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Falkland, Book 3

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The evening of the day on which Falkland had written the above letter was rude and stormy. The various streams with which the country abounded were swelled by late rains into an unwonted rapidity and breadth; and their voices blended with the rushing sound of the winds, and the distant roll of the thunder, which began at last sullenly to subside. The whole of the scene around L– was of that savage yet sublime character, which suited well with the wrath of the aroused elements. Dark woods, large tracts of unenclosed heath, abrupt variations of hill and vale, and a dim and broken outline beyond of uninterrupted mountains, formed the great features of that romantic country.

It was filled with the recollections of his youth, and of the wild delight which he took then in the convulsions and varieties of nature, that Falkland roamed abroad that evening. The dim shadows of years, crowded with concealed events and corroding reflections, all gathered around his mind, and the gloom and tempest of the night came over him like the sympathy of a friend.

He passed a group of terrified peasants; they were cowering under a tree. The oldest hid his head and shuddered; but the youngest looked steadily at the lightning which played at fitful intervals over the mountain stream that rushed rapidly by their feet. Falkland stood beside them unnoticed and silent, with folded arms and a scornful lip. To him, nature, heaven, earth had nothing for fear, and everything for reflection. In youth, thought he (as he contrasted the fear felt at one period of life with the indifference at another), there are so many objects to divide and distract life, that we are scarcely sensible of the collected conviction that we live. We lose the sense of what is by thinking rather of what is to be. But the old, who have no future to expect, are more vividly alive to the present, and they feel death more, because they have a more settled and perfect impression of existence.

He left the group, and went on alone by the margin of the winding and swelling stream. "It is (said a certain philosopher) in the conflicts of Nature that man most feels his littleness." Like all general maxims, this is only partially true. The mind, which takes its first ideas from perception, must take also its tone from the character of the objects perceived. In mingling our spirits with the great elements, we partake of their sublimity; we awaken thought from the secret depths where it had lain concealed; our feelings are too excited to remain riveted to ourselves; they blend with the mighty powers which are abroad; and as, in the agitations of men, the individual arouses from himself to become a part of the crowd, so in the convulsions of nature we are equally awakened from the littleness of self, to be lost in the grandeur of the conflict by which we are surrounded.

Falkland still continued to track the stream: it wound its way through Mandeville's grounds, and broadened at last into the lake which was so consecrated to his recollections. He paused at that spot for some moments, looking carelessly over the wide expanse of waters, now dark as night, and now flashing into one mighty plain of fire beneath the coruscations of the lightning. The clouds swept on in massy columns, dark and aspiring-veiling, while they rolled up to, the great heavens, like the shadows of human doubt. Oh! weak, weak was that dogma of the philosopher! There is a pride in the storm which, according to his doctrine, would debase us; a stirring music in its roar; even a savage joy in its destruction: for we can exult in a defiance of its power, even while we share in its triumphs, in a consciousness of a superior spirit within us to that which is around. We can mock at the fury of the elements, for they are less terrible than the passions of the heart; at the devastations of the awful skies, for they are less desolating than the wrath of man; at the convulsions of that surrounding nature which has no peril, no terror to the soul, which is more indestructible and eternal than itself. Falkland turned towards the house which contained his world; and as the lightning revealed at intervals the white columns of the porch, and wrapt in sheets of fire, like a spectral throng, the tall and waving trees by which it was encircled, and then as suddenly ceased, and "the jaws of darkness" devoured up the scene; he compared, with that bitter alchymy of feeling which resolves all into one crucible of thought, those alternations of sight and shadow to the history of his own guilty love—that passion whose birth was the womb of Night; shrouded in darkness, surrounded by storms, and receiving only from the angry heavens a momentary brilliance, more terrible than its customary gloom.

As he entered the saloon, Lady Margaret advanced towards him. "My dear Falkland," said she, "how good it is in you to come in such a night. We have been watching the skies till Emily grew terrified at the lightning; formerly it did not alarm her." And Lady Margaret turned, utterly unconscious of the reproach she had conveyed, towards Emily.

Did not Falkland's look turn also to that spot? Lady Emily was sitting by the harp which Mrs. St. John appeared to be most seriously employed in tuning: her countenance was bent downwards, and burning beneath the blushes called forth by the gaze which she felt was upon her.

There was in Falkland's character a peculiar dislike to all outward display of less worldly emotions. He had none of the vanity most men have in conquest; he would not have had any human being know that he was loved. He was right! No altar should be so unseen and inviolable as the human heart! He saw at once and relieved the embarrassment he had caused. With the remarkable fascination and grace of manner so peculiarly his own, he made his excuses to Lady Margaret of his disordered dress; he charmed his uncle, Don Alphonso, with a quotation from Lope de Vega; he inquired tenderly of Mrs. Dalton touching the health of her Italian greyhound; and then, nor till then—he ventured to approach Emily, and speak to her in that soft tone, which, like a fairy language, is understood only by the person it addresses. Mrs. St. John rose and left the harp; Falkland took her seat. He bent down to whisper Emily. His long hair touched her cheek! it was still wet with the night dew. She looked up as she felt it, and met his gaze: better had it been to have lost earth than to have drunk the soul's poison from that eye when it tempted to sin.

Mrs. St. John stood at some distance: Don Alphonso was speaking to her of his nephew, and of his hopes of ultimately gaining him to the cause of his mother's country. "See you not," said Mrs. St. John, and her colour went and came, "that while he has such attractions to detain him, your hopes are in vain?" "What mean you?" replied the Spaniard; but his eye had followed the direction she had given it, and the question came only from his lips. Mrs. St. John drew him to a still remoter corner of the room, and it was in the conversation that then ensued between them, that they agreed to unite for the purpose of separating Emily from her lover—"I to save my friend," said Mrs. St. John, "and you your kinsman." Thus is it with human virtue:—the fair show and the good deed without—the one eternal motive of selfishness within. During the Spaniard's visit at E–, he had seen enough of Falkland to perceive the great consequence he might, from his perfect knowledge of the Spanish language, from his singular powers, and, above all, from his command of wealth, be to the cause of that party he himself had adopted. His aim, therefore, was now no longer confined to procuring Falkland's goodwill and aim at home: he hoped to secure his personal assistance in Spain: and he willingly coincided with Mrs. St. John in detaching his nephew from a tie so likely to detain him from that service to which Alphonso wished he should be pledged.