Beauty: Illustrated Chiefly by an Analysis and Classificatin of Beauty in Woman

C

Much has been written on the nature of beauty, from the divine Plato, who dedicated one of his dialogues to this subject, to Lord Jeffries, the editor of the Edinburgh Review; who, in his celebrated article in the Supplement to the Encyclopedia Britannica, has excelled all previous efforts in its elucidation, and produced an essay, which will stand an imperishable monument of his taste, learning, and genius. It is not our design to enter upon a consideration of beauty in the abstract, or to attempt its analysis, as this has been done by our author in a very able, if not satisfactory manner. We take it, however, to denote that quality, or assemblage and union of qualities in the objects of our perception, whether material, intellectual, or moral, which we contemplate with emotions of pleasure; and we refer it to that internal sense, which is usually called taste. When it is asked, why a thing is beautiful, it is not always easy to find a satisfactory answer. We find beauty in color, in sound, in form, in motion, in everything. We have beauties of speech, beauties of thought, beauties in art, in nature, in the sciences, in actions, in affections, and in characters. Dr. Reid well asks, “In things so different, and so unlike, is there any quality, the same in all, which we may call by the name of beauty?” We shall not attempt to fathom this difficulty; indeed, it could not be done, without entering upon a metaphysical discussion, dry in detail, and uninteresting in result.

When we come to inquire in what female beauty consists, we shall find that there is something which enters into it, beside physical goodness. It is not a mere matter of flesh and blood; but color, form, expression, and grace, are all essential to its perfection. The two first have been called the body, the two latter, the soul of beauty—and without the soul, the body is but a mass of deformed and inanimate matter:—

 
“Mind, mind, alone! bear witness earth and heaven,
The living fountains in itself contains
Of beauteous and sublime. Here, hand-in-hand,
Sit paramount the Graces. Here, enthroned,
Celestial Venus, with divinest airs,
Invites the soul to never-failing joy.”
 

Akenside

Color and form are only beautiful, because they are expressive of health, delicacy, and softness, in the female sex. It has been remarked, that expression has greater power than either beauty or form, as it is only the expression of the tender and kind passions that gives beauty; that all the cruel and unkind ones add to deformity, and that, on their account, good-nature may very properly be said to be the best feature, even in the finest face. Modesty, sensibility, and sweetness, blended together, so as either to enliven or correct each other, give almost as much attraction as the passions are capable of adding to a very pretty face. It is owing to this force of pleasingness, which attends all the kinder passions, that lovers not only seem, but really are, more beautiful to each other than to the rest of the world; and in their mutual presence and intercourse, says a French writer, there is a soul upon their countenances, which does not appear when they are absent from each other or even in company that lays a restraint upon their features. Indeed, it will appear that all the ingredients of beauty terminate in expression, and this may be, either perfection of the body, or the qualities of the mind. Dr. Reid indeed goes so far as to say, that beauty originally dwells in the moral and intellectual perfections of mind, and in its active powers. Thus beauty may be ascribed to all those qualities which are the natural objects of love and kind affections, as the moral virtues, innocence, gentleness, condescension, humanity, natural affections, and the whole train of soft and gentle virtues—qualities amiable in their nature, and on account of their moral worth. So also do intellectual talents excite our love and esteem of those who possess them; these are knowledge, good sense, wit, humor, cheerfulness, good taste, excellence in any of the fine arts—as music, painting, sculpture, embroidery, &c. Thus, for example, the beauty of good breeding is not originally in the external behavior in which it consists, but is derived from the qualities of mind which it expresses; for it has been well observed, that though there may be good breeding without the amiable qualities of mind, its beauty is still derived from what it naturally expresses.

Flaxman has truly said, that neither mind nor any one of its qualities or powers, is an immediate object of perception to men. These are perceived through the medium of material objects, on which their signatures are impressed. The signs of these qualities are immediately perceived by the senses, and by them reflected to the understanding; and we are apt to attribute to the sign, the beauty which is properly and originally in the thing signified. Thus, the invisible Creator hath stamped on his works signatures of his divine wisdom, power, and benignity, which are visible to all men. The works of men in science, in the arts of taste, and in the mechanical arts, bear the signatures of those qualities of mind which were employed in their production. Their external behavior or conduct in life, expresses the good or bad qualities of their minds. In every species of animals we perceive, by visible signs, their instincts, appetites, affections, or sagacity; and even in the inanimate world, there are many things analogous to the qualities of mind; so that there is hardly anything belonging to mind which may not be represented by images taken from objects of sense; and, on the other hand, every object of sense is beautiful, by borrowing attire from attributes of the mind. Thus, the beauties of mind, though invisible in themselves, are perceived in the objects of sense, in which their beauty is impressed. Thus, also, in those qualities of sensible objects to which we ascribe beauty, we discover in them some relation to mind, and the greatest in those that are most beautiful. Every beauty in the vegetable creation, of which we can form any rational judgment, expresses some perfection in the object, or some wise contrivance in the author. In the animal kingdom we perceive superior beauties, resulting from life, sense, activity, various instincts and affections, and, in many cases, great sagacity; which are attributes of mind, and possess an original beauty. In their manner of life, we observe that they possess powers, outward form, and inward structure, exactly adapted to it; and the more perfectly any individual is fitted for its end and manner of life, the greater is its beauty. This, also, was manifestly Milton’s theory of beauty; for, in his unrivalled description of our first parents in Paradise, he derives their beauty from those expressions of moral and intellectual qualities which shone forth in their outward form and demeanor:—

 
“Two of far nobler shape, erect and tall,
God-like erect! with native honor clad,
In naked majesty, seemed lords of all,
And worthy seemed, for, in their looks divine,
The image of their glorious Maker, shone
Truth, wisdom, sanctitude, severe and pure;
Severe, but in true filial freedom placed,
Whence true authority in man; though both
Not equal, as their sex not equal seemed,
For contemplation he, and valor formed,
For softness she, and sweet attractive grace.”
 

From these remarks, it will appear that we do not regard novelty alone as being “the exciting cause of pleasurable emotions, and of the consequent perception of beauty in the relation of things.” The beautiful, both in statuary and painting, we believe to depend chiefly on the perfection with which the artist succeeds in expressing the qualities of the mind, whether good or evil; and it is worthy of notice, that Plato, in his Dialogues, declares that the good and the beautiful are one and the same. Hence, the Greeks called the beautiful ΚΑΛΟΣ.

The influence of novelty has been so well illustrated in an Essay by the author of a Treatise on Happiness, that we trust no apology will be required for transferring a portion of it to our pages:—

“The term novelty applies to everything new—either newly invented, or newly exhibited to us; in the former case the thing is novel to the world, in the latter it is novel to ourselves. Novelty powerfully influences the senses, the passions, and the manners of human beings; it furnishes amusement, employment, and maintenance for man; it accompanies him in his progress through this variable being, from the commencement of life to the period of dissolution.

“Novelty may be either pleasing or unpleasing. When it affects the senses by grateful influences, it occasions admiration and delight. How powerfully must the vision of Adam have been affected, when he was introduced to being! Everything which he beheld was new. There was drawn out before him, the plain, the fruitful valley, the verdant hill. Shrubs and trees were distributed around him. The earth was strewed with flowers: rivulets and rivers diversified the scene—

 
‘Rolling on orient pearl, and sands of gold.’
 

The ocean, perhaps, was stretched out as a plain of silver in the distant view; the heavens were robed in splendor; the sun shone brilliantly. His own person—himself, was an inextricable mystery. He could move; he could think; he could behold the display of creation; he could close his eyes, and exclude every impression. All was new; and everything, he might naturally have fancied, would remain the same; but, he was destined to behold a series of novelties. In a short time, he saw the sun sinking below the horizon. The heavens were adorned in their most splendid robes, like the gorgeous display of an Eastern monarch. A shade was cast over the valleys, and darkness began to gather among the trees, while their tops and branches were still illumined in the sunbeams. The shadows of evening are now gathered around him; the twinkling stars adorn the heavens; but the beauties of hill, vale, waters, trees, and flowers, are departed! How sensibly must he have been affected! He would now conclude that his future time must be spent in darkness; but he looks toward the East, and across the wide expanse of waters he beholds a gleam of light, which leads the eye to some great luminary, rising above the horizon, to cheer the nightly solitude; and, as it mounts to the zenith, new beauties delight the vision of this lonely and astonished inhabitant of the earth. After a short period the moon sinks, the sun rises in the heavens, and the same delightful scenery is exhibited which was beheld the previous day.

“We can imagine the effect of novelty in producing admiration; when travellers, who having been toiling for many days or weeks on the burning sands of interminable deserts, come suddenly upon some lovely valley, watered by cooling streams, shaded by groves of trees, and beautified with clusters of flowers. Or, we can fancy the pleasure which would be produced on wayworn voyagers, who had been long toiling on the great deep and they come to some blest isle,

 
—‘Where the voluptuous breeze
The peaceful native breathes, at eventide,
From nutmeg-groves, and bowers of cinnamon.’
 

To the infant everything is novel, and almost everything is a source of admiration. The people who move to and fro; the walls and furniture of the room; the fire and the candles; the bustle and movement of men and carriages; the heavens, sunshine, and rain. These occasion interest and surprise. Dr. Brown has inquired, ‘What metaphysician is there, however subtile and profound in his analytical inquiries, and however successful in the analyses which he has made, who would not give all his past discovery, and all his hopes of future discovery, for the certainty of knowing, with exactness, what every infant feels?” But he would, probably, meet with few who would sacrifice so much for the purpose; and yet the feelings of an infant must be exceedingly interesting.

“We can easily suppose the effect which would be produced on a company of savages, if, in the midst of their woods, one of our best military bands were to strike up a powerful strain of martial music. At first they would sit motionless, or stand as statues; then look toward the place whence the sounds proceeded, where they would behold a company of persons, in many-colored dresses, and splendid ornaments, with curious musical instruments, dropped, as they would fancy, from the clouds.

“But the effect of novelty may be painful; and this feeling will be powerful in the same proportion as the circumstances are important and new. Suppose, for instance, a person who had been trained in the ways of propriety and virtue were introduced, for the first time, to a village-wake, or some such brutal holyday, where he would behold bull-baiting and cock-fighting, boxing and drunkenness; where he would listen to quarrelling and profane swearing; how would his feelings be shocked! He would scarcely have fancied that a spot so small, on the surface of the globe, could have exhibited so great a variety of wickedness.

“Or, we may imagine some one endowed with a delicate ear for music, who had been accustomed to the practice of delightful harmony, obliged, for the first time, to listen to the harsh scraping of some barbarous laborer on the violin, or the useless attempts of some tasteless practitioners to perform a piece of music! How irksome and insufferable must such an ordeal be to a man of refinement; and how would its painfulness be increased by its novelty!

“By the same rule, a person who may have been accustomed to luxury and dainty food, but is obliged, for the first time, to feed on loathsome bread and nauseous water, feels doubly the misery of his condition. And thus the man who has been used to salubrious air and grateful scents, will be the more effected by disgusting smells.

“Novelty operates also in powerfully exciting the passions. Suppose a general to be usually unfortunate in his combats with the enemy, and his army to be consequently dispirited; but, upon some particular occasion, the favors of fortune and of Providence are bestowed upon them, their efforts are successful, and the main body of the enemy begin to waver, how would this inspirit them, and brighten their courage! They would rush forward, unconscious and careless of danger, and the foe must fly before such unconquerable ardor!

“If a man who had lived in poverty, in dependance on others for a subsistence, had constantly wished for independence and comparative influence, and had endeavored to swim against the stream of adversity but had never succeeded, and, all at once, a handsome fortune were left to him, how would his eyes sparkle with exultation! If a person had been separated from his friends and doomed to spend his days in the solitude of a foreign land and he met, unexpectedly, with some of his nearest and kindest friends, how would his countenance beam with delight! The novelty of the circumstance would increase the amount of his joy!

“A traveller in a foreign country would be exceedingly pleased to discover some trinket which had been made in his native city; and especially if he saw on it the name of an intimate friend as the manufacturer. A toy, a dog, or a cat, under some circumstances, has occasioned tears. A beautiful female has appeared more lovely, when interesting events have introduced her to our notice; and one who is not usually attractive, has appeared so, when novelty has thrown its fascinations around her.

“The feeling of hope may be excited most powerfully by novel and unexpected circumstances. When the mariner has been long toiling in storms and dangers; when the heavens have been covered with darkness, and no information or guidance could be gained from the stars or the sun, the tempest suddenly ceases, the cheering sunbeams break upon him, and he finds himself, unexpectedly, near the haven where he would be—how does his heart exult with hope, and the consciousness of security!

“The passions may be excited, also, in an unpleasing manner; the feeling of fear may be powerfully produced by novelty. Suppose, for instance, a youth, who was trained in the ways of tranquillity and enjoyment, with a feeling heart for the sufferings of others, to be brought, all at once, on the field of war and bloodshed. Suppose him passing along some narrow defile, where the distant scenes could scarcely affect him, and where he would perceive only a din of discordant sounds. But, on a sudden, he reaches the termination of the passage, and all the pomp, and circumstance, and horror of war, are exhibited before him. Here he beholds rank opposed to rank, in deadly conflict; troops of horsemen butchering each other; forests of deadly weapons gleaming in the sunbeams. Now he listens to the shouts of victors, the cries of the vanquished, the groans of the wounded and dying; to the swelling notes of some musical band; the discordant sounds of the drum; the clashing of arms, and the shrill clamor of trumpets; to the rattling of musketry and the roaring of artillery! How would his heart sink within him at these novel scenes!

“Novelty will also occasion sorrow; as, when a man has been accustomed to independence, and the comforts which wealth, judiciously managed, may produce, and his riches are suddenly swept away, he is reduced from affluence to dependance, from comforts to privations. And when a person has been used to the society of pleasant friends, and these are removed by the hand of death, and the clay-cold body alone remains as the representative of a cheerful and amiable companion, the novelty of this event will occasion heartfelt sorrow.

“When those who have been accustomed to associate as faithful friends; or, when a monarch has been surrounded by persons who have pretended feelings of attachment, and evinced much hypocritical fidelity, and, all at once, the veil of deception has been drawn aside, and an aspect has presented itself of a new and treacherous kind, how powerful have been the feelings of abhorrence and anger!

“And when a person, who has been nurtured in the lap of ease and comfort, and blessed with that best of all blessings (if it be rightly managed), the gift of liberty, is torn from his home, and his family, and his engagements, and carried into a land of slavery, where he is laden with oppressive chains, and insulted by a cruel task-master, with no chance of freedom, nor any ray of happiness, how will his spirits sink, and how will the haggard lineaments of despair be drawn on that countenance which was formed for cheerfulness! Or, suppose a person who was accustomed to a dwelling in some verdant valley, undisturbed by storms or the hazards of the sea; and he was introduced, for the first time, to some of the most aggravated dangers of that boisterous element. Suppose the winds were driving furiously over the ocean, and the huge billows were breaking on the helpless bark, while the darkness of the night was varied only by the gleam of the lightning, which exhibited breakers, and rocks, and over-hanging precipices, how would this new and dangerous condition agitate his mind, and drive him to despair!

“Novelty influences the customs or habits of mankind. On some occasions novel engagements are pleasing; and thus we practise them again, and acquire a habit of performing them. For instance, the citizen who has walked into the country as a novelty, has been pleased with his ramble, and induced to practise it daily. It sometimes occasions a progress in the arts; and thus the first attempts at music, at painting, and at sculpture, have produced a pleasure which has stimulated the person to future and continued labors.

“Sometimes, when the first impression has been rather unpleasing, a custom has been acquired, because, afterward, it had been found pleasing or advantageous. Thus there are many kinds of food, which were originally ungrateful, but are now esteemed delicious. Port wine is nauseous for a child, but it is pleasing to the taste of a person who has been accustomed to it. Smoking, the taking of snuff, and masticating of tobacco, with many other useless and dirty customs, are not produced by the pleasing influence of novelty; but they are rather opposed to it. They arise principally from the inclination of following injurious examples. In some cases ladies have set their faces against such customs, and have prohibited the practice among those who would gain their esteem: in other cases they have been more lenient, because they have found that a flame of love may burn amid volumes of smoke from cigars or tobacco-pipes. Novelty has occasioned a sensation of unpleasantness, with regard to particular modes of dress; but afterward these fashions have become necessary to our comfort.

“In some instances, the very things which we commonly hate most, become essential to our happiness. When Louis XVI. ascended the throne of France, the doors of some of the dark cells in the Bastile were opened, and the hapless residents were allowed once more to breathe the pure air of heaven. Among the rest, there was one man who had been immured for nearly fifty years in a wretched cell, the area of which was so small as scarcely to allow him room to move about; but, having a vigorous body and a firm mind, he supported himself, until he had almost forgotten the world in which he lived, having had no intercourse with any one but the jailer, who brought him his daily food. When he received the summons to depart, which seemed like a message in a dream, he was astonished; but when he walked through the spacious passages and the open courts, and saw the heavens extended above him, and the sun shining in his splendor, he was overcome by his feelings. He could badly walk, and badly speak, and he seemed as if he had entered a new world. He went into the city, and found the street in which he had formerly lived, but his friends were dead; there was no living being in the world that knew him, and the poor man wept with sorrow. He was a stranger in a strange country. He went to the minister who had given him his freedom, and said: ‘Sir, I can bear to die, but to live in a world unknown and forlorn, the last human being of my race, is insupportable; do, therefore, send me to my cell, that I may finish my days there!’ No blessing of Providence will be felt as a benefit, unless it be possessed by a person for whom it is adapted.

“Impressions of a novel and pleasing kind soon lose their attraction; and thus the honors which are acquired by civil and literary eminence, quickly fade away. They are like a beautiful cloud in the heavens, or a dew-drop on a leaf, which glitters and exhibits its beauties for a while, but the fervent sun absorbs both; or, they are like a gaudy flower, which a man fixes in his bosom—very lovely at first, but its attractions soon vanish. On the other hand, painful occurrences leave but a faint impression. Although, at first, a man may be bowed down with trouble, yet he will soon regain an erect position and a smiling countenance. A few weeks or months hide most of our sorrows from us; and this is an eminent proof of the wisdom and beneficence of the Deity: for the general amount of human happiness is by this means more equally divided. A state of elation is temporary, and so is a state of depression; and thus, whether a man rises or sinks in worldly possessions and honors, although there will be some difference in the amount of enjoyment, yet there will be much less than we are generally disposed to imagine.

“A taste for novelty affects the engagements of society: it is the source of fashion; it gives labor to the mechanic, to the artist, and to almost every man who obtains his maintenance by industry. And thus there are new buildings, new vehicles, new machines, and new methods of doing most things. There are dresses of various kinds the result of ingenuity and taste. One thing is new and attractive, but it soon becomes stale, and then we look for something novel. Some kinds of food are scarce and costly: these are approved by the great, but they become plentiful and cheap, and then the rich man looks for something rare, some new discovery in the art of cookery. The round of pleasures and amusements is continually varying. Formerly the men, and even the ladies, were delighted by exhibitions of combats among savage beasts—lions, elephants, and tigers; they feasted their eyes on the bloody combats of human beings with each other, or with bulls and other furious animals. They attended dog-fights, cock-fights, and other barbarous diversions. But the taste has become improved; novelty has taken a praiseworthy direction: boxing, wrestling, and other disgraceful exhibitions, are now transferred to the vulgar and disreputable; many innocent amusements have been introduced, and these also have been regulated by the universal love of novelty. The same variety has existed in language. A certain style of speech, and certain phrases, are fashionable in the best society; these are gradually introduced among the lower ranks, and then the better classes look for something novel. Many words and phrases originally introduced for the purpose of expressing things delicately, become vulgar: terms which were primarily intended as a reproach become a designation of honor, and those once deemed honorable become reproachful.

“The love of novelty occasions the great variety of tunes which we possess, and the diversity of musical skill. A newly-constructed instrument, a new or superior mode of performing on it and the last new tune, are objects of universal attraction. The same disposition arises with respect to books. Novelty has occasioned all the variety which the history of literature exhibits, from the bulky folio to the penny pamphlet, and the annual publication to the daily newspaper: it has occasioned, also, in a great degree, the multitude of opinions which have deluged the world. Something new, as the loungers of Athens demanded, has been the requirement of the public in all ages. If it be new, it will be attractive, and if pleasing or convenient, it will be embraced, and then its strength and consistency will soon be deemed demonstrated: but when the writers on the subject, and the readers of those writings, become cool; when reason takes the place of imagination, then the system will be often discovered to be defective, the vapory fabric will fade away, and some other will obtain its place. We are too frequently going round in our progress, rather than forward. In many respects we are not much farther advanced than the ancients, and yet we ought to be, and should be if we had pursued a direct course.

“But one of the most pleasing sources of novelty is that which the Almighty has given us in the seasons of the year; and this distinctly shows us that the love of novelty is not only natural, but it is allowable and praiseworthy, if it be regulated by reason; for the Great Creator himself indulges us in this respect. And thus we have all the variety of summer and winter, of sultry and frosty days, of clear and cloudy skies; of the budding and blooming of spring, and the richness and luxuriance of autumn; the breaking forth of the sun in the morning, and the setting of that glorious luminary; the light of the stars; the silvery splendor of the moon; the glare of lightnings and meteors, the rolling of thunder, with vapors, rain, hail, and snow.

“The love of novelty is injurious only when it is carried beyond what the Almighty intended; when it does not animate a person to perform his necessary engagements, but carries him away from them; when it makes him restless and wavering. Novelty accompanies man in infancy and in youth; it cheers and exalts him in the changing scenes of manhood; and when we leave this earthly sphere, and the soul bursts forth from its corporeal dwelling, it will fly upward to regions of still greater novelty, and never-failing interest!”