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Anna of the Five Towns

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He pointed to the oven near by, in whose dark interior the forms of men, naked to the waist, could dimly be seen struggling with the weight of saggars6 full of ware. It seemed like some release of martyrs, this unpacking of the immense oven, which, after being flooded with a sea of flame for fifty-four hours, had cooled for two days, and was yet hotter than the Equator. The inertness and pallor of the saggars seemed to be the physical result of their fiery trial, and one wondered that they should have survived the trial. Mynors went into the place adjoining the oven and brought back a plate out of an open saggar; it was still quite warm. It had the matt surface of a biscuit, and adhered slightly to the fingers: it was now a 'crook'; it had exchanged malleability for brittleness, and nothing mortal could undo what the fire had done. Mynors took the plate with him to the biscuit-warehouse, a long room where one was forced to keep to narrow alleys amid parterres of pots. A solitary biscuit-warehouseman was examining the ware in order to determine the remuneration of the pressers.

They climbed a flight of steps to the printing-shop, where, by means of copper-plates, printing-presses, mineral colours, and transfer-papers, most of the decoration was done. The room was filled by a little crowd of people – oldish men, women and girls, divided into printers, cutters, transferors and apprentices. Each interminably repeated some trifling process, and every article passed through a succession of hands until at length it was washed in a tank and rose dripping therefrom with its ornament of flowers and scrolls fully revealed. The room smelt of oil and flannel and humanity; the atmosphere was more languid, more like that of a family party, than in the pressers' shop: the old women looked stern and shrewish, the pretty young women pert and defiant, the younger girls meek. The few men seemed out of place. By what trick had they crept into the very centre of that mass of femineity? It seemed wrong, scandalous that they should remain. Contiguous with the printing-shop was the painting-shop, in which the labours of the former were taken to a finish by the brush of the paintress, who filled in outlines with flat colour, and thus converted mechanical printing into handiwork. The paintresses form the noblesse of the banks. Their task is a light one, demanding deftness first of all; they have delicate fingers, and enjoy a general reputation for beauty: the wages they earn may be estimated from their finery on Sundays. They come to business in cloth jackets, carry dinner in little satchels; in the shop they wear white aprons, and look startlingly neat and tidy. Across the benches over which they bend their coquettish heads gossip flies and returns like a shuttle; they are the source of a thousand intrigues, and one or other of them is continually getting married or omitting to get married. On the bank they constitute 'the sex.' An infinitesimal proportion of them, from among the branch known as ground-layers, die of lead-poisoning – a fact which adds pathos to their frivolous charm. In a subsidiary room off the painting-shop a single girl was seated at a revolving table actuated by a treadle. She was doing the 'band-and-line' on the rims of saucers. Mynors and Anna watched her as with her left hand she flicked saucer after saucer into the exact centre of the table, moved the treadle, and, holding a brush firmly against the rim of the piece, produced with infallible exactitude the band and the line. She was a brunette, about twenty-eight: she had a calm, vacuously contemplative face; but God alone knew whether she thought. Her work represented the summit of monotony; the regularity of it hypnotised the observer, and Mynors himself was impressed by this stupendous phenomenon of absolute sameness, involuntarily assuming towards it the attitude of a showman.

'She earns as much as eighteen shillings a week sometimes,' he whispered.

'May I try?' Anna timidly asked of a sudden, curious to experience what the trick was like.

'Certainly,' said Mynors, in eager assent. 'Priscilla, let this lady have your seat a moment, please.'

The girl got up, smiling politely. Anna took her place.

'Here, try on this,' said Mynors, putting on the table the plate which he still carried.

'Take a full brush,' the paintress suggested, not attempting to hide her amusement at Anna's unaccustomed efforts. 'Now push the treadle. There! It isn't in the middle yet. Now!'

Anna produced a most creditable band, and a trembling but passable line, and rose flushed with the small triumph.

'You have the gift,' said Mynors; and the paintress respectfully applauded.

'I felt I could do it,' Anna responded. 'My mother's mother was a paintress, and it must be in the blood.'

Mynors smiled indulgently. They descended again to the ground floor, and following the course of manufacture came to the 'hardening-on' kiln, a minor oven where for twelve hours the oil is burnt out of the colour in decorated ware. A huge, jolly man in shirt and trousers, with an enormous apron, was in the act of drawing the kiln, assisted by two thin boys. He nodded a greeting to Mynors and exclaimed, 'Warm!' The kiln was nearly emptied. As Anna stopped at the door, the man addressed her.

'Step inside, miss, and try it.'

'No, thanks!' she laughed.

'Come now,' he insisted, as if despising this hesitation. 'An ounce of experience – ' The two boys grinned and wiped their foreheads with their bare skeleton-like arms. Anna, challenged by the man's look, walked quickly into the kiln. A blasting heat seemed to assault her on every side, driving her back; it was incredible that any human being could support such a temperature.

'There!' said the jovial man, apparently summing her up with his bright, quizzical eyes. 'You know summat as you didn't know afore, miss. Come along, lads,' he added with brisk heartiness to the boys, and the drawing of the kiln proceeded.

Next came the dipping-house, where a middle-aged woman, enveloped in a protective garment from head to foot, was dipping jugs into a vat of lead-glaze, a boy assisting her. The woman's hands were covered with the grey, slimy glaze. She alone of all the employees appeared to be cool.

'That is the last stage but one,' said Mynors. 'There is only the glost-firing,' and they passed out into the yard once more. One of the glost-ovens was empty; they entered it and peered into the lofty inner chamber, which seemed like the cold crater of an exhausted volcano, or like a vault, or like the ruined seat of some forgotten activity. The other oven was firing, and Anna could only look at its exterior, catching glimpses of the red glow at its twelve mouths, and guess at the Tophet, within, where the lead was being fused into glass.

'Now for the glost-warehouse, and you will have seen all,' said Mynors, 'except the mould-shop, and that doesn't matter.'

The warehouse was the largest place on the works, a room sixty-feet long and twenty broad, low, whitewashed, bare and clean. Piles of ware occupied the whole of the walls and of the immense floorspace, but there was no trace here of the soilure and untidiness incident to manufacture; all processes were at an end, clay had vanished into crock: and the calmness and the whiteness atoned for the disorder, noise and squalor which had preceded. Here was a sample of the total and final achievement towards which the thousands of small, disjointed efforts that Anna had witnessed, were directed. And it seemed a miraculous, almost impossible, result; so definite, precise and regular after a series of acts apparently variable, inexact and casual; so inhuman after all that intensely inhuman labour; so vast in comparison with the minuteness of the separate endeavours. As Anna looked, for instance, at a pile of tea-sets, she found it difficult even to conceive that, a fortnight or so before, they had been nothing but lumps of dirty clay. No stage of the manufacture was incredible by itself, but the result was incredible. It was the result that appealed to the imagination, authenticating the adage that fools and children should never see anything till it is done.

Anna pondered over the organising power, the forethought, the wide vision, and the sheer ingenuity and cleverness which were implied by the contents of this warehouse. 'What brains!' she thought, of Mynors; 'what quantities of all sorts of things he must know!' It was a humble and deeply-felt admiration.

Her spoken words gave no clue to her thoughts. 'You seem to make a fine lot of tea-sets,' she remarked.

'Oh, no,' he said carelessly. 'These few that you see here are a special order. I don't go in much for tea-sets: they don't pay; we lose fifteen per cent. of the pieces in making. It's toilet-ware that pays, and that is our leading line.' He waved an arm vaguely towards rows and rows of ewers and basins in the distance. They walked to the end of the warehouse, glancing at everything.

'See here,' said Mynors, 'isn't that pretty?' He pointed through the last window to a view of the canal, which could be seen thence in perspective, finishing in a curve. On one side, close to the water's edge, was a ruined and fragmentary building, its rich browns reflected in the smooth surface of the canal. On the other side were a few grim, grey trees bordering the towpath. Down the vista moved a boat steered by a woman in a large mob-cap. 'Isn't that picturesque?' he said.

 

'Very,' Anna assented willingly. 'It's really quite strange, such a scene right in the middle of Bursley.'

'Oh! There are others,' he said. 'But I always take a peep at that whenever I come into the warehouse.'

'I wonder you find time to notice it – with all this place to see after,' she said. 'It's a splendid works!'

'It will do – to be going on with,' he answered, satisfied. 'I'm very glad you've been down. You must come again. I can see you would be interested in it, and there are plenty of things you haven't looked at yet, you know.'

He smiled at her. They were alone in the warehouse.

'Yes,' she said; 'I expect so. Well, I must go, at once; I'm afraid it's very late now. Thank you for showing me round, and explaining, and – I'm frightfully stupid and ignorant. Good-bye.'

Vapid and trite phrases: what unimaginable messages the hearer heard in you!

Anna held out her hand, and he seized it almost convulsively, his incendiary eyes fastened on her face.

'I must see you out,' he said, dropping that ungloved hand.

It was ten o'clock that night before Ephraim Tellwright returned home from Axe. He appeared to be in a bad temper. Agnes had gone to bed. His supper of bread-and-cheese and water was waiting for him, and Anna sat at the table while he consumed it. He ate in silence, somewhat hungrily, and she did not deem the moment propitious for telling him about her visit to Mynors' works.

'Has Titus Price sent up?' he asked at length, gulping down the last of the water.

'Sent up?'

'Yes. Art fond, lass? I told him as he mun send up some more o' thy rent to-day – twenty-five pun. He's not sent?'

'I don't know,' she said timidly. 'I was out this afternoon.'

'Out, wast?'

'Mr. Mynors sent word to ask me to go down and look over the works; so I went. I thought it would be all right.'

'Well, it was'na all right. And I'd like to know what business thou hast gadding out, as soon as my back's turned. How can I tell whether Price sent up or not? And what's more, thou know's as th' house hadn't ought to be left.'

'I'm sorry,' she said pleasantly, with a determination to be meek and dutiful.

He grunted. 'Happen he didna' send. And if he did, and found th' house locked up, he should ha' sent again. Bring me th' inkpot, and I'll write a note as Agnes must take when her goes to school to-morrow morning.'

Anna obeyed. 'They'll never be able to pay twenty-five pounds, father,' she ventured. 'They've paid thirty already, you know.'

'Less gab,' he said shortly, taking up the pen. 'Here – write it thysen.' He threw the pen towards her. 'Tell Titus if he doesn't pay five-and-twenty this wik, us'll put bailiffs in.'

'Won't it come better from you, father?' she pleaded.

'Whose property is it?' The laconic question was final. She knew she must obey, and began to write. But, realising that she would perforce meet both Titus Price and Willie on Sunday, she merely demanded the money, omitting the threat. Her hand trembled as she passed the note to him to read.

'Will that do?'

His reply was to tear the paper across. 'Put down what I tell ye,' he ordered, 'and don't let's have any more paper wasted.' Then he dictated a letter which was an ultimatum in three lines. 'Sign it,' he said.

She signed it, weeping. She could see the wistful reproach in Willie Price's eyes.

'I suppose,' her father said, when she bade him 'Good-night,' 'I suppose if I hadn't asked, I should ha' heard nowt o' this gadding-about wi' Mynors?'

'I was going to tell you I had been to the works, father,' she said.

'Going to!' That was his final blow, and having delivered it, he loosed the victim. 'Go to bed,' he said.

She went upstairs, resolutely read her Bible, and resolutely prayed.

CHAPTER IX
THE TREAT

This surly and terrorising ferocity of Tellwright's was as instinctive as the growl and spring of a beast of prey. He never considered his attitude towards the women of his household as an unusual phenomenon which needed justification, or as being in the least abnormal. The women of a household were the natural victims of their master: in his experience it had always been so. In his experience the master had always, by universal consent, possessed certain rights over the self-respect, the happiness and the peace of the defenceless souls set under him – rights as unquestioned as those exercised by Ivan the Terrible. Such rights were rooted in the secret nature of things. It was futile to discuss them, because their necessity and their propriety were equally obvious. Tellwright would not have been angry with any man who impugned them: he would merely have regarded the fellow as a crank and a born fool, on whom logic or indignation would be entirely wasted. He did as his father and uncles had done. He still thought of his father as a grim customer, infinitely more redoubtable than himself. He really believed that parents spoiled their children nowadays: to be knocked down by a single blow was one of the punishments of his own generation. He could recall the fearful timidity of his mother's eyes without a trace of compassion. His treatment of his daughters was no part of a system, nor obedient to any defined principles, nor the expression of a brutal disposition, nor the result of gradually-acquired habit. It came to him like eating, and like parsimony. He belonged to the great and powerful class of house-tyrants, the backbone of the British nation, whose views on income-tax cause ministries to tremble. If you had talked to him of the domestic graces of life, your words would have conveyed to him no meaning. If you had indicted him for simple unprovoked rudeness, he would have grinned, well knowing that, as the King can do no wrong, so a man cannot be rude in his own house. If you had told him that he inflicted purposeless misery not only on others but on himself, he would have grinned again, vaguely aware that he had not tried to be happy, and rather despising happiness as a sort of childish gewgaw. He had, in fact, never been happy at home: he had never known that expansion of the spirit which is called joy; he existed continually under a grievance. The atmosphere of Manor Terrace afflicted him, too, with a melancholy gloom – him, who had created it. Had he been capable of self-analysis, he would have discovered that his heart lightened whenever he left the house, and grew dark whenever he returned; but he was incapable of the feat. His case, like every similar case, was irremediable.

The next morning his preposterous displeasure lay like a curse on the house; Anna was silent, and Agnes moved on timid feet. In the afternoon Willie Price called in answer to the note. The miser was in the garden, and Agnes at school. Willie's craven and fawning humility was inexpressibly touching and shameful to Anna. She longed to say to him, as he stood hesitant and confused in the parlour: 'Go in peace. Forget this despicable rent. It sickens me to see you so.' She foresaw, as the effect of her father's vindictive pursuit of her tenants, an interminable succession of these mortifying interviews.

'You're rather hard on us,' Willie Price began, using the old phrases, but in a tone of forced and propitiatory cheerfulness, as though he feared to bring down a storm of anger which should ruin all. 'You'll not deny that we've been doing our best.'

'The rent is due, you know, Mr. William,' she replied, blushing.

'Oh, yes,' he said quickly. 'I don't deny that. I admit that. I – did you happen to see Mr. Tellwright's postscript to your letter?'

'No,' she answered, without thinking.

He drew the letter, soiled and creased, from his pocket, and displayed it to her. At the foot of the page she read, in Ephraim's thick and clumsy characters: 'P.S. This is final.'

'My father,' said Willie, 'was a little put about. He said he'd never received such a letter before in the whole of his business career. It isn't as if – '

'I needn't tell you,' she interrupted, with a sudden determination to get to the worst without more suspense, 'that of course I am in father's hands.'

'Oh! Of course, Miss Tellwright; we quite understand that – quite. It's just a matter of business. We owe a debt and we must pay it. All we want is time.' He smiled piteously at her, his blue eyes full of appeal. She was obliged to gaze at the floor.

'Yes,' she said, tapping her foot on the rug. 'But father means what he says.' She looked up at him again, trying to soften her words by means of something more subtle than a smile.

'He means what he says,' Willie agreed; 'and I admire him for it.'

The obsequious, truckling lie was odious to her.

'Perhaps I could see him,' he ventured.

'I wish you would,' Anna said, sincerely. 'Father, you're wanted,' she called curtly through the window.

'I've got a proposal to make to him,' Price continued, while they awaited the presence of the miser, 'and I can't hardly think he'll refuse it.'

'Well, young sir,' Tellwright said blandly, with an air almost insinuating, as he entered. Willie Price, the simpleton, was deceived by it, and, taking courage, adopted another line of defence. He thought the miser was a little ashamed of his postscript.

'About your note, Mr. Tellwright; I was just telling Miss Tellwright that my father said he had never received such a letter in the whole of his business career.' The youth assumed a discreet indignation.

'Thy feyther's had dozens o' such letters, lad,' the miser said with cold emphasis, 'or my name's not Tellwright. Dunna tell me as Titus Price's never heard of a bumbailiff afore.'

Willie was crushed at a blow, and obliged to retreat. He smiled painfully. 'Come, Mr. Tellwright. Don't talk like that. All we want is time.'

'Time is money,' said Tellwright, 'and if us give you time us give you money. 'Stead o' that, it's you as mun give us money. That's right reason.'

Willie laughed with difficulty. 'See here, Mr. Tellwright. To cut a long story short, it's like this. You ask for twenty-five pounds. I've got in my pocket a bill of exchange drawn by us on Mr. Sutton and endorsed by him, for thirty pounds, payable in three months. Will you take that? Remember it's for thirty, and you only ask for twenty-five.'

'So Mr. Sutton has dealings with ye, eh?' Tellwright remarked.

'Oh, yes,' Willie answered proudly. 'He buys off us regularly. We've done business for years.'

'And pays i' bills at three months, eh?' The miser grinned.

'Sometimes,' said Willie.

'Let's see it,' said the miser.

'What – the bill?'

'Ay!'

'Oh! The bill's all right.' Willie took it from his pocket, and opening out the blue paper, gave it to old Tellwright. Anna perceived the anxiety on the youth's face. He flushed and his hand trembled. She dared not speak, but she wished to tell him to be at ease. She knew from infallible signs that her father would take the bill. Ephraim gazed at the stamped paper as at something strange and unprecedented in his experience.

'Father would want you not to negotiate that bill,' said Willie. 'The fact is, we promised Mr. Sutton that that particular bill should not leave our hands – unless it was absolutely necessary. So father would like you not to discount it, and he will redeem it before it matures. You quite understand – we don't care to offend an old customer like Mr. Sutton.'

'Then this bit o' paper's worth nowt for welly7 three months?' the old man said, with an affectation of bewildered simplicity.

Happily inspired for once, Willie made no answer, but put the question: 'Will you take it?'

'Ay! Us'll tak' it,' said Tellwright, 'though it is but a promise.' He was well pleased.

Young Price's face showed his relief. It was now evident that he had been passing through an ordeal. Anna guessed that perhaps everything had depended on the acceptance by Tellwright of that bill. Had he refused it, Prices, she thought, might have come to sudden disaster. She felt glad and disburdened for the moment; but immediately it occurred to her that her father would not rest satisfied for long; a few weeks, and he would give another turn to the screw.

The Tellwrights were destined to have other visitors that afternoon. Agnes, coming from school, was accompanied by a lady. Anna, who was setting the tea-table, saw a double shadow pass the window, and heard voices. She ran into the kitchen, and found Mrs. Sutton seated on a chair, breathing quickly.

 

'You'll excuse me coming in so unceremoniously, Anna,' she said, after having kissed her heartily. 'But Agnes said that she always came in by the back way, so I came that way too. Now I'm resting a minute. I've had to walk to-day. Our horse has gone lame.'

This kind heart radiated a heavenly goodwill, even in the most ordinary phrases. Anna began to expand at once.

'Now do come into the parlour,' she said, 'and let me make you comfortable.'

'Just a minute, my dear,' Mrs. Sutton begged, fanning herself with her handkerchief, 'Agnes's legs are so long.'

'Oh, Mrs. Sutton,' Agnes protested, laughing, 'how can you? I could scarcely keep up with you!'

'Well, my dear, I never could walk slowly. I'm one of them that go till they drop. It's very silly.' She smiled, and the two girls smiled happily in return.

'Agnes,' said the housewife, 'set another cup and saucer and plate.' Agnes threw down her hat and satchel of books, eager to show hospitality.

'It still keeps very warm,' Anna remarked, as Mrs. Sutton was silent.

'It's beautifully cool here,' said Mrs. Sutton. 'I see you've got your kitchen like a new pin, Anna, if you'll excuse me saying so. Henry was very enthusiastic about this kitchen the other night, at our house.'

'What! Mr. Mynors?' Anna reddened to the eyes.

'Yes, my dear; and he's a very particular young man, you know.'

The kettle conveniently boiled at that moment, and Anna went to the range to make the tea.

'Tea is all ready, Mrs. Sutton,' she said at length. 'I'm sure you could do with a cup.'

'That I could,' said Mrs. Sutton. 'It's what I've come for.'

'We have tea at four. Father will be glad to see you.' The clock struck, and they went into the parlour, Anna carrying the tea-pot and the hot-water jug. Agnes had preceded them. The old man was sitting expectant in his chair.

'Well, Mr. Tellwright,' said the visitor, 'you see I've called to see you, and to beg a cup of tea. I overtook Agnes coming home from school – overtook her, mind – me, at my age!' Ephraim rose slowly and shook hands.

'You're welcome,' he said curtly, but with a kindliness that amazed Anna. She was unaware that in past days he had known Mrs. Sutton as a young and charming girl, a vision that had stirred poetic ideas in hundreds of prosaic breasts, Tellwright's included. There was scarcely a middle-aged male Wesleyan in Bursley and Hanbridge who had not a peculiar regard for Mrs. Sutton, and who did not think that he alone truly appreciated her.

'What an' you bin tiring yourself with this afternoon?' he asked, when they had begun tea, and Mrs. Sutton had refused a second piece of bread-and-butter.

'What have I been doing? I've been seeing to some inside repairs to the superintendent's house. Be thankful you aren't a circuit-steward's wife, Anna.'

'Why, does she have to see to the repairs of the minister's house?' Anna asked, surprised.

'I should just think she does. She has to stand between the minister's wife and the funds of the society. And Mrs. Reginald Banks has been used to the very best of everything. She's just a bit exacting, though I must say she's willing enough to spend her own money too. She wants a new boiler in the scullery now, and I'm sure her boiler is a great deal better than ours. But we must try to please her. She isn't used to us rough folks and our ways. Mr. Banks said to me this afternoon that he tried always to shield her from the worries of this world.' She smiled almost imperceptibly.

There was a ring at the bell, and Agnes, much perturbed by the august arrival, let in Mr. Banks himself.

'Shall I enter, my little dear?' said Mr. Banks. 'Your father, your sister, in?'

'It ne'er rains but it pours,' said Tellwright, who had caught the minister's voice.

'Speak of angels – ' said Mrs. Sutton, laughing quietly.

The minister came grandly into the parlour. 'Ah! How do you do, brother Tellwright, and you, Miss Tellwright? Mrs. Sutton, we two seem happily fated to meet this afternoon. Don't let me disturb you, I beg – I cannot stay. My time is very limited. I wish I could call oftener, brother Tellwright; but really the new régime leaves no time for pastoral visits. I was saying to my wife only this morning that I haven't had a free afternoon for a month.' He accepted a cup of tea.

'Us'n have a tea-party this afternoon,' said Tellwright quasi-privately to Mrs. Sutton.

'And now,' the minister resumed, 'I've come to beg. The special fund, you know, Mr. Tellwright, to clear off the debt on the new school-buildings. I referred to it from the pulpit last Sabbath. It's not in my province to go round begging, but someone must do it.'

'Well, for me, I'm beforehand with you, Mr. Banks,' said Mrs. Sutton, 'for it's on that very errand I've called to see Mr. Tellwright this afternoon. His name is on my list.'

'Ah! Then I leave our brother to your superior persuasions.'

'Come, Mr. Tellwright,' said Mrs. Sutton, 'you're between two fires, and you'll get no mercy. What will you give?'

The miser foresaw a probable discomfiture, and sought for some means of escape.

'What are others giving?' he asked.

'My husband is giving fifty pounds, and you could buy him up, lock, stock, and barrel.'

'Nay, nay!' said Tellwright, aghast at this sum. He had underrated the importance of the Building Fund.

'And I,' said the parson solemnly, 'I have but fifty pounds in the world, but I am giving twenty to this fund.'

'Then you're giving too much,' said Tellwright with quick brusqueness. 'You canna' afford it.'

'The Lord will provide,' said the parson.

'Happen He will, happen not. It's as well you've gotten a rich wife, Mr. Banks.'

The parson's dignity was obviously wounded, and Anna wondered timidly what would occur next. Mrs. Sutton interposed. 'Come now, Mr. Tellwright,' she said again, 'to the point: what will you give?'

'I'll think it over and let you hear,' said Ephraim.

'Oh, no! That won't do at all, will it, Mr. Banks? I, at any rate, am not going away without a definite promise. As an old and good Wesleyan, of course you will feel it your duty to be generous with us.'

'You used to be a pillar of the Hanbridge circuit – was it not so?' said Mr. Banks to the miser, recovering himself.

'So they used to say,' Tellwright replied grimly. 'That was because I cleared 'em of debt in ten years. But they've slipped into th' ditch again sin' I left 'em.'

'But if I am right, you do not meet8 with us,' the minister pursued imperturbably.

'No.'

'My own class is at three on Saturdays,' said the minister. 'I should be glad to see you.'

'I tell you what I'll do,' said the miser to Mrs. Sutton. 'Titus Price is a big man at th' Sunday-school. I'll give as much as he gives to th' school buildings. That's fair.'

'Do you know what Mr. Price is giving?' Mrs. Sutton asked the minister.

'I saw Mr. Price yesterday. He is giving twenty-five pounds.'

'Very well, that's a bargain,' said Mrs. Sutton, who had succeeded beyond her expectations.

Ephraim was the dupe of his own scheming. He had made sure that Price's contribution would be a small one. This ostentatious munificence on the part of the beggared Titus filled him with secret anger. He determined to demand more rent at a very early date.

'I'll put you down for twenty-five pounds as a first subscription,' said the minister, taking out a pocket-book. Perhaps you will give Mrs. Sutton or myself the cheque to-day?'

'Has Mr. Price paid?' the miser asked, warily.

'Not yet.'

'Then come to me when he has.' Ephraim perceived the way of escape.

When the minister was gone, as Mrs. Sutton seemed in no hurry to depart, Anna and Agnes cleared the table.

'I've just been telling your father, Anna,' said Mrs. Sutton, when Anna returned to the room, 'that Mr. Sutton and myself and Beatrice are going to the Isle of Man soon for a fortnight or so, and we should very much like you to come with us.'

Anna's heart began to beat violently, though she knew there was no hope for her. This, then, doubtless, was the main object of Mrs. Sutton's visit! 'Oh! But I couldn't, really!' said Anna, scarcely aware what she did say.

'Why not?' asked Mrs. Sutton.

'Well – the house.'

'The house? Agnes could see to what little housekeeping your father would want. The schools will break up next week.'

'What do these young folks want holidays for?' Tellwright inquired with philosophic gruffness. 'I never had one. And what's more, I wouldn't thank ye for one. I'll pig on at Bursley. When ye've gotten a roof of your own, where's the sense o' going elsewhere and pigging?'

6Saggars: large oval receptacles of coarse clay, in which the ware is placed for firing.
7Welly: nearly.
8Meet: meet in class – a gathering for the exchange of religious counsel and experience.

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