XV
NEWS FROM FRANCE
For the next three days the impatience of the public met with nothing but disappointment. The police were reticent,—more reticent far than usual,—and the papers, powerless to add to the facts already published, had little but conjectures to offer.
The hunt for Madame Duclos continued, joined in now by the general public. But for all the efforts made, aided by a careful search through her entire baggage, there was as little known concerning her as on the morning of her disappearance.
Nor did any better success follow the exhibition at the morgue of the poor little victim's innocent body. The mystery covering the whole affair seemed to be impenetrable, and the rush made on the museum upon its first reopening to the public was such as to lead to its being closed again till some limit could be put upon the attendance.
And thus matters stood when one morning the country was startled, and the keenest interest again aroused in this remarkable case, by an announcement received from France to the effect that the young lady so unfortunately killed in one of the public buildings in New York City was, from the description sent, not the ward of the woman Antoinette Duclos, but her own child, Angeline Duclos. That the two were well known in St. Pierre sur Loire, where they had lived for many years in the relationship mentioned. At the convent where she was educated, she had been registered under the name of Duclos—also at the hotel where she and her mother had spent a few days before leaving for England. Though of pure French descent, the father being a Breton, they could not furnish her birth-certificate, as she had not been born in France. According to the records to be seen at the convent, the father, Achille Duclos, was a professor of languages, whom her mother had met in England and married in France before going to the States. So far as known, their story was a simple one, affording no reason, so far as could be learned, for any change of name on the part of the young woman, in her visit to America.
This was supplemented by a word from Scotland Yard, England, received a few hours after the other, to the effect that Madame Duclos and Miss Willetts arrived at the Ritz from Dover, on the morning of May 16th, and left the next morning for Southampton. They spent the evening at the theater with friends who called for them in a public automobile. These people had not been found, but they had been advertised for and might yet show up. Nothing more could be learned of either of them.
Now here was an astonishing discovery! That two women known and recognized as mother and daughter in France should pass for unrelated companions on leaving that country to enter ours. What were we Americans to think of this, especially in the light of the tragic event which so soon terminated this companionship.
That the French records, imperfect as they were, were to be relied upon as stating the truth as to the exact nature of the connection between these two, there could be no doubt. But granting this, what fresh complexities were thus brought into an affair already teeming with incongruities—nay, absolute contradictions.
Madame Duclos' conduct, as shown toward her young charge, had seemed sufficiently strange and inconsistent when looked upon as that of governess or guardian. But for a mother, and a French mother at that, to allow a young and inexperienced girl to go alone to a strange museum on the very day of their arrival, and then, with or without knowledge of what had happened to her there, to efface herself by flight without promise of return, was inconceivable to anyone acquainted with the most ordinary of French conventions.
Some sinister secret, despite the seeming harmlessness of their lives, must hide behind such unnatural conduct! Was it one connected with or entirely dissociated from the tragedy which had terminated the poor child's existence? This was the great question. This was what gave new zest to the search for the dark-skinned Frenchwoman, with her drooping eyelid and hesitating walk, and led Sweetwater to whisper into Gryce's ear, as they stepped out that same day from Headquarters:
"No more nonsense now. We must find that woman or her dead body before the next twenty-four hours have elapsed. With our fingers on that end of the string–"
"We will get hold of some family secret, but not of the immediate one which especially concerns us. Madame Duclos sent her daughter unattended to the museum, but she did not direct the shaft which killed her. That was the work of our friend X. Let us then make sure that we fit the right man to this algebraic symbol, and trust to her testimony to convict him."
By this time they had reached the taxi which was to convey Mr. Gryce home. But though Sweetwater lent his arm to help the old man in, he did it with such an air of hesitation that it caused the other to remark:
"You have not ended your argument. There is something more you want to say. What is it? Speak up."
"No, no. I am quite satisfied, so far as the Duclos matter is concerned. It is only—would you mind stepping aside for a moment till I tell you a bit of gossip which has just come to my ears? Thank you, sir. Forbes is all right" (Forbes was the chauffeur), "but confidences are sacred and this thing was told me in confidence."
The humorous twist of his features as he said this quite transformed his very plain countenance. Mr. Gryce, noting it, began to stare at the first isolated object handy, which in this case happened to be the crooked end of his umbrella—a sign, to those who knew him well, of awakened interest.
"Well? Let's hear," he said.
"It doesn't sound like much; but it will probably be news to you, as it certainly was to me. It's this, Mr. Gryce: A certain gentleman we know has been contemplating matrimony; but since this accident happened at the museum,—that is, within the last two days,—the engagement has been broken off."
"So! But I thought he had not got so far as an engagement. You mean young Correy–"
"No, Mr. Gryce, I do not. I mean—the other."
"The other! Well, that's worth listening to. Engaged, eh, and now all of a sudden free again? At whose instance, Sweetwater, his or hers? Did you hear?"
"Not exactly, but—it's quite a story, sir. I had it from his chauffeur and will tell it to you later if you are in a hurry to go home."
"Home! Come back with me into Headquarters. I've got to sleep to-night."
Sweetwater laughed, and together they retraced their steps.
"You see, sir," the young detective began as they drew their chairs together in an unoccupied corner, "you gave me a task the other day which called for the help of a friend—one at court, I mean, a fellow who not only knows the gentleman but has access to his person and his wardrobe. X does not keep a man-servant—men of his intellectual type seldom do—but does own a limousine and consequently employs a chauffeur. To meet and make this chauffeur mine took me just two days. I don't know how I did it. I never know how I do it," he added with a sheepish smile as Mr. Gryce gave utterance to his old-fashioned "Umph!" "I don't flatter and I don't bring out my pocketbook or offer drinks or even cigars, but I get 'em, as you know, and get 'em strong, perhaps because I don't make any great effort.
"After an evening spent in the garage with this man, he was ready to talk, and this is what slipped out, among a lot of nonsensical gossip. Mr. X, the real Mr. X this time, has, besides his apartment in New York, a place on Long Island. The latter has been recently bought and, though fine enough, is being added to and refitted as no man at his age would take the trouble of doing, if he hadn't a woman in mind. The chauffeur—Holmes is his name—is no fool, and has seen for some time that Mr. X, for all his goings to and fro and the many calls he is in the habit of making on a certain young lady, did not expect him—that is, Holmes—to notice anything beyond the limits of his work, or to recognize in any way his employer's secret intentions. But fortunately for us, this man Holmes is just one of those singularly meddlesome people whose curiosity grows with every attempt at repression; and when, coincident with that disastrous happening at the museum, all these loverlike attentions ceased and no calls were made and no presents sent, and gloom instead of cheer marked his employer's manner, he made up his mind to sacrifice a portion of his dignity rather than endure the fret of a mystery he did not understand. This meant not only keeping his eyes open,—this he had always done,—but his ears as well.
"The young lady, whose name he never mentioned, lives not in the city but in that same Long Island village where Mr. X's country-house is in the process of renovation. If he, Holmes, should ever be so fortunate as to be ordered to drive there again, he knew of a gravel walk running under the balcony where the two often sat. He would make the acquaintance of that gravel walk instead of sitting out the hour somewhere in the rear, as he had hitherto been accustomed to do. What's the use of having ears if you don't use them? Nobody would be any the worse, and his mind would be at rest.
"And do you know, sir, that he did actually carry this cowardly resolution through. There came a night—I think it was Tuesday—when the order came, and they took the road to Belport. Not a word did his employer utter the whole way. Solemn and still he sat, and when they arrived he descended without a word, rang the bell and entered the house. It was very warm, that night, Holmes said, and before long he heard the glass doors open onto the balcony, and knew that his wished-for chance had come. Leaving the limousine, he crept around to secure a place among the bushes, and what he heard while there seemed to compensate him for what he called his loss of dignity. The young girl was crying, and the man was talking to her kindly enough but in a way to end whatever hopes she may have had.
"Holmes heard him say: 'It cannot be, now. Circumstances have changed for me lately, and much as I regret it I must ask you to be so good as to forgive me for giving up our plans.' Then he offered her money,—an annuity, I believe they call it,—but she cried out at that, saying it was love she wanted, to be petted and cared for—money she could do without. When he showed himself again in front, he was stiffer and more solemn than ever, and said 'Home,' in a dreary way which made the chauffeur feel decidedly uncomfortable.
"Of course Holmes is quite blind to what this all means, but you may possibly see some connection between this sudden act of sacrifice on X's part and the work of the arrow. At all events, I thought you ought to know that Mr. X's closet holds a skeleton which he will doubtless take every pains to keep securely locked from general view. Holmes says that his last word to the disappointed girl was in the way of warning. No mention of this break in their plans was to be made without his sanction."
"Good work, Sweetwater! You have strengthened my hands wonderfully. Does this fellow Holmes know you for a police-detective?"
"Indeed not, sir. That would be fatal to our friendship, I am sure. I haven't even let him discover that what he was burning to tell had any especial interest for me. I let him ramble on with just a word here and there to show I wasn't bored. He hasn't an idea–"
"Very good. Now, what do you propose to do next?"
"To take up my residence in Belport."
"Why Belport?"
"Because X proposes to move there, bag and baggage, this very week."
"Before his house is done?"
"Yes. He hates the city. Wants to have an eye to the changes being made. Perhaps he thinks a little work of this kind may distract him."
"And you?"
"Was a master carpenter once, you know."
"I see."
"And have a friend on the spot who promises to recommend me."
"Are workmen wanted there?"
"A good one, very much."
"I'm sure you'll fill the bill."
"I shall try to, sir."
"But for the risk you run of being recognized, I should bet on you, Sweetwater."
"I know; people will not forget the unfortunate shape of my nose."
"You were up and down the museum for hours. He must know your face like a book."
"It can't be helped, I shall keep out of sight as much as possible whenever he is around. I am an expert workman in the line wanted. I understand my trade, and he will see that I do and doubt his eyes rather than stretch probabilities to the point of connecting me with the Force. Besides, I get quite another expression when my hands get in touch with the wood; and I can look a man in the eye, if I have to, without a quiver of self-consciousness. His will drop before mine will."
"Your name as carpenter?"
"Jacob Shott. It's the name by which Holmes already knows me."
"Well, well, the game may be worth the candle. You can soon tell. I will keep you posted."
The rest was business with which we need not concern ourselves.
BOOK III
STORM IN THE MOUNTAINS
XVI
FRIENDS
A shaded walk, with a glimpse of sea beyond, embowering trees, a stretch of lawn on one side, and on the other the dormer windows of a fine old house half hidden by scaffolding, from which there came now and then the quick strokes of a workman's hammer.
It was half-past four, if the sharp little note of a cuckoo-clock, snapping out one, told the time correctly.
Two men are pacing this leafy retreat, both of whom we have seen before, but under circumstances so distracting that we took little note of their appearance, fine as it undoubtedly was in either case. However, we are more at leisure now, and will pause for an instant to give you some idea of these two prominent men, with one of whom our story will henceforth have very much to do.
One of them—the Curator of our famous museum—lacks comeliness of figure, though at moments he can be very impressive. We can therefore recognize him at a distance by means of a certain ungainliness of stride sometimes seen in a man wholly given over to intellectual pursuits. But when he turns and you get a glimpse of his face, you experience at once the scope of mind and charm of spirit which make his countenance a marked one in the metropolis. A little gray about the temples, a tendency—growing upon him, alas!—to raise his hand to his ear when called upon to listen, show that he has already passed the meridian of life; but in his quick glance, and clear and rapid speech, youth still lingers, making of him a companion delightful to many and admirable to all.
The other—Carleton Roberts, his bosom friend, and the museum's chief director—is of a different type, but no less striking to the eye. For him, personality has done much toward raising him to his present status among the leading men of New York. While not tall, he is tall enough never to look short, owing to the trim elegance of his figure and the quiet dignity of his carriage. He does not need to turn his face to impress you with the idea that he is handsome; but when he does so, you find that your expectations are more than met by the reality. For though he may not have the strictly regular features we naturally associate with one of his poise and matchless outline, there is enough of that quality, and more than enough of that additional elusive something which is an attraction in itself, to make for handsomeness in a marked degree. He, like his friend, has passed his fortieth year, but nowhere save in his abundant locks can one see any sign of approaching age. They are quite white—cut close, but quite white, so white they attracted the notice of his companion, who stole more than one look at them as he chatted on in what had become almost a monologue, so little did Roberts join in the conversation.
Finally the Curator paused, and stealing another look at that white head, remarked anxiously:
"Have you not grown gray very suddenly? I don't remember your being whiter than myself the day I dined with you just preceding the horrible occurrence at the museum."
"I have been growing gray for a year," rejoined the other. "My father was white at forty; I am just forty-three."
"It becomes you, and yet—Roberts, you have taken this matter too much to heart. We were not to blame in any way, unless it was in having such deadly weapons within reach. How could one suppose–"
"Yes, how could one suppose!" echoed the director. "And the mystery of it! The police seem no nearer solving the problem now than on the night they practised archery in the galleries. It does wear on me, possibly because I live so much alone. I see–"
Here he stopped abruptly. They had been strolling in the direction of the house, and at this moment were not many paces from it.
"See what?" urged the Curator with an accent one might almost call tender—would have been called tender, if used in addressing a woman.
"See her, that dead girl!—constantly—at night when my eyes are shut—in the daytime while I go about my affairs, here, there and everywhere. The young, young face! so white, so still, so strangely and so unaccountably familiar! Do you feel the same? Did she remind you of anyone we know? I grow old trying to place her. I can say this to you; but not to another soul could I speak of what has become to me a sort of blind obsession. She was a stranger. I know of no Madame Duclos and am sure that I never saw her young daughter before; and yet I have started up in my bed more than once during these past few nights, confident that in another moment memory would supply the clue which will rid my mind of the eternal question as to where I have seen a face like hers before? But memory fails to answer; and the struggle, momentarily interrupted, begins again, to the destruction of my peace and comfort."
"Odd! but you must rid yourself of what unnerves you so completely. It does no good and only adds to regrets which are poignant enough in themselves."
"That is true; but—stop a minute. I see it now—her face, I mean. It comes between me and the house there. Even your presence does not dispel it. It is—no, it's gone again. Let us go back once more and take another look at the sea. It is the one thing which draws me away from this pursuing vision."
They resumed their stroll, this time away from the house and toward the oval cut in the trees for a straight view out to the sea. Across this oval a ship was now sailing which attracted the eyes of both; not till it had passed, did the Curator say:
"You live too lonely a life. You should seek change—recreation—possibly something more absorbing than either."
"You mean marriage?"
"Yes, Roberts, I do. Pardon me; I want to see your eye beam again with contentment. The loss of your late companion has left you desolate, more desolate than you have been willing to acknowledge. You cannot replace her–"
"I am wedded to politics."
"An untrustworthy jade. When did politics ever make a man happy?"
"Happy!" They were turned toward the house again. When near, Roberts capped his exclamation with the remark:
"You ask a great deal for me, more than you ask for yourself. You have not married again."
"But my mistress is not a jade. I find joy in my work. I have not had time to woo a woman as she should be wooed if she's to be a happy second wife. I should have so much to explain to her. When I get looking over prints, the dinner-bell might ring a dozen times without my hearing it. A letter from an agent telling of some wonderful find in Mesopotamia would make me forget whether my wife's hair were brown or black. I don't need diversion, Roberts."
"Yet you enjoy a couple of hours in the country, a whiff of fresh air–"
"And a chat with a friend. Yes, I do; but if the museum were open–"
Mr. Roberts smiled.
"I see that you are incorrigible." Then, with a gesture toward the house: "Come and see my new veranda. Its outlook will surprise you."
As you have already surmised, he was the owner of this place; and the man for whose better understanding Sweetwater had again taken up the plane and the hammer.
XVII
THE CUCKOO-CLOCK
As they made their way through scattered timber and the litter of fresh carpentry-work, the man who was busy there and who certainly had outstayed his time took up his kit and disappeared around the corner of the house. Neither noted him. The cuckoo-clock was chirping out its five small notes from the cheerful interior, and the Curator was remarking upon it.
"That's a merry sound both sweet and stimulating; and what is still better, I can hear it without effort. I believe I should like to have a clock of that kind."
"It goes where I go," muttered its strange owner with what seemed an involuntary emphasis. Then as the Curator turned upon him in some surprise, he added with studied indifference: "I brought it from Switzerland when I was younger than I am now—a silly memento, but I fancy it."
A commonplace explanation surely; why, then, did that same workman, who had stopped short after rounding the corner to pick up something which he as quickly threw down, turn a quick head and listen eagerly for what might be said next. Nothing came of it, for the veranda door was near and the two gentlemen had stepped in; but to one who knew Sweetwater, the smile with which he resumed his work had an element in it which, if seen, would have darkened still further the gloom in the troubled eye of the speaker.
Switzerland! He had said Switzerland.
It was not long after this that the Curator and his host left for New York.
The house was not quite ready for occupancy, but was in the process of being made so by the woman who had done duty as housekeeper for Mr. Roberts both before his marriage and since his wife's death. During the fifteen years which had intervened, she had been simply the cook.
This woman, Huldah Weston by name, did not accompany them. She was in Belport to stay, and as it behooves us to remain there for a while longer ourselves, we will join her in the quiet rest she is taking on the kitchen steps before shutting up the house for the night.
She is not alone. A young man is with her—one to whom she is giving temporary board and lodging in exchange for the protection of his presence and such slight help as he can afford her in the heavy task of distributing and arranging the furniture.
We know this man. It is the one we have just seen halting at the corner of the house, on quitting his work on the new veranda—Sweetwater.
He is a genial soul; she, though very old for the responsibilities she still insists upon carrying, enjoys a good laugh. Nor is she averse to the numberless little kindly attentions with which he shows his respect for her age if not a personal liking for herself. In short, they are almost friends, and she trusts him as she has never trusted any young man yet, save the boy she lost when she was still a comely widow.
Perhaps this is why, on this night when we find the two together, he ventures to turn the talk upon the man she had so devotedly served during the better part of her life.
He began with the cuckoo-clock. Where did it come from? How long had they had it? What a jolly little customer the wee bird was, darting out and darting in with his hurry-call to anyone who would listen! It made a fellow feel ashamed to dawdle at his work. It wouldn't do to let any mere bird get ahead of him—a wooden bird at that!
He got her talking. She had known Mr. Roberts' mother, and she had been in the house (a young girl then) when he went away to Europe. He had not wanted to go. He was in love, or thought he was, with a woman older than himself. But the mother did not approve of the match, though the lady had a mint of money and everything in her favor but those seven years. She afterward became his wife and for all his mother's fears they lived together very happily. Since her death which occurred about a year ago he's been a different man; very sad and much given to sitting alone. Anyone can see the effect it has had upon him if they look at him closely.
"She was a good woman, then?"
"Very good."
"Well, life must be lonesome for a widower, especially if he has no children. But perhaps he has some married or at school?"
"No, he has no children, and no relations, to speak of."
"And he brought that clock from Switzerland? Did he ever say from what part of Switzerland?"
"If he did, I don't remember; I've no memory for foreign names."
This sent Sweetwater off on another tack. He knew such a good story, which, having told, he seemed to have forgotten all about the clock, for he said nothing more about it, and not much more about Mr. Roberts.
But when, a little later, he followed her into that gentleman's room for the purpose of unlocking a trunk which had been delivered that day, he took advantage of her momentary absence in search of the key to pull out that cuckoo-clock from the wall where it hung and read the small slip of paper pasted across its back. As he hoped, it gave both the name and address of the merchant from whom it had been bought. But that was not all. Running in diagonal lines across this label, he saw some faded lines in fine handwriting, which proved to be a couplet signed with five initials. The latter were not quite legible, but the couplet he could read without the least difficulty. It was highly sentimental, and might mean much and might mean nothing. If the handwriting should prove to be Mr. Roberts', the probabilities were in favor of the former supposition—or so he said to himself, as he swung the clock back into place.
When Mrs. Weston returned, he was standing as patiently as possible in the middle of the room, saying over and over to himself to insure remembrance till he could jot the lines down in his notebook: Bossberg, Lucerne.... I love but thee—and thee will I love to eternity.
His interest in this slight and doubtful clue, however, sank into insignificance when, having unlocked and unstrapped the trunk which Mrs. Weston pointed out, he saw to his infinite satisfaction that it held Mr. Roberts' clothing—the one thing in the world toward which at this exact moment his curiosity mainly pointed. If only he might help her handle the heavy coats which lay so temptingly on top! Should he propose to do so? Looking at her firm chin and steady eye, he felt that he did not dare. To rouse the faintest suspicion in this woman's intelligent mind would be fatal to all further procedure, and so he stood indifferent, while she lifted garment after garment and laid them carefully on the bed. He counted five coats and as many vests—and was racking his brains for some plausible excuse for a nearer inspection, when she stopped in the midst of her work, with the cheery remark:
"That will do for to-night. To-morrow I will look them all over for moths before hanging them away in the closet."
And he had to go, leaving them lying there within reach of his hand, when one glance at the lining of a certain coat which had especially attracted his eye might have given him the one clue he most needed.
The room which had been allotted to him in this house was in the rear and at the top of a steep flight of stairs. As he sought it that night, he cast a quick glance through the narrow passageway opening just beyond his own door. Would it be possible for him to thread those devious ways and reach Mr. Roberts' room without rousing Mrs. Weston, who in spite of her years had the alertness of a watchdog with eye and ear ever open? To be found strolling through quarters where he had no business would be worse than being suspected of taking a personal interest in the owner's garments. He was of an adventurous turn, and ever ready to risk something on the turn of a die, but not too much. A false move might hazard all; besides, he remembered the airing these clothes were to get and the nearness of the clothes-yard to the pump he so frequently patronized, and all the chances which this gave for an inspection which would carry little danger to one of his ready wit.
So he gave up the midnight search he might have attempted under other circumstances, and shut his room from the moon and his eyes to sleep, and dreamed. Was it of the great museum, with its hidden mystery enshrouding its many wonders of high art, or of a far-off time and a far-off scene, where in the stress of some great emotion the trembling hand of Carleton Roberts had written on the back of this foolish clock for which he still retained so great a fancy the couplet which he himself had so faithfully memorized:
I love but thee,
And thee will I love to eternity.
At eight o'clock on the following morning the quick strokes of the workman's hammer reawakened the echoes at the end of the building where the big enclosed veranda was going up.
As the clock struck nine Mrs. Weston could be seen hanging up her master's coats and trousers on a long line stretched across the clothes-yard. They remained there two hours, viewed from afar by Sweetwater, but not approached till he saw the old woman disappear from one of the gates with a basket on her arm. Then he developed thirst and went rearward to the pump. While there, he took a look at the sea. A brisk wind was springing up. It gave him an idea.
Making sure that his fellow workmen were all busy, he loosened one end of the line holding the fluttering garments and then went back to his work. As the wind increased, the strain on the line became too great, and soon he had the satisfaction of seeing the whole thing fall in one wild flap to the ground. With an exclamation calculated to draw the attention of the men about him to what had happened, he rushed to the rescue, lifted the line and rearranged the clothes. Then refastening—this time securely—the end of the line which had slipped loose, he returned to his post, with just one quick and disappointed look thrown back at the now safe if wildly fluttering garments.
He had improved his opportunity to examine the inside of every coat and had found nothing to reward his scrutiny. But it was not this which had given him his chief annoyance. It was the fact that the one coat from which he had expected the anticipated clue—the coat which Mr. Roberts had certainly worn on that tragic day at the museum—was not there. A summer overcoat had filled out the number, and his investigation was incomplete.