadows, through which the rivulet steals its way. See where, broadest and stillest, the wave expands to the full smile of the setting sun, and the willow that trembles on the breeze, and the oak that stands firm in the storm, are reflected back, peaceful both, from the clear glass of the tides. See where, begirt by the gold of the harvests, and backed by the pomp of a thousand groves, the roofs of the town bask, noiseless, in the calm glow of the sky. Not a sound from those abodes floats in discord to thine ear; only from the church-tower, soaring high above the rest, perhaps faintly heard through the stillness, swells the note of the holy bell. Along the mead low skims the swallow,—on the wave the silver circlet, breaking into spray, shows the sport of the fish. See the Earth, how serene, though all eloquent of activity and life! See the Heavens, how benign, though dark clouds, by yon mountain, blend the purple with the gold! Gaze contented, for Good is around thee,—not joyous, for Evil is the shadow of Good! Let thy soul pierce through the veil of the senses, and thy sight plunge deeper than the surface which gives delight to thine eye. Below the glass of that river, the pike darts on his prey; the circle in the wave, the soft plash amongst the reeds, are but signs of Destroyer and Victim. In the ivy round the oak by the margin, the owl hungers for the night, which shall give its beak and its talons living food for its young; and the spray of the willow trembles with the wing of the redbreast, whose bright eye sees the worm on the sod. Canst thou count too, O Man! all the cares, all the sins, that those noiseless rooftops conceal? With every curl of that smoke to the sky, a human thought soars as dark, a human hope melts as briefly. And the bell from the church-tower, that to thy ear gives but music, perhaps knolls for the dead. The swallow but chases the moth, and the cloud, that deepens the glory of the heaven and the sweet shadows on the earth, nurses but the thunder that shall rend the grove, and the storm that shall devastate the harvests. Not with fear, not with doubt, recognize, O Mortal, the presence of Evil in the world. [Not, indeed, that the evil here narrated is the ordinary evil of the world,—the lesson it inculcates would be lost if so construed,—but that the mystery of evil, whatever its degree, only increases the necessity of faith in the vindication of the contrivance which requires infinity for its range, and eternity for its consummation. It is in the existence of evil that man finds his duties, and his soul its progress.] Hush thy heart in the humbleness of awe, that its mirror may reflect as serenely the shadow as the light. Vainly, for its moral, dost thou gaze on the landscape, if thy soul puts no check on the dull delight of the senses. Two wings only raise thee to the summit of Truth, where the Cherub shall comfort the sorrow, where the Seraph shall enlighten the joy. Dark as ebon spreads the one wing, white as snow gleams the other,—mournful as thy reason when it descends into the deep; exulting as thy faith when it springs to the day-star.
Beck sleeps in the churchyard of Laughton. He had lived to frustrate the monstrous design intended to benefit himself, and to become the instrument, while the victim, of the dread Eumenides. That done, his life passed with the crimes that had gathered around, out of the sight of mortals. Helen slowly regained her health in the atmosphere of love and happiness; and Lady Mary soon learned to forget the fault of the father in the virtues of the child. Married to Percival, Helen fulfilled the destinies of woman's genius, in calling forth into action man's earnest duties. She breathed into Percival's warm, beneficent heart her own more steadfast and divine intelligence. Like him she grew ambitious, by her he became distinguished. While I write, fair children play under the cedars of Laughton. And the husband tells the daughters to resemble their mother; and the wife's highest praise to the boys is: "You have spoken truth, or done good, like your father."
John Ardworth has not paused in his career, nor belied the promise of his youth. Though the elder Ardworth, partly by his own exertions, partly by his second marriage with the daughter of the French merchant (through whose agency he had corresponded with Fielden), had realized a moderate fortune, it but sufficed for his own wants and for the children of his later nuptials, upon whom the bulk of it was settled. Hence, happily perhaps for himself and others, the easy circumstances of his father allowed to John Ardworth no exemption from labour. His success in the single episode from active life to literature did not intoxicate or mislead him. He knew that his real element was not in the field of letters, but in the world of men. Not undervaluing the noble destinies of the author, he felt that those destinies, if realized to the utmost, demanded powers other than his own, and that man is only true to his genius when the genius is at home in his career. He would not renounce for a brief celebrity distant and solid fame. He continued for a few years in patience and privation and confident self-reliance to drudge on, till the occupation for the intellect fed by restraint, and the learning accumulated by study, came and found the whole man developed and prepared. Then he rose rapidly from step to step; then, still retaining his high enthusiasm, he enlarged his sphere of action from the cold practice of law into those vast social improvements which law, rightly regarded, should lead and vivify and create. Then, and long before the twenty years he had imposed on his probation had expired, he gazed again upon the senate and the abbey, and saw the doors of the one open to his resolute tread, and anticipated the glorious sepulchre which heart and brain should win him in the other. John Ardworth has never married. When Percival rebukes him for his celibacy, his lip quivers slightly, and he applies himself with more dogged earnestness to his studies or his career. But he never complains that his lot is lonely or his affections void. For him who aspires, and for him who loves, life may lead through the thorns, but it never stops in the desert.
On the minor personages involved in this history, there is little need to dwell. Mr. Fielden, thanks to St. John, has obtained a much better living in the rectory of Laughton, but has found new sources of pleasant trouble for himself in seeking to drill into the mind of Percival's eldest son the elements of Euclid, and the principles of Latin syntax.
We may feel satisfied that the Miverses will go on much the same while trade enriches without refining, and while, nevertheless, right feelings in the common paths of duty may unite charitable emotions with graceless language.
We may rest assured that the poor widow who had reared the lost son of Lucretia received from the bounty of Percival all that could comfort her for his death.
We have no need to track the dull crimes of Martha, or the quick, cunning vices of Grabman, to their inevitable goals, in the hospital or the prison, the dunghill or the gibbet.
Of the elder Ardworth our parting notice may be less brief. We first saw him in sanguine and generous youth, with higher principles and clearer insight into honour than William Mainwaring. We have seen him next a spendthrift and a fugitive, his principles debased and his honour dimmed. He presents to us no uncommon example of the corruption engendered by that vulgar self-indulgence which mortgages the morrow for the pleasures of to-day. No Deity presides where Prudence is absent. Man, a world in himself, requires for the development of his faculties patience, and for the balance of his actions, order. Even where he had deemed himself most oppressively made the martyr,—namely, in the profession of mere political opinions,—Walter Ardworth had but followed out into theory the restless, uncalculating impatience which had brought adversity on his manhood, and, despite his constitutional cheerfulness, shadowed his age with remorse. The death of the child committed to his charge long (perhaps to the last) embittered his pride in the son whom, without merit of his own, Providence had spared to a brighter fate. But for the faults which had banished him his country, and the habits which had seared his sense of duty, could that child have been so abandoned, and have so perished?
It remains only to cast our glance over the punishments which befell the sensual villany of Varney, the intellectual corruption of his fell stepmother.
These two persons had made a very trade of those crimes to which man's law awards death. They had said in their hearts that they would dare the crime, but elude the penalty. By wonderful subtlety, craft, and dexterity, which reduced guilt to a science, Providence seemed, as in disdain of the vulgar instruments of common retribution, to concede to them that which they had schemed for,—escape from the rope and gibbet. Varney, saved from detection of his darker and more inexpiable crimes, punished only for the least one, retained what had seemed to him the master boon,—life. Safer still from the law, no mortal eye had plumbed the profound night of Lucretia's awful guilt. Murderess of husband and son, the blinded law bade her go unscathed, unsuspected. Direct, as from heaven, without a cloud, fell the thunderbolt. Is the life they have saved worth the prizing? Doth the chalice, unspilt on the ground, not return to the hand? Is the sudden pang of the hangman more fearful than the doom which they breathe and bear? Look, and judge.
Behold that dark ship on the waters! Its burdens are not of Ormus and Tyre. No goodly merchandise doth it waft over the wave, no blessing cleaves to its sails; freighted with terror and with guilt, with remorse and despair, or, more ghastly than either, the sullen apathy of souls hardened into stone, it carries the dregs and offal of the old world to populate the new. On a bench in that ship sit side by side two men, companions assigned to each other. Pale, abject, cowering, all the bravery rent from his garb, all the gay insolence vanished from his brow,—can that hollow-eyed, haggard wretch be the same man whose senses opened on every joy, whose nerves mocked at every peril? But beside him, with a grin of vile glee on his features, all muscle and brawn in the form, all malice, at once spiteful and dull, in the heavy eye, sits his fit comrade, the Gravestealer! At the first glance each had recognized each, and the prophecy and the vision rushed back upon the daintier convict. If he seek to escape from him, the Gravestealer claims him as a prey; he threatens him with his eye as a slave; he kicks him with his hoof as they sit, and laughs at the writhings of the pain. Carry on your gaze from the ship, hear the cry from the masthead, see the land arise from the waste,—a land without hope. At first, despite the rigour of the Home Office, the education and intelligence of Varney have their price,—the sole crime for which he is convicted is not of the darkest. He escapes from that hideous comrade; he can teach as a schoolmaster,— let his brain work, not his hands. But the most irredeemable of convicts are ever those of nurture and birth and culture better than the ruffian rest. You may enlighten the clod, but the meteor still must feed on the marsh; and the pride and the vanity work where the crime itself seems to lose its occasion. Ever avid, ever grasping, he falls, step by step, in the foul sink, and the colony sees in Gabriel Varney its most pestilent rogue. Arch-convict amidst convicts, doubly lost amongst the damned, they banish him to the sternest of the penal settlements; they send him forth with the vilest to break stones upon the roads. Shrivelled and bowed and old prematurely, see that sharp face peering forth amongst that gang, scarcely human, see him cringe to the lash of the scornful overseer, see the pairs chained together, night and day! Ho, ho! his comrade hath found him again,—the Artist and the Gravestealer leashed together! Conceive that fancy so nurtured by habit, those tastes, so womanized by indulgence,—the one suggesting the very horrors that are not; the other revolting at all toil as a torture.
But intellect, not all gone, though hourly dying heavily down to the level of the brute, yet schemes for delivery and escape. Let the plot ripen, and the heart bound; break his chain, set him free, send him forth to the wilderness. Hark, the whoop of the wild men! See those things that ape our species dance and gibber round the famishing, hunted wretch. Hark, how he shrieks at the torture! How they tear and they pinch and they burn and they rend him! They, too, spare his life,—it is charmed. A Caliban amidst Calibans, they heap him with their burdens, and feed him on their offal. Let him live; he loved life for himself; he has cheated the gibbet,—LET HIM LIVE! Let him watch, let him once more escape; all naked and mangled, let him wander back to the huts of his gang. Lo, where he kneels, the foul tears streaming down, and cries aloud: "I have broken all your laws, I will tell you all my crimes; I ask but one sentence,—hang me up; let me die!" And from the gang groan many voices: "Hang us up; let us die!" The overseer turns on his heel, and Gabriel Varney again is chained to the laughing Gravestealer.
You enter those gates so jealously guarded, you pass, with a quick beat of the heart, by those groups on the lawn, though they are harmless; you follow your guide through those passages; where the open doors will permit, you see the emperor brandish his sceptre of straw, hear the speculator counting his millions, sigh where the maiden sits smiling the return of her shipwrecked lover, or gravely shake the head and hurry on where the fanatic raves his Apocalypse, and reigns in judgment on the world; you pass by strong gates into corridors gloomier and more remote. Nearer and nearer you hear the yell and the oath and blaspheming curse; you are in the heart of the madhouse, where they chain those at once cureless and dangerous,—who have but sense enough left them to smite and to throttle and to murder. Your guide opens that door, massive as a wall; you see (as we, who narrate, have seen her) Lucretia Dalibard,—a grisly, squalid, ferocious mockery of a human being, more appalling and more fallen than Dante ever fabled in his spectres, than Swift ever scoffed in his Yahoos! Only, where all other feature seems to have lost its stamp of humanity, still burns with unquenchable fever the red, devouring eye. That eye never seems to sleep, or in sleep, the lid never closes over it. As you shrink from its light, it seems to you as if the mind, that had lost coherence and harmony, still retained latent and incommunicable consciousness as its curse. For days, for weeks, that awful maniac will preserve obstinate, unbroken silence; but as the eye never closes, so the hands never rest,—they open and grasp, as if at some palpable object on which they close, vicelike, as a bird's talons on its prey; sometimes they wander over that brow, where the furrows seem torn as the thunder scars, as if to wipe from it a stain, or charm from it a pang; sometimes they gather up the hem of that sordid robe, and seem, for hours together, striving to rub from it a soil. Then, out from prolonged silence, without cause or warning, will ring, peal after peal (till the frame, exhausted with the effort sinks senseless into stupor), the frightful laugh. But speech, intelligible and coherent, those lips rarely yield. There are times, indeed, when the attendants are persuaded that her mind in part returns to her; and those times experience has taught them to watch with peculiar caution. The crisis evinces itself by a change in the manner,—by a quick apprehension of all that is said; by a straining, anxious look at the dismal walls; by a soft, fawning docility; by murmured complaints of the chains that fetter; and (though, as we have said, but very rarely) by prayers, that seem rational, for greater ease and freedom.