CHAPTER X
SAINT CYPRIAN'S CELL
Lasciate ogni speranza voi ch' entrate.
Dante.
Cyprian de Mulverton, fifth prior of the monastery of Saint Francis, a prelate of singular sanctity, being afflicted, in his latter days, with a despondency so deep that neither penance nor fasting could remove it, vowed never again to behold, with earthly eyes, the blessed light of heaven, nor to dwell longer with his fellowmen; but, relinquishing his spiritual dignity, "the world forgetting, by the world forgot," to immure himself, while living, within the tomb.
He kept his vow. Out of the living rock that sustained the saintly structure, beneath the chapel of the monastery, was another chapel wrought, and thither, after bidding an eternal farewell to the world, and bestowing his benediction upon his flock, whom he committed to the care of his successor, the holy man retired.
Never, save at midnight, and then only during the performance of masses for his soul's repose, did he ascend from his cell: and as the sole light allowed within the dismal dungeon of his choice was that of a sepulchral lamp, as none spoke with him when in his retreat, save in muttered syllables, what effect must the lustre emanating from a thousand tapers, the warm and pungent odors of the incense-breathing shrine, contrasted with the earthy vapors of his prison-house, and the solemn swell of the Sanctus, have had upon his excited senses? Surely they must have seemed like a foretaste of the heaven he sought to gain!
Ascetic to the severest point to which nature's endurance could be stretched, Cyprian even denied himself repose. He sought not sleep, and knew it only when it stole on him unawares. His couch was the flinty rock; and long afterwards, when the zealous resorted to the sainted prior's cell, and were shown those sharp and jagged stones, they marvelled how one like unto themselves could rest, or even recline upon their points without anguish, until it was explained to them that, doubtless, He who tempereth the wind to the shorn lamb had made that flinty couch soft to the holy sufferer as a bed of down. His limbs were clothed in a garb of horsehair of the coarsest fabric; his drink was the dank drops that oozed from the porous walls of his cell; and his sustenance, such morsels as were bestowed upon him by the poor—the only strangers permitted to approach him. No fire was suffered, where perpetual winter reigned. None were admitted to his nightly vigils; none witnessed any act of penance; nor were any groans heard to issue from that dreary cave; but the knotted, blood-stained thong, discovered near his couch, too plainly betrayed in what manner those long lone nights were spent. Thus did a year roll on. Traces of his sufferings were visible in his failing strength. He could scarcely crawl; but he meekly declined assistance. He appeared not, as had been his wont, at the midnight mass; the door of his cell was thrown open at that hour; the light streamed down like a glory upon his reverend head; he heard the distant reverberations of the deep Miserere; and breathed odors as if wafted from Paradise.
One morn it chanced that they who sought his cell found him with his head upon his bosom, kneeling before the image of the virgin patroness of his shrine. Fearing to disturb his devotions, they stood reverently looking on; and thus silently did they tarry for an hour; but, as in that space he had shown no signs of motion, fearing the worst, they ventured to approach him. He was cold as the marble before which he knelt. In the act of humblest intercession—it may be, in the hope of grace—had Cyprian's spirit fled.
"Blessed are they who die in the Lord," exclaimed his brethren, regarding his remains with deepest awe. On being touched, the body fell to the ground. It was little more than a skeleton.
Under the cloisters of the holy pile were his bones interred, with a degree of pomp and ostentation that little accorded with the lowliness and self-abasement of this man of many sorrows.
This chapel, at the time of which we treat, was pretty much in the same condition as it existed in the days of its holy inmate. Hewn out of the entrails of the rock, the roof, the vaults, the floor, were of solid granite. Three huge cylindrical pillars, carved out of the native rock, rough as the stems of gnarled oak-trees, lent support to the ceiling. Support, however, was unneeded; an earthquake would scarce have shaken down those solid rafters. Only in one corner, where the water welled through a crevice of the rock, in drops that fell like tears, was decay manifest. Here the stone, worn by the constant dripping, had, in some places, given way. In shape, the vault was circular. The integral between each massive pillar formed a pointed arch. Again, from each pillar sprang other arches, which, crossed by diagonal, ogive branches, weaving one into the other, and radiating from the centre, formed those beautifully intricate combinations upon which the eye of the architectural enthusiast loves to linger. Within the ring formed by these triple columns, in which again the pillars had their own web of arches, was placed an altar of stone, and beside it a crucifix of the same rude material. Here also stood the sainted image of her who had filled the prior with holy aspirations, now a shapeless stone. The dim lamp, that, like a star struggling with the thick gloom of a wintry cell, had shed its slender radiance over the brow of the Virgin Thecla, was gone. But around the keystone of the central arches, whence a chain had once depended, might be traced in ancient characters, half effaced by time, the inscription:
STA. THECLA ORA PRO NOBIS
One outlet only was there from the chapel—that which led by winding steps to the monastery; one only recess—the prior's cell. The former faced the altar; the latter yawned like the mouth of a tomb at its back. Altogether it was a dreary place. Dumb were its walls as when they refused to return the murmured orisons of the anchorite. One uniform sad coloring prevailed throughout. The gray granite was grown hoar with age, and had a ghostly look; the columns were ponderous, and projected heavy shadows. Sorrow and superstition had their tale, and a moral gloom deepened the darkness of the spot. Despair, which had inspired its construction, seemed to brood therein. Hope shunned its inexorable recesses.
Alone, within this dismal sanctuary, with hands outstretched towards the desecrated image of its tutelar saint, knelt Sybil. All was darkness. Neither the heavy vapors that surrounded her, nor the shrine before which she bent, were visible; but, familiar with the dreary spot, she knew that she had placed herself aright. Her touch had satisfied her that she bowed before the altar of stone; that her benighted vision was turned towards the broken image of the saint, though now involved in gloom the most profound; and with clasped hands and streaming eyes, in low and mournful tones, she addressed herself in the following hymn to the tutelar saint of the spot:
HYMN TO SAINT THECLA
In my trouble, in my anguish,
In the depths of my despair,
As in grief and pain I languish,
Unto thee I raise my prayer.
Sainted virgin! martyr'd maiden!
Let thy countenance incline
Upon one with woes o'erladen,
Kneeling lowly at thy shrine;
That in agony, in terror,
In her blind perplexity,
Wandering weak in doubt and error,
Calleth feebly upon thee.
Sinful thoughts, sweet saint, oppress me,
Thoughts that will not be dismissed;
Temptations dark possess me,
Which my strength may not resist.
I am full of pain, and weary
Of my life; I fain would die:
Unto me the world is dreary;
To the grave for rest I fly.
For rest!—oh! could I borrow
Thy bright wings, celestial dove!
They should waft me from my sorrow,
Where peace dwells in bowers above.
Upon one with woes o'erladen,
Kneeling lowly at thy shrine;
Sainted virgin! martyr'd maiden!
Let thy countenance incline!
Mei miserere Virgo,
Requiem æternam dona!
By thy loveliness, thy purity,
Unpolluted, undefiled,
That in serene security
Upon earth's temptations smiled;—
By the fetters that constrain'd thee,
By thy flame-attested faith,
By the fervor that sustain'd thee,
By thine angel-ushered death;—
By thy soul's divine elation,
'Mid thine agonies assuring
Of thy sanctified translation
To beatitude enduring;—
By the mystic interfusion
Of thy spirit with the rays,
That in ever bright profusion
Round the Throne Eternal blaze;—
By thy portion now partaken,
With the pain-perfected just;
Look on one of hope forsaken,
From the gates, of mercy thrust.
Upon one with woes o'erladen,
Kneeling lowly at thy shrine,
Sainted virgin! martyr'd maiden!
Let thy countenance incline!
Ora pro me mortis horâ!
Sancta Virgo, oro te!
Kyrie Eleison!
The sweet, sad voice of the singer died faintly away. The sharpness of her sorrow was assuaged. Seldom, indeed, is it that fervent supplication fails to call down solace to the afflicted. Sybil became more composed. She still, however, trembled at the thoughts of what remained to be done.
"They will be here ere my prayer is finished," murmured she—"ere the end is accomplished for which I came hither alone. Let me, oh! let me make my peace with my Creator, ere I surrender my being to His hands, and then let them deal with me as they will." And she bowed her head in lowly prayer.
Again raising her hands, and casting her eyes towards the black ceiling, she implored, in song, the intercession of the saintly man who had bequeathed his name to the cell.
HYMN TO SAINT CYPRIAN
Hear! oh! hear me, sufferer holy,
Who didst make thine habitation
'Mid these rocks, devoting wholly
Life to one long expiation
Of thy guiltiness, and solely
By severe mortification
Didst deliver thee. Oh! hear me!
In my dying moments cheer me.
By thy penance, self-denial,
Aid me in the hour of trial.
May, through thee, my prayers prevailing
On the Majesty of Heaven,
O'er the hosts of hell, assailing
My soul, in this dark hour be driven!
So my spirit, when exhaling,
May of sinfulness be shriven,
And His gift unto the Giver
May be rendered pure as ever!
By thy own dark, dread possession,
Aid me with thine intercession!
Scarcely had she concluded this hymn, when the torch of the knight of Malta in part dissipated the gloom that hung around the chapel.
CHAPTER XI
THE BRIDAL
Cari. I will not die; I must not. I am contracted
To a young gentleman.
Executioner. Here's your wedding-ring.
Duchess of Malfy.
Slowly did the train descend; solemnly and in silence, as if the rites at which they were about to assist had been those of funereal, and not of nuptial, solemnization. Indeed, to look upon those wild and fierce faces by the ruddily-flashing torchlight, which lent to each a stern and savage expression; to see those scowling visages surrounding a bride from whose pallid cheeks every vestige of color, and almost of animation, had fled; and a bridegroom, with a countenance yet more haggard, and demeanor yet more distracted—the beholder must have imagined that the spectacle was some horrible ceremonial, practised by demons rather than human beings. The arched vault, the pillars, the torchlight, the deep shadows, and the wild figures, formed a picture worthy of Rembrandt or Salvator.
"Is Sybil within the chapel?" asked Barbara.
"I am here," returned a voice from the altar.
"Why do we tarry?" said the gipsy queen. "We are all assembled. To the altar."
"To the altar!" shrieked Eleanor. "Oh! no—no–"
"Remember my threat, and obey," muttered Barbara. "You are in my power now."
A convulsive sob was all the answer Eleanor could make.
"Our number is not complete," said the priest, who had looked in vain for the sexton. "Peter Bradley is not with us."
"Ha!" exclaimed Barbara. "Let him be sought for instantly."
"Their search need not extend beyond this spot," said Peter, stepping forward.
The knight of Malta advanced towards the altar. The torchlight reddened upon the huge stone pillars. It fell upon the shrine, and upon the ghastly countenance of Sybil, who stood beside it. Suddenly, as the light approached her, an object, hitherto hidden from view, was revealed. Sybil uttered a prolonged and fearful shriek; the knight recoiled likewise in horror; and a simultaneous cry of astonishment burst from the lips of the foremost of the group. All crowded forwards, and universal consternation prevailed amongst the assemblage. Each one gazed at his neighbor, anxious to learn the occasion of this tumult, and vague fears were communicated to those behind, from the terrified glances, which were the only answers returned by their comrades in front.
"Who has dared to bring that body here?" demanded Barbara, in a tone in which anger struggled with apprehension, pointing at the same time to the ghastly corpse of a female, with streaming hair, at the altar's feet. "Who has dared to do this, I say? Quick! remove it. What do you stare at? Cravens! is this the first time you have looked upon a corpse, that you should shrink aghast—that you tremble before it? It is a clod—ay, less than a clod. Away with it! away, I say."
"Touch it not," cried Luke, lifting a cloud of black hair from off the features; "it is my mother's body."
"My daughter!" exclaimed the sexton.
"What!" vociferated Barbara, "is that your daughter—is that the first Lady Rookwood? Are the dead arisen to do honor to these nuptials? Speak! you can, perchance, explain how she came hither."
"I know not," returned Peter, glancing fiercely at Barbara; "I may, anon, demand that question of you. How came this body here?"
"Ask of Richard Checkley," said Barbara, turning to the priest. "He can, perchance, inform you. Priest," added she, in a low voice, "this is your handiwork."
"Checkley!" screamed Peter. "Is that Richard Checkley? is that–"
"Peace!" thundered Barbara; "will none remove the body? Once more I ask you, do you fear the dead?"
A murmur arose. Balthazar alone ventured to approach the corpse.
Luke started to his feet as he advanced, his eyes glaring with tiger fury.
"Back, old man," cried he, "and dare not, any of you, to lay a sacrilegious finger on her corse, or I will stretch him that advances as lowly as lies my mother's head. When or how it came hither matters not. Here, at the altar, has it been placed, and none shall move it hence. The dead shall witness my nuptials. Fate has ordained it—my fate! o'er which the dead preside. Her ring shall link me to my bride. I knew not, when I snatched it from her death-cold finger, to what end I preserved it. I learn it now. It is here." And he held forth a ring.
"'Tis a fatal boon, that twice-used ring," cried Sybil; "such a ring my mother, on her death-bed, said should be mine. Such a ring she said should wed me–"
"Unto whom?" fiercely demanded Luke.
"Unto Death!" she solemnly rejoined.
Luke's countenance fell. He turned aside, deeply abashed, unable further to brook her gaze; while in accents of such wildly touching pathos as sank into the hearts of each who heard her—hearts, few of them framed of penetrable stuff—the despairing maiden burst into the following strain:
THE TWICE-USED RING
"Beware thy bridal day!"
On her death-bed sighed my mother;
"Beware, beware, I say,
Death shall wed thee, and no other.
Cold the hand shall grasp thee,
Cold the arms shall clasp thee,
Colder lips thy kiss shall smother!
Beware thy bridal kiss!
"Thy wedding ring shall be
From a clay-cold finger taken;
From one that, like to thee,
Was by her love forsaken.
For a twice-used ring
Is a fatal thing;
Her griefs who wore it are partaken—,
Beware that fatal ring!
"The altar and the grave
Many steps are not asunder;
Bright banners o'er thee wave,
Shrouded horror lieth under.
Blithe may sound the bell,
Yet 'twill toll thy knell;
Scathed thy chaplet by the thunder—
Beware that blighted wreath!"
Beware my bridal day!
Dying lips my doom have spoken;
Deep tones call me away;
From the grave is sent a token.
Cold, cold fingers bring
That ill-omen'd ring;
Soon will a second heart be broken;
This is my bridal day.
There was a deep, profound silence as the last melancholy cadence died away, and many a rugged heart was melted, even to tears. Eleanor, meanwhile, remained in a state of passive stupefaction, vacantly gazing at Sybil, upon whom alone her eyes were fixed, and appearing indistinctly to apprehend the meaning of her song.
"This is my bridal day," murmured she, in a low tone, when Sybil had finished. "Said not that sweet voice so? I know 'tis my bridal day. What a church you have chosen, mother! A tomb—a sepulchre—but 'tis meet for such nuptials as mine—and what wedding guests! Was that pale woman in her shroud-like dress invited here by you? Tell me that, mother."
"My God, her senses are gone!" cried Mrs. Mowbray. "Why did I venture into this horrible place?"
"Ask not why now, madam," rejoined the priest. "The hour for consideration is past. We must act. Let the marriage proceed, at all hazards; we will then take means to extricate ourselves from this accursed place."
"Remove that horrible object," said Mrs. Mowbray; "it fascinates the vision of my child."
"Lend me your hand, Richard Checkley," said Peter, sternly regarding the priest.
"No, no," replied the priest, shuddering; "I will not, cannot touch it. Do you alone remove it."
Peter approached Luke. The latter now offered no further opposition, and the body was taken away. The eyes of Eleanor followed it into the dark recesses of the vault; and when she could no longer distinguish the white flutter of the cereclothes, her laboring bosom seemed torn asunder with the profound sigh that burst from it, and her head declined upon her shoulder.
"Let me see that ring," said the priest, addressing Luke, who still held the wedding-ring between his fingers.
"I am not naturally superstitious," said Mrs. Mowbray; "whether my mind be affected with the horrors of this place, I know not; but I have a dread of that ring. She shall not use it."
"Where no other can be found," said the priest, with a significant and peculiar look at Mrs. Mowbray, "I see no reason why this should be rejected. I should not have suspected you, madam, of such weakness. Grant there were evil spell, or charm, attached to it, which, trust me, there is not—as how should there be, to a harmless piece of gold?—my benediction, and aspersion with holy lymph, will have sufficient power to exorcise and expel it. To remove your fears it shall be done at once."
A cup containing water was brought, together with a plate of salt—which condiment the devil is said to abhor, and which is held to be a symbol of immortality and of eternity; in that, being itself incorruptible, it preserves all else from corruption,—and, with the customary Romish formula of prayer and exorcism, the priest thrice mingled the crystal particles with the pure fluid; after which, taking the ring in his hand with much solemnity, he sprinkled it with a few drops of the water which he had blessed; made the sign of the cross upon the golden circlet; uttered another and more potent exorcism to eradicate and expel every device of Satan, and delivered it back to Luke.
"She may wear it now in safety," said the sexton, with strong contempt. "Were the snake himself coiled round that consecrated bauble, the prayers of the devout Father Checkley would unclasp his lithest folds. But wherefore do we tarry now? Naught lies between us and the altar. The path is clear. The bridegroom grows impatient."
"And the bride?" asked Barbara.
"Is ready," replied the priest. "Madam, delay not longer. Daughter, your hand."
Eleanor gave her hand. It was clammy and cold. Supported by her mother, she moved slowly towards the altar, which was but a few steps from where they stood. She offered no resistance, but did not raise her head. Luke was by her side. Then for the first time did the enormity of the cruel, dishonorable act he was about to commit, strike him with its full force. He saw it in its darkest colors. It was one of those terrible moments when the headlong wheel of passion stands suddenly still.
"There is yet time," groaned he. "Oh! let me not damn myself perpetually! Let me save her; save Sybil; save myself."
They were at the altar—that wild wedding train. High over head the torch was raised. The red light flashed on bridegroom and on bride, giving to the pale features of each an almost livid look; it fell upon the gaunt aspect of the sexton, and lit up the smile of triumphant malice that played upon his face; it fell upon the fantastical habiliments of Barbara, and upon the haughty but perturbed physiognomy of Mrs. Mowbray; it fell upon the salient points of the Gothic arches; upon one molded pillar; upon the marble image of the virgin Thecla; and on the scarcely less marble countenance of Sybil who stood behind the altar, silent, statue-like, immovable. The effect of light and shade on other parts of the scene, upon the wild drapery, and harsh lineaments of many of the group, was also eminently striking.
Just as the priest was about to commence the marriage service, a yelling chorus, which the gipsies were accustomed to sing at the celebration of the nuptials of one of their own tribe, burst forth. Nothing could be more horribly discordant than their song.
WEDDING CHORUS OF GIPSIES
Scrape the catgut! pass the liquor!
Let your quick feet move the quicker.
Ta-ra-la!
Dance and sing in jolly chorus,
Bride and bridegroom are before us,
And the patrico stands o'er us.
Ta-ra-la!
To unite their hands he's ready;
For a moment, pals, be steady;
Cease your quaffing,
Dancing, laughing;
Leave off riot,
And be quiet,
While 'tis doing.
'Tis begun,
All is over!
Two are one!
The patrico has link'd 'em;
Daddy Hymen's torch has blink'd 'em.
Amen!
To 't again!
Now for quaffing,
Now for laughing,
Stocking-throwing,
Liquor flowing;
For our bridals are no bridles, and our altars never alter;
From the flagon never flinch we, in the jig we never falter.
No! that's not our way, for we
Are staunch lads of Romany.
For our wedding, then, hurrah!
Hurrah! hurrah! hurrah!
This uncouth chorus ended, the marriage proceeded. Sybil had disappeared. Had she fled? No! she was by the bride. Eleanor mechanically took her place. A faint voice syllabled the responses. You could scarcely have seen Miss Mowbray's lips move. But the answers were given, and the priest was satisfied.
He took the ring, and sprinkled it once again with the holy water, in the form of the cross. He pronounced the prayer: "Benedic, Domine, annulum hunc, quem nos in tuo nomine benedicimus, ut quæ eum gestaverit, fidelitatem integram suo sponso tenens, in pace et voluntate tua permaneat atque in mutua charitate semper vivat."
He was about to return the ring to Luke, when the torch, held by the knight of Malta, was dashed to the ground by some unseen hand, and instantly extinguished. The wild pageant vanished as suddenly as the figures cast by a magic-lantern upon a wall disappear when the glass is removed. A wild hubbub succeeded. Hoarsely above the clamor arose the voice of Barbara.
"To the door, quickly!—to the door! Let no one pass, I will find out the author of this mishap anon. Away!"
She was obeyed. Several of the crew stationed themselves at the door.
"Proceed now with the ceremony," continued Barbara. "By darkness, or by light, the match shall be completed."
The ring was then placed upon the finger of the bride; and as Luke touched it, he shuddered. It was cold as that of the corpse which he had clasped but now. The prayer was said, the blessing given, the marriage was complete.
Suddenly there issued from the darkness deep dirge-like tones, and a voice solemnly chanted a strain, which all knew to be the death-song of their race, hymned by wailing women over an expiring sister. The music seemed to float in the air.
THE SOUL-BELL
Fast the sand of life is falling,
Fast her latest sigh exhaling,
Fast, fast, is she dying.
With death's chills her limbs are shivering,
With death's gasp the lips are quivering,
Fast her soul away is flying.
O'er the mountain-top it fleeteth,
And the skyey wonders greeteth,
Singing loud as stars it meeteth
On its way.
Hark! the sullen Soul-bell tolling,
Hollowly in echoes rolling,
Seems to say—
"She will ope her eyes—oh, never!
Quenched their dark light—gone for ever!
She is dead."
The marriage group yet lingered near the altar, awaiting, it would seem, permission from the gipsy queen to quit the cell. Luke stirred not. Clasped in his own, the cold hand of his bride detained him; and when he would have moved, her tightened grasp prevented his departure.
Mrs. Mowbray's patience was exhausted by the delay. She was not altogether free from apprehension. "Why do we linger here?" she whispered to the priest. "Do you, father, lead the way."
"The crowd is dense," replied Checkley. "They resist my effort."
"Are we prisoners here?" asked Mrs. Mowbray, in alarm.
"Let me make the attempt," cried Luke, with fiery impatience. "I will force a passage out."
"Quit not your bride," whispered Peter, "as you value her safety. Heed not aught else. She alone is in danger. Suffer her not to be withdrawn from your hand, if you would not lose her. Remain here. I will bring the matter to a speedy issue."
"Enough," replied Luke; "I stir not hence." And he drew his bride closer towards him. He stooped to imprint a kiss upon her lips. A cold shudder ran through her frame as he touched them, but she resisted not his embrace.
Peter's attempt to effect an egress was as unsuccessful as that of the priest. Presenting Excalibur at his bosom, the knight of Malta challenged him to stand.
"You cannot pass," exclaimed the knight; "our orders are peremptory."
"What am I to understand by this?" said Peter, angrily. "Why are we detained?"
"You will learn all anon," returned Barbara. "In the meantime you are my prisoners—or, if you like not the phrase, my wedding guests."
"The wedding is complete," returned the sexton; "the bride and bridegroom are impatient to depart, and we, the guests—albeit some of us may be no foes to darkness—desire not to hold our nuptial revels here."
"Sybil's wedding has not taken place," said Barbara; "you must tarry for that."
"Ha! now it comes," thought Peter. "And who, may I ask," said he, aloud, "amongst this goodly company, is to be her bridegroom?"
"The best amongst them," returned Barbara—"Sir Luke Rookwood."
"He has a bride already," replied Peter.
"She may be removed," said Barbara, with bitter and peculiar emphasis. "Dost understand my meaning now?"
"I will not understand it," said Peter. "You cannot mean to destroy her who now stands at the altar?"
"She who now stands at the altar must make way for a successor. She who grasps the bridegroom's hand shall die. I swear it by the oath of my tribe."
"And think you, you will be allowed to execute your murderous intention with impunity?" shrieked Mrs. Mowbray, in an agony of terror. "Think you that I will stand by and see my child slaughtered before my face; that my friends will suffer it? Think you that even your own tribe will dare to execute your horrible purpose? They will not. They will side with us. Even now they murmur. What can you hope to gain by an act so wild and dreadful? What object can you have?"
"The same as your own," reiterated Barbara—"the advancement of my child. Sybil is as dear to me as Eleanor is to you. She is my child's child, the daughter of my best beloved daughter. I have sworn to marry her to Sir Luke Rookwood. The means are in my power. I will keep my vow; I will wed her to him. You did not hesitate to tear your daughter from the man she loved, to give her to the man she hated; and for what? For gold—for power—for rank. I have the same motive. I love my child, and she loves Sir Luke—has loved him long and truly; therefore shall she have him. What to me is your child, or your feelings, except they are subservient to my wishes? She stands in my way. I remove her."
"Who placed her in your path?" asked the sexton. "Did you not lend a helping hand to create that obstacle yourself?"
"I did," replied Barbara. "Would you know wherefore? I will tell you. I had a double motive for it. There is a curse upon the house of Rookwood, that kills the first fair bride each generation leads to the altar. Have you never heard of it?"
"I have! And did that idle legend sway you?"
"And do you call it idle? You! Well—I had another motive—a prophecy."
"By yourself uttered," replied Peter.
"Even so," replied Barbara. "The prophecy is fulfilled. The stray rook is found. The rook hath with rook mated. Luke hath wedded Eleanor. He will hold possession of his lands. The prophecy is fulfilled."
"But how?" asked Peter; "will your art tell you how and why he shall now hold possession? Can you tell me that?"
"My art goes not so far. I have predicted the event. It has come to pass. I am satisfied. He has wedded her. Be it mine to free him from that yoke." And Barbara laughed exultingly.
The sexton approached the old crone, and laid his hand with violence upon her shoulder.
"Hear me," cried he, "and I will tell you that which your juggling art refuses to reveal. Eleanor Mowbray is heir to the lands of Rookwood! The estates are hers! They were bequeathed to her by her grandsire, Sir Reginald."
"She was unborn when he died," cried Mrs. Mowbray.
"True," replied Peter; "but the lands were left to your issue female, should such issue be born."
"And did Sir Piers, my brother, know of this? did he see this will," asked Mrs. Mowbray, with trembling impatience.
"He did; and withheld the knowledge of it from you and yours."
"Ah! why knew I not this before? Why did you not tell me ere that was done which cannot be undone? I have sacrificed my child."
"Because it did not chime with my purposes to tell you," replied Peter, coldly.
"It is false—it is false," cried Mrs. Mowbray, her anger and vexation getting the better of her fears. "I will not believe it. Who are you, that pretend to know the secrets of our house?"
"One of that house," replied the sexton.
"Your name?"
"Would you know my name?" answered Peter, sternly. "The time is come when I will no longer conceal it. I am Alan Rookwood."
"My father's brother!" exclaimed Mrs. Mowbray.
"Ay, Alan Rookwood. The sworn enemy of your father—of you—of all of ye: your fate—your destiny—your curse. I am that Alan Rookwood whose name you breathed in the vault. I am he, the avenger—the avenged. I saw your father die. I heard his groans—his groans!—ha, ha! I saw his sons die: one fell in battle—I was with him there. The other expired in his bed. I was with Sir Piers when he breathed his last, and listened to his death agonies. 'Twas I who counselled him to keep the lands from you and from your child, and he withheld them. One only amongst the race, whose name I have cast off, have I loved; and him—because," added he, with something like emotion—"because he was my daughter's child—Luke Rookwood. And even he shall minister to my vengeance. He will be your curse—your daughter's curse—for he loves her not. Yet he is her husband, and hath her land;—ha, ha!" And he laughed till he became convulsed with the paroxysm of fiendish exultation.