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The Works of Christopher Marlowe, Vol. 3 (of 3)

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THE SIXTH SESTIAD

The Argument of the Sixth Sestiad
 
Leucote flies to all the Winds,
And from the Fates their outrage blinds,113
That Hero and her love may meet.
Leander, with Love's complete fleet
Manned in himself, puts forth to seas;
When straight the ruthless Destinies,
With, Até, stir the winds to war
Upon the Hellespont: their jar
Drowns poor Leander. Hero's eyes,
Wet witnesses of his surprise,
Her torch blown out, grief casts her down
Upon her love, and both doth drown:
In whose just ruth the god of seas
Transforms them to th' Acanthides.
 
 
No longer could the Day nor Destinies
Delay the Night, who now did frowning rise
Into her throne; and at her humorous breasts
Visions and Dreams lay sucking: all men's rests
Fell like the mists of death upon their eyes,
Day's too-long darts so kill'd their faculties.
The Winds yet, like the flowers, to cease began;
For bright Leucote, Venus' whitest swan,
That held sweet Hero dear, spread her fair wings,
Like to a field of snow, and message brings
From Venus to the Fates, t'entreat them lay
Their charge upon the Winds their rage to stay,
That the stern battle of the seas might cease,
And guard Leander to his love in peace.
The Fates consent;—ay me, dissembling Fates!
They showed their favours to conceal their hates,
And draw Leander on, lest seas too high
Should stay his too obsequious destiny:
Who114 like a fleering slavish parasite,
In warping profit or a traitorous sleight,
Hoops round his rotten body with devotes,
And pricks his descant face full of false notes;
Praising with open throat, and oaths as foul
As his false heart, the beauty of an owl;
Kissing his skipping hand with charmèd skips,
That cannot leave, but leaps upon his lips
Like a cock-sparrow, or a shameless quean
Sharp at a red-lipp'd youth, and naught doth mean
Of all his antic shows, but doth repair
More tender fawns,115 and takes a scatter'd hair
From his tame subject's shoulder; whips and calls
For everything he lacks; creeps 'gainst the walls
With backward humbless, to give needless way:
Thus his false fate did with Leander play.
First to black Eurus flies the white Leucote
(Born 'mongst the negroes in the Levant sea,
On whose curl'd head[s] the glowing sun doth rise),
And shows the sovereign will of Destinies,
To have him cease his blasts; and down he lies.
Next, to the fenny Notus course she holds,
And found him leaning, with his arms in folds,
Upon a rock, his white hair full of showers;
And him she chargeth by the fatal powers,
To hold in his wet cheeks his cloudy voice.
To Zephyr then that doth in flowers rejoice:
To snake-foot Boreas next she did remove,
And found him tossing of his ravished love,116
To heat his frosty bosom hid in snow;
Who with Leucote's sight did cease to blow.
Thus all were still to Hero's heart's desire;
Who with all speed did consecrate a fire
Of flaming gums and comfortable spice,
To light her torch, which in such curious price
She held, being object to Leander's sight,
That naught but fires perfumed must give it light.
She loved it so, she griev'd to see it burn,
Since it would waste, and soon to ashes turn:
Yet, if it burned not, 'twere not worth her eyes;
What made it nothing, gave it all the prize.
Sweet torch, true glass of our society!
What man does good, but he consumes thereby?
But thou wert loved for good, held high, given show;
Poor virtue loathed for good, obscured, held low:
Do good, be pined,—be deedless good, disgraced;
Unless we feed on men, we let them fast.
Yet Hero with these thoughts her torch did spend:
When bees make wax, Nature doth not intend
It should be made a torch; but we, that know
The proper virtue of it, make it so,
And, when 'tis made, we light it: nor did Nature
Propose one life to maids; but each such creature
Makes by her soul the best of her free117 state,
Which without love is rude, disconsolate,
And wants love's fire to make it mild and bright,
Till when, maids are but torches wanting light.
Thus 'gainst our grief, not cause of grief, we fight:
The right of naught is glean'd, but the delight.
Up went she: but to tell how she descended,
Would God she were dead, or my verse ended!
She was the rule of wishes, sum, and end,
For all the parts that did on love depend:
Yet cast the torch his brightness further forth;
But what shines nearest best, holds truest worth.
Leander did not through such tempests swim
To kiss the torch, although it lighted him:
But all his powers in her desires awakèd,
Her love and virtues clothed him richly naked.
Men kiss but fire that only shows pursue;
Her torch and Hero, figure show and virtue.
Now at opposed Abydos naught was heard
But bleating flocks, and many a bellowing herd,
Slain for the nuptials; cracks of falling woods;
Blows of broad axes; pourings out of floods.
The guilty Hellespont was mix'd and stained
With bloody torrents118 that the shambles rained;
Not arguments of feast, but shows that bled,
Foretelling that red night that followèd.
More blood was spilt, more honours were addrest,
Than could have gracèd any happy feast;
Rich banquets, triumphs, every pomp employs
His sumptuous hand; no miser's nuptial joys.
Air felt continual thunder with the noise
Made in the general marriage-violence;
And no man knew the cause of this expense,
But the two hapless lords, Leander's sire,
And poor Leander, poorest where the fire
Of credulous love made him most rich surmis'd:
As short was he of that himself119 he prized,
As is an empty gallant full of form,
That thinks each look an act, each drop a storm,
That falls from his brave breathings; most brought up
In our metropolis, and hath his cup
Brought after him to feasts; and much palm bears
For his rare judgment in th' attire he wears;
Hath seen the hot Low-Countries, not their heat,
Observes their rampires and their buildings yet;
And, for your sweet discourse with mouths, is heard
Giving instructions with his very beard;
Hath gone with an ambassador, and been
A great man's mate in travelling, even to Rhene;
And then puts all his worth in such a face
As he saw brave men make, and strives for grace
To get his news forth: as when you descry
A ship, with all her sail contends to fly
Out of the narrow Thames with winds unapt,
Now crosseth here, then there, then this way rapt,
And then hath one point reach'd, then alters all,
And to another crookèd reach doth fall
Of half a bird-bolt's120 shoot, keeping more coil
Than if she danc'd upon the ocean's toil;
So serious is his trifling company,
In all his swelling ship of vacantry
And so short of himself in his high thought
Was our Leander in his fortunes brought,
And in his fort of love that he thought won;
But otherwise he scorns comparison.
O sweet Leander, thy large worth I hide
In a short grave! ill-favour'd storms must chide
Thy sacred favour;121 I in floods of ink
Must drown thy graces, which white papers drink,
Even as thy beauties did the foul black seas;
I must describe the hell of thy decease,
That heaven did merit: yet I needs must see
Our painted fools and cockhorse peasantry
Still, still usurp, with long lives, loves, and lust,
The seats of Virtue, cutting short as dust
Her dear-bought issue: ill to worse converts,
And tramples in the blood of all deserts.
Night close and silent now goes fast before
The captains and the soldiers to the shore,
On whom attended the appointed fleet
At Sestos' bay, that should Leander meet,
Who feigned he in another ship would pass:
Which must not be, for no one mean there was
To get his love home, but the course he took.
Forth did his beauty for his beauty look,
And saw her through her torch, as you behold
Sometimes within the sun a face of gold,
Formed in strong thoughts, by that tradition's force
That says a god sits there and guides his course.
His sister was with him; to whom he show'd
His guide by sea, and said, "Oft have you view'd
In one heaven many stars, but never yet
In one star many heavens till now were met.
See, lovely sister! see, now Hero shines,
No heaven but her appears; each star repines,
And all are clad in clouds, as if they mourned
To be by influence of earth out-burned.
Yet doth she shine, and teacheth Virtue's train
Still to be constant in hell's blackest reign,
Though even the gods themselves do so entreat them
As they did hate, and earth as she would eat them."
Off went his silken robe, and in he leapt,
Whom the kind waves so licorously cleapt,122
Thickening for haste, one in another, so,
To kiss his skin, that he might almost go
To Hero's tower, had that kind minute lasted.
But now the cruel Fates with Até hasted
To all the winds, and made them battle fight
Upon the Hellespont, for either's right
Pretended to the windy monarchy;
And forth they brake, the seas mixed with the sky,
And tossed distressed Leander, being in hell,
As high as heaven: bliss not in height doth dwell.
The Destinies sate dancing on the waves,
To see the glorious Winds with mutual braves
Consume each other: O, true glass, to see
How ruinous ambitious statists be
To their own glories! Poor Leander cried
For help to sea-born Venus she denied;
To Boreas, that, for his Atthæa's123 sake
He would some pity on his Hero take,
And for his own love's sake, on his desires;
But Glory never blows cold Pity's fires.
Then call'd he Neptune, who, through all the noise,
Knew with affright his wreck'd Leander's voice,
And up he rose; for haste his forehead hit
'Gainst heaven's hard crystal; his proud waves he smit
With his forked sceptre, that could not obey;
Much greater powers than Neptune's gave them sway.
They loved Leander so, in groans they brake
When they came near him; and such space did take
'Twixt one another, loath to issue on,
That in their shallow furrows earth was shown,
And the poor lover took a little breath:
But the curst Fates sate spinning of his death
On every wave, and with the servile Winds
Tumbled them on him. And now Hero finds,
By that she felt, her dear Leander's state:
She wept, and prayed for him to every Fate;
And every Wind that whipped her with her hair
About the face, she kissed and spake it fair,
Kneeled to it, gave it drink out of her eyes
To quench his thirst: but still their cruelties
Even her poor torch envied, and rudely beat
The baiting124 flame from that dear food it eat;
Dear, for it nourish'd her Leander's life;
Which with her robe she rescued from their strife;
But silk too soft was such hard hearts to break;
And she, dear soul, even as her silk, faint, weak,
Could not preserve it; out, O, out it went!
Leander still call'd Neptune, that now rent
His brackish curls, and tore his wrinkled face,
Where tears in billows did each other chase;
And, burst with ruth, he hurl'd his marble mace
At the stern Fates: it wounded Lachesis
That drew Leander's thread, and could not miss
The thread itself, as it her hand did hit,
But smote it full, and quite did sunder it.
The more kind Neptune raged, the more he razed
His love's life's fort, and kill'd as he embraced:
Anger doth still his own mishap increase;
If any comfort live, it is in peace.
O thievish Fates, to let blood, flesh, and sense,
Build two fair temples for their excellence,
To robe it with a poisoned influence!
Though souls' gifts starve, the bodies are held dear
In ugliest things; sense-sport preserves a bear:
But here naught serves our turns: O heaven and earth,
How most-most wretched is our human birth!
And now did all the tyrannous crew depart,
Knowing there was a storm in Hero's heart,
Greater than they could make, and scorn'd their smart.
She bow'd herself so low out of her tower,
That wonder 'twas she fell not ere her hour,
With searching the lamenting waves for him:
Like a poor snail, her gentle supple limb
Hung on her turret's top, so most downright,
As she would dive beneath the darkness quite,
To find her jewel;—jewel!—her Leander,
A name of all earth's jewels pleas'd not her
Like his dear name: "Leander, still my choice,
Come naught but my Leander! O my voice,
Turn to Leander! henceforth be all sounds,
Accents and phrases, that show all griefs' wounds,
Analyzed in Leander! O black change!
Trumpets, do you, with thunder of your clange,
Drive out this change's horror! My voice faints:
Where all joy was, now shriek out all complaints!"
Thus cried she; for her mixèd soul could tell
Her love was dead: and when the Morning fell
Prostrate upon the weeping earth for woe,
Blushes, that bled out of her cheeks, did show
Leander brought by Neptune, bruis'd and torn
With cities' ruins he to rocks had worn,
To filthy usuring rocks, that would have blood,
Though they could get of him no other good.
She saw him, and the sight was much-much more
Than might have serv'd to kill her: should her store
Of giant sorrows speak?—Burst,—die,—bleed,
And leave poor plaints to us that shall succeed.
She fell on her love's bosom, hugged it fast,
And with Leander's name she breathed her last.
Neptune for pity in his arms did take them,
Flung them into the air, and did awake them
Like two sweet birds, surnam'd th' Acanthides,
Which we call Thistle-warps, that near no seas
Dare ever come, but still in couples fly,
And feed on thistle-tops, to testify
The hardness of their first life in their last;
The first, in thorns of love, that sorrows past:
And so most beautiful their colours show,
As none (so little) like them; her sad brow
A sable velvet feather covers quite,
Even like the forehead-cloth that, in the night,
Or when they sorrow, ladies use125 to wear:
Their wings, blue, red, and yellow, mixed appear:
Colours that, as we construe colours, paint
Their states to life;—the yellow shows their saint,
The dainty126 Venus, left them; blue their truth;
The red and black, ensigns of death and ruth.
And this true honour from their love-death sprung,—
They were the first that ever poet sung.127
 

OVID'S ELEGIES

All the old editions of Marlowe's translation of the Amores are undated, and bear the imprint Middleburgh (in various spellings). It is probable that the copy which Mr. Charles Edmonds discovered at Lamport Hall, Northamptonshire (the seat of Sir Charles Isham, Bart.), is the earliest of extant editions. The title-page of this edition is—Epigrammes and Elegies By I. D. and C. M. At Middleborugh 12mo. After the title-page come the Epigrammata, which are signed at the end "I. D." (the initials of Sir John Davies). Following the Epigrammata is a copy of verses headed Ignoto, and then comes a second title-page—Certaine of Ovid's Elegies. By C. Marlowe. At Middleborough. In his preface to a facsimile reprint of the little volume, Mr. Edmonds states his conviction that this edition, notwithstanding the imprint Middleborough, was issued at London from the press of W. Jaggard, who in 1599 printed the Passionate Pilgrime. He grounds his opinion not only on the character of the type and of the misprints, but on the fact that there would be no need for the book to be printed abroad in the first instance. It was not (he thinks) until after June 1599—when (with other books) it was condemned by Archbishop Whitgift to be burnt—that recourse was had to the expedient of reprinting it at Middleburgh. In the notes I refer to this edition as Isham copy.

 

The next edition, which has the same title-pages as the Isham copy—Epigrammes and Elegies by I. D. and C. M. at Middleborugh, 12mo—was certainly, to judge from its general appearance, printed abroad, and by foreigners. The text agrees in the main with that of the Isham copy, but the corruptions are more numerous. I have followed Dyce in referring to this edition as Ed. A.

The Isham copy and Ed. A contain only a portion of the Elegies. The complete translation appeared in All Ovid's Elegies: 3 Bookes. By C. M. Epigrams by I. D. At Middleborugh, 12mo. (Ed. B); and in another edition with the same title-page (Ed. C). The readings of Ed. C. I have occasionally borrowed from Dyce. It is supposed that the book "continued to be printed with Middleburgh on the title, and without date, as late as 1640" (Hazlitt).

 

OVID'S ELEGIES

P. OVIDII NASONIS AMORUM

LIBER PRIMUS
Elegia I
Quemadmodum a Cupidine, pro bellis amoris scribere coactus sit
 
We which were Ovid's five books, now are three,
For these before the rest preferreth he:
If reading five thou plain'st of tediousness,
Two ta'en away, thy 128 labour will be less;
 
 
With Muse prepared,129 I meant to sing of arms,
Choosing a subject fit for fierce alarms:
Both verses were alike till Love (men say)
Began to smile and took one foot away.
Rash boy, who gave thee power to change a line?
We are the Muses' prophets, none of thine.
What, if thy mother take Diana's130 bow,
Shall Dian fan when love begins to glow?
In woody groves is't meet that Ceres reign,
And quiver-bearing Dian till the plain?
Who'll set the fair-tressed Sun in battle-ray
While Mars doth take the Aonian harp to play?
Great are thy kingdoms, over-strong and large,
Ambitious imp, why seek'st thou further charge?
Are all things thine? the Muses' Tempe thine?
Then scarce can Phœbus say, "This harp is mine."
When131 in this work's first verse I trod aloft,
Love slaked my muse, and made my numbers soft:
I have no mistress nor no favourite,
Being fittest matter for a wanton wit.
Thus I complained, but Love unlocked his quiver,
Took out the shaft, ordained my heart to shiver,
And bent his sinewy bow upon his knee,
Saying, "Poet, here's a work beseeming thee."
O, woe is me! he never shoots but hits,
I burn, love in my idle bosom sits:
Let my first verse be six, my last five feet:
Farewell stern war, for blunter poets meet!
Elegian muse, that warblest amorous lays,
Girt my shine132 brow with seabank myrtle sprays.133
 
Elegia II
Quod primo amore correptus, in triumphum duci se a Cupidine patiatur
 
What makes my bed seem hard seeing it is soft?
Or why slips down the coverlet so oft?
Although the nights be long I sleep not tho134
My sides are sore with tumbling to and fro.
Were love the cause it's like I should descry him,
Or lies he close and shoots where none can spy him?
'Twas so; he strook me with a slender dart;
'Tis cruel Love turmoils my captive heart.
Yielding or striving135 do we give him might,
Let's yield, a burden easily borne is light.
I saw a brandished fire increase in strength,
Which being not shak'd, I saw it die at length.
Young oxen newly yoked are beaten more,
Than oxen which have drawn the plough before:
And rough jades' mouths with stubborn bits are torn,
But managed horses' heads are lightly borne.136
Unwilling lovers, love doth more torment,
Than such as in their bondage feel content.
Lo! I confess, I am thy captive I,
And hold my conquered hands for thee to tie.
What need'st thou war? I sue to thee for grace:
With arms to conquer armless men is base.
Yoke Venus' Doves, put myrtle on thy hair,
Vulcan will give thee chariots rich and fair:
The people thee applauding, thou shalt stand,
Guiding the harmless pigeons with thy hand.
Young men and women shalt thou lead as thrall,
So will thy triumph seem magnifical;
I, lately caught, will have a new-made wound,
And captive-like be manacled and bound:
Good meaning, Shame, and such as seek Love's wrack
Shall follow thee, their hands tied at their back.
Thee all shall fear, and worship as a king
Iö triumphing shall thy people sing.
Smooth speeches, Fear and Rage shall by thee ride,
Which troops have always been on Cupid's side;
Thou with these soldiers conquer'st gods and men,
Take these away, where is thine honour then?
Thy mother shall from heaven applaud this show,
And on their faces heaps of roses strow,
With beauty of thy wings, thy fair hair gilded,137
Ride golden Love in chariots richly builded!
Unless I err, full many shalt thou burn,
And give wounds infinite at every turn.
In spite of thee, forth will thine arrows fly,
A scorching flame burns all the standers by.
So, having conquered Inde, was Bacchus' hue;
Thee pompous birds and him two tigers drew;
Then seeing I grace thy show in following thee,
Forbear to hurt thyself in spoiling me.
Behold thy kinsman138 Cæsar's prosperous bands,
Who guards the139 conquered with his conquering hands.
 
Elegia III
Ad amicam
 
I ask but right, let her that caught me late,
Either love, or cause that I may never hate;
I crave140 too much—would she but let me love her;
Jove knows with such-like prayers I daily move her.
Accept him that shall serve thee all his youth,
Accept him that shall love with spotless truth.
If lofty titles cannot make141 me thine,
That am descended but of knightly line,
(Soon may you plough the little land I have;
I gladly grant my parents given to save;142)
Apollo, Bacchus, and the Muses may;
And Cupid who hath marked me for thy prey;
My spotless life, which but to gods gives place,
Naked simplicity, and modest grace.
I love but one, and her I love change never,
If men have faith, I'll live with thee for ever.
The years that fatal Destiny shall give
I'll live with thee, and die ere thou shalt grieve.
Be thou the happy subject of my books
That I may write things worthy thy fair looks.
By verses, horned Iö got her name;
And she to whom in shape of swan143 Jove came;
And she that on a feigned Bull swam to land,
Griping his false horns with her virgin hand,
So likewise we will through the world be rung
And with my name shall thine be always sung.
 
113It should be binds: i.e., "Leucote flies to the several winds, and, commissioned by the Fates, commands them to restrain their violence." Broughton.
114The next few lines are in Chapman's obscurest manner. "Devotes," in l. 21, means, I suppose, "tokens of devotion to his patron."
115Cunningham says, "I cannot perceive the meaning of 'doth repair more tender fawns.'" "Fawns" is equivalent to "fawnings;" and the meaning seems to be, "applies himself to softer blandishments."
116Orithyia.—The story of the rape of Orithyia is told in a magnificent passage of Mr. Swinburne's Erectheus.
117So the Isham copy. Later eds. "true."
118So the Isham copy. Later eds. "torrent."
119Some eds. "himselfe surpris'd." Dyce gives "himself so priz'd."
120A short arrow blunted at the end; it killed birds without piercing them.
121Countenance.
122Clipt, embraced.
123From Gr. Ατθις (a woman of Attica, i.e., Orithyia).
124"The flame taking bait (refreshment), feeding." Dyce. (Old eds. "bating.")
125Old eds. "vsde."
126Isham copy "deuil."
127In Chapman's day the work of the grammarian Musaeus was supposed to be the genuine production of the fabulous son of Eumolpus.
128So the Isham copy. Ed. A. "the."
129Isham copy and ed. A. "vpreard, I meane."
130The original has— "Quid? si præripiat flavæ Venus arma MinervæVentilet accensas flavæ Minerva comas."
131"Cum bene surrexit versu nova pagina, primo!At tenuat nervos proximus ille meos."
132Sheen.
133Dyce's correction for "praise" of the old eds.
134Then.
135So the Isham copy and ed. A. Other eds. "struggling."
136"Frena minus sentit quisquis ad arma facit."—Marlowe's line strongly supports the view that "bear hard" in Julius Cæsar means "curb, keep a tight rein over" (hence "eye with suspicion"). Cf. Christopher Clifford's School of Horsemanship (1585):—"But the most part of horses takes it [a 'wil of his owne'] through the unskilfulnesse of the rider by bearing too hard a hand upon them," p. 35.
137"Our poet's copy of Ovid had 'Tu penna pulchros gemina variante capillos.'"—Dyce. (The true reading "Tu pennas gemma, gemma, variante capillos.")
138Old eds. "kinsmans."
139Old eds. "thee."
140Isham copy "aske."
141Ed. A. "cause me to be thine."
142"Temperat et sumptus parcus uterque parens."
143Isham copy and ed. A. "Bull."