XXVI
THE FACE IN THE WINDOW
"Is this the place?"
"According to our instructions, yes. The first house after the first turn to the right. We took the first turn, and this is the first house. Romantic situation, eh? But a bit lonesome for a city chap? Shall I help you down?"
While talking, Sweetwater, who was already in the road, held up his elbow to Mr. Gryce, who slowly descended. It was early morning, and the glory of sunshine was everywhere misleading the eye from the ravages of the night before; yet neither of these two men wore an air in keeping with the freshness of renewed life and the joyous aspect of exultant nature. There seemed to be an oppression upon them both—a hesitation not common to either, and to all appearance without cause.
To end what he probably considered a weakness, Sweetwater approached the door staring somewhat blankly from the flat front of the primitive old house whose privacy they were about to invade, and rapped on its weather-beaten panels, first gently and then with quick insistence.
There was no response from within; no sound of movement; no token that he had been so much as heard. Sweetwater turned and consulted his companion before making another attempt.
"It's early. Perhaps she's not up yet," rejoined the old detective as he painfully advanced. The storm of the preceding night had got into his bones.
"I don't know. There's something uncanny about this silence. She ought to be here; but I'm afraid she isn't." Sweetwater rapped again, this time with decided vehemence.
Suddenly in one of the uncurtained windows a face appeared. They saw it, and both drew a deep breath. The eyes were looking their way, but they were like ghost's eyes. Without sight or speculation in them, they simply looked; then the face slowly withdrew, growing ghastlier every minute, and the window stared on, but the woman was gone. Yet the door did not open.
"I hate to use force," objected Sweetwater.
Before answering, Mr. Gryce stepped to one side and cast a glance around the corner of the house in the direction of the gorge opening in the rear.
"There is something like a yard at the back," he announced, "but the fence which shut it in is so high and so protected by means of prickly underbrush that you would have difficulty in climbing it."
"Just so at this end," called out Sweetwater after a short run to the left. "If we get in at all," he remarked on coming back, "it will have to be by the window you see there with one pane knocked out."
"I don't like that; I don't like any of it. But we can't stay out here any longer. The looks of the woman herself forbid it. We sha'n't forget that hollow stare."
"They said the woman who lived here was dead."
"Yes. It's a bad business, Sweetwater. Rap once more, and then if she doesn't come, throw up the window and climb in."
Sweetwater did as he was bid, and meeting with no more response than before, thrust his hand through the hole made by the broken pane; and finding the window had been left unlocked, he pushed it up and entered. In another moment he appeared at the front door, where Mr. Gryce joined him, and together they took their first look at the small but surprisingly well-furnished interior.
The hall in which they stood was without staircase and had many of the appointments of a room. Doors opened here and there along its length, and in the rear they saw a closed one evidently leading into the yard. There was no one within sight. One would have said that with the death and carrying out of the owner of this little dwelling, all life had departed from it. Yet these two men knew that life was there; and raising his voice, Mr. Gryce called out in the least alarming way possible:
"Madame Duclos!" following this utterance of her name with an apology for the intrusion and a prayer for one minute's interview.
Silence was his answer—no stir anywhere.
Apprehensive of they knew not what, the two detectives started simultaneously, one for the door on their right, the other for that on the left. When they met again in the ill-lighted hall, Mr. Gryce was shaking his head, but Sweetwater had lifted a beckoning finger. Unconsciously moderating his step, Mr. Gryce followed him through one room to the door of another which he saw standing partly open.
Through the crack thus made between the hinges, they could get a very fair glimpse of what was going on inside. They saw a bed, and a woman kneeling beside this bed, her eyes upraised in prayer. The look which had awed them at the window was gone, and in its place was one so high and so full of religious faith that for an instant they were conscious of the reversal of all their ideas.
But only for an instant; for while they waited, hesitating to break in upon her evidently sincere devotions, she started to her feet and with a half-insane look about her, disappeared from their view in the direction of the hall.
Sweetwater was after her in a twinkling; but by the time he and Mr. Gryce, each going his separate way, had themselves reached the hall, it was to see the end door—the one giving upon the plateau—closing behind her.
"Madame!" called out Sweetwater, bounding briskly in her wake.
Mr. Gryce said nothing but approached with hastening steps the door which Sweetwater had left open behind him, and took a quick survey of the fenced-in plateau, the bridge and the towering trees beyond, toward which she seemed to be making.
"She cannot escape," was his ready conclusion; and he shouted to Sweetwater to go easy.
Sweetwater, who was in the act of setting foot upon the bridge down which she was running, slacked up at this command and presently stopped, for she had stopped herself and was looking back from a spot about halfway across, with the air of one willing, at last, to hear what they had to say.
"Who are you?" she cried. "And what do you want of me?"
"Are you not Madame Duclos?"
"Yes, I am Antoinette Duclos."
"Then you must know why you are wanted by the police authorities of New York. Your daughter—"
Her hand went up.
"I've nothing to say—nothing. Will you take that for your answer and let me go?"
"Alas, madam, we cannot!" spoke up Mr. Gryce in his calm, benevolent way. "Miss Duclos' death was of a nature demanding an inquest. Your testimony, hard as it may be for you to give it, is necessary for a righteous verdict. That is all we want—"
"It is too much!" she cried. And with a quick glance upward she took another step or two along the bridge till she had reached the broken rail; and before Sweetwater in his dismay could more than give a horrified bound in her direction, she had made the fatal leap and was gone from their sight into the gorge below.
BOOK IV
NEMESIS
XXVII
FROM LIPS LONG SILENT
"This finishes my usefulness as a detective. I have had my fill of horrors; all, in fact, that my old age can stand."
Thus, Mr. Gryce, as hours afterward he and Sweetwater turned their faces back toward New York.
"I appreciate your feelings," responded the latter, who had been strangely silent all day, speaking only when directly addressed. "I can assure you that in my way I'm as much cut up as you are. I wish now that I had made an attempt from the rear to head off this distracted woman, even if I had been obliged to scratch my hands to pieces tearing a board from the fence."
"It would have done no good. She was determined to die rather than give up her secret. I remember the look with which her sister-in-law warned me that she would never survive a capture. But I thought that mere exaggeration."
Then after a moment of conscious silence on the part of both, the weary old man added with bitter emphasis, "Her testimony might—I do not say would—have cleared away our suspicions of Director Roberts."
Sweetwater, who was acting as chauffeur, slowed down his machine till it came to a standstill at the side of the road. Then wheeling quietly about till he faced his surprised companion, he remarked very gravely:
"Mr. Gryce, I hadn't the heart to tell you this before, but the time has come for you to know that Mr. Roberts' cause is not so favorably affected, as you seem to think, by this suicidal death of one who without doubt would have proved to be a leading witness against him. I am sure you will agree with me in this when I inform you that in pursuing the task you set me, I came upon this."
Thrusting his hand into his pocket, he pulled out a large envelope from which he proceeded to draw forth first the tattered square of what had once been a cabinet portrait, and then a freshly printed proof of the same. Holding them both up, he waited for the word that was sure to follow.
It came with all the emphasis he expected.
"Roberts! Director Roberts!"
"The same, sir"; and the eyes of the two detectives met in what was certainly one of the most solemn moments of their lives.
They had paused for this short conference at a point where the road running for a few yards on a level gave them a view of slope on slope of varying verdure, with glimpses of the Hudson between. Glancing up, with a gesture of manifest shrinking from the portrait which Sweetwater still held, Mr. Gryce allowed his glance to run over the wonderful landscape laid out to his view, and said with breaks and halts bespeaking his deep emotion:
"If my death here and now, following fast upon that of this unhappy Frenchwoman, would avail to wipe out the evidence I have so laboriously collected against this man, I should welcome it with gratitude. I shrink from ending my career with the shattering of so fine an image, in the public eye. What lies back of this crime—what past memories or present miseries have led to an act which would be called dastardly in the most uninstructed and basest of our sex, I lack the imagination to conceive. Would to God I had never tried to find out! But no man standing where Roberts does to-day among the leaders of a great party can fall into such a pit of shame without weakening the faith of the young and making a travesty of virtue and honor."
"Yet, if he is guilty–"
"It is our business to pursue him to the end. Only, I like the man, Sweetwater. I had a long talk with him yesterday on indifferent matters and I came away liking him."
This was certainly something Sweetwater had not expected to hear, and it threw him again into silence as he started up the machine and they pursued their course home.
Hard as the day had been for Mr. Gryce, its trials were not yet over. He had left it to Sweetwater to report the case to the New York authorities and had gone home to rest from the shock of the occurrence and to prepare for that interview with the Chief Inspector which he was satisfied would now lead to an even more exacting one with the District Attorney.
He was met by a messenger from downtown who handed him a letter. He opened it abstractedly and read the following:
"Mrs. Taylor is talking."
He had forgotten Mrs. Taylor. To have her thus brought forcibly back to mind was a shock heightened, rather than diminished, by a perusal of the few connected words which the careful nurse had transcribed as falling from her delirious patient's lips.
They were these:
I love but thee,
And thee will I love to eternity.
The exact lines, no more, no less, which Sweetwater had found written on the back of the Swiss clock cherished by Mr. Roberts.
XXVIII
"ROMANTIC! TOO ROMANTIC!"
Next morning Mr. Gryce left his home an hour earlier than usual. He wished to have a talk with Mrs. Taylor's nurse before encountering the Inspector.
It was an inconvenient time for a nurse to leave the sick-bed; but the matter being so important, she was prevailed upon to give him a few moments, in the little reception room where he had seated himself. The result was meagre—that is, from her standpoint. All she had to add to what she had written him the day before was the fact that the two lines of verse quoted in the note she had sent him were Mrs. Taylor's first coherent utterance, and that they had been spoken not only once but many times, in every kind of tone, and with ever-varying emphasis. That and a dreamy request for "The papers! the papers!" which had followed some action of her own this very morning comprised all she had to give in fulfillment of the promise she had made him at the beginning of this illness.
Mr. Gryce believed her and rose reluctantly to his feet.
"Then she is still very ill?"
"Very ill, but mending daily; or so the doctor says."
"If she talks again, as she is liable to do at any moment, do not check her, but remember every word. The importance of this I cannot impress upon you too fully. But do not by any show of curiosity endanger her recovery. She seems to be one of the very best sort; I would not have her body or mind sacrificed on any account."
"You may trust me, sir."
He nodded, giving her his hand.
But as he was turning away, he looked back with the quiet remark: "I should like to ask a final question. You have been in constant attendance on this lady for some time and must have seen many of her friends, as well as taken charge of her mail and of any messages which may have been left for her. Has there been anything in this experience to settle the doubt as to whether her talk of a vision in which she saw her absent husband stricken simultaneously with the poor child lying at that very moment dead at her feet simply delirium or a striking instance of telepathy recording an accomplished fact? In other words, do you believe her husband to be living or not living at the present time?"
"That is a subject upon which I have not been able to form any opinion. I have heard nothing, seen nothing to influence my mind either way. Some other people have asked me this same question. If her mail contains any news, it is still in the hands of the proprietor of the hotel. He has refrained from sending it up. She has lived here, as you know, for a long while."
"Has she no relative to share your watch or take such things in charge?"
"I have seen none. Friends she has in plenty, but no one who claims relationship with her, or who raises the least objection to anything I do."
He seemed about to ask another question, but refrained and allowed her to depart after some final injunction as to what she should do in case of certain emergencies. Then he had a talk with the proprietor, which added little or nothing to his present knowledge; and these duties off his mind, he went downtown.
As he expected, he found the Chief Inspector awaiting him. The death of Madame Duclos had added still another serious complication to the many with which this difficult affair was already encumbered, and he was anxious to talk over the matter with one who had been on the spot and upon whose impressions he consequently could rely.
But when he heard all that Mr. Gryce had to say on the subject, he grew as serious as the detective himself could wish, even going so far as to propose an immediate ride over to the District Attorney's office.
Fortunately, they found that gentleman in and ready to listen, though it was evident he expected little from the conference. But his temper changed as Mr. Gryce opened up his theory and began to substantiate it with facts. The looks which he exchanged with the Chief Inspector grew more and more earnest and inquiring, and when Mr. Gryce reached that portion of his report which connected Mr. Roberts so indisputably with the arrow, he called in his assistant and together they listened to what Mr. Gryce had further to say.
With this addition to his audience, the old man's manner changed and became a trifle more formal. He related the fact, not generally known, of Mr. Roberts' engagement to a young girl residing on Long Island, and how this was broken off immediately after the occurrence at the museum, seemingly from no other reason than the unhappy condition of mind in which he found himself, a condition added to if not explained by the pertinacity with which he had haunted the morgue and dwelt upon the image of the young girl who had perished under no random shot.
Here the old man paused, shrinking as much from what he had yet to say as they from the hearing of it. It was not till the Chief Inspector had made him an encouraging gesture that he found the requisite courage to proceed. He did so, in these words:
"I know that the evidence I have thus far advanced is of a purely circumstantial nature, capable, perhaps, of a more or less satisfactory explanation. But what I have to add cannot be so easily disposed of. Connections have developed between persons we thought strangers which have opened up a field of inquiry which brings the doubts and surmises of an old detective within the scope of this office. I do not know what to make of them; perhaps their full meaning can only be found out here. Of this only I am assured. The gentleman whom it seems presumptuous on my part to connect even in a casual way with crime has not gained but lost by what I have to tell of Madame Duclos' suicidal death. To those who see no association between the two, it looks like the opening of a new lead, but when I tell you that they knew each other, or at all events that she knew him and in the way of actual hatred, it looks more like a deepening of the old one. See here, gentlemen."
Opening a package he had hitherto held in hand, he showed them Fredericks' fifteen-year-old photograph of Mr. Roberts, together with its mutilated counterpart, and explained how the latter came to be in its present mutilated condition.
"But this is not all," he continued, as the remarks incident upon this proof of deadly hatred on the part of the mother of the victim for the man whom circumstances seemed to point out as her slayer subsided under the pressure of their interest in what he had further to impart. "As you will see after a moment's consideration, this token of animosity does not explain Madame Duclos' flight, and certainly not her death, which, as the unhappy witness of it, I am ready to declare was not the death of one driven to extremity from personal fear, but by some exalted feeling which we have yet to understand. All that I now wish to point out in its connection is the proof offered by this shattered photograph, that Mr. Roberts was in some manner and from some cause a party to this crime from which a superficial observation would completely dissociate him.
"Where is the connecting link? How can we hope to establish it? That is what it has now become my unfortunate duty to make plain to you. Carleton Roberts drawing a bow to shoot an innocent schoolgirl is incredible. In spite of all I have said and shown you, I do not believe him guilty of so inhuman an act. He drew the bow, he shot the arrow, but–Here allow me to pause a moment to present another aspect of the case as surprising as any you have yet heard. You are aware—we all are aware—that the inquest we await has been held back for the purpose of giving Mrs. Taylor an opportunity to recover from the illness into which she has been thrown by what she saw and suffered that day. Gentlemen, this Mrs. Taylor whom we all—I will not even exclude myself from this category—regarded not only as a casual visitor to the museum, but a stranger to all concerned, is, on the contrary, as I think you will soon see, more closely allied to the seemingly dispassionate director than even Madame Duclos. The shock which laid her low was not that usually ascribed to her, or even the one she so fantastically offered to our acceptance; but the recognition of Carleton Roberts as the author of this tragedy,—Carleton Roberts whom she not only knew well but had loved in days gone by, as sincerely as he had loved her. This I now propose to prove to you by what I cannot but regard as incontestable evidence."
Taking from a small portfolio which he carried another photograph, unmounted this time and evidently the work of an amateur, he laid it out before them. The silence with which his last statement had been received, the kind of silence which covers emotions too deep for audible expression, remained unbroken save for an involuntary murmur or so, as the District Attorney and his assistant bent over this crude presentation of something—they hardly knew what—which this old but long trusted detective was offering them in substantiation of the well-nigh unbelievable statement he had just made.
"This, gentlemen," he went on, as he pointed to the following, "is the copy of a label pasted on the back of a certain Swiss clock to be seen at this very moment on the wall of Mr. Roberts' own bedroom in his home in Belport, Long Island. He prizes this clock. He has been heard to say that it goes where he goes and stays where he stays, and as it is far from a valuable one either from intrinsic worth or from any accuracy it displays in keeping time, the reason for this partiality must lie in old associations and the memories they invoke. A love token. Can you not see that it is such from the couplet scrawled across it? If not, just take a look at the initials appended to that couplet. May I ask you to read them?"
The District Attorney stooped, adjusted his glasses and slowly read out:
"C. C. R."
"Carleton Clifton Roberts," explained Mr. Gryce. Then slowly, "The other two if you will be so good."
"E. T."
"Ermentrude Taylor," declared the inexorable voice. "And written by herself. Here is her signature which I have obtained; and here is his. Compare them at your leisure with their initials inscribed according to the date there, sixteen years or more ago. Now where were these two—this man and this woman—at the time just designated? Alone, or together? Let us see if we can find out," pursued the detective with a quiet ignoring of the effect he had produced, which revealed him as the master of a situation probably as difficult and disconcerting as the three officials hanging in manifest anxiety upon his words had ever been called upon to face. "Mr. Roberts was in Switzerland, as his housekeeper will be obliged to admit on oath, she being an honest woman and a domestic in his mother's house at the time. And Ermentrude Taylor! I have a witness to prove where she was also! A witness I should be glad to have you interrogate. Here is her name and address." And he slipped a small scrap of paper into the District Attorney's hand. "What she will say is this, for I think I have very thoroughly sounded her: First, that she is Mrs. Taylor's most intimate friend. This is conceded by all who know her. Secondly, that while her intimacy does not extend back to their girlhood days—Mrs. Taylor being an Englishwoman by birth and remarkably reticent as to her former life and experiences—she has one story to tell of that time which answers the question I have given you. She got it from Mrs. Taylor herself, and in this manner. They were engaged in talking one day about our Western mountains and the grandeur of scenery generally, when Mrs. Taylor let fall some remark about the Alps, which led this friend of hers to ask if she had ever seen them. Mrs. Taylor answered in the affirmative, but with such embarrassment and abrupt change of subject that it was plainly apparent she had no wish to discuss it. Indeed, her abruptness was so marked and her show of trouble so great, she was herself disturbed by what might very easily give offense, and being of a kindly, even loving disposition, took occasion when next they met to explain that it was as a girl she had visited Switzerland, and that her experiences there had been so unfortunate that any allusion which recalled those days distressed her. This is all that ever passed between these two on this subject, but is it not enough when we read this couplet, and mark the combined initials, and recognize them as those of Carleton Roberts and Ermentrude Taylor? But lest you should doubt even this evidence of an old-time friendship so intimate that it has almost the look of a betrothal, I must add one more item of corroborative fact which came to me as late as last night. In a moment of partial consciousness, while the nurse hung over her bed, Mrs. Taylor spoke her first coherent sentence since she fell into a state demanding medical assistance. And what was that sentence? A repetition of this couplet, gentlemen, spoken not once but over and over again, till even the nurse grew tired of listening to it.
'I love but thee,
And thee will I love to eternity.'"
As the last word fell from Mr. Gryce's lips, the District Attorney muttered a quick exclamation, and sat down heavily in his chair.
"No coincidence that," he cried, with forced vivacity. "The couplet is too little known."
"Exactly," came from Mr. Gryce in dry confirmation. "Mrs. Taylor, as well as her friends can judge, is a woman of thirty-five or thirty-eight. If she went to Switzerland as a girl, this would make her visit coincident, so far as we can calculate from our present knowledge, with that of Carleton Roberts. For the surer advancement of our argument, let us say that it was. What follows? Let the inscription of this label speak for us. They met; they loved—as was natural when we remember the youth and good looks of both, and—they parted. This we must concede, or how could the experience have been one she could not recall without a heart-break. They parted, and he returned home, to marry within the year, while she—I do not think she married—though I have no doubt she looks upon herself as a wife and forever bound to the man who deserted her. Women of her kind think in this way of such matters, and act upon them too as is shown by the fact that, on following him here, she passed herself off as a woman separated from her husband. Changing the Miss before her name to Mrs., she lived under this assumption for twelve years at her present hotel. In all that time, so far as I can learn, she has never been visited by anyone of an appearance answering to that of her former lover; nor have I any reason to think she ever intruded herself on him, or made herself in any way obnoxious. He was married and settled, and contrary to the usual course of men who step with one stride into affluence, was living a life of usefulness which was rapidly making him a marked man in public esteem. Perhaps she had no right to meddle with what no longer concerned her. At all events, there is no evidence of her having done so in all these fourteen years. Even after Mrs. Roberts' death, all went on as usual; but—" Here Mr. Gryce became emphatic—"when he turned his attention to a second marriage and that with a very young girl—(I can name her to you, gentlemen, if you wish) her patient soul may have been roused; she may have troubled him with importunities; may have threatened him with a scandal which would have interfered greatly with his political hopes if it had not ended them at once. I can conceive such an end to her long patience, can't you, gentlemen? And what is more, if this were so, and the gentleman found the situation intolerable, it might account for the flight of that arrow as nothing else ever will."
Both men had started to their feet.
"How! It was not she——"
"It was not she who was struck, but it was she who was aimed at. The young girl merely got in the way. But before I enlarge upon this point," he continued in lower tones as the two officials slowly reseated themselves, "allow me to admit that any proof of correspondence between these old-time lovers would have added much to my present argument. But while I have no doubt that such an interchange of letters took place, and that in all probability some one or more of them still exist, Mrs. Taylor's illness and Mr. Roberts' high position prevent any substantiation of the same on our part. I must therefore ask you to assume that it was in obedience to some definite agreement between them that she came to the museum on that fatal morning and made her appearance in that especial section of the gallery marked II. If this strikes you as inconceivable and too presumptuous for belief, you must at least concede that we have ample proof of his entire readiness for her coming. The bow brought up so many days before from the cellar was within reach; the arrow under his coat; and his place of concealment so chosen as to make his escape feasible the moment that arrow flew from the bow. Had she entered that section alone—had the arrow found lodgment in her breast instead of in that of another—nay, I will go even further and say that had no cry followed his act, an expectation he had every right to count upon from the lightning-like character of the attack,—he would have reached the Curator's office and been out of the building before quick discovery of the deed made his completion of this attempt impossible."
"But the girl did cry out," remarked the Assistant District Attorney. "How do you account for that, since, as you say, it was not natural for one pierced to the heart without warning?"
"Ah, you see the big mistake we made,—Correy and all the rest of us. Had Miss Willetts, or I should say, Mademoiselle Duclos, been the one to let out that dolorous cry, the man just behind the partition would have been there almost in time to see her fall. Correy, who started up the stairs at the first sound, would have been at the gallery entrance before the man of the arrow could have dropped the hanging over his retreating figure. But it was not from her lips, poor girl, that this gasping shriek went up, but from those of the woman who saw the deed and knew from whom the arrow came and for whom it was meant. How do I know this? Because of the time which elapsed, the few precious minutes which allowed Mr. Roberts to get as far away as the court. For she did not voice her agony immediately. Even she, with her own unwounded heart keeping up its functions, stood benumbed before this horror. Not till the full meaning of it all had penetrated her reluctant brain did she move or cry out. How long this interval was; whether three minutes were consumed by it, or five, we have no means of telling. She, in her despair, would take no note of time, nor would Mr. Travis, reeling in the opposite gallery under the shock of seeing all that he loved taken from him in one awful minute."